Bibliography for French Painting in the 19th Century BETA

Adler, Kathleen. Manet. Oxford: Phaidon, 1986. Print.

---. Manet. Oxford: Phaidon, 1986. Print.

---. Mary Cassatt: Prints. London: National Gallery, 2006. Print.

Adler, Kathleen, Edelstein, T. J., and Mount Holyoke College. ‘Garb, “Berthe Morisot and the Feminizing of Impressionism,” Chapter’. Perspectives on Morisot. 1st ed. New York: Hudson Hills Press in association with the Mount Holyoke College Art Museum, 1990. 57–67. Print.

---. Perspectives on Morisot. 1st ed. New York: Hudson Hills Press in association with the Mount Holyoke College Art Museum, 1990. Print.

---. Perspectives on Morisot. 1st ed. New York: Hudson Hills Press in association with the Mount Holyoke College Art Museum, 1990. Print.

Adler, Kathleen and Garb, Tamar. Berthe Morisot. Oxford: Phaidon, 1987. Print.

Alhadeff, Albert. The Raft of the Medusa: Géricault, Art, and Race. Munich: Prestel, 2002. Print.

‘An Artistic & Political Manifesto’. LXXII.3 482–492. Web. <http://connection.ebscohost.com/c/articles/9101282683/artistic-political-manifesto-c-zanne>.

Armstrong, Carol M. Odd Man out: Readings of the Work and Reputation of Edgar Degas. Texts&documents. Los Angeles, Calif: Getty Research Institute, 2003. Web. <http://www.loc.gov/catdir/enhancements/fy0639/2003108453-d.html>.

‘Artcyclopedia: Browse Artists Alphabetically by Name’. N.p., n.d. Web. <http://www.artcyclopedia.com/general/alphabetic.html>.

Arts Council. Gustave Courbet 1819-1877 : [Catalogue of an Exhibition Held] at the Royal Academy of Arts 19 January-19 March, 1978. London : Arts Council of Great Britain: [publisher not identified], 1978. Print.

Athanassoglou-Kallmyer, N. ‘Gericault’s Severed Heads and Limbs: The Politics and Aesthetics of the Scaffold’. LXXXIV.4 (1982): n. pag. Web. <http://connection.ebscohost.com/c/articles/9309200004/gericaults-severed-heads-limbs-politics-aesthetics-scaffold>.

Athanassoglou-Kallmyer, Nina M. Cézanne and Provence: The Painter in His Culture. Chicago: University of Chicago Press, 2003. Print.

---. Eugène Delacroix: Prints, Politics and Satire 1814-1822. New Haven: Yale University Press, 1991. Print.

---. Théodore Géricault. London: Phaidon, 2010. Print.

---. Théodore Géricault. London: Phaidon, 2010. Print.

Bann, Stephen. Paul Delaroche: History Painted. London: Reaktion Books, 1997. Print.

Bann, Stephen and University of Kent at Canterbury. ‘History at the Theatre: Paul Delaroche’s “Execution of Lady Jane Grey”’. 2006 : n. pag. Print.

Baudelaire, Charles, Charvet, Patrick Edward, and Baudelaire, Charles. ‘Baudelaire, “Delacroix: The Universal Exhibition of 1855,” Chapter’. Baudelaire: Selected Writings on Art and Literature. Penguin classics. London: Penguin, 1972. 132–139. Print.

---. ‘Baudelaire, “The Painter of Modern Life,” Chapter’. Baudelaire: Selected Writings on Art and Literature. Penguin classics. London: Penguin, 1972. Print.

---. ‘Baudelaire, “the Painter of Modern Life,” Chapter’. Baudelaire: Selected Writings on Art and Literature. Penguin classics. London: Penguin, 1972. Print.

---. ‘“Ingres: The Universal Exhibition of 1855,” Chapter’. Baudelaire: Selected Writings on Art and Literature. Penguin classics. London: Penguin, 1972. 124–132. Print.

