Bibliography for French Painting in the 19th Century

1.
Eisenman, Stephen F., Crow, Thomas E. Nineteenth century art: a critical history. London: Thames and Hudson; 1994.

2.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Chapter. In: Art in theory, 1648-1815: an anthology of changing ideas [Internet]. Oxford: Blackwell Publishers; 2000. Available from: http://www.loc.gov/catdir/toc/fy037/00034312.html

3.
Donald Preziosi. The Question of Art History. Critical Inquiry [Internet]. 1992;18(2). Available from: http://www.jstor.org.chain.kent.ac.uk/stable/info/1343788

4.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Art in theory, 1815-1900: an anthology of changing ideas. Oxford: Blackwell; 1998.

5.
Facos, Michelle, Dawsonera. An introduction to nineteenth century art: artists and the challenge of modernity [Internet]. 1st ed. New York: Routledge; 2011. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780203833070

6.
White, Harrison Colyar, White, Cynthia A. Canvases and careers: institutional change in the French painting world. New York: Wiley;

7.
Milner, John. The studios of Paris: the capital of art in the late nineteenth century. New Haven: Yale University Press; 1988.

8.
Richard Shiff. The Art Bulletin. 1988;70(1):25–48. Available from: http://www.jstor.org/stable/3051152

9.
Clark, T. J. On The Social History of Art. In: Image of the People: Gustave ourbet and the 1848 Revolution. London: Thames & Hudson; 1973.

10.
Pollock, Griselda. Vision and difference: femininity, feminism and histories of art. London: Routledge; 1988.

11.
Eisenman, Stephen F., Crow, Thomas E. Patriotism and Virtue: David to the Young Ingres. In: Nineteenth century art: a critical history. London: Thames and Hudson; 1994. p. 14–50.

12.
Vaughan, William, Weston, Helen. Terror and the Tabula Rasa: David’s Marat in its Pictorial Context. In: Jacques-Louis David’s Marat. Cambridge: Cambridge University Press; 2000. p. 77–101.

13.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Jacques-Louis David, ‘on his picture of Le Peletier’. In: Art in theory, 1648-1815: an anthology of changing ideas [Internet]. Oxford: Blackwell Publishers; 2000. p. 718–20. Available from: http://www.loc.gov/catdir/toc/fy037/00034312.html

14.
Harrison, Charles, Wood, Paul, Gaiger, Jason. ‘The Jury of Art’. In: Art in theory, 1648-1815: an anthology of changing ideas [Internet]. Oxford: Blackwell Publishers; 2000. p. 721–3. Available from: http://www.loc.gov/catdir/toc/fy037/00034312.html

15.
Harrison, Charles, Wood, Paul, Gaiger, Jason. ‘Proposal for a monument to the French people’. In: Art in theory, 1648-1815: an anthology of changing ideas [Internet]. Oxford: Blackwell Publishers; 2000. p. 724–7. Available from: http://www.loc.gov/catdir/toc/fy037/00034312.html

16.
Harrison, Charles, Wood, Paul, Gaiger, Jason. ‘Project for the apotheoses of Barra and Viala’. In Oxford: Blackwell Publishers; 2000. p. 728–30. Available from: http://www.loc.gov/catdir/toc/fy037/00034312.html

17.
Wilson-Smith, Timothy. Chapter 3. In: Napoleon and his artists. London: Constable; 1996. p. 39–49.

18.
Wilson-Smith, Timothy. Chapter 3. In: Napoleon and his artists. London: Constable; 1996. p. 85–98.

19.
Wilson-Smith, Timothy. Chapter 5. In: Napoleon and his artists. London: Constable; 1996. p. 151–95.

20.
Prendergast, Christopher. Napoleon and history painting: Antoine-Jean Gros’s La bataille d’Eylau. Oxford: Clarendon Press; 1997.

21.
Boime, Albert. Art in an age of Bonapartism, 1800-1815. Vol. A social history of modern art. Chicago: University of Chicago Press; 1990.

