Bibliography for Introduction to Aesthetics and Philosophy of Art

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Davies, Stephen. 2006. ‘AESTHETIC JUDGEMENTS, ARTWORKS AND FUNCTIONAL BEAUTY’. The Philosophical Quarterly 56(223):224–41. doi:10.1111/j.1467-9213.2006.00439.x.

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Hans Maes. 2005. ‘The End of Art Revisited: A Response to Kalle Puolakka’. Postgraduate Journal of Aesthetics 2(3). http://www.pjaesthetics.org/index.php/pjaesthetics/article/view/39.

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Hume, D. 2004. ‘Of The Standard of Taste’. in Art and enlightenment: Scottish aesthetics in the eighteenth century. Vol. Library of Scottish philosophy. Exeter: Imprint Academic.

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Kendall L. Walton. 1993. ‘How Marvelous! Toward a Theory of Aesthetic Value’. The Journal of Aesthetics and Art Criticism 51(3):499–510. http://www.jstor.org/stable/431521?seq=1#page_scan_tab_contents.

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Levinson, Jerrold. 1996. ‘Pleasure and the Value of Works of Art’. in The pleasures of aesthetics: philosophical essays. Ithaca, N.Y.: Cornell University Press.

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Levinson, Jerrold. 2006. Contemplating Art: Essays in Aesthetics. Oxford: Clarendon Press.

Levinson, Jerrold. 2006. ‘Hume’s Standard of Taste: The Real Problem’. in Contemplating art: essays in aesthetics. New York: Clarendon Press.

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Lopes, D. 2010. Philosophy of Computer Art. London: Routledge.

Lopes, Dominic McIver. 2011. ‘THE MYTH OF (NON-AESTHETIC) ARTISTIC VALUE’. The Philosophical Quarterly 61(244):518–36. doi:10.1111/j.1467-9213.2011.700.x.

Maes, H. 2010a. ‘Intention, Interpretation, and Contemporary Visual Art’. The British Journal of Aesthetics 50(2):121–38. doi:10.1093/aesthj/ayp051.

Maes, H. 2010b. ‘Intention, Interpretation, and Contemporary Visual Art’. The British Journal of Aesthetics 50(2):121–38. doi:10.1093/aesthj/ayp051.

Maes, H. & Levinson, J. (eds.). n.d. Art and Pornography: Philosophical Essays. [Place of publication not identified]: Oxford University Press.

Michael Newall. 2003. ‘A Restriction for Pictures and Some Consequences for a Theory of Depiction’. The Journal of Aesthetics and Art Criticism 61(4):381–94. http://www.jstor.org/stable/1559072?seq=1#page_scan_tab_contents.

Neill and Alex. 2003. ‘Art and Emotion’. in The Oxford handbook of aesthetics. Oxford: Oxford University Press.

Neill, Alex and Ridley, Aaron. 2008. Arguing about Art: Contemporary Philosophical Debates. 3rd ed. London: Routledge.

Nelson Goodman. 1985. ‘How Buildings Mean’. Critical Inquiry 11(4):642–53. http://www.jstor.org/stable/1343421?seq=1#page_scan_tab_contents.

Newall, Michael. 2011. What Is a Picture?: Depiction, Realism, Abstraction. Basingstoke: Palgrave Macmillan.

Nussbaum, Martha Craven. 2001. Upheavals of Thought: The Intelligence of Emotions. Cambridge: Cambridge University Press.

Phillips, Sandra S., Baker, Simon, San Francisco Museum of Modern Art, Tate Modern (Gallery), and Walker Art Center. 2010. Exposed: Voyeurism, Surveillance, and the Camera since 1870. London: Tate Publishing.

Robinson, Jenefer. 2005. Deeper than Reason: Emotion and Its Role in Literature, Music, and Art. New York: Oxford University Press.

Scruton, R. 2012. Green Philosophy: How to Think Seriously About the Planet. London: Atlantic Books.

Shimamura, A.P. & Stephen E. Palmer, S.E. 2012. Aesthetic Science : Connecting Minds, Brains, and Experience : Connecting Minds, Brains, and Experience. New York: Oxford University Press - Special.

Stecker and Robert. 2005. ‘Interpretation’. in The Routledge companion to aesthetics. New York, NY: Routledge.

STECKER ROBERT. 2012. ‘Artistic Value Defended’. The Journal of Aesthetics and Art Criticism 70(4):355–62. doi:10.1111/j.1540-6245.2012.01527.x.

Tavinor, G. 2009. Art of Videogames. Malden, MA: Wiley-Blackwell.

Tolstoy, Leo. 1963. Chto Takoe Iskusstvo? = What Is Art? [Place of publication not identified]: Bradda Books.

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Wollheim, Richard. 1987. ‘What the Spectator Sees’. in Painting as an art. London: Thames and Hudson.

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Bibliography for Introduction to Aesthetics and Philosophy of Art BETA