---. ‘The Universal Exhibition of 1855 : The Fine Arts. Chapter’. Baudelaire: Selected Writings on Art and Literature. Penguin classics. London: Penguin, 1972. Print.

Baudelaire, Charles and Mayne, Jonathan. The Painter of Modern Life: And Other Essays. 2nd ed. Arts&letters. London: Phaidon, 1995. Print.

Berger, Klaus. Géricault and His Work. New York: Hacker Art Books, 1978. Print.

BOIME, A. ‘Portraying Monomaniacs to Service the Alienist’s Monomania: Gericault and Georget’. Oxford Art Journal 14.1 (1991): 79–91. Web.

Boime, Albert. Art in an Age of Bonapartism, 1800-1815. A social history of modern art. Chicago: University of Chicago Press, 1990. Print.

---. Art in an Age of Bonapartism, 1800-1815. A social history of modern art. Chicago: University of Chicago Press, 1990. Print.

Bryson, Norman. ‘Chapter 5’. Tradition and Desire: From David to Delacroix. Cambridge studies in French. Cambridge: Cambridge University Press, 1984. Print.

---. ‘Chapters 1 & 2’. Tradition and Desire: From David to Delacroix. Cambridge studies in French. Cambridge: Cambridge University Press, 1984. Print.

Callen, Anthea. The Spectacular Body: Science, Method and Meaning in the Work of Degas. New Haven: Yale University Press, 1995. Print.

Christopher Parsons and Neil McWilliam. ‘Oxford Art Journal’. 6.2 (1983): 38–58. Web. <http://www.jstor.org/discover/10.2307/1360203?searchUri=%252Faction%252FdoBasicSearch%253FQuery%253DMcwilliam%252527%252BLes%252BPaysans%252Bde%252BParis%252527%252BOxford%252BArt%252BJournal%252B%2526Search%253DSearch%2526gw%253Djtx%2526prq%253DMcwilliam%252527Les%252BPaysans%252Bde%252BParis%252527%252BOxford%252BArt%252BJournal%252B6%252B2%252B1983%2526hp%253D25%2526acc%253Doff%2526aori%253Doff%2526wc%253Don%2526fc%253Doff&Search=yes&searchText=de&searchText=Art&searchText=Journal&searchText=Oxford&searchText=Les&searchText=Paris%252527&searchText=Paysans&searchText=Mcwilliam%252527&uid=3738032&uid=2134&uid=2&uid=70&uid=4&sid=21102295201577>.

Chu, Petra ten Doesschate. Courbet in Perspective. The Artists in perspective series. Englewood Cliffs, N.J.: Prentice-Hall, 1977. Print.

Clark, T. J. ‘Clark, “Courbet in Ornans and Besançon 1849–50” and “Courbet in Dijon and Paris 1850–51,” Chapters’. Image of the People: Gustave Courbet and the 1848 Revolution. London: Thames & Hudson, 1973. 77–154. Print.

Clark, T. J. ‘Clark, “Olympia’s Choice,” Chapter’. The Painting of Modern Life: Paris in the Art of Manet and His Followers. London: Thames & Hudson, 1985. 79–146. Print.

Clark, T. J. ‘Clark, “On the Social History of Art,” Chapter’. Image of the People: Gustave Courbet and the 1848 Revolution. London: Thames & Hudson, 1973. 9–20. Print.

---. ‘Clark, “Preface,” Chapter’. Image of the People: Gustave Courbet and the 1848 Revolution. London: Thames & Hudson, 1973. 4–8. Print.

---. Image of the People: Gustave Courbet and the 1848 Revolution. London: Thames & Hudson, 1973. Print.

---. Image of the People: Gustave Courbet and the 1848 Revolution. London: Thames & Hudson, 1973. Print.

---. Image of the People: Gustave Courbet and the 1848 Revolution. London: Thames & Hudson, 1973. Print.

