1
Graham G. Philosophy of the arts: an introduction to aesthetics. Third edition. London: Routledge 2005.
2
Levinson J. The Oxford handbook of aesthetics. Oxford: Oxford University Press 2005.
3
Graham, Gordon. Art and Pleasure. Philosophy of the arts: an introduction to aesthetics. London, New York: Routledge 2000.
4
Levinson, Jerrold. Pleasure and the Value of Works of Art. The pleasures of aesthetics: philosophical essays. Ithaca, N.Y.: Cornell University Press 1996.
5
Graham, Gordon. Art and Emotion. Philosophy of the arts: an introduction to aesthetics. London, New York: Routledge 2000.
6
Neill, Alex. Art and Emotion. The Oxford handbook of aesthetics. Oxford: Oxford University Press 2003.
7
John, Eileen. Art and Knowledge. The Routledge companion to aesthetics. New York, NY: Routledge 2005.
8
Goldman A. Beardsley’s Legacy: The Theory of Aesthetic Value. Journal of Aesthetics and Art Criticism. 2005;63:185–9. doi: 10.1111/j.0021-8529.2005.00196.x
9
Friday, Jonathan. Art and Aesthetic Experience. Aesthetics and photography. Aldershot: Ashgate 2002.
10
Haapala A, Levinson J, Rantala V. The Philosophical Disenfranchisement of the Commonplace. The end of art and beyond: essays after Danto. Atlantic Highlands, N.J.: Humanities Press 1997.
11
Haapala A, Levinson J, Rantala V. The End of art. The end of art and beyond: essays after Danto. Atlantic Highlands, N.J.: Humanities Press 1997.
12
Graham, Gordon. The ‘auteur’ in film. Philosophy of the arts: an introduction to aesthetics. London, New York: Routledge 2000.
13
Carroll, Noël. Film as Art. The philosophy of motion pictures. Malden, Mass: Blackwell Pub. Ltd 2008.
14
Carroll, Noel. Pictorial Representation. Philosophy of art: a contemporary introduction. London: Routledge 1999.
15
Wollheim, Richard. What the Spectator Sees. Painting as an art. London: Thames and Hudson 1987.
16
Graham, Gordon. Architecture as an Art. Philosophy of the arts: an introduction to aesthetics. London, New York: Routledge 2000.
17
Levinson J. Intention and Interpretation in Literature. Aesthetics and the philosophy of art - the analytic tradition: an anthology. Oxford: Blackwell Pub 2004.
18
Carroll, Noël. Philosophy of art: a contemporary introduction. London: Routledge 1999.
19
Davies, Stephen. The philosophy of art. Malden, Mass: Blackwell Pub 2006.
20
Gaut, Berys Nigel, Lopes, Dominic. The Routledge companion to aesthetics. 2nd ed. New York, NY: Routledge 2005.
21
Graham, Gordon. Philosophy of the arts: an introduction to aesthetics. 2nd ed. London, New York: Routledge 2000.
22
Kivy, Peter. The Blackwell guide to aesthetics. Oxford: Blackwell Pub 2004.
23
Levinson, Jerrold. The Oxford handbook of aesthetics. Oxford: Oxford University Press 2003.
24
Neill, Alex, Ridley, Aaron. Arguing about art: contemporary philosophical debates. 3rd ed. London: Routledge 2008.
25
Warburton, Nigel. The art question. London: Routledge 2003.
26
Maes H. Intention, Interpretation, and Contemporary Visual Art. The British Journal of Aesthetics. 2010;50:121–38. doi: 10.1093/aesthj/ayp051
27
Stecker, Robert. Interpretation. The Routledge companion to aesthetics. New York, NY: Routledge 2005.
28
Hume D. Of The Standard of Taste. Art and enlightenment: Scottish aesthetics in the eighteenth century. Exeter: Imprint Academic 2004.
29
Levinson, Jerrold. Hume’s Standard of Taste: the Real Problem. Contemplating art: essays in aesthetics. New York: Clarendon Press 2006.
30
Kieran M. Contemporary debates in aesthetics and the philosophy of art. Malden, MA: Blackwell Pub 2006.
31
Hanson L. The Reality of (Non-Aesthetic) Artistic Value. The Philosophical Quarterly. 2013;63:492–508. doi: 10.1111/1467-9213.12026
32
Nelson Goodman. How Buildings Mean. Critical Inquiry. 1985;11:642–53.
33
Kendall L. Walton. How Marvelous! Toward a Theory of Aesthetic Value. The Journal of Aesthetics and Art Criticism. 1993;51:499–510.
34
Gaut B. The Cluster Account of Art Defended. The British Journal of Aesthetics. 2005;45:273–88. doi: 10.1093/aesthj/ayi032
35
Hyman J. The objective eye: color, form, and reality in the theory of art. Chicago: University of Chicago Press 2006.
