Bibliography for Introduction to Aesthetics and Philosophy of Art BETA

Carroll, N. ‘Aesthetic Experience Revisited’. The British Journal of Aesthetics 42.2 (2002): 145–168. Web.

Carroll, Noël. ‘Film as Art’. The Philosophy of Motion Pictures. Foundations of the philosophy of the arts. Malden, Mass: Blackwell Pub. Ltd, 2008. Print.

---. Philosophy of Art: A Contemporary Introduction. Routledge contemporary introductions to philosophy. London: Routledge, 1999. Web. <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=168645>.

Carroll and Noel. ‘Pictorial Representation’. Philosophy of Art: A Contemporary Introduction. Routledge contemporary introductions to philosophy. London: Routledge, 1999. Web. <http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://www.kentuk.eblib.com/patron/FullRecord.aspx?p=168645>.

Carroll, Noël, ed. Theories of Art Today. Madison, Wisconsin: Madison, 2000. Print.

Danto, Arthur Coleman. ‘The End of Art’. The Philosophical Disenfranchisement of Art. [New ed.]. Columbia classics in philosophy. New York: Columbia University Press, 2005. Print.

Davies, S. The Artful Species: Aesthetics, Art, and Evolution. [Place of publication not identified]: Oxford University Press. Print.

Davies, Stephen. ‘AESTHETIC JUDGEMENTS, ARTWORKS AND FUNCTIONAL BEAUTY’. The Philosophical Quarterly 56.223 (2006): 224–241. Web.

Davies, Stephen. The Philosophy of Art. Foundations of the philosophy of the arts. Malden, Mass: Blackwell Pub, 2006. Print.

Destrée, Pierre. Suffering Art Gladly: The Paradox of Negative Emotion in Art. Ed. Jerrold Levinson. Basingstoke: Palgrave Macmillan, 2013. Print.

Friday and Jonathan. ‘Art and Aesthetic Experience’. Aesthetics and Photography. Aesthetics and the philosophy of art. Aldershot: Ashgate, 2002. Print.

Gaut, B. ‘The Cluster Account of Art Defended’. The British Journal of Aesthetics 45.3 (2005): 273–288. Web.

Gaut, Berys Nigel and Lopes, Dominic. The Routledge Companion to Aesthetics. 2nd ed. New York, NY: Routledge, 2005. Print.

Gaut, Berys Nigel, Dominic Lopes, and Dawsonera. The Routledge Companion to Aesthetics. Second edition. Routledge companions to philosophy. London: Routledge, 2005. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780203390795>.

Goldman, Alan. ‘Beardsley’s Legacy: The Theory of Aesthetic Value’. Journal of Aesthetics and Art Criticism 63.2 (2005): 185–189. Web.

Graham and Gordon. ‘Architecture as an Art’. Philosophy of the Arts: An Introduction to Aesthetics. 2nd ed. London, New York: Routledge, 2000. Print.

---. ‘Art and Emotion’. Philosophy of the Arts: An Introduction to Aesthetics. 2nd ed. London, New York: Routledge, 2000. Print.

---. ‘Art and Pleasure’. Philosophy of the Arts: An Introduction to Aesthetics. 2nd ed. London, New York: Routledge, 2000. Print.

Graham, Gordon. Philosophy of the Arts: An Introduction to Aesthetics. Third edition. London: Routledge, 2005. Web. <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=254270>.

Graham, Gordon. Philosophy of the Arts: An Introduction to Aesthetics. 2nd ed. London, New York: Routledge, 2000. Print.

Graham and Gordon. ‘The “auteur” in Film’. Philosophy of the Arts: An Introduction to Aesthetics. 2nd ed. London, New York: Routledge, 2000. Print.

Haapala, Arto, Jerrold Levinson, and Veikko Rantala. ‘The End of Art’. The End of Art and beyond: Essays after Danto. Atlantic Highlands, N.J.: Humanities Press, 1997. Print.

---. ‘The Philosophical Disenfranchisement of the Commonplace’. The End of Art and beyond: Essays after Danto. Atlantic Highlands, N.J.: Humanities Press, 1997. Print.