Clark, T. J. ‘“Olympia’s Choice,” Chapter’. The Painting of Modern Life: Paris in the Art of Manet and His Followers. London: Thames & Hudson, 1985. Print.

Clark, T. J. ‘On The Social History of Art’. Image of the People: Gustave Ourbet and the 1848 Revolution. London: Thames & Hudson, 1973. Print.

Clark, T. J. The Painting of Modern Life: Paris in the Art of Manet and His Followers. New York: Knopf, 1985. Print.

---. The Painting of Modern Life: Paris in the Art of Manet and His Followers. London: Thames & Hudson, 1985. Print.

Clark, Timothy James. The Absolute Bourgeois: Artists and Politics in France, 1848-1851. London: Thames and Hudson, 1973. Print.

Clarke, Graham. The Portrait in Photography. Critical views. London: Reaktion Bks, 1992. Web. <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=475098>.

Clayson, Hollis. Painted Love: Prostitution in French Art of the Impressionist Era. New Haven: Yale University Press, 1991. Print.

Collier, Peter and Lethbridge, Robert. ‘“‘Telle Main Veut Tel Pied’: Balzac, Ingres and the Art of Portraiture,” Chapter’. Artistic Relations: Literature and the Visual Arts in Nineteenth-Century France. New Haven: Yale University Press, 1994. Print.

Courthion, Pierre. Georges Seurat. London: Thames and Hudson, 1989. Print.

Cranshaw, R., and M. Lewis. ‘Willful Ineptitude’. 12.1 (1989): n. pag. Print.

Crow, Thomas E. Emulation: Making Artists for Revolutionary France. New Haven: Yale University Press, 1995. Print.

Dombrowski, Andr,̌. Cžanne, Murder, and Modern Life. The Phillips book prize series. Berkeley, Calif: University of California Press, 2012. Print.

---. Cžanne, Murder, and Modern Life. The Phillips book prize series. Berkeley, Calif: University of California Press, 2012. Print.

Donald Preziosi. ‘The Question of Art History’. Critical Inquiry 18.2 (1992): n. pag. Web. <http://www.jstor.org.chain.kent.ac.uk/stable/info/1343788>.

Dorra, Henri. Symbolist Art Theories: A Critical Anthology. Berkeley, Ca: University of California Press, 1994. Print.

Druick, Douglas W., Hoog, Michel, et al. Fantin-Latour. Ottawa: National Gallery of Canada, 1983. Print.

Druick, Douglas W., Zegers, Peter, et al. Van Gogh and Gauguin: The Studio of the South. New York: Thames & Hudson, 2001. Print.

Dumas, Ann et al. The Real Van Gogh: The Artist and His Letters. London: Royal Academy of Arts, 2010. Print.

Eisenman, Stephen F. and Crow, Thomas E. ‘Crow, “Classicism in Crisis,” Chapter’. Nineteenth Century Art: A Critical History. 3rd rev. ed. London: Thames & Hudson, 2007. Web. <http://www.loc.gov/catdir/toc/fy0802/2006910401.html>.

---. ‘Crow, “Classicism in Crisis: Gros to Delacroix,” Chapter’. Nineteenth Century Art: A Critical History. 3rd rev. ed. London: Thames & Hudson, 2007. 51–77. Web. <http://www.loc.gov/catdir/toc/fy0802/2006910401.html>.

---. ‘Eisenman, “Symbolism and the Dialectics of Retreat,” Chapter’. Nineteenth Century Art: A Critical History. 3rd rev. ed. London: Thames & Hudson, 2007. 304–336. Web. <http://www.loc.gov/catdir/toc/fy0802/2006910401.html>.

---. ‘Eisenman, “The Generation of 1830 and the Crisis of the Public Sphere,” Chapter’. Nineteenth Century Art: A Critical History. 3rd rev. ed. London: Thames & Hudson, 2007. Web. <http://www.loc.gov/catdir/toc/fy0802/2006910401.html>.

