Carroll and Noel, ‘Pictorial Representation’, Philosophy of art: a contemporary introduction, vol Routledge contemporary introductions to philosophy (Routledge 1999) <http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://www.kentuk.eblib.com/patron/FullRecord.aspx?p=168645>
Carroll N (ed), Theories of Art Today (Madison 2000)
Carroll N, ‘Aesthetic Experience Revisited’ (2002) 42 The British Journal of Aesthetics 145
Carroll, Noël, Philosophy of Art: A Contemporary Introduction, vol Routledge contemporary introductions to philosophy (Routledge 1999) <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=168645>
——, ‘Film as Art’, The philosophy of motion pictures, vol Foundations of the philosophy of the arts (Blackwell Pub Ltd 2008)
Danto AC, ‘The End of Art’, The philosophical disenfranchisement of art, vol Columbia classics in philosophy ([New ed], Columbia University Press 2005)
Davies S, ‘AESTHETIC JUDGEMENTS, ARTWORKS AND FUNCTIONAL BEAUTY’ (2006) 56 The Philosophical Quarterly 224
Davies, S., The Artful Species: Aesthetics, Art, and Evolution (Oxford University Press)
Davies, Stephen, The Philosophy of Art, vol Foundations of the philosophy of the arts (Blackwell Pub 2006)
Destrée P, Suffering Art Gladly: The Paradox of Negative Emotion in Art (Jerrold Levinson ed, Palgrave Macmillan 2013)
Friday and Jonathan, ‘Art and Aesthetic Experience’, Aesthetics and photography, vol Aesthetics and the philosophy of art (Ashgate 2002)
Gaut B, ‘The Cluster Account of Art Defended’ (2005) 45 The British Journal of Aesthetics 273
Gaut, Berys Nigel and Lopes, Dominic, The Routledge Companion to Aesthetics (2nd ed, Routledge 2005)
Gaut BN, Lopes D, and Dawsonera, The Routledge Companion to Aesthetics, vol Routledge companions to philosophy (Second edition, Routledge 2005) <http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780203390795>
Goldman A, ‘Beardsley’s Legacy: The Theory of Aesthetic Value’ (2005) 63 Journal of Aesthetics and Art Criticism 185
Graham and Gordon, ‘Architecture as an Art’, Philosophy of the arts: an introduction to aesthetics (2nd ed, Routledge 2000)
——, ‘Art and Emotion’, Philosophy of the arts: an introduction to aesthetics (2nd ed, Routledge 2000)
——, ‘Art and Pleasure’, Philosophy of the arts: an introduction to aesthetics (2nd ed, Routledge 2000)
——, ‘The “auteur” in Film’, Philosophy of the arts: an introduction to aesthetics (2nd ed, Routledge 2000)
Graham G, Philosophy of the Arts: An Introduction to Aesthetics (Third edition, Routledge 2005) <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=254270>
Graham, Gordon, Philosophy of the Arts: An Introduction to Aesthetics (2nd ed, Routledge 2000)
Haapala A, Levinson J and Rantala V, ‘The End of Art’, The end of art and beyond: essays after Danto (Humanities Press 1997)
——, ‘The Philosophical Disenfranchisement of the Commonplace’, The end of art and beyond: essays after Danto (Humanities Press 1997)
Hans Maes, ‘The End of Art: A Real Problem or Not Really a Problem?’ (2004) 1 Postgraduate Journal of Aesthetics <http://www.pjaesthetics.org/index.php/pjaesthetics/article/view/18>
——, ‘The End of Art: A Real Problem or Not Really a Problem?’ (2004) 1 Postgraduate Journal of Aesthetics <http://www.pjaesthetics.org/index.php/pjaesthetics/article/view/18>
——, ‘The End of Art Revisited: A Response to Kalle Puolakka’ (2005) 2 Postgraduate Journal of Aesthetics <http://www.pjaesthetics.org/index.php/pjaesthetics/article/view/39>
Hanson L, ‘The Reality of (Non-Aesthetic) Artistic Value’ (2013) 63 The Philosophical Quarterly 492
——, ‘The Reality of (Non-Aesthetic) Artistic Value’ (2013) 63 The Philosophical Quarterly 492
Hume D, Of the Standard of Taste, and Other Essays, vol The library of liberal arts (John W Lenz ed, Bobbs-Merrill 1965)
Hume D, ‘Of The Standard of Taste’, Art and enlightenment: Scottish aesthetics in the eighteenth century, vol Library of Scottish philosophy (Imprint Academic 2004)
Hyman J, The Objective Eye: Color, Form, and Reality in the Theory of Art (University of Chicago Press 2006) <http://www.loc.gov/catdir/toc/ecip061/2005029205.html>
John and Eileen, ‘Art and Knowledge’, The Routledge companion to aesthetics (2nd ed, Routledge 2005)
Kendall L. Walton, ‘How Marvelous! Toward a Theory of Aesthetic Value’ (1993) 51 The Journal of Aesthetics and Art Criticism 499 <http://www.jstor.org/stable/431521?seq=1#page_scan_tab_contents>
Kieran M, Contemporary Debates in Aesthetics and the Philosophy of Art, vol Contemporary debates in philosophy (Blackwell Pub 2006) <http://www.loc.gov/catdir/toc/ecip0510/2005009259.html>
Kieran, Matthew and Lopes, Dominic, Knowing Art: Essays in Aesthetics and Epistemology, vol Philosophical studies series (Springer 2007)
