Bibliography for French Painting in the 19th Century BETA

Adler, Kathleen. (1986a). Manet. Phaidon.

Adler, Kathleen. (1986b). Manet. Phaidon.

Adler, Kathleen. (2006). Mary Cassatt: prints. National Gallery.

Adler, Kathleen, Edelstein, T. J., & Mount Holyoke College. (1990a). Garb, ‘Berthe Morisot and the Feminizing of Impressionism,’ Chapter. In Perspectives on Morisot (1st ed, pp. 57–67). Hudson Hills Press in association with the Mount Holyoke College Art Museum.

Adler, Kathleen, Edelstein, T. J., & Mount Holyoke College. (1990b). Perspectives on Morisot (1st ed). Hudson Hills Press in association with the Mount Holyoke College Art Museum.

Adler, Kathleen, Edelstein, T. J., & Mount Holyoke College. (1990c). Perspectives on Morisot (1st ed). Hudson Hills Press in association with the Mount Holyoke College Art Museum.

Adler, Kathleen & Garb, Tamar. (1987). Berthe Morisot. Phaidon.

Alhadeff, Albert. (2002). The raft of the Medusa: Géricault, art, and race. Prestel.

An Artistic & Political Manifesto. (n.d.). LXXII(3), 482–492. http://connection.ebscohost.com/c/articles/9101282683/artistic-political-manifesto-c-zanne

Armstrong, Carol M. (2003). Odd man out: readings of the work and reputation of Edgar Degas: Vol. Texts&documents. Getty Research Institute. http://www.loc.gov/catdir/enhancements/fy0639/2003108453-d.html

Artcyclopedia: Browse Artists Alphabetically by Name. (n.d.). http://www.artcyclopedia.com/general/alphabetic.html

Arts Council. (1978). Gustave Courbet 1819-1877 : [catalogue of an exhibition held] at the Royal Academy of Arts 19 January-19 March, 1978. [publisher not identified].

Athanassoglou-Kallmyer, N. (1982). Gericault’s severed heads and limbs: The politics and aesthetics of the scaffold. LXXXIV(4). http://connection.ebscohost.com/c/articles/9309200004/gericaults-severed-heads-limbs-politics-aesthetics-scaffold

Athanassoglou-Kallmyer, Nina M. (1991). Eugène Delacroix: prints, politics and satire 1814-1822. Yale University Press.

Athanassoglou-Kallmyer, Nina M. (2003). Cézanne and Provence: the painter in his culture. University of Chicago Press.

Athanassoglou-Kallmyer, Nina M. (2010a). Théodore Géricault. Phaidon.

Athanassoglou-Kallmyer, Nina M. (2010b). Théodore Géricault. Phaidon.

Bann, Stephen. (1997). Paul Delaroche: history painted. Reaktion Books.

Bann, Stephen & University of Kent at Canterbury. (2006). History at the theatre: Paul Delaroche’s ‘Execution of Lady Jane Grey’: Vol. Open lecture, delivered 10th February 2006. University of Kent.

Baudelaire, Charles, Charvet, Patrick Edward, & Baudelaire, Charles. (1972a). Baudelaire, ‘Delacroix: The Universal Exhibition of 1855,’ Chapter. In Baudelaire: selected writings on art and literature: Vol. Penguin classics (pp. 132–139). Penguin.

Baudelaire, Charles, Charvet, Patrick Edward, & Baudelaire, Charles. (1972b). Baudelaire, ‘The Painter of Modern Life,’ Chapter. In Baudelaire: selected writings on art and literature: Vol. Penguin classics. Penguin.

Baudelaire, Charles, Charvet, Patrick Edward, & Baudelaire, Charles. (1972c). Baudelaire, ‘the painter of modern life,’ Chapter. In Baudelaire: selected writings on art and literature: Vol. Penguin classics. Penguin.

Baudelaire, Charles, Charvet, Patrick Edward, & Baudelaire, Charles. (1972d). ‘Ingres: The Universal Exhibition of 1855,’ Chapter. In Baudelaire: selected writings on art and literature: Vol. Penguin classics (pp. 124–132). Penguin.

Baudelaire, Charles, Charvet, Patrick Edward, & Baudelaire, Charles. (1972e). The Universal Exhibition of 1855 : the Fine Arts. Chapter. In Baudelaire: selected writings on art and literature: Vol. Penguin classics. Penguin.

Baudelaire, Charles & Mayne, Jonathan. (1995). The painter of modern life: and other essays: Vol. Arts&letters (2nd ed). Phaidon.

Berger, Klaus. (1978). Géricault and his work. Hacker Art Books.

BOIME, A. (1991). Portraying Monomaniacs to Service the Alienist’s Monomania: Gericault and Georget. Oxford Art Journal, 14(1), 79–91. https://doi.org/10.1093/oxartj/14.1.79

Boime, Albert. (1990a). Art in an age of Bonapartism, 1800-1815: Vol. A social history of modern art. University of Chicago Press.

Boime, Albert. (1990b). Art in an age of Bonapartism, 1800-1815: Vol. A social history of modern art. University of Chicago Press.

Bryson, Norman. (1984a). Chapter 5. In Tradition and desire: from David to Delacroix: Vol. Cambridge studies in French. Cambridge University Press.

Bryson, Norman. (1984b). Chapters 1 & 2. In Tradition and desire: from David to Delacroix: Vol. Cambridge studies in French. Cambridge University Press.

Callen, Anthea. (1995). The spectacular body: science, method and meaning in the work of Degas. Yale University Press.