---. ‘Eisenman, ‘The Rhetoric of Realism: Courbet ,’ Chapter’. Nineteenth Century Art: A Critical History. 3rd rev. ed. London: Thames & Hudson, 2007. 206–224. Web. <http://www.loc.gov/catdir/toc/fy0802/2006910401.html>.

---. ‘Eisenmann, ‘The Generation of 1830 Amd the Crisis of the Public Sphere,’ Chapter’. Nineteenth Century Art: A Critical History. 3rd rev. ed. London: Thames & Hudson, 2007. Web. <http://www.loc.gov/catdir/toc/fy0802/2006910401.html>.

---. ‘Eisenmann, 'The Rhetoric of Realism: Courbet and the Origins of the Avant Garde,’ Chapter’. Nineteenth Century Art: A Critical History. 3rd rev. ed. London: Thames & Hudson, 2007. Web. <http://www.loc.gov/catdir/toc/fy0802/2006910401.html>.

---. Nineteenth Century Art: A Critical History. London: Thames and Hudson, 1994. Print.

---. ‘Nochlin, “Issues of Gender in Cassatt and Eakins,” Chapter’. Nineteenth Century Art: A Critical History. 3rd rev. ed. London: Thames & Hudson, 2007. 255–273. Web. <http://www.loc.gov/catdir/toc/fy0802/2006910401.html>.

---. ‘Patriotism and Virtue: David to the Young Ingres’. Nineteenth Century Art: A Critical History. London: Thames and Hudson, 1994. 14–50. Print.

---. ‘T. Crow, “Patriotism and Virtue” Chapter’. Nineteenth Century Art: A Critical History. 3rd rev. ed. London: Thames & Hudson, 2007. Web. <http://www.loc.gov/catdir/toc/fy0802/2006910401.html>.

Eitner, Lorenz Edwin Alfred. Gericault, His Life and Work. London: Orbis, 1983. Print.

---. Géricault’s Raft of the Medusa. London]: Phaidon [distributed in the U.S. by Praeger, New York, 1972. Print.

Facos, Michelle and Dawsonera. An Introduction to Nineteenth Century Art: Artists and the Challenge of Modernity. 1st ed. New York: Routledge, 2011. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780203833070>.

Foucault, Michel. Manet and the Object of Painting. London: Tate Publishing, 2009. Print.

Frascina, Francis, Harrison, Charles, and Paul, Deidre. ‘Clark Preliminaries to a Possible Reading of Olympia in 1865, Chapter’. Modern Art and Modernism: A Critical Anthology. London: Harper & Row, in association with the Open University, 1982. 259–275. Print.

---. ‘Zola, “Eduard Manet” Chapter’. Modern Art and Modernism: A Critical Anthology. London: Harper & Row, in association with the Open University, 1982. Print.

---. ‘Zola, “Eduard Manet,” Chapter’. Modern Art and Modernism: A Critical Anthology. London: Harper & Row, in association with the Open University, 1982. Print.

---. ‘Zola, “Eduard Manet,” Chapter’. Modern Art and Modernism: A Critical Anthology. London: Harper & Row, in association with the Open University, 1982. Print.

Fried, Michael. Courbet’s Realism. Chicago: University of Chicago Press, 1990. Print.

---. ‘Fried, “Approaching Courbet,” Chapter’. Courbet’s Realism. Chicago: University of Chicago Press, 1990. 1–52. Print.

---. ‘Fried, “The Structure of Beholding in A Burial at Ornans,” Chapter’. Courbet’s Realism. Chicago: University of Chicago Press, 1990. 111–47. Print.

---. Manet’s Modernism, or, The Face of Painting in the 1860s. Chicago: University of Chicago Press, 1996. Print.

Fry, Roger Eliot and Blunt, Anthony. Seurat. London: Phaidon, 1965. Print.

Garb, T. ‘“‘L’Art Féminin,’ The Formation of a Critical Category in Late 19th  Century France”’. 12.1 n. pag. Print.