22.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Jean-Auguste-Dominique Ingres, ‘from Notebooks and Letters,’ Chapter. In: Art in theory, 1648-1815: an anthology of changing ideas [Internet]. Oxford: Blackwell Publishers; 2000. p. 1169–72. Available from: http://www.loc.gov/catdir/toc/fy037/00034312.html

23.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Jean-Auguste-Dominique Ingres, ‘from Notebooks and Letters,’ Chapter. In: Art in theory, 1648-1815: an anthology of changing ideas [Internet]. Oxford: Blackwell Publishers; 2000. p. 1169–72. Available from: http://www.loc.gov/catdir/toc/fy037/00034312.html

24.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Jean-Auguste-Dominique Ingres, ‘from Notebooks’, Chapter. In: Art in theory, 1815-1900: an anthology of changing ideas. Oxford: Blackwell; 1998. p. 183–5.

25.
Baudelaire, Charles, Charvet, Patrick Edward, Baudelaire, Charles. ‘Ingres: The Universal Exhibition of 1855,’ Chapter. In: Baudelaire: selected writings on art and literature. London: Penguin; 1972. p. 124–32.

26.
Athanassoglou-Kallmyer, Nina M. Théodore Géricault. London: Phaidon; 2010.

27.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Delacroix, ‘on Romanticism,’ Chapter. In: Art in theory, 1815-1900: an anthology of changing ideas. Oxford: Blackwell; 1998. p. 26–30.

28.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Heine, ‘from Salon of 1831,’ Chapter. In: Art in theory, 1815-1900: an anthology of changing ideas. Oxford: Blackwell; 1998. p. 81–4.

29.
Eisenman, Stephen F., Crow, Thomas E. Crow, ‘Classicism in Crisis: Gros to Delacroix,’ Chapter. In: Nineteenth century art: a critical history [Internet]. 3rd rev. ed. London: Thames & Hudson; 2007. p. 51–77. Available from: http://www.loc.gov/catdir/toc/fy0802/2006910401.html

30.
Eisenman, Stephen F., Crow, Thomas E. Eisenman, ‘The Generation of 1830 and the Crisis of the Public Sphere,’ Chapter. In: Nineteenth century art: a critical history [Internet]. 3rd rev. ed. London: Thames & Hudson; 2007. Available from: http://www.loc.gov/catdir/toc/fy0802/2006910401.html

31.
Gervais D. Delacroix’ ‘Hamlet’. The Cambridge Quarterly. 1984;XIII(1):40–70.

32.
Lee Johnson. Johnson, ‘Delacroix, Dumas and Hamlet,’ Article. The Burlington Magazine [Internet]. 1981;123(945):717–23. Available from: http://www.jstor.org/stable/880503

33.
Shakespeare, William, Wofford, Susanne Lindgren. Hamlet. Vol. Case studies in contemporary criticism. Boston: Bedford Books of St. Martin’s Press; 1994.

34.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Delacroix, ‘On Modernity’, Chapter. In: Art in theory, 1815-1900: an anthology of changing ideas. Oxford: Blackwell; 1998. p. 331–326.

35.
Baudelaire, Charles, Charvet, Patrick Edward, Baudelaire, Charles. Baudelaire, ‘Delacroix: The Universal Exhibition of 1855,’ Chapter. In: Baudelaire: selected writings on art and literature. London: Penguin; 1972. p. 132–9.

36.
Nochlin, Linda. Realism. Vol. Style and civilization. Harmondsworth: Penguin; 1971.

37.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Jean-François Millet, ‘On Truth in Painting,’ Chapter. In: Art in theory, 1815-1900: an anthology of changing ideas. Oxford: Blackwell; 1998. p. 373–8.

38.
Clark, T. J. Image of the people: Gustave Courbet and the 1848 revolution. London: Thames & Hudson; 1973.

39.
Eisenman, Stephen F., Crow, Thomas E. Eisenman, ‘The Rhetoric of Realism: Courbet ,’ Chapter. In: Nineteenth century art: a critical history [Internet]. 3rd rev. ed. London: Thames & Hudson; 2007. p. 206–24. Available from: http://www.loc.gov/catdir/toc/fy0802/2006910401.html

40.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Buchon, ‘on Courbet’s Stonebreakers and Burial at Ornans,’ Chapter. In: Art in theory, 1815-1900: an anthology of changing ideas. Oxford: Blackwell; 1998. p. 364–6.

