Bibliography for Introduction to Aesthetics and Philosophy of Art

Carroll, N. (ed.) (2000) Theories of art today. Madison, Wisconsin: Madison.

Carroll, N. (2002) ‘Aesthetic Experience Revisited’, The British Journal of Aesthetics, 42(2), pp. 145–168. Available at: https://doi.org/10.1093/bjaesthetics/42.2.145.

Carroll, Noël (1999) Philosophy of art: a contemporary introduction. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=168645.

Carroll and Noel (1999) ‘Pictorial Representation’, in Philosophy of art: a contemporary introduction. London: Routledge. Available at: http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://www.kentuk.eblib.com/patron/FullRecord.aspx?p=168645.

Carroll, Noël (2008) ‘Film as Art’, in The philosophy of motion pictures. Malden, Mass: Blackwell Pub. Ltd.

Danto, A.C. (2005) ‘The end of art’, in The philosophical disenfranchisement of art. [New ed.]. New York: Columbia University Press.

Davies, S. (2006) ‘AESTHETIC JUDGEMENTS, ARTWORKS AND FUNCTIONAL BEAUTY’, The Philosophical Quarterly, 56(223), pp. 224–241. Available at: https://doi.org/10.1111/j.1467-9213.2006.00439.x.

Davies, S. (no date) The Artful Species: Aesthetics, Art, and Evolution. [Place of publication not identified]: Oxford University Press.

Davies, Stephen (2006) The philosophy of art. Malden, Mass: Blackwell Pub.

Destrée, P. (2013) Suffering art gladly: the paradox of negative emotion in art. Edited by J. Levinson. Basingstoke: Palgrave Macmillan.

Friday and Jonathan (2002) ‘Art and Aesthetic Experience’, in Aesthetics and photography. Aldershot: Ashgate.

Gaut, B. (2005) ‘The Cluster Account of Art Defended’, The British Journal of Aesthetics, 45(3), pp. 273–288. Available at: https://doi.org/10.1093/aesthj/ayi032.

Gaut, Berys Nigel and Lopes, Dominic (2005) The Routledge companion to aesthetics. 2nd ed. New York, NY: Routledge.

Gaut, B.N., Lopes, D., and Dawsonera (2005) The Routledge companion to aesthetics [electronic resource]. Second edition. London: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780203390795.

Goldman, A. (2005) ‘Beardsley’s Legacy: The Theory of Aesthetic Value’, Journal of Aesthetics and Art Criticism, 63(2), pp. 185–189. Available at: https://doi.org/10.1111/j.0021-8529.2005.00196.x.

Graham, G. (2005) Philosophy of the arts: an introduction to aesthetics [electronic resource]. Third edition. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=254270.

Graham and Gordon (2000a) ‘Architecture as an Art’, in Philosophy of the arts: an introduction to aesthetics. 2nd ed. London, New York: Routledge.

Graham and Gordon (2000b) ‘Art and Emotion’, in Philosophy of the arts: an introduction to aesthetics. 2nd ed. London, New York: Routledge.

Graham and Gordon (2000c) ‘Art and Pleasure’, in Philosophy of the arts: an introduction to aesthetics. 2nd ed. London, New York: Routledge.

Graham, Gordon (2000) Philosophy of the arts: an introduction to aesthetics. 2nd ed. London, New York: Routledge.

Graham and Gordon (2000d) ‘The “auteur” in film’, in Philosophy of the arts: an introduction to aesthetics. 2nd ed. London, New York: Routledge.

Haapala, A., Levinson, J. and Rantala, V. (1997a) ‘The End of art’, in The end of art and beyond: essays after Danto. Atlantic Highlands, N.J.: Humanities Press.

Haapala, A., Levinson, J. and Rantala, V. (1997b) ‘The Philosophical Disenfranchisement of the Commonplace’, in The end of art and beyond: essays after Danto. Atlantic Highlands, N.J.: Humanities Press.

Hans Maes (2004a) ‘The end of art: a Real Problem or not Really a Problem?’, Postgraduate Journal of Aesthetics, 1(2). Available at: http://www.pjaesthetics.org/index.php/pjaesthetics/article/view/18.

