Bibliography for French Painting in the 19th Century

[1]
Eisenman, Stephen F. and Crow, Thomas E., Nineteenth century art: a critical history. London: Thames and Hudson, 1994.

[2]
Harrison, Charles, Wood, Paul, and Gaiger, Jason, ‘Chapter’, in Art in theory, 1648-1815: an anthology of changing ideas, Oxford: Blackwell Publishers, 2000 [Online]. Available: http://www.loc.gov/catdir/toc/fy037/00034312.html

[3]
Donald Preziosi, ‘The Question of Art History’, Critical Inquiry, vol. 18, no. 2, 1992 [Online]. Available: http://www.jstor.org.chain.kent.ac.uk/stable/info/1343788

[4]
Harrison, Charles, Wood, Paul, and Gaiger, Jason, Art in theory, 1815-1900: an anthology of changing ideas. Oxford: Blackwell, 1998.

[5]
Facos, Michelle and Dawsonera, An introduction to nineteenth century art: artists and the challenge of modernity, 1st ed. New York: Routledge, 2011 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780203833070

[6]
White, Harrison Colyar and White, Cynthia A., Canvases and careers: institutional change in the French painting world. New York: Wiley.

[7]
Milner, John, The studios of Paris: the capital of art in the late nineteenth century. New Haven: Yale University Press, 1988.

[8]
Richard Shiff, ‘The Art Bulletin’, vol. 70, no. 1, pp. 25–48, 1988 [Online]. Available: http://www.jstor.org/stable/3051152

[9]
Clark, T. J, ‘On The Social History of Art’, in Image of the People: Gustave ourbet and the 1848 Revolution, London: Thames & Hudson, 1973.

[10]
Pollock, Griselda, Vision and difference: femininity, feminism and histories of art. London: Routledge, 1988.

[11]
Eisenman, Stephen F. and Crow, Thomas E., ‘Patriotism and Virtue: David to the Young Ingres’, in Nineteenth century art: a critical history, London: Thames and Hudson, 1994, pp. 14–50.

[12]
Vaughan, William and Weston, Helen, ‘Terror and the Tabula Rasa: David’s Marat in its Pictorial Context.’, in Jacques-Louis David’s Marat, vol. Masterpieces of Western painting, Cambridge: Cambridge University Press, 2000, pp. 77–101.

[13]
Harrison, Charles, Wood, Paul, and Gaiger, Jason, ‘Jacques-Louis David, ‘on his picture of Le Peletier’’, in Art in theory, 1648-1815: an anthology of changing ideas, Oxford: Blackwell Publishers, 2000, pp. 718–720 [Online]. Available: http://www.loc.gov/catdir/toc/fy037/00034312.html

[14]
Harrison, Charles, Wood, Paul, and Gaiger, Jason, ‘“The Jury of Art”’, in Art in theory, 1648-1815: an anthology of changing ideas, Oxford: Blackwell Publishers, 2000, pp. 721–723 [Online]. Available: http://www.loc.gov/catdir/toc/fy037/00034312.html

[15]
Harrison, Charles, Wood, Paul, and Gaiger, Jason, ‘“Proposal for a monument to the French people”’, in Art in theory, 1648-1815: an anthology of changing ideas, Oxford: Blackwell Publishers, 2000, pp. 724–727 [Online]. Available: http://www.loc.gov/catdir/toc/fy037/00034312.html

[16]
Harrison, Charles, Wood, Paul, and Gaiger, Jason, ‘“Project for the apotheoses of Barra and Viala”’, Oxford: Blackwell Publishers, 2000, pp. 728–730 [Online]. Available: http://www.loc.gov/catdir/toc/fy037/00034312.html

[17]
Wilson-Smith, Timothy, ‘Chapter 3’, in Napoleon and his artists, London: Constable, 1996, pp. 39–49.

[18]
Wilson-Smith, Timothy, ‘Chapter 3’, in Napoleon and his artists, London: Constable, 1996, pp. 85–98.

[19]
Wilson-Smith, Timothy, ‘Chapter 5’, in Napoleon and his artists, London: Constable, 1996, pp. 151–195.

[20]
Prendergast, Christopher, Napoleon and history painting: Antoine-Jean Gros’s La bataille d’Eylau. Oxford: Clarendon Press, 1997.