41.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Champfleury, ‘The Burial at Ornans,’ Chapter. In: Art in theory, 1815-1900: an anthology of changing ideas. Oxford: Blackwell; 1998. p. 366–70.

42.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Courbet, ‘Letter to Champfleury’ (1854) and ‘Statement on Realism,’ Chapters. In: Art in theory, 1815-1900: an anthology of changing ideas. Oxford: Blackwell; 1998. p. 370–2.

43.
Fried, Michael. Fried, ‘The Structure of Beholding in A Burial at Ornans,’ Chapter. In: Courbet’s realism. Chicago: University of Chicago Press; 1990. p. 111–47.

44.
Clark, T. J. Clark, ‘Courbet in Ornans and Besançon 1849–50’ and ‘Courbet in Dijon and Paris 1850–51,’ Chapters. In: Image of the people: Gustave Courbet and the 1848 revolution. London: Thames & Hudson; 1973. p. 77–154.

45.
Clark, T. J. Clark, ‘Preface,’ Chapter. In: Image of the people: Gustave Courbet and the 1848 revolution. London: Thames & Hudson; 1973. p. 4–8.

46.
Clark, T. J. Clark, ‘On the Social History of Art,’ Chapter. In: Image of the people: Gustave Courbet and the 1848 revolution. London: Thames & Hudson; 1973. p. 9–20.

47.
Fried, Michael. Fried, ‘Approaching Courbet,’ Chapter. In: Courbet’s realism. Chicago: University of Chicago Press; 1990. p. 1–52.

48.
House J. ‘Ornans Revisited’ (Review of Michael Fried’s Courbet’s Realism). 5:18–9.

49.
Hamilton, George Heard. Manet and his critics. Vol. The Norton library, N372. New York: Norton;

50.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Zola, ‘Edouard Manet’ (1867), Chapter. In: Art in theory, 1815-1900: an anthology of changing ideas. Oxford: Blackwell; 1998. p. 554–65.

51.
Adler, Kathleen. Manet. Oxford: Phaidon; 1986.

52.
Manet, âEdouard, Toledo Museum of Art, Royal Academy of Arts (Great Britain). Manet: portraying life. London, UK: Royal Academy of Arts; 2012.

53.
Clark, T. J. Clark, ‘Olympia’s Choice,’ Chapter. In: The painting of modern life: Paris in the art of Manet and his followers. London: Thames & Hudson; 1985. p. 79–146.

54.
Harrison, Charles, Wood, Paul, Gaiger, Jason. ‘Various Authors on Manet’s Olympia,’ Chapter. In: Art in theory, 1815-1900: an anthology of changing ideas. Oxford: Blackwell; 1998. p. 514–9.

55.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Manet, ‘Reasons for Holding a Private Exhibition,’ Chapter. In: Art in theory, 1815-1900: an anthology of changing ideas. Oxford: Blackwell; 1998. p. 519–20.

56.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Morisot, ‘Letter to her Sister Edma,’ Chapter. In: Art in theory, 1815-1900: an anthology of changing ideas. Oxford: Blackwell; 1998.

57.
Baudelaire, Charles, Charvet, Patrick Edward, Baudelaire, Charles. Baudelaire, ‘The Painter of Modern Life,’ Chapter. In: Baudelaire: selected writings on art and literature. London: Penguin; 1972.

58.
Moffett, Charles S., Fine Arts Museums of San Francisco, National Gallery of Art (U.S.). The new painting: Impressionism 1874-1886 ; an exhibition organized by the Fine Arts Museums of San Francisco with the National Gallery of Art, Washington. [San Francisco]: Fine Arts Museum of San Francisco; 1986.

59.
Adler, Kathleen, Edelstein, T. J., Mount Holyoke College. Garb, ‘Berthe Morisot and the Feminizing of Impressionism,’ Chapter. In: Perspectives on Morisot. 1st ed. New York: Hudson Hills Press in association with the Mount Holyoke College Art Museum; 1990. p. 57–67.

60.
Pollock, Griselda. Pollock, ‘Modernity and the Spaces of Femininity,’ Chapter. In: Vision and difference: femininity, feminism and histories of art. London: Routledge; 1988. p. 50–90.