Hans Maes (2004b) ‘The end of art: a Real Problem or not Really a Problem?’, Postgraduate Journal of Aesthetics, 1(2). Available at: http://www.pjaesthetics.org/index.php/pjaesthetics/article/view/18.

Hans Maes (2005) ‘The End of Art Revisited: A Response to Kalle Puolakka’, Postgraduate Journal of Aesthetics, 2(3). Available at: http://www.pjaesthetics.org/index.php/pjaesthetics/article/view/39.

Hanson, L. (2013a) ‘The Reality of (Non-Aesthetic) Artistic Value’, The Philosophical Quarterly, 63(252), pp. 492–508. Available at: https://doi.org/10.1111/1467-9213.12026.

Hanson, L. (2013b) ‘The Reality of (Non-Aesthetic) Artistic Value’, The Philosophical Quarterly, 63(252), pp. 492–508. Available at: https://doi.org/10.1111/1467-9213.12026.

Hume, D. (1965) Of the standard of taste, and other essays. Edited by J.W. Lenz. Indianapolis: Bobbs-Merrill.

Hume, D. (2004) ‘Of The Standard of Taste’, in Art and enlightenment: Scottish aesthetics in the eighteenth century. Exeter: Imprint Academic.

Hyman, J. (2006) The objective eye: color, form, and reality in the theory of art. Chicago: University of Chicago Press. Available at: http://www.loc.gov/catdir/toc/ecip061/2005029205.html.

John and Eileen (2005) ‘Art and Knowledge’, in The Routledge companion to aesthetics. 2nd ed. New York, NY: Routledge.

Kendall L. Walton (1993) ‘How Marvelous! Toward a Theory of Aesthetic Value’, The Journal of Aesthetics and Art Criticism, 51(3), pp. 499–510. Available at: http://www.jstor.org/stable/431521?seq=1#page_scan_tab_contents.

Kieran, M. (2006) Contemporary debates in aesthetics and the philosophy of art. Malden, MA: Blackwell Pub. Available at: http://www.loc.gov/catdir/toc/ecip0510/2005009259.html.

Kieran, Matthew and Lopes, Dominic (2007) Knowing art: essays in aesthetics and epistemology. Dordrecht, The Netherlands: Springer.

Kivy, Peter (2004) The Blackwell guide to aesthetics. Oxford: Blackwell Pub. Available at: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=350962.

Lamarque, P. (2009) The Philosophy of Literature. Malden, Mass: Wiley-Blackwell (an imprint of John Wiley & Sons Ltd).

Levinson, J. (2004) ‘Intention and Interpretation in Literature’, in Aesthetics and the philosophy of art - the analytic tradition: an anthology. Oxford: Blackwell Pub.

Levinson, J. (2005) The Oxford handbook of aesthetics [electronic resource]. Oxford: Oxford University Press. Available at: http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://dx.doi.org/10.1093/oxfordhb/9780199279456.001.0001.

Levinson, J. (2006) Contemplating art: essays in aesthetics [electronic resource]. Oxford: Clarendon Press. Available at: http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://dx.doi.org/10.1093/acprof:oso/9780199206179.001.0001.

Levinson, Jerrold (1996) ‘Pleasure and the Value of Works of Art’, in The pleasures of aesthetics: philosophical essays. Ithaca, N.Y.: Cornell University Press.

Levinson, Jerrold (2003) The Oxford handbook of aesthetics. Oxford: Oxford University Press.

Levinson, Jerrold (2006) ‘Hume’s Standard of Taste: the Real Problem’, in Contemplating art: essays in aesthetics. New York: Clarendon Press. Available at: http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://dx.doi.org/10.1093/acprof:oso/9780199206179.001.0001.

Livingston, P. (2006) ‘Utile Et Dulce: A Response to Noel Carroll’, The British Journal of Aesthetics, 46(3), pp. 274–281. Available at: https://doi.org/10.1093/aesthj/ayl005.

