Carroll, N. (Ed.). (2000). Theories of art today. Madison.
Carroll, N. (2002). Aesthetic Experience Revisited. The British Journal of Aesthetics, 42(2), 145–168. https://doi.org/10.1093/bjaesthetics/42.2.145
Carroll, Noël. (1999). Philosophy of art: a contemporary introduction: Vol. Routledge contemporary introductions to philosophy. Routledge. https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=168645
Carroll & Noel. (1999). Pictorial Representation. In Philosophy of art: a contemporary introduction: Vol. Routledge contemporary introductions to philosophy. Routledge. http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://www.kentuk.eblib.com/patron/FullRecord.aspx?p=168645
Carroll, Noël. (2008). Film as Art. In The philosophy of motion pictures: Vol. Foundations of the philosophy of the arts. Blackwell Pub. Ltd.
Danto, A. C. (2005). The end of art. In The philosophical disenfranchisement of art: Vol. Columbia classics in philosophy ([New ed.]). Columbia University Press.
Davies, S. (n.d.). The Artful Species: Aesthetics, Art, and Evolution. Oxford University Press.
Davies, S. (2006). AESTHETIC JUDGEMENTS, ARTWORKS AND FUNCTIONAL BEAUTY. The Philosophical Quarterly, 56(223), 224–241. https://doi.org/10.1111/j.1467-9213.2006.00439.x
Davies, Stephen. (2006). The philosophy of art: Vol. Foundations of the philosophy of the arts. Blackwell Pub.
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Gaut, B. (2005). The Cluster Account of Art Defended. The British Journal of Aesthetics, 45(3), 273–288. https://doi.org/10.1093/aesthj/ayi032
Gaut, B. N., Lopes, D., & Dawsonera. (2005). The Routledge companion to aesthetics: Vol. Routledge companions to philosophy (Second edition) [Electronic resource]. Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780203390795
Gaut, Berys Nigel & Lopes, Dominic. (2005). The Routledge companion to aesthetics (2nd ed). Routledge.
Goldman, A. (2005). Beardsley’s Legacy: The Theory of Aesthetic Value. Journal of Aesthetics and Art Criticism, 63(2), 185–189. https://doi.org/10.1111/j.0021-8529.2005.00196.x
Graham, G. (2005). Philosophy of the arts: an introduction to aesthetics (Third edition) [Electronic resource]. Routledge. https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=254270
Graham & Gordon. (2000a). Architecture as an Art. In Philosophy of the arts: an introduction to aesthetics (2nd ed). Routledge.
Graham & Gordon. (2000b). Art and Emotion. In Philosophy of the arts: an introduction to aesthetics (2nd ed). Routledge.
Graham & Gordon. (2000c). Art and Pleasure. In Philosophy of the arts: an introduction to aesthetics (2nd ed). Routledge.
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Haapala, A., Levinson, J., & Rantala, V. (1997a). The End of art. In The end of art and beyond: essays after Danto. Humanities Press.
Haapala, A., Levinson, J., & Rantala, V. (1997b). The Philosophical Disenfranchisement of the Commonplace. In The end of art and beyond: essays after Danto. Humanities Press.
Hans Maes. (2004a). The end of art: a Real Problem or not Really a Problem? Postgraduate Journal of Aesthetics, 1(2). http://www.pjaesthetics.org/index.php/pjaesthetics/article/view/18
Hans Maes. (2004b). The end of art: a Real Problem or not Really a Problem? Postgraduate Journal of Aesthetics, 1(2). http://www.pjaesthetics.org/index.php/pjaesthetics/article/view/18
Hans Maes. (2005). The End of Art Revisited: A Response to Kalle Puolakka. Postgraduate Journal of Aesthetics, 2(3). http://www.pjaesthetics.org/index.php/pjaesthetics/article/view/39
Hanson, L. (2013a). The Reality of (Non-Aesthetic) Artistic Value. The Philosophical Quarterly, 63(252), 492–508. https://doi.org/10.1111/1467-9213.12026
Hanson, L. (2013b). The Reality of (Non-Aesthetic) Artistic Value. The Philosophical Quarterly, 63(252), 492–508. https://doi.org/10.1111/1467-9213.12026
Hume, D. (1965). Of the standard of taste, and other essays: Vol. The library of liberal arts (J. W. Lenz, Ed.). Bobbs-Merrill.