Garb, T. Women Impressionists. [Place of publication not identified]: Phaidon, 1986. Print.

Garb, Tamar. Bodies of Modernity: Figure and Flesh in Fin-de-Siècle France. Interplay. London: Thames & Hudson, 1998. Print.

Gervais, David. ‘Delacroix’ “Hamlet”’. The Cambridge Quarterly XIII.1 (1984): 40–70. Print.

---. ‘Delacroix’ “Hamlet”’. The Cambridge Quarterly XIII.1 (1984): 40–70. Web.

Goldwater, Robert John. Symbolism. 1st U.S. ed. Icon editions. New York: Westview Press, 1979. Print.

Gowing, Lawrence et al. Cézanne: The Early Years 1859-1872. London: Royal Academy of Arts in association with Weidenfeld and Nicolson, 1988. Print.

---. Cézanne: The Early Years 1859-1872. London: Royal Academy of Arts in association with Weidenfeld and Nicolson, 1988. Print.

Hamilton, George Heard. Manet and His Critics. The Norton library, N372. New York: Norton. Print.

---. Manet and His Critics. The Norton library, N372. New York: Norton. Print.

Hannoosh, Michele and Delacroix, Eugène. Painting and the Journal of Eugène Delacroix. The Princeton series in nineteenth-century art, culture, and society. Princeton: Princeton University Press, 1995. Print.

Harrison, Charles and Wood, Paul. ‘Denis, “From Gauguin and van Gogh to Neo-Classicism,” Chapter’. Art in Theory, 1900-2000: An Anthology of Changing Ideas. New ed. Oxford: Blackwell Publishers, 2003. 47–53. Print.

Harrison, Charles, Wood, Paul, and Gaiger, Jason. ‘Albert Aurier, from “Symbolism in Painting: Paul Gauguin,” Chapter’. Art in Theory, 1815-1900: An Anthology of Changing Ideas. Oxford: Blackwell, 1998. 1025–1029. Print.

---. Art in Theory, 1815-1900: An Anthology of Changing Ideas. Oxford: Blackwell, 1998. Print.

---. ‘Buchon, “on Courbet’s Stonebreakers and Burial at Ornans,” Chapter’. Art in Theory, 1815-1900: An Anthology of Changing Ideas. Oxford: Blackwell, 1998. 364–366. Print.

---. ‘Champfleury, “The Burial at Ornans,” Chapter’. Art in Theory, 1815-1900: An Anthology of Changing Ideas. Oxford: Blackwell, 1998. 366–370. Print.

---. ‘Chapter’. Art in Theory, 1648-1815: An Anthology of Changing Ideas. Oxford: Blackwell Publishers, 2000. Web. <http://www.loc.gov/catdir/toc/fy037/00034312.html>.

---. ‘Courbet, “Letter to Champfleury” (1854) and “Statement on Realism,” Chapters’. Art in Theory, 1815-1900: An Anthology of Changing Ideas. Oxford: Blackwell, 1998. 370–372. Print.

---. ‘Delacroix, “On Modernity”, Chapter’. Art in Theory, 1815-1900: An Anthology of Changing Ideas. Oxford: Blackwell, 1998. 331–326. Print.

---. ‘Delacroix, “on Romanticism,” Chapter’. Art in Theory, 1815-1900: An Anthology of Changing Ideas. Oxford: Blackwell, 1998. 26–30. Print.

---. ‘Gauguin, “Notes on Painting,” Chapter’. Art in Theory, 1815-1900: An Anthology of Changing Ideas. Oxford: Blackwell, 1998. 1022–1024. Print.

---. ‘Heine, “from Salon of 1831,” Chapter’. Art in Theory, 1815-1900: An Anthology of Changing Ideas. Oxford: Blackwell, 1998. 81–84. Print.