Hans Maes. ‘The End of Art: A Real Problem or Not Really a Problem?’ Postgraduate Journal of Aesthetics 1.2 (2004): n. pag. Web. <http://www.pjaesthetics.org/index.php/pjaesthetics/article/view/18>.

---. ‘The End of Art: A Real Problem or Not Really a Problem?’ Postgraduate Journal of Aesthetics 1.2 (2004): n. pag. Web. <http://www.pjaesthetics.org/index.php/pjaesthetics/article/view/18>.

---. ‘The End of Art Revisited: A Response to Kalle Puolakka’. Postgraduate Journal of Aesthetics 2.3 (2005): n. pag. Web. <http://www.pjaesthetics.org/index.php/pjaesthetics/article/view/39>.

Hanson, Louise. ‘The Reality of (Non-Aesthetic) Artistic Value’. The Philosophical Quarterly 63.252 (2013): 492–508. Web.

---. ‘The Reality of (Non-Aesthetic) Artistic Value’. The Philosophical Quarterly 63.252 (2013): 492–508. Web.

Hume, D. ‘Of The Standard of Taste’. Art and Enlightenment: Scottish Aesthetics in the Eighteenth Century. Library of Scottish philosophy. Exeter: Imprint Academic, 2004. Print.

Hume, David. Of the Standard of Taste, and Other Essays. Ed. John W. Lenz. The library of liberal arts. Indianapolis: Bobbs-Merrill, 1965. Print.

Hyman, John. The Objective Eye: Color, Form, and Reality in the Theory of Art. Chicago: University of Chicago Press, 2006. Web. <http://www.loc.gov/catdir/toc/ecip061/2005029205.html>.

John and Eileen. ‘Art and Knowledge’. The Routledge Companion to Aesthetics. 2nd ed. New York, NY: Routledge, 2005. Print.

Kendall L. Walton. ‘How Marvelous! Toward a Theory of Aesthetic Value’. The Journal of Aesthetics and Art Criticism 51.3 (1993): 499–510. Web. <http://www.jstor.org/stable/431521?seq=1#page_scan_tab_contents>.

Kieran, Matthew. Contemporary Debates in Aesthetics and the Philosophy of Art. Contemporary debates in philosophy. Malden, MA: Blackwell Pub, 2006. Web. <http://www.loc.gov/catdir/toc/ecip0510/2005009259.html>.

Kieran, Matthew and Lopes, Dominic. Knowing Art: Essays in Aesthetics and Epistemology. Philosophical studies series. Dordrecht, The Netherlands: Springer, 2007. Print.

Kivy, Peter. The Blackwell Guide to Aesthetics. Blackwell philosophy guides. Oxford: Blackwell Pub, 2004. Web. <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=350962>.

Lamarque, P. The Philosophy of Literature. Foundations of the Philosophy of the Arts. Malden, Mass: Wiley-Blackwell (an imprint of John Wiley & Sons Ltd), 2009. Print.

Levinson, Jerrold. Contemplating Art: Essays in Aesthetics. Oxford: Clarendon Press, 2006. Web. <http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://dx.doi.org/10.1093/acprof:oso/9780199206179.001.0001>.

Levinson, Jerrold. ‘Hume’s Standard of Taste: The Real Problem’. Contemplating Art: Essays in Aesthetics. New York: Clarendon Press, 2006. Web. <http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://dx.doi.org/10.1093/acprof:oso/9780199206179.001.0001>.

---. ‘Pleasure and the Value of Works of Art’. The Pleasures of Aesthetics: Philosophical Essays. Ithaca, N.Y.: Cornell University Press, 1996. Print.

Levinson, Jerrold. The Oxford Handbook of Aesthetics. Oxford: Oxford University Press, 2005. Web. <http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://dx.doi.org/10.1093/oxfordhb/9780199279456.001.0001>.

Levinson, Jerrold. The Oxford Handbook of Aesthetics. Oxford: Oxford University Press, 2003. Print.

Levinson, Jerrold . ‘Intention and Interpretation in Literature’. Aesthetics and the Philosophy of Art - the Analytic Tradition: An Anthology. Blackwell philosophy anthologies. Oxford: Blackwell Pub, 2004. Print.

Livingston, P. ‘Utile Et Dulce: A Response to Noel Carroll’. The British Journal of Aesthetics 46.3 (2006): 274–281. Web.