Christopher Parsons and Neil McWilliam. (1983). Oxford Art Journal. 6(2), 38–58. https://doi.org/10.2307/1360203

Chu, Petra ten Doesschate. (1977). Courbet in perspective: Vol. The Artists in perspective series. Prentice-Hall.

Clark, T. J. (1973a). Clark, ‘Courbet in Ornans and Besançon 1849–50’ and ‘Courbet in Dijon and Paris 1850–51,’ Chapters. In Image of the people: Gustave Courbet and the 1848 revolution (pp. 77–154). Thames & Hudson.

Clark, T. J. (1973b). Clark, ‘On the Social History of Art,’ Chapter. In Image of the people: Gustave Courbet and the 1848 revolution (pp. 9–20). Thames & Hudson.

Clark, T. J. (1973c). Clark, ‘Preface,’ Chapter. In Image of the people: Gustave Courbet and the 1848 revolution (pp. 4–8). Thames & Hudson.

Clark, T. J. (1973d). Image of the people: Gustave Courbet and the 1848 revolution. Thames & Hudson.

Clark, T. J. (1973e). Image of the people: Gustave Courbet and the 1848 revolution. Thames & Hudson.

Clark, T. J. (1973f). Image of the people: Gustave Courbet and the 1848 revolution. Thames & Hudson.

Clark, T. J. (1973g). On The Social History of Art. In Image of the People: Gustave ourbet and the 1848 Revolution. Thames & Hudson.

Clark, T. J. (1985a). Clark, ‘Olympia’s Choice,’ Chapter. In The painting of modern life: Paris in the art of Manet and his followers (pp. 79–146). Thames & Hudson.

Clark, T. J. (1985b). ‘Olympia’s Choice,’ Chapter. In The painting of modern life: Paris in the art of Manet and his followers. Thames & Hudson.

Clark, T. J. (1985c). The painting of modern life: Paris in the art of Manet and his followers. Knopf.

Clark, T. J. (1985d). The painting of modern life: Paris in the art of Manet and his followers. Thames & Hudson.

Clark, Timothy James. (1973). The absolute bourgeois: artists and politics in France, 1848-1851. Thames and Hudson.

Clarke, Graham. (1992). The portrait in photography: Vol. Critical views. Reaktion Bks. https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=475098

Clayson, Hollis. (1991). Painted love: prostitution in French art of the impressionist era. Yale University Press.

Collier, Peter & Lethbridge, Robert. (1994). ‘“Telle main veut tel pied”: Balzac, Ingres and the Art of Portraiture,’ Chapter. In Artistic relations: literature and the visual arts in nineteenth-century France. Yale University Press.

Courthion, Pierre. (1989). Georges Seurat. Thames and Hudson.

Cranshaw, R., & Lewis, M. (1989). Willful Ineptitude. 12(1).

Crow, Thomas E. (1995). Emulation: making artists for revolutionary France. Yale University Press.

Dombrowski, Andr,̌. (2012a). Cžanne, murder, and modern life: Vol. The Phillips book prize series. University of California Press.

Dombrowski, Andr,̌. (2012b). Cžanne, murder, and modern life: Vol. The Phillips book prize series. University of California Press.

Donald Preziosi. (1992). The Question of Art History. Critical Inquiry, 18(2). http://www.jstor.org.chain.kent.ac.uk/stable/info/1343788

Dorra, Henri. (1994). Symbolist art theories: a critical anthology. University of California Press.

Druick, Douglas W., Hoog, Michel, Fantin-Latour, Henri, Réunion des musées nationaux (France), National Gallery of Canada, & Fine Arts Museums of San Francisco. (1983). Fantin-Latour. National Gallery of Canada.

Druick, Douglas W., Zegers, Peter, Salvesen, Britt, Art Institute of Chicago, & Van Gogh Museum, Amsterdam. (2001). Van Gogh and Gauguin: the studio of the south. Thames & Hudson.

Dumas, Ann, Bakker, Nienke, Jansen, Leo, Luijten, Hans, & Royal Academy of Arts (Great Britain). (2010). The real Van Gogh: the artist and his letters. Royal Academy of Arts.

Eisenman, Stephen F. & Crow, Thomas E. (1994a). Nineteenth century art: a critical history. Thames and Hudson.

Eisenman, Stephen F. & Crow, Thomas E. (1994b). Patriotism and Virtue: David to the Young Ingres. In Nineteenth century art: a critical history (pp. 14–50). Thames and Hudson.

Eisenman, Stephen F. & Crow, Thomas E. (2007a). Crow, ‘Classicism in Crisis,’ Chapter. In Nineteenth century art: a critical history (3rd rev. ed). Thames & Hudson. http://www.loc.gov/catdir/toc/fy0802/2006910401.html

Eisenman, Stephen F. & Crow, Thomas E. (2007b). Crow, ‘Classicism in Crisis: Gros to Delacroix,’ Chapter. In Nineteenth century art: a critical history (3rd rev. ed, pp. 51–77). Thames & Hudson. http://www.loc.gov/catdir/toc/fy0802/2006910401.html

Eisenman, Stephen F. & Crow, Thomas E. (2007c). Eisenman, ‘Symbolism and the Dialectics of Retreat,’ Chapter. In Nineteenth century art: a critical history (3rd rev. ed, pp. 304–336). Thames & Hudson. http://www.loc.gov/catdir/toc/fy0802/2006910401.html

Eisenman, Stephen F