[21]
Boime, Albert, Art in an age of Bonapartism, 1800-1815, vol. A social history of modern art. Chicago: University of Chicago Press, 1990.

[22]
Harrison, Charles, Wood, Paul, and Gaiger, Jason, ‘Jean-Auguste-Dominique Ingres, “from Notebooks and Letters,” Chapter’, in Art in theory, 1648-1815: an anthology of changing ideas, Oxford: Blackwell Publishers, 2000, pp. 1169–1172 [Online]. Available: http://www.loc.gov/catdir/toc/fy037/00034312.html

[23]
Harrison, Charles, Wood, Paul, and Gaiger, Jason, ‘Jean-Auguste-Dominique Ingres, “from Notebooks and Letters,” Chapter’, in Art in theory, 1648-1815: an anthology of changing ideas, Oxford: Blackwell Publishers, 2000, pp. 1169–1172 [Online]. Available: http://www.loc.gov/catdir/toc/fy037/00034312.html

[24]
Harrison, Charles, Wood, Paul, and Gaiger, Jason, ‘Jean-Auguste-Dominique Ingres, “from Notebooks”, Chapter’, in Art in theory, 1815-1900: an anthology of changing ideas, Oxford: Blackwell, 1998, pp. 183–185.

[25]
Baudelaire, Charles, Charvet, Patrick Edward, and Baudelaire, Charles, ‘“Ingres: The Universal Exhibition of 1855,” Chapter’, in Baudelaire: selected writings on art and literature, vol. Penguin classics, London: Penguin, 1972, pp. 124–132.

[26]
Athanassoglou-Kallmyer, Nina M., Théodore Géricault. London: Phaidon, 2010.

[27]
Harrison, Charles, Wood, Paul, and Gaiger, Jason, ‘Delacroix, “on Romanticism,” Chapter’, in Art in theory, 1815-1900: an anthology of changing ideas, Oxford: Blackwell, 1998, pp. 26–30.

[28]
Harrison, Charles, Wood, Paul, and Gaiger, Jason, ‘Heine, “from Salon of 1831,” Chapter’, in Art in theory, 1815-1900: an anthology of changing ideas, Oxford: Blackwell, 1998, pp. 81–84.

[29]
Eisenman, Stephen F. and Crow, Thomas E., ‘Crow, “Classicism in Crisis: Gros to Delacroix,” Chapter’, in Nineteenth century art: a critical history, 3rd rev. ed., London: Thames & Hudson, 2007, pp. 51–77 [Online]. Available: http://www.loc.gov/catdir/toc/fy0802/2006910401.html

[30]
Eisenman, Stephen F. and Crow, Thomas E., ‘Eisenman, “The Generation of 1830 and the Crisis of the Public Sphere,” Chapter’, in Nineteenth century art: a critical history, 3rd rev. ed., London: Thames & Hudson, 2007 [Online]. Available: http://www.loc.gov/catdir/toc/fy0802/2006910401.html

[31]
D. Gervais, ‘Delacroix’ “Hamlet”’, The Cambridge Quarterly, vol. XIII, no. 1, pp. 40–70, 1984.

[32]
Lee Johnson, ‘Johnson, ‘Delacroix, Dumas and Hamlet,’ Article’, The Burlington Magazine, vol. 123, no. 945, pp. 717–723, 1981 [Online]. Available: http://www.jstor.org/stable/880503

[33]
Shakespeare, William and Wofford, Susanne Lindgren, Hamlet, vol. Case studies in contemporary criticism. Boston: Bedford Books of St. Martin’s Press, 1994.

[34]
Harrison, Charles, Wood, Paul, and Gaiger, Jason, ‘Delacroix, “On Modernity”, Chapter’, in Art in theory, 1815-1900: an anthology of changing ideas, Oxford: Blackwell, 1998, pp. 331–326.

[35]
Baudelaire, Charles, Charvet, Patrick Edward, and Baudelaire, Charles, ‘Baudelaire, “Delacroix: The Universal Exhibition of 1855,” Chapter’, in Baudelaire: selected writings on art and literature, vol. Penguin classics, London: Penguin, 1972, pp. 132–139.

[36]
Nochlin, Linda, Realism, vol. Style and civilization. Harmondsworth: Penguin, 1971.