36
Newall M. What is a picture?: depiction, realism, abstraction. Basingstoke: Palgrave Macmillan 2011.
37
Michael Newall. A Restriction for Pictures and Some Consequences for a Theory of Depiction. The Journal of Aesthetics and Art Criticism. 2003;61:381–94.
38
Davies S. AESTHETIC JUDGEMENTS, ARTWORKS AND FUNCTIONAL BEAUTY. The Philosophical Quarterly. 2006;56:224–41. doi: 10.1111/j.1467-9213.2006.00439.x
39
Hans Maes. The end of art: a Real Problem or not Really a Problem? Postgraduate Journal of Aesthetics. 2004;1.
40
Gaut BN, Lopes D, Dawsonera. The Routledge companion to aesthetics. Second edition. London: Routledge 2005.
41
Hans Maes. The End of Art Revisited: A Response to Kalle Puolakka. Postgraduate Journal of Aesthetics. 2005;2.
42
Phillips, Sandra S., Baker, Simon, San Francisco Museum of Modern Art, et al. Exposed: voyeurism, surveillance, and the camera since 1870. London: Tate Publishing 2010.
43
Lopes, D. Philosophy of computer art. London: Routledge 2010.
44
Tavinor, G. Art of videogames. Malden, MA: Wiley-Blackwell 2009.
45
Kieran, Matthew, Lopes, Dominic. Knowing art: essays in aesthetics and epistemology. Dordrecht, The Netherlands: Springer 2007.
46
Scruton, R. Green Philosophy: How to Think Seriously About the Planet. London: Atlantic Books 2012.
47
Robinson, Jenefer. Deeper than reason: emotion and its role in literature, music, and art. New York: Oxford University Press 2005.
48
Nussbaum, Martha Craven. Upheavals of thought: the intelligence of emotions. Cambridge: Cambridge University Press 2001.
49
Maes, H. & Levinson, J. (eds.). Art and Pornography: Philosophical Essays. [Place of publication not identified]: Oxford University Press .
50
Lamarque, P. The Philosophy of Literature. Malden, Mass: Wiley-Blackwell (an imprint of John Wiley & Sons Ltd) 2009.
51
Walton, K. Marvelous images: on values and the arts. Oxford: Oxford University Press 2008.
52
Davies, S. The Artful Species: Aesthetics, Art, and Evolution. [Place of publication not identified]: Oxford University Press .
53
Shimamura, A.P. & Stephen E. Palmer, S.E. Aesthetic Science : Connecting Minds, Brains, and Experience : Connecting Minds, Brains, and Experience. New York: Oxford University Press - Special 2012.
54
Lopes DM. THE MYTH OF (NON-AESTHETIC) ARTISTIC VALUE. The Philosophical Quarterly. 2011;61:518–36. doi: 10.1111/j.1467-9213.2011.700.x
55
Hanson L. The Reality of (Non-Aesthetic) Artistic Value. The Philosophical Quarterly. 2013;63:492–508. doi: 10.1111/1467-9213.12026
56
Carroll N, editor. Theories of art today. Madison, Wisconsin: Madison 2000.
57
Wollheim R, Bollingen Foundation Collection (Library of Congress). Painting as an art. Princeton, New Jersey: Princeton University Press 1987.
58
Danto AC. The end of art. The philosophical disenfranchisement of art. New York: Columbia University Press 2005.
59
Hume D. Of the standard of taste, and other essays. Indianapolis: Bobbs-Merrill 1965.
60
Levinson J. Contemplating art: essays in aesthetics. Oxford: Clarendon Press 2006.
61
Tolstoy L, Maude A. What is art? Chicheley: Paul P. B. Minet 1971.
62
Tolstoy L. Chto takoe iskusstvo? = What is art? [Place of publication not identified]: Bradda Books 1963.
63
Carroll N. Aesthetic Experience Revisited. The British Journal of Aesthetics. 2002;42:145–68. doi: 10.1093/bjaesthetics/42.2.145
64
Livingston P. Utile Et Dulce: A Response to Noel Carroll. The British Journal of Aesthetics. 2006;46:274–81. doi: 10.1093/aesthj/ayl005
65
STECKER ROBERT. Artistic Value Defended. The Journal of Aesthetics and Art Criticism. 2012;70:355–62. doi: 10.1111/j.1540-6245.2012.01527.x
66
Maes H. Intention, Interpretation, and Contemporary Visual Art. The British Journal of Aesthetics. 2010;50:121–38. doi: 10.1093/aesthj/ayp051
67
Hans Maes. The end of art: a Real Problem or not Really a Problem? Postgraduate Journal of Aesthetics. 2004;1.
68
Destrée P. Suffering art gladly: the paradox of negative emotion in art. Basingstoke: Palgrave Macmillan 2013.