---. ‘Jacques-Louis David, ‘on His Picture of Le Peletier’’. Art in Theory, 1648-1815: An Anthology of Changing Ideas. Oxford: Blackwell Publishers, 2000. 718–720. Web. <http://www.loc.gov/catdir/toc/fy037/00034312.html>.

---. ‘Jean-Auguste-Dominique Ingres, “from Notebooks and Letters,” Chapter’. Art in Theory, 1648-1815: An Anthology of Changing Ideas. Oxford: Blackwell Publishers, 2000. 1169–1172. Web. <http://www.loc.gov/catdir/toc/fy037/00034312.html>.

---. ‘Jean-Auguste-Dominique Ingres, “from Notebooks and Letters,” Chapter’. Art in Theory, 1648-1815: An Anthology of Changing Ideas. Oxford: Blackwell Publishers, 2000. 1169–1172. Web. <http://www.loc.gov/catdir/toc/fy037/00034312.html>.

---. ‘Jean-Auguste-Dominique Ingres, “from Notebooks”, Chapter’. Art in Theory, 1815-1900: An Anthology of Changing Ideas. Oxford: Blackwell, 1998. 183–185. Print.

---. ‘Jean-François Millet, ‘On Truth in Painting,’ Chapter’. Art in Theory, 1815-1900: An Anthology of Changing Ideas. Oxford: Blackwell, 1998. 373–378. Print.

---. ‘Manet, “Reasons for Holding a Private Exhibition,” Chapter’. Art in Theory, 1815-1900: An Anthology of Changing Ideas. Oxford: Blackwell, 1998. 519–520. Print.

---. ‘Moréas, “Symbolism – a Manifesto,” Chapter’. Art in Theory, 1815-1900: An Anthology of Changing Ideas. Oxford: Blackwell, 1998. 1014–1016. Print.

---. ‘Morisot, “Letter to Her Sister Edma,” Chapter’. Art in Theory, 1815-1900: An Anthology of Changing Ideas. Oxford: Blackwell, 1998. Print.

---. ‘“Project for the Apotheoses of Barra and Viala”’. Oxford: Blackwell Publishers, 2000. 728–730. Web. <http://www.loc.gov/catdir/toc/fy037/00034312.html>.

---. ‘“Proposal for a Monument to the French People”’. Art in Theory, 1648-1815: An Anthology of Changing Ideas. Oxford: Blackwell Publishers, 2000. 724–727. Web. <http://www.loc.gov/catdir/toc/fy037/00034312.html>.

---. ‘“The Jury of Art”’. Art in Theory, 1648-1815: An Anthology of Changing Ideas. Oxford: Blackwell Publishers, 2000. 721–723. Web. <http://www.loc.gov/catdir/toc/fy037/00034312.html>.

---. ‘“Various Authors on Manet’s Olympia,” Chapter’. Art in Theory, 1815-1900: An Anthology of Changing Ideas. Oxford: Blackwell, 1998. 514–519. Print.

---. ‘Zola, “Edouard Manet” (1867), Chapter’. Art in Theory, 1815-1900: An Anthology of Changing Ideas. Oxford: Blackwell, 1998. 554–565. Print.

Herbert, Robert L. Impressionism: Art, Leisure, and Parisian Society. New Haven: Yale U.P., 1988. Print.

---. Impressionism: Art, Leisure, and Parisian Society. New Haven: Yale U.P., 1988. Print.

---. Seurat: Drawings and Paintings. New Haven, Conn: Yale University Press, 2001. Print.

Herbert, Robert L., Harris, Neil, and Art Institute of Chicago. Seurat and the Making of La Grande Jatte. 1st ed. Chicago: Art Institute of Chicago, in association with University of California Press, 2004. Print.

Higonnet, Anne. Berthe Morisot. 1st ed. London: Collins, 1990. Print.

---. Berthe Morisot’s Images of Women. Cambridge, Mass: Harvard University Press, 1994. Print.

Hofmann, Werner. Degas: A Dialogue of Difference. London: Thames & Hudson, 2007. Print.