[37]
Harrison, Charles, Wood, Paul, and Gaiger, Jason, ‘Jean-François Millet, ‘On Truth in Painting,’ Chapter’, in Art in theory, 1815-1900: an anthology of changing ideas, Oxford: Blackwell, 1998, pp. 373–378.

[38]
Clark, T. J, Image of the people: Gustave Courbet and the 1848 revolution. London: Thames & Hudson, 1973.

[39]
Eisenman, Stephen F. and Crow, Thomas E., ‘Eisenman, ‘The Rhetoric of Realism: Courbet ,’ Chapter’, in Nineteenth century art: a critical history, 3rd rev. ed., London: Thames & Hudson, 2007, pp. 206–224 [Online]. Available: http://www.loc.gov/catdir/toc/fy0802/2006910401.html

[40]
Harrison, Charles, Wood, Paul, and Gaiger, Jason, ‘Buchon, “on Courbet’s Stonebreakers and Burial at Ornans,” Chapter’, in Art in theory, 1815-1900: an anthology of changing ideas, Oxford: Blackwell, 1998, pp. 364–366.

[41]
Harrison, Charles, Wood, Paul, and Gaiger, Jason, ‘Champfleury, “The Burial at Ornans,” Chapter’, in Art in theory, 1815-1900: an anthology of changing ideas, Oxford: Blackwell, 1998, pp. 366–370.

[42]
Harrison, Charles, Wood, Paul, and Gaiger, Jason, ‘Courbet, “Letter to Champfleury” (1854) and “Statement on Realism,” Chapters’, in Art in theory, 1815-1900: an anthology of changing ideas, Oxford: Blackwell, 1998, pp. 370–372.

[43]
Fried, Michael, ‘Fried, “The Structure of Beholding in A Burial at Ornans,” Chapter’, in Courbet’s realism, Chicago: University of Chicago Press, 1990, pp. 111–47.

[44]
Clark, T. J, ‘Clark, “Courbet in Ornans and Besançon 1849–50” and “Courbet in Dijon and Paris 1850–51,” Chapters’, in Image of the people: Gustave Courbet and the 1848 revolution, London: Thames & Hudson, 1973, pp. 77–154.

[45]
Clark, T. J, ‘Clark, “Preface,” Chapter’, in Image of the people: Gustave Courbet and the 1848 revolution, London: Thames & Hudson, 1973, pp. 4–8.

[46]
Clark, T. J, ‘Clark, “On the Social History of Art,” Chapter’, in Image of the people: Gustave Courbet and the 1848 revolution, London: Thames & Hudson, 1973, pp. 9–20.

[47]
Fried, Michael, ‘Fried, “Approaching Courbet,” Chapter’, in Courbet’s realism, Chicago: University of Chicago Press, 1990, pp. 1–52.

[48]
J. House, ‘“Ornans Revisited” (Review of Michael Fried’s Courbet’s Realism)’, vol. 5, pp. 18–19.

[49]
Hamilton, George Heard, Manet and his critics, vol. The Norton library, N372. New York: Norton.

[50]
Harrison, Charles, Wood, Paul, and Gaiger, Jason, ‘Zola, “Edouard Manet” (1867), Chapter’, in Art in theory, 1815-1900: an anthology of changing ideas, Oxford: Blackwell, 1998, pp. 554–565.

[51]
Adler, Kathleen, Manet. Oxford: Phaidon, 1986.

[52]
Manet, âEdouard, Toledo Museum of Art, and Royal Academy of Arts (Great Britain), Manet: portraying life. London, UK: Royal Academy of Arts, 2012.

[53]
Clark, T. J., ‘Clark, “Olympia’s Choice,” Chapter’, in The painting of modern life: Paris in the art of Manet and his followers, London: Thames & Hudson, 1985, pp. 79–146.

[54]
Harrison, Charles, Wood, Paul, and Gaiger, Jason, ‘“Various Authors on Manet’s Olympia,” Chapter’, in Art in theory, 1815-1900: an anthology of changing ideas, Oxford: Blackwell, 1998, pp. 514–519.

[55]
Harrison, Charles, Wood, Paul, and Gaiger, Jason, ‘Manet, “Reasons for Holding a Private Exhibition,” Chapter’, in Art in theory, 1815-1900: an anthology of changing ideas, Oxford: Blackwell, 1998, pp. 519–520.