61.
Pollock, Griselda. Pollock, ‘Feminist Interventions in the Histories of Art: An Introduction,’ Chapter. In: Vision and difference: femininity, feminism and histories of art. London: Routledge; 1988. p. 1–17.

62.
Eisenman, Stephen F., Crow, Thomas E. Nochlin, ‘Issues of Gender in Cassatt and Eakins,’ Chapter. In: Nineteenth century art: a critical history [Internet]. 3rd rev. ed. London: Thames & Hudson; 2007. p. 255–73. Available from: http://www.loc.gov/catdir/toc/fy0802/2006910401.html

63.
Lipton, Eunice. Chapter 2. In: Looking into Degas: uneasy images of women and modern life. Berkeley: University of California Press; 1988. p. 73–115.

64.
Kendall, Richard, DeVonyar, Jill, Degas, Edgar, Royal Academy of Arts (Great Britain). Chapter 3. In: Degas and the ballet: picturing movement. London: Royal Academy of Arts; 2011. p. 128–83.

65.
House, John. House, ‘Making a Mark: The Impressionist Brushstroke,’ Chapter 5 and Conlcusion. In: Impressionism: paint and politics. New Haven, Conn: Yale University Press; 2004.

66.
Moffett, Charles S., Fine Arts Museums of San Francisco, National Gallery of Art (U.S.). Duranty, ‘from The New Painting,’ Chapter. In: The new painting: Impressionism 1874-1886 ; an exhibition organized by the Fine Arts Museums of San Francisco with the National Gallery of Art, Washington. [San Francisco]: Fine Arts Museum of San Francisco; 1986. p. 37–47.

67.
Moffett, Charles S., Fine Arts Museums of San Francisco, National Gallery of Art (U.S.). Mallarmé, ‘The Impressionists and Edouard Manet,’ Chapter. In: The new painting: Impressionism 1874-1886 ; an exhibition organized by the Fine Arts Museums of San Francisco with the National Gallery of Art, Washington. [San Francisco]: Fine Arts Museum of San Francisco; 1986. p. 27–35.

68.
LAND2 : Texts: Griselda Pollock : ’The Homeland of Pictures, Reflections on Van Gogh’s Place Memories 2004 [Internet]. Available from: http://www.land2.uwe.ac.uk/essay9.htm

69.
Gowing, Lawrence, Stevens, Mary Anne, Adriani, Götz, Royal Academy of Arts (Great Britain). Cézanne: the early years 1859-1872. London: Royal Academy of Arts in association with Weidenfeld and Nicolson; 1988.

70.
Dombrowski, Andr,̌. Cžanne, murder, and modern life. Vol. The Phillips book prize series. Berkeley, Calif: University of California Press; 2012.

71.
John A. Walker. Walker, ‘Lust for Life,’ Article in Art and Artists on Screen [Paperback]. Art and Artists on Screen [Paperback] [Internet]. :40–8. Available from: http://www.amazon.co.uk/Art-Artists-Screen-John-Walker/dp/0954570251/ref=sr_1_1?s=books&ie=UTF8&qid=1368542137&sr=1-1&keywords=0954570251

72.
Minnelli, Vincente. Lust for life. U.S.A.: MGM; 1956.

73.
Vincent van Gogh The Letters [Internet]. Available from: http://www.vangoghletters.org/vg/

74.
Nochlin, Linda. Nochlin, ‘Seurat’s La Grande Jatte, An Anti-Utopian Allegory,’ Chapter. In: The politics of vision: essays on nineteenth-century art and society. London: Thames and Hudson; 1991. p. 170–93.

75.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Albert Aurier, from ‘Symbolism in Painting: Paul Gauguin,’ Chapter. In: Art in theory, 1815-1900: an anthology of changing ideas. Oxford: Blackwell; 1998. p. 1025–9.

76.
Moffett, Charles S., Fine Arts Museums of San Francisco, National Gallery of Art (U.S.). Shiff, ‘The End of Impressionism,’ Chapter. In: The new painting: Impressionism 1874-1886 ; an exhibition organized by the Fine Arts Museums of San Francisco with the National Gallery of Art, Washington. [San Francisco]: Fine Arts Museum of San Francisco; 1986. p. 61–92.