Kivy, Peter, The Blackwell Guide to Aesthetics, vol Blackwell philosophy guides (Blackwell Pub 2004) <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=350962>
Lamarque, P., The Philosophy of Literature, vol Foundations of the Philosophy of the Arts (Wiley-Blackwell (an imprint of John Wiley & Sons Ltd) 2009)
Levinson J, ‘Intention and Interpretation in Literature’, Aesthetics and the philosophy of art - the analytic tradition: an anthology, vol Blackwell philosophy anthologies (Blackwell Pub 2004)
Levinson J, The Oxford Handbook of Aesthetics (Oxford University Press 2005) <http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://dx.doi.org/10.1093/oxfordhb/9780199279456.001.0001>
——, Contemplating Art: Essays in Aesthetics (Clarendon Press 2006) <http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://dx.doi.org/10.1093/acprof:oso/9780199206179.001.0001>
Levinson, Jerrold, ‘Pleasure and the Value of Works of Art’, The pleasures of aesthetics: philosophical essays (Cornell University Press 1996)
——, The Oxford Handbook of Aesthetics (Oxford University Press 2003)
——, ‘Hume’s Standard of Taste: The Real Problem’, Contemplating art: essays in aesthetics (Clarendon Press 2006) <http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://dx.doi.org/10.1093/acprof:oso/9780199206179.001.0001>
Livingston P, ‘Utile Et Dulce: A Response to Noel Carroll’ (2006) 46 The British Journal of Aesthetics 274
Lopes, D., Philosophy of Computer Art (Routledge 2010) <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=446874>
Lopes DM, ‘THE MYTH OF (NON-AESTHETIC) ARTISTIC VALUE’ (2011) 61 The Philosophical Quarterly 518
Maes H, ‘Intention, Interpretation, and Contemporary Visual Art’ (2010) 50 The British Journal of Aesthetics 121
——, ‘Intention, Interpretation, and Contemporary Visual Art’ (2010) 50 The British Journal of Aesthetics 121
Maes, H. & Levinson, J. (eds.), Art and Pornography: Philosophical Essays (Oxford University Press)
Michael Newall, ‘A Restriction for Pictures and Some Consequences for a Theory of Depiction’ (2003) 61 The Journal of Aesthetics and Art Criticism 381 <http://www.jstor.org/stable/1559072?seq=1#page_scan_tab_contents>
Neill and Alex, ‘Art and Emotion’, The Oxford handbook of aesthetics (Oxford University Press 2003)
Neill, Alex and Ridley, Aaron, Arguing about Art: Contemporary Philosophical Debates (3rd ed, Routledge 2008)
Nelson Goodman, ‘How Buildings Mean’ (1985) 11 Critical Inquiry 642 <http://www.jstor.org/stable/1343421?seq=1#page_scan_tab_contents>
Newall M, What Is a Picture?: Depiction, Realism, Abstraction (Palgrave Macmillan 2011) <http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780230297531>
Nussbaum, Martha Craven, Upheavals of Thought: The Intelligence of Emotions (Cambridge University Press 2001)
Phillips, Sandra S. and others, Exposed: Voyeurism, Surveillance, and the Camera since 1870 (Tate Publishing 2010)
Robinson, Jenefer, Deeper than Reason: Emotion and Its Role in Literature, Music, and Art (Oxford University Press 2005) <http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://www.oxfordscholarship.com/oso/public/content/philosophy/0199263655/toc.html>
Scruton, R., Green Philosophy: How to Think Seriously About the Planet (Atlantic Books 2012)
Shimamura, A.P. & Stephen E. Palmer, S.E., Aesthetic Science : Connecting Minds, Brains, and Experience : Connecting Minds, Brains, and Experience (Oxford University Press - Special 2012) <http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780199875740>
Stecker and Robert, ‘Interpretation’, The Routledge companion to aesthetics (2nd ed, Routledge 2005)
STECKER ROBERT, ‘Artistic Value Defended’ (2012) 70 The Journal of Aesthetics and Art Criticism 355 <http://onlinelibrary.wiley.com/doi/10.1111/j.1540-6245.2012.01527.x/abstract?userIsAuthenticated=false&deniedAccessCustomisedMessage=>
Tavinor, G., Art of Videogames (Wiley-Blackwell 2009) <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=470749>
Tolstoy L, Chto Takoe Iskusstvo? = What Is Art? (Bradda Books 1963)
Tolstoy L and Maude A, What Is Art? (Paul P B Minet 1971)
Walton, K., Marvelous Images: On Values and the Arts (Oxford University Press 2008) <http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://www.kentuk.eblib.com/patron/FullRecord.aspx?p=415522>
Warburton, Nigel, The Art Question (Routledge 2003)
Wollheim R and Bollingen Foundation Collection (Library of Congress), Painting as an Art, vol The A.W. Mellon lectures in the fine arts (Princeton University Press 1987)
Wollheim, Richard, ‘What the Spectator Sees’, Painting as an art (Thames and Hudson 1987)