[56]
Harrison, Charles, Wood, Paul, and Gaiger, Jason, ‘Morisot, “Letter to her Sister Edma,” Chapter’, in Art in theory, 1815-1900: an anthology of changing ideas, Oxford: Blackwell, 1998.

[57]
Baudelaire, Charles, Charvet, Patrick Edward, and Baudelaire, Charles, ‘Baudelaire, “The Painter of Modern Life,” Chapter’, in Baudelaire: selected writings on art and literature, vol. Penguin classics, London: Penguin, 1972.

[58]
Moffett, Charles S., Fine Arts Museums of San Francisco, and National Gallery of Art (U.S.), The new painting: Impressionism 1874-1886 ; an exhibition organized by the Fine Arts Museums of San Francisco with the National Gallery of Art, Washington. [San Francisco]: Fine Arts Museum of San Francisco, 1986.

[59]
Adler, Kathleen, Edelstein, T. J., and Mount Holyoke College, ‘Garb, “Berthe Morisot and the Feminizing of Impressionism,” Chapter’, in Perspectives on Morisot, 1st ed., New York: Hudson Hills Press in association with the Mount Holyoke College Art Museum, 1990, pp. 57–67.

[60]
Pollock, Griselda, ‘Pollock, “Modernity and the Spaces of Femininity,” Chapter’, in Vision and difference: femininity, feminism and histories of art, London: Routledge, 1988, pp. 50–90.

[61]
Pollock, Griselda, ‘Pollock, “Feminist Interventions in the Histories of Art: An Introduction,” Chapter’, in Vision and difference: femininity, feminism and histories of art, London: Routledge, 1988, pp. 1–17.

[62]
Eisenman, Stephen F. and Crow, Thomas E., ‘Nochlin, “Issues of Gender in Cassatt and Eakins,” Chapter’, in Nineteenth century art: a critical history, 3rd rev. ed., London: Thames & Hudson, 2007, pp. 255–273 [Online]. Available: http://www.loc.gov/catdir/toc/fy0802/2006910401.html

[63]
Lipton, Eunice, ‘Chapter 2’, in Looking into Degas: uneasy images of women and modern life, Berkeley: University of California Press, 1988, pp. 73–115.

[64]
Kendall, Richard, DeVonyar, Jill, Degas, Edgar, and Royal Academy of Arts (Great Britain), ‘Chapter 3’, in Degas and the ballet: picturing movement, London: Royal Academy of Arts, 2011, pp. 128–183.

[65]
House, John, ‘House, “Making a Mark: The Impressionist Brushstroke,” Chapter 5 and Conlcusion’, in Impressionism: paint and politics, New Haven, Conn: Yale University Press, 2004.

[66]
Moffett, Charles S., Fine Arts Museums of San Francisco, and National Gallery of Art (U.S.), ‘Duranty, “from The New Painting,” Chapter’, in The new painting: Impressionism 1874-1886 ; an exhibition organized by the Fine Arts Museums of San Francisco with the National Gallery of Art, Washington, [San Francisco]: Fine Arts Museum of San Francisco, 1986, pp. 37–47.

[67]
Moffett, Charles S., Fine Arts Museums of San Francisco, and National Gallery of Art (U.S.), ‘Mallarmé, “The Impressionists and Edouard Manet,” Chapter’, in The new painting: Impressionism 1874-1886 ; an exhibition organized by the Fine Arts Museums of San Francisco with the National Gallery of Art, Washington, [San Francisco]: Fine Arts Museum of San Francisco, 1986, pp. 27–35.

[68]
‘LAND2 : Texts: Griselda Pollock : ’The Homeland of Pictures, Reflections on Van Gogh’s Place Memories 2004’. [Online]. Available: http://www.land2.uwe.ac.uk/essay9.htm

[69]
Gowing, Lawrence, Stevens, Mary Anne, Adriani, Götz, and Royal Academy of Arts (Great Britain), Cézanne: the early years 1859-1872. London: Royal Academy of Arts in association with Weidenfeld and Nicolson, 1988.

[70]
Dombrowski, Andr,̌, Cžanne, murder, and modern life, vol. The Phillips book prize series. Berkeley, Calif: University of California Press, 2012.