77.
Smith, Paul. Seurat and the avant-garde. New Haven: Yale University Press; 1997.

78.
Shiff, Richard. Cézanne and the end of impressionism: a study of the theory, technique, and critical evaluation of modern art. Chicago: University of Chicago Press; 1984.

79.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Moréas, ‘Symbolism – a Manifesto,’ Chapter. In: Art in theory, 1815-1900: an anthology of changing ideas. Oxford: Blackwell; 1998. p. 1014–6.

80.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Gauguin, ‘Notes on Painting,’ Chapter. In: Art in theory, 1815-1900: an anthology of changing ideas. Oxford: Blackwell; 1998. p. 1022–4.

81.
Harrison, Charles, Wood, Paul. Denis, ‘From Gauguin and van Gogh to Neo-Classicism,’ Chapter. In: Art in theory, 1900-2000: an anthology of changing ideas. New ed. Oxford: Blackwell Publishers; 2003. p. 47–53.

82.
Eisenman, Stephen F., Crow, Thomas E. Eisenman, ‘Symbolism and the Dialectics of Retreat,’ Chapter. In: Nineteenth century art: a critical history [Internet]. 3rd rev. ed. London: Thames & Hudson; 2007. p. 304–36. Available from: http://www.loc.gov/catdir/toc/fy0802/2006910401.html

83.
Eisenman, Stephen F., Crow, Thomas E. T. Crow, ‘Patriotism and Virtue’ Chapter. In: Nineteenth century art: a critical history [Internet]. 3rd rev. ed. London: Thames & Hudson; 2007. Available from: http://www.loc.gov/catdir/toc/fy0802/2006910401.html

84.
Johnson, Dorothy. Jacques-Louis David: art in metamorphosis. Vol. The Princeton series in nineteenth-century art, culture, and society. Princeton, N.J.: Princeton University Press; 1993.

85.
Lee, Simon. David. Vol. Art&ideas. London: Phaidon; 1999.

86.
Crow, Thomas E. Emulation: making artists for revolutionary France. New Haven: Yale University Press; 1995.

87.
Lajer-Burcharth, Ewa. Necklines: the art of Jacques-Louis David after the Terror. New Haven, Conn: Yale University Press; 1999.

88.
Honour, Hugh. Neo-classicism. Vol. Style and civilization. Harmondsworth: Penguin; 1968.

89.
Honour, Hugh. Romanticism. Vol. Style and civilization. London: Allen Lane; 1979.

90.
Vaughan, William. Romanticism and art. Repr. with revisions. Vol. World of art (Thames and Hudson). London: Thames and Hudson; 1994.

91.
Bryson, Norman. Chapters 1 & 2. In: Tradition and desire: from David to Delacroix. Cambridge: Cambridge University Press; 1984.

92.
Vaughan, William, Weston, Helen. ‘Introduction’ Chapter. In: Jacques-Louis David’s Marat. Cambridge: Cambridge University Press; 2000. p. 1–33.

93.
Vaughan, William, Weston, Helen. ‘The Corday–Marat Affair: No Place for a Woman,’ Chapter. In: Jacques-Louis David’s Marat. Cambridge: Cambridge University Press; 2000. p. 128–52.

94.
Eisenman, Stephen F., Crow, Thomas E. Crow, ‘Classicism in Crisis,’ Chapter. In: Nineteenth century art: a critical history [Internet]. 3rd rev. ed. London: Thames & Hudson; 2007. Available from: http://www.loc.gov/catdir/toc/fy0802/2006910401.html

95.
Prendergast, Christopher. Napoleon and history painting: Antoine-Jean Gros’s La bataille d’Eylau. Oxford: Clarendon Press; 1997.

96.
Lajer-Burcharth, Ewa. Necklines: the art of Jacques-Louis David after the Terror. New Haven, Conn: Yale University Press; 1999.

97.
Walker McCoubrey J. ‘Gros’ Battle of Eylau and Roman Imperial Art,’. Art Bulletin. 43(2):137–8.

98.
Boime, Albert. Art in an age of Bonapartism, 1800-1815. Vol. A social history of modern art. Chicago: University of Chicago Press; 1990.