Lopes, D. (2010) Philosophy of computer art. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=446874.

Lopes, D.M. (2011) ‘THE MYTH OF (NON-AESTHETIC) ARTISTIC VALUE’, The Philosophical Quarterly, 61(244), pp. 518–536. Available at: https://doi.org/10.1111/j.1467-9213.2011.700.x.

Maes, H. (2010a) ‘Intention, Interpretation, and Contemporary Visual Art’, The British Journal of Aesthetics, 50(2), pp. 121–138. Available at: https://doi.org/10.1093/aesthj/ayp051.

Maes, H. (2010b) ‘Intention, Interpretation, and Contemporary Visual Art’, The British Journal of Aesthetics, 50(2), pp. 121–138. Available at: https://doi.org/10.1093/aesthj/ayp051.

Maes, H. & Levinson, J. (eds.) (no date) Art and Pornography: Philosophical Essays. [Place of publication not identified]: Oxford University Press.

Michael Newall (2003) ‘A Restriction for Pictures and Some Consequences for a Theory of Depiction’, The Journal of Aesthetics and Art Criticism, 61(4), pp. 381–394. Available at: http://www.jstor.org/stable/1559072?seq=1#page_scan_tab_contents.

Neill and Alex (2003) ‘Art and Emotion’, in The Oxford handbook of aesthetics. Oxford: Oxford University Press.

Neill, Alex and Ridley, Aaron (2008) Arguing about art: contemporary philosophical debates. 3rd ed. London: Routledge.

Nelson Goodman (1985) ‘How Buildings Mean’, Critical Inquiry, 11(4), pp. 642–653. Available at: http://www.jstor.org/stable/1343421?seq=1#page_scan_tab_contents.

Newall, M. (2011) What is a picture?: depiction, realism, abstraction [electronic resource]. Basingstoke: Palgrave Macmillan. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780230297531.

Nussbaum, Martha Craven (2001) Upheavals of thought: the intelligence of emotions. Cambridge: Cambridge University Press.

Phillips, Sandra S. et al. (2010) Exposed: voyeurism, surveillance, and the camera since 1870. London: Tate Publishing.

Robinson, Jenefer (2005) Deeper than reason: emotion and its role in literature, music, and art. New York: Oxford University Press. Available at: http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://www.oxfordscholarship.com/oso/public/content/philosophy/0199263655/toc.html.

Scruton, R. (2012) Green Philosophy: How to Think Seriously About the Planet. London: Atlantic Books.

Shimamura, A.P. & Stephen E. Palmer, S.E. (2012) Aesthetic Science : Connecting Minds, Brains, and Experience : Connecting Minds, Brains, and Experience. New York: Oxford University Press - Special. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780199875740.

Stecker and Robert (2005) ‘Interpretation’, in The Routledge companion to aesthetics. 2nd ed. New York, NY: Routledge.

STECKER ROBERT (2012) ‘Artistic Value Defended’, The Journal of Aesthetics and Art Criticism, 70(4), pp. 355–362. Available at: https://doi.org/10.1111/j.1540-6245.2012.01527.x.

Tavinor, G. (2009) Art of videogames. Malden, MA: Wiley-Blackwell. Available at: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=470749.

Tolstoy, L. (1963) Chto takoe iskusstvo? = What is art? [Place of publication not identified]: Bradda Books.

Tolstoy, L. and Maude, A. (1971) What is art? Chicheley: Paul P. B. Minet.

Walton, K. (2008) Marvelous images: on values and the arts. Oxford: Oxford University Press. Available at: http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://www.kentuk.eblib.com/patron/FullRecord.aspx?p=415522.

Warburton, Nigel (2003) The art question. London: Routledge.

Wollheim, R. and Bollingen Foundation Collection (Library of Congress) (1987) Painting as an art. Princeton, New Jersey: Princeton University Press.

Wollheim, Richard (1987) ‘What the Spectator Sees’, in Painting as an art. London: Thames and Hudson.

Bibliography for Introduction to Aesthetics and Philosophy of Art BETA