Lopes, D. Philosophy of Computer Art. London: Routledge, 2010. Web. <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=446874>.

Lopes, Dominic McIver. ‘THE MYTH OF (NON-AESTHETIC) ARTISTIC VALUE’. The Philosophical Quarterly 61.244 (2011): 518–536. Web.

Maes, H. ‘Intention, Interpretation, and Contemporary Visual Art’. The British Journal of Aesthetics 50.2 (2010): 121–138. Web.

---. ‘Intention, Interpretation, and Contemporary Visual Art’. The British Journal of Aesthetics 50.2 (2010): 121–138. Web.

Maes, H. & Levinson, J. (eds.). Art and Pornography: Philosophical Essays. [Place of publication not identified]: Oxford University Press. Print.

Michael Newall. ‘A Restriction for Pictures and Some Consequences for a Theory of Depiction’. The Journal of Aesthetics and Art Criticism 61.4 (2003): 381–394. Web. <http://www.jstor.org/stable/1559072?seq=1#page_scan_tab_contents>.

Neill and Alex. ‘Art and Emotion’. The Oxford Handbook of Aesthetics. Oxford: Oxford University Press, 2003. Print.

Neill, Alex and Ridley, Aaron. Arguing about Art: Contemporary Philosophical Debates. 3rd ed. London: Routledge, 2008. Print.

Nelson Goodman. ‘How Buildings Mean’. Critical Inquiry 11.4 (1985): 642–653. Web. <http://www.jstor.org/stable/1343421?seq=1#page_scan_tab_contents>.

Newall, Michael. What Is a Picture?: Depiction, Realism, Abstraction. Basingstoke: Palgrave Macmillan, 2011. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780230297531>.

Nussbaum, Martha Craven. Upheavals of Thought: The Intelligence of Emotions. Cambridge: Cambridge University Press, 2001. Print.

Phillips, Sandra S. et al. Exposed: Voyeurism, Surveillance, and the Camera since 1870. London: Tate Publishing, 2010. Print.

Robinson, Jenefer. Deeper than Reason: Emotion and Its Role in Literature, Music, and Art. New York: Oxford University Press, 2005. Web. <http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://www.oxfordscholarship.com/oso/public/content/philosophy/0199263655/toc.html>.

Scruton, R. Green Philosophy: How to Think Seriously About the Planet. London: Atlantic Books, 2012. Print.

Shimamura, A.P. & Stephen E. Palmer, S.E. Aesthetic Science : Connecting Minds, Brains, and Experience : Connecting Minds, Brains, and Experience. New York: Oxford University Press - Special, 2012. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780199875740>.

STECKER ROBERT. ‘Artistic Value Defended’. The Journal of Aesthetics and Art Criticism 70.4 (2012): 355–362. Web. <http://onlinelibrary.wiley.com/doi/10.1111/j.1540-6245.2012.01527.x/abstract?userIsAuthenticated=false&deniedAccessCustomisedMessage=>.

Stecker and Robert. ‘Interpretation’. The Routledge Companion to Aesthetics. 2nd ed. New York, NY: Routledge, 2005. Print.

Tavinor, G. Art of Videogames. Malden, MA: Wiley-Blackwell, 2009. Web. <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=470749>.

Tolstoy, Leo. Chto Takoe Iskusstvo? = What Is Art? [Place of publication not identified]: Bradda Books, 1963. Print.

Tolstoy, Leo, and Aylmer Maude. What Is Art? Chicheley: Paul P. B. Minet, 1971. Print.

Walton, K. Marvelous Images: On Values and the Arts. Oxford: Oxford University Press, 2008. Web. <http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://www.kentuk.eblib.com/patron/FullRecord.aspx?p=415522>.

Warburton, Nigel. The Art Question. London: Routledge, 2003. Print.

Wollheim, Richard. ‘What the Spectator Sees’. Painting as an Art. London: Thames and Hudson, 1987. Print.

Wollheim, Richard and Bollingen Foundation Collection (Library of Congress). Painting as an Art. The A.W. Mellon lectures in the fine arts. Princeton, New Jersey: Princeton University Press, 1987. Print.