[71]
John A. Walker, ‘Walker, “Lust for Life,” Article in Art and Artists on Screen [Paperback]’, Art and Artists on Screen [Paperback], pp. 40–48 [Online]. Available: http://www.amazon.co.uk/Art-Artists-Screen-John-Walker/dp/0954570251/ref=sr_1_1?s=books&ie=UTF8&qid=1368542137&sr=1-1&keywords=0954570251

[72]
Minnelli, Vincente, ‘Lust for life’. MGM, U.S.A., 1956.

[73]
‘Vincent van Gogh The Letters’. [Online]. Available: http://www.vangoghletters.org/vg/

[74]
Nochlin, Linda, ‘Nochlin, “Seurat’s La Grande Jatte, An Anti-Utopian Allegory,” Chapter’, in The politics of vision: essays on nineteenth-century art and society, London: Thames and Hudson, 1991, pp. 170–193.

[75]
Harrison, Charles, Wood, Paul, and Gaiger, Jason, ‘Albert Aurier, from “Symbolism in Painting: Paul Gauguin,” Chapter’, in Art in theory, 1815-1900: an anthology of changing ideas, Oxford: Blackwell, 1998, pp. 1025–1029.

[76]
Moffett, Charles S., Fine Arts Museums of San Francisco, and National Gallery of Art (U.S.), ‘Shiff, “The End of Impressionism,” Chapter’, in The new painting: Impressionism 1874-1886 ; an exhibition organized by the Fine Arts Museums of San Francisco with the National Gallery of Art, Washington, [San Francisco]: Fine Arts Museum of San Francisco, 1986, pp. 61–92.

[77]
Smith, Paul, Seurat and the avant-garde. New Haven: Yale University Press, 1997.

[78]
Shiff, Richard, Cézanne and the end of impressionism: a study of the theory, technique, and critical evaluation of modern art. Chicago: University of Chicago Press, 1984.

[79]
Harrison, Charles, Wood, Paul, and Gaiger, Jason, ‘Moréas, “Symbolism – a Manifesto,” Chapter’, in Art in theory, 1815-1900: an anthology of changing ideas, Oxford: Blackwell, 1998, pp. 1014–1016.

[80]
Harrison, Charles, Wood, Paul, and Gaiger, Jason, ‘Gauguin, “Notes on Painting,” Chapter’, in Art in theory, 1815-1900: an anthology of changing ideas, Oxford: Blackwell, 1998, pp. 1022–1024.

[81]
Harrison, Charles and Wood, Paul, ‘Denis, “From Gauguin and van Gogh to Neo-Classicism,” Chapter’, in Art in theory, 1900-2000: an anthology of changing ideas, New ed., Oxford: Blackwell Publishers, 2003, pp. 47–53.

[82]
Eisenman, Stephen F. and Crow, Thomas E., ‘Eisenman, “Symbolism and the Dialectics of Retreat,” Chapter’, in Nineteenth century art: a critical history, 3rd rev. ed., London: Thames & Hudson, 2007, pp. 304–336 [Online]. Available: http://www.loc.gov/catdir/toc/fy0802/2006910401.html

[83]
Eisenman, Stephen F. and Crow, Thomas E., ‘T. Crow, “Patriotism and Virtue” Chapter’, in Nineteenth century art: a critical history, 3rd rev. ed., London: Thames & Hudson, 2007 [Online]. Available: http://www.loc.gov/catdir/toc/fy0802/2006910401.html

[84]
Johnson, Dorothy, Jacques-Louis David: art in metamorphosis, vol. The Princeton series in nineteenth-century art, culture, and society. Princeton, N.J.: Princeton University Press, 1993.

[85]
Lee, Simon, David, vol. Art&ideas. London: Phaidon, 1999.

[86]
Crow, Thomas E., Emulation: making artists for revolutionary France. New Haven: Yale University Press, 1995.

[87]
Lajer-Burcharth, Ewa, Necklines: the art of Jacques-Louis David after the Terror. New Haven, Conn: Yale University Press, 1999.

[88]
Honour, Hugh, Neo-classicism, vol. Style and civilization. Harmondsworth: Penguin, 1968.

[89]
Honour, Hugh, Romanticism, vol. Style and civilization. London: Allen Lane, 1979.

[90]
Vaughan, William, Romanticism and art, Repr. with revisions., vol. World of art (Thames and Hudson). London: Thames and Hudson, 1994.