99.
Leith, James A. The idea of art as propaganda in France, 1750-1799: a study in the history of ideas. Vol. University of Toronto Romance series. Toronto]: University of Toronto Press;

100.
Baudelaire, Charles, Charvet, Patrick Edward, Baudelaire, Charles. The Universal Exhibition of 1855 : the Fine Arts. Chapter. In: Baudelaire: selected writings on art and literature. London: Penguin; 1972.

101.
Taylor, Joshua Charles. ‘Ingres’ commentaries on Art,’ Chapter. In: Nineteenth-century theories of art. Berkeley: University of California Press; 1987.

102.
Bryson, Norman. Chapter 5. In: Tradition and desire: from David to Delacroix. Cambridge: Cambridge University Press; 1984.

103.
Collier, Peter, Lethbridge, Robert. ‘“Telle main veut tel pied”: Balzac, Ingres and the Art of Portraiture,’ Chapter. In: Artistic relations: literature and the visual arts in nineteenth-century France. New Haven: Yale University Press; 1994.

104.
Rifkin A. Ingres and the Academic Dictionary. 6(2).

105.
Athanassoglou-Kallmyer, Nina M. Théodore Géricault. London: Phaidon; 2010.

106.
Berger, Klaus. Géricault and his work. New York: Hacker Art Books; 1978.

107.
Eitner, Lorenz Edwin Alfred. Gericault, his life and work. London: Orbis; 1983.

108.
Eitner, Lorenz Edwin Alfred. Géricault’s Raft of the Medusa. London]: Phaidon [distributed in the U.S. by Praeger, New York; 1972.

109.
Alhadeff, Albert. The raft of the Medusa: Géricault, art, and race. Munich: Prestel; 2002.

110.
Miles, Jonathan. The wreck of the Medusa [Internet]. 1st ed. London: Jonathan Cape; 2007. Available from: http://www.loc.gov/catdir/enhancements/fy0712/2006052633-d.html

111.
Whitney, Wheelock, Géricault, Théodore. Géricault in Italy. New Haven: Yale University Press; 1997.

112.
Honour, Hugh. Romanticism. Vol. Style and civilization. London: Allen Lane; 1979.

113.
Vaughan, William. Romanticism and art. Repr. with revisions. Vol. World of art (Thames and Hudson). London: Thames and Hudson; 1994.

114.
BOIME A. Portraying Monomaniacs to Service the Alienist’s Monomania: Gericault and Georget. Oxford Art Journal. 1991 Jan 1;14(1):79–91.

115.
Athanassoglou-Kallmyer N. Gericault’s severed heads and limbs: The politics and aesthetics of the scaffold. 1982;LXXXIV(4). Available from: http://connection.ebscohost.com/c/articles/9309200004/gericaults-severed-heads-limbs-politics-aesthetics-scaffold

116.
Clarke, Graham. The portrait in photography [Internet]. Vol. Critical views. London: Reaktion Bks; 1992. Available from: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=475098

117.
Eisenman, Stephen F., Crow, Thomas E. Eisenmann, ‘The Generation of 1830 amd the Crisis of the Public Sphere,’ Chapter. In: Nineteenth century art: a critical history [Internet]. 3rd rev. ed. London: Thames & Hudson; 2007. Available from: http://www.loc.gov/catdir/toc/fy0802/2006910401.html

118.
Bann, Stephen. Paul Delaroche: history painted. London: Reaktion Books; 1997.

119.
Bann, Stephen, University of Kent at Canterbury. History at the theatre: Paul Delaroche’s ‘Execution of Lady Jane Grey’. Vol. Open lecture, delivered 10th February 2006. Canterbury: University of Kent; 2006.

120.
Ziff, N D. Paul Delaroche: a study in nineteenth century French history painting. [Place of publication not identified]: Garland; 1977.

121.
Wright, Beth Segal. Painting and history during the French restoration: abandoned by the past. Cambridge: Cambridge University Press; 1997.

122.
Marrinan, Michael. Painting politics for Louis-Philippe: art and ideology in Orléanist France, 1830-1848. New Haven: Yale U.P.; 1988.