Hume, D. (2004). Of The Standard of Taste. In Art and enlightenment: Scottish aesthetics in the eighteenth century: Vol. Library of Scottish philosophy. Imprint Academic.
Hyman, J. (2006). The objective eye: color, form, and reality in the theory of art. University of Chicago Press. http://www.loc.gov/catdir/toc/ecip061/2005029205.html
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Kendall L. Walton. (1993). How Marvelous! Toward a Theory of Aesthetic Value. The Journal of Aesthetics and Art Criticism, 51(3), 499–510. http://www.jstor.org/stable/431521?seq=1#page_scan_tab_contents
Kieran, M. (2006). Contemporary debates in aesthetics and the philosophy of art: Vol. Contemporary debates in philosophy. Blackwell Pub. http://www.loc.gov/catdir/toc/ecip0510/2005009259.html
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Kivy, Peter. (2004). The Blackwell guide to aesthetics: Vol. Blackwell philosophy guides. Blackwell Pub. https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=350962
Lamarque, P. (2009). The Philosophy of Literature: Vol. Foundations of the Philosophy of the Arts. Wiley-Blackwell (an imprint of John Wiley & Sons Ltd).
Levinson, J. (2004). Intention and Interpretation in Literature. In Aesthetics and the philosophy of art - the analytic tradition: an anthology: Vol. Blackwell philosophy anthologies. Blackwell Pub.
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Levinson, J. (2006). Contemplating art: essays in aesthetics [Electronic resource]. Clarendon Press. http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://dx.doi.org/10.1093/acprof:oso/9780199206179.001.0001
Levinson, Jerrold. (1996). Pleasure and the Value of Works of Art. In The pleasures of aesthetics: philosophical essays. Cornell University Press.
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Levinson, Jerrold. (2006). Hume’s Standard of Taste: the Real Problem. In Contemplating art: essays in aesthetics. Clarendon Press. http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://dx.doi.org/10.1093/acprof:oso/9780199206179.001.0001
Livingston, P. (2006). Utile Et Dulce: A Response to Noel Carroll. The British Journal of Aesthetics, 46(3), 274–281. https://doi.org/10.1093/aesthj/ayl005
Lopes, D. (2010). Philosophy of computer art. Routledge. https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=446874
Lopes, D. M. (2011). THE MYTH OF (NON-AESTHETIC) ARTISTIC VALUE. The Philosophical Quarterly, 61(244), 518–536. https://doi.org/10.1111/j.1467-9213.2011.700.x
Maes, H. (2010a). Intention, Interpretation, and Contemporary Visual Art. The British Journal of Aesthetics, 50(2), 121–138. https://doi.org/10.1093/aesthj/ayp051
Maes, H. (2010b). Intention, Interpretation, and Contemporary Visual Art. The British Journal of Aesthetics, 50(2), 121–138. https://doi.org/10.1093/aesthj/ayp051
Maes, H. & Levinson, J. (eds.). (n.d.). Art and Pornography: Philosophical Essays. Oxford University Press.
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Neill & Alex. (2003). Art and Emotion. In The Oxford handbook of aesthetics. Oxford University Press.
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Nelson Goodman. (1985). How Buildings Mean. Critical Inquiry, 11(4), 642–653. http://www.jstor.org/stable/1343421?seq=1#page_scan_tab_contents
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Nussbaum, Martha Craven. (2001). Upheavals of thought: the intelligence of emotions. Cambridge University Press.
Phillips, Sandra S., Baker, Simon, San Francisco Museum of Modern Art, Tate Modern (Gallery), & Walker Art Center. (2010). Exposed: voyeurism, surveillance, and the camera since 1870. Tate Publishing.
Robinson, Jenefer. (2005). Deeper than reason: emotion and its role in literature, music, and art. Oxford University Press. http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://www.oxfordscholarship.com/oso/public/content/philosophy/0199263655/toc.html
Scruton, R. (2012). Green Philosophy: How to Think Seriously About the Planet. Atlantic Books.
Shimamura, A.P. & Stephen E. Palmer, S.E. (2012). Aesthetic Science : Connecting Minds, Brains, and Experience : Connecting Minds, Brains, and Experience. Oxford University Press - Special. http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780199875740
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STECKER ROBERT. (2012). Artistic Value Defended. The Journal of Aesthetics and Art Criticism, 70(4), 355–362. https://doi.org/10.1111/j.1540-6245.2012.01527.x
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Tolstoy, L. (1963). Chto takoe iskusstvo? = What is art? Bradda Books.
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