[91]
Bryson, Norman, ‘Chapters 1 & 2’, in Tradition and desire: from David to Delacroix, vol. Cambridge studies in French, Cambridge: Cambridge University Press, 1984.

[92]
Vaughan, William and Weston, Helen, ‘“Introduction” Chapter’, in Jacques-Louis David’s Marat, vol. Masterpieces of Western painting, Cambridge: Cambridge University Press, 2000, pp. 1–33.

[93]
Vaughan, William and Weston, Helen, ‘“The Corday–Marat Affair: No Place for a Woman,” Chapter’, in Jacques-Louis David’s Marat, vol. Masterpieces of Western painting, Cambridge: Cambridge University Press, 2000, pp. 128–152.

[94]
Eisenman, Stephen F. and Crow, Thomas E., ‘Crow, “Classicism in Crisis,” Chapter’, in Nineteenth century art: a critical history, 3rd rev. ed., London: Thames & Hudson, 2007 [Online]. Available: http://www.loc.gov/catdir/toc/fy0802/2006910401.html

[95]
Prendergast, Christopher, Napoleon and history painting: Antoine-Jean Gros’s La bataille d’Eylau. Oxford: Clarendon Press, 1997.

[96]
Lajer-Burcharth, Ewa, Necklines: the art of Jacques-Louis David after the Terror. New Haven, Conn: Yale University Press, 1999.

[97]
J. Walker McCoubrey, ‘“Gros’ Battle of Eylau and Roman Imperial Art,”’ Art Bulletin, vol. 43, no. 2, pp. 137–138.

[98]
Boime, Albert, Art in an age of Bonapartism, 1800-1815, vol. A social history of modern art. Chicago: University of Chicago Press, 1990.

[99]
Leith, James A., The idea of art as propaganda in France, 1750-1799: a study in the history of ideas, vol. University of Toronto Romance series. Toronto]: University of Toronto Press.

[100]
Baudelaire, Charles, Charvet, Patrick Edward, and Baudelaire, Charles, ‘The Universal Exhibition of 1855 : the Fine Arts. Chapter’, in Baudelaire: selected writings on art and literature, vol. Penguin classics, London: Penguin, 1972.

[101]
Taylor, Joshua Charles, ‘“Ingres” commentaries on Art,’ Chapter’, in Nineteenth-century theories of art, vol. California studies in the history of art, Berkeley: University of California Press, 1987.

[102]
Bryson, Norman, ‘Chapter 5’, in Tradition and desire: from David to Delacroix, vol. Cambridge studies in French, Cambridge: Cambridge University Press, 1984.

[103]
Collier, Peter and Lethbridge, Robert, ‘“‘Telle main veut tel pied’: Balzac, Ingres and the Art of Portraiture,” Chapter’, in Artistic relations: literature and the visual arts in nineteenth-century France, New Haven: Yale University Press, 1994.

[104]
A. Rifkin, ‘Ingres and the Academic Dictionary’, vol. 6, no. 2.

[105]
Athanassoglou-Kallmyer, Nina M., Théodore Géricault. London: Phaidon, 2010.

[106]
Berger, Klaus, Géricault and his work. New York: Hacker Art Books, 1978.

[107]
Eitner, Lorenz Edwin Alfred, Gericault, his life and work. London: Orbis, 1983.

[108]
Eitner, Lorenz Edwin Alfred, Géricault’s Raft of the Medusa. London]: Phaidon [distributed in the U.S. by Praeger, New York, 1972.

[109]
Alhadeff, Albert, The raft of the Medusa: Géricault, art, and race. Munich: Prestel, 2002.

[110]
Miles, Jonathan, The wreck of the Medusa, 1st ed. London: Jonathan Cape, 2007 [Online]. Available: http://www.loc.gov/catdir/enhancements/fy0712/2006052633-d.html

[111]
Whitney, Wheelock and Géricault, Théodore, Géricault in Italy. New Haven: Yale University Press, 1997.

[112]
Honour, Hugh, Romanticism, vol. Style and civilization. London: Allen Lane, 1979.

[113]
Vaughan, William, Romanticism and art, Repr. with revisions., vol. World of art (Thames and Hudson). London: Thames and Hudson, 1994.