123.
Gervais D. Delacroix’ ‘Hamlet’. The Cambridge Quarterly. 1984;XIII(1):40–70.

124.
Lee Johnson. The Burlington Magazine. 1981;123(945):717–23. Available from: http://www.jstor.org/stable/880503

125.
Shakespeare, William, Wofford, Susanne Lindgren. Hamlet. Vol. Case studies in contemporary criticism. Boston: Bedford Books of St. Martin’s Press; 1994.

126.
Nochlin, Linda. Realism. Vol. Style and civilization. Harmondsworth: Penguin; 1971.

127.
Eisenman, Stephen F., Crow, Thomas E. Eisenmann, 'The Rhetoric of Realism: Courbet and the Origins of the Avant Garde,’ Chapter. In: Nineteenth century art: a critical history [Internet]. 3rd rev. ed. London: Thames & Hudson; 2007. Available from: http://www.loc.gov/catdir/toc/fy0802/2006910401.html

128.
Clark, T. J. Image of the people: Gustave Courbet and the 1848 revolution. London: Thames & Hudson; 1973.

129.
Fried, Michael. Courbet’s realism. Chicago: University of Chicago Press; 1990.

130.
Clark, Timothy James. The absolute bourgeois: artists and politics in France, 1848-1851. London: Thames and Hudson; 1973.

131.
Clark, T. J. Image of the people: Gustave Courbet and the 1848 revolution. London: Thames & Hudson; 1973.

132.
Lindsay, Jack. Gustave Courbet: his life and art. Bath: Adams and Dart; 1973.

133.
Arts Council. Gustave Courbet 1819-1877 : [catalogue of an exhibition held] at the Royal Academy of Arts 19 January-19 March, 1978. London : Arts Council of Great Britain: [publisher not identified]; 1978.

134.
Millet, Jean François, Pollock, Griselda. Millet. London: Oresko Books Ltd; 1977.

135.
Weber, Eugen Joseph. Peasants into Frenchmen: the modernization of rural France, 1870-1914 [Internet]. London: Chatto and Windus; 1977. Available from: http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://name.umdl.umich.edu/HEB01321

136.
Chu, Petra ten Doesschate. Courbet in perspective. Vol. The Artists in perspective series. Englewood Cliffs, N.J.: Prentice-Hall; 1977.

137.
Nochlin, Linda. Gustave Courbet: a study of style and society. Vol. Outstanding dissertations in the fine arts. New York: Garland Pub; 1976.

138.
Christopher Parsons and Neil McWilliam. Oxford Art Journal. 1983;6(2):38–58. Available from: http://www.jstor.org/discover/10.2307/1360203?searchUri=%252Faction%252FdoBasicSearch%253FQuery%253DMcwilliam%252527%252BLes%252BPaysans%252Bde%252BParis%252527%252BOxford%252BArt%252BJournal%252B%2526Search%253DSearch%2526gw%253Djtx%2526prq%253DMcwilliam%252527Les%252BPaysans%252Bde%252BParis%252527%252BOxford%252BArt%252BJournal%252B6%252B2%252B1983%2526hp%253D25%2526acc%253Doff%2526aori%253Doff%2526wc%253Don%2526fc%253Doff&Search=yes&searchText=de&searchText=Art&searchText=Journal&searchText=Oxford&searchText=Les&searchText=Paris%252527&searchText=Paysans&searchText=Mcwilliam%252527&uid=3738032&uid=2134&uid=2&uid=70&uid=4&sid=21102295201577

139.
Kinsey MS. The Cambridge Companion to Delacroix (review). Nineteenth Century French Studies. 2002;31(1):155–7.

140.
Athanassoglou-Kallmyer, Nina M. Eugène Delacroix: prints, politics and satire 1814-1822. New Haven: Yale University Press; 1991.

141.
Jobert, Barthélémy, Delacroix, Eugène. Delacroix. Princeton, N.J.: Princeton University Press; 1998.

142.
Wilson-Smith, Timothy. Delacroix: a life. London: Constable; 1992.

143.
Spector, Jack J. The murals of Eugene Delacroix at Saint-Sulpice. Vol. Monographs on archaeology and fine arts. New York: College Art Association of America; 1967.

144.
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