Homer, W I. Seurat and the Science of Painting. [Place of publication not identified]: MIT Press, 1978. Print.

Honour, Hugh. Neo-Classicism. Style and civilization. Harmondsworth: Penguin, 1968. Print.

---. Romanticism. Style and civilization. London: Allen Lane, 1979. Print.

---. Romanticism. Style and civilization. London: Allen Lane, 1979. Print.

House, J. ‘ART VIEW; The Work of Cezanne Before He Became Cezanne - New York Times’. (1988): n. pag. Web. <http://www.nytimes.com/1988/06/05/arts/art-view-the-work-of-cezanne-before-he-became-cezanne.html?pagewanted=all&src=pm>.

---. ‘“Ornans Revisited” (Review of Michael Fried’s Courbet’s Realism)’. 5 18–19. Print.

House, John. ‘House, “Making a Mark: The Impressionist Brushstroke,” Chapter 5 and Conlcusion’. Impressionism: Paint and Politics. New Haven, Conn: Yale University Press, 2004. Print.

---. Impressionism: Paint and Politics. New Haven, Conn: Yale University Press, 2004. Print.

---. Impressionism: Paint and Politics. New Haven, Conn: Yale University Press, 2004. Print.

House, John and Hayward Gallery. Landscapes of France: Impressionism and Its Rivals. London: Hayward Gallery, 1995. Print.

---. Landscapes of France: Impressionism and Its Rivals. London: Hayward Gallery, 1995. Print.

Isaacson, J. ‘“Constable, Duranty, Mallarme, Impressionism, Plein Air, and Forgetting” by Isaacson, Joel - The Art Bulletin, Vol. 76, Issue 3, September 1994 | Questia, Your Online Research Library’. 76.3 n. pag. Web. <http://www.questia.com/library/1P3-1498608/constable-duranty-mallarme-impressionism-plein>.

Jacobus, M. ‘Berthe Morisot: Inventing the Psyche’. 6 191–199. Print.

Jacobus, Mary. First Things: The Maternal Imaginary in Literature, Art and Psychoanalysis. New York: Routledge, 1995. Print.

Jobert, Barthélémy and Delacroix, Eugène. Delacroix. Princeton, N.J.: Princeton University Press, 1998. Print.

John A. Walker. ‘Walker, “Lust for Life,” Article in Art and Artists on Screen [Paperback]’. Art and Artists on Screen [Paperback] 40–48. Web. <http://www.amazon.co.uk/Art-Artists-Screen-John-Walker/dp/0954570251/ref=sr_1_1?s=books&ie=UTF8&qid=1368542137&sr=1-1&keywords=0954570251>.

Johnson, Dorothy. Jacques-Louis David: Art in Metamorphosis. The Princeton series in nineteenth-century art, culture, and society. Princeton, N.J.: Princeton University Press, 1993. Print.

Kear, J. ‘“Frenhofer, c’est Moi”: Cezanne’s Nudes and Balzac’s Le Chef-d’oeuvre Inconnu’. The Cambridge Quarterly 35.4 (2006): 345–360. Web.

Kear, J. ‘“Le Sang Provencal: Joachim Gasquet’s Cezanne” by Kear, Jonathan - Journal of European Studies, June-September 2002 | Questia, Your Online Research Library’. Ed. N Hallet and J. Montefiore. n. pag. Web. <http://www.questia.com/library/1G1-94983835/le-sang-provencal-joachim-gasquet-s-cezanne#articleDetails>.

Kear, Jon. Degas: His Life and Works in 500 Images : An Illustrated Exploration of the Artist, His Life and Context with a Gallery of 300 of His Finest Paintings and Sculptures. London: Lorenz, 2012. Print.

Kear, Jonathan. ‘Art on the Line’. 1 n. pag. Web. <http://www.waspress.co.uk/journals/artontheline/journal_20031/articles/index.html>.

Kendall, Richard, DeVonyar, Jill, et al. ‘Chapter 3’. Degas and the Ballet: Picturing Movement. London: Royal Academy of Arts, 2011. 128–183. Print.

---. Degas and the Ballet: Picturing Movement. London: Royal Academy of Arts, 2011. Print.

Kendall, Richard, Degas, Edgar, et al. Degas and the Little Dancer. New Haven: Yale University Press, in association with Joslyn Art Museum, Omaha, 1998. Print.

---. Degas Backstage. London: Thames and Hudson, 1996. Print.

Kendall, Richard, National Gallery (Great Britain), and Art Institute of Chicago. Degas: Beyond Impressionism. London: National Gallery Publications in association with the Art Institute of Chicago, distributed by Yale University Press, 1996. Print.

Kendall, Richard and Pollock, Griselda. Dealing with Degas: Representations of Women and the Politics of Vision. London: Pandora, 1992. Print.

Kinsey, Marjorie Schreiber. ‘The Cambridge Companion to Delacroix (Review)’. Nineteenth Century French Studies 31.1 (2002): 155–157. Web.

Krell, A. ‘Manet’s Déjeuner Sur l’herbe in the Salon Des Réfuses’. LXV.2 n. pag. Print.

Krell, Alan and Manet, Edouard. Manet and the Painters of Contemporary Life. World of art. London: Thames and Hudson, 1996. Print.

Lajer-Burcharth, Ewa. Necklines: The Art of Jacques-Louis David after the Terror. New Haven, Conn: Yale University Press, 1999. Print.

---. Necklines: The Art of Jacques-Louis David after the Terror. New Haven, Conn: Yale University Press, 1999. Print.

‘LAND2 : Texts: Griselda Pollock : ’The Homeland of Pictures, Reflections on Van Gogh’s Place Memories 2004’. N.p., n.d. Web. <http://www.land2.uwe.ac.uk/essay9.htm>.

Lee Johnson. ‘Johnson, ‘Delacroix, Dumas and Hamlet,’ Article’. The Burlington Magazine 123.945 (1981): 717–723. Web. <http://www.jstor.org/stable/880503>.

---. ‘The Burlington Magazine’. 123.945 (1981): 717–723. Web. <http://www.jstor.org/stable/880503>.

Lee, Simon. David. Art&ideas. London: Phaidon, 1999. Print.

Leighton, John, Thompson, Richard, and National Gallery Great Britain). Seurat and the Bathers. London: National Gallery, 1997. Print.

Leith, James A. The Idea of Art as Propaganda in France, 1750-1799: A Study in the History of Ideas. University of Toronto Romance series. Toronto]: University of Toronto Press. Print.

Lewis, Mary Tompkins and Cézanne, Paul. Cézanne. Art&ideas. London: Phaidon, 2000. Print.

Lindsay, Jack. Gustave Courbet: His Life and Art. Bath: Adams and Dart, 1973. Print.

Lipton, Eunice. ‘Chapter 2’. Looking into Degas: Uneasy Images of Women and Modern Life. Berkeley: University of California Press, 1988. 73–115. Print.

---. Looking into Degas: Uneasy Images of Women and Modern Life. Berkeley: University of California Press, 1988. Print.

Manet, âEdouard, Toledo Museum of Art, and Royal Academy of Arts (Great Britain). Manet: Portraying Life. London, UK: Royal Academy of Arts, 2012. Print.

---. Manet: Portraying Life. London, UK: Royal Academy of Arts, 2012. Print.

Marrinan, Michael. Painting Politics for Louis-Philippe: Art and Ideology in Orléanist France, 1830-1848. New Haven: Yale U.P., 1988. Print.

Mathews, Nancy Mowll. Mary Cassatt: A Life. New Haven: Yale University Press, 1998. Print.

McQuillan, Melissa A. and Gogh, Vincent van. Van Gogh. World of art. London: Thames and Hudson, 1989. Print.

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