[114]
A. BOIME, ‘Portraying Monomaniacs to Service the Alienist’s Monomania: Gericault and Georget’, Oxford Art Journal, vol. 14, no. 1, pp. 79–91, Jan. 1991, doi: 10.1093/oxartj/14.1.79.

[115]
N. Athanassoglou-Kallmyer, ‘Gericault’s severed heads and limbs: The politics and aesthetics of the scaffold’, vol. LXXXIV, no. 4, 1982 [Online]. Available: http://connection.ebscohost.com/c/articles/9309200004/gericaults-severed-heads-limbs-politics-aesthetics-scaffold

[116]
Clarke, Graham, The portrait in photography, vol. Critical views. London: Reaktion Bks, 1992 [Online]. Available: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=475098

[117]
Eisenman, Stephen F. and Crow, Thomas E., ‘Eisenmann, ‘The Generation of 1830 amd the Crisis of the Public Sphere,’ Chapter’, in Nineteenth century art: a critical history, 3rd rev. ed., London: Thames & Hudson, 2007 [Online]. Available: http://www.loc.gov/catdir/toc/fy0802/2006910401.html

[118]
Bann, Stephen, Paul Delaroche: history painted. London: Reaktion Books, 1997.

[119]
Bann, Stephen and University of Kent at Canterbury, ‘History at the theatre: Paul Delaroche’s “Execution of Lady Jane Grey”’, vol. Open lecture, delivered 10th February 2006. University of Kent, Canterbury, 2006.

[120]
Ziff, N D., Paul Delaroche: a study in nineteenth century French history painting. [Place of publication not identified]: Garland, 1977.

[121]
Wright, Beth Segal, Painting and history during the French restoration: abandoned by the past. Cambridge: Cambridge University Press, 1997.

[122]
Marrinan, Michael, Painting politics for Louis-Philippe: art and ideology in Orléanist France, 1830-1848. New Haven: Yale U.P., 1988.

[123]
D. Gervais, ‘Delacroix’ “Hamlet”’, The Cambridge Quarterly, vol. XIII, no. 1, pp. 40–70, 1984, doi: 10.1093/camqtly/XIII.1.40.

[124]
Lee Johnson, ‘The Burlington Magazine’, vol. 123, no. 945, pp. 717–723, 1981 [Online]. Available: http://www.jstor.org/stable/880503

[125]
Shakespeare, William and Wofford, Susanne Lindgren, Hamlet, vol. Case studies in contemporary criticism. Boston: Bedford Books of St. Martin’s Press, 1994.

[126]
Nochlin, Linda, Realism, vol. Style and civilization. Harmondsworth: Penguin, 1971.

[127]
Eisenman, Stephen F. and Crow, Thomas E., ‘Eisenmann, 'The Rhetoric of Realism: Courbet and the Origins of the Avant Garde,’ Chapter’, in Nineteenth century art: a critical history, 3rd rev. ed., London: Thames & Hudson, 2007 [Online]. Available: http://www.loc.gov/catdir/toc/fy0802/2006910401.html

[128]
Clark, T. J, Image of the people: Gustave Courbet and the 1848 revolution. London: Thames & Hudson, 1973.

[129]
Fried, Michael, Courbet’s realism. Chicago: University of Chicago Press, 1990.

[130]
Clark, Timothy James, The absolute bourgeois: artists and politics in France, 1848-1851. London: Thames and Hudson, 1973.

[131]
Clark, T. J, Image of the people: Gustave Courbet and the 1848 revolution. London: Thames & Hudson, 1973.

[132]
Lindsay, Jack, Gustave Courbet: his life and art. Bath: Adams and Dart, 1973.

[133]
Arts Council, Gustave Courbet 1819-1877 : [catalogue of an exhibition held] at the Royal Academy of Arts 19 January-19 March, 1978. London : Arts Council of Great Britain: [publisher not identified], 1978.

[134]
Millet, Jean François and Pollock, Griselda, Millet. London: Oresko Books Ltd, 1977.

[135]
Weber, Eugen Joseph, Peasants into Frenchmen: the modernization of rural France, 1870-1914. London: Chatto and Windus, 1977 [Online]. Available: http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://name.umdl.umich.edu/HEB01321

[136]
Chu, Petra ten Doesschate, Courbet in perspective, vol. The Artists in perspective series. Englewood Cliffs, N.J.: Prentice-Hall, 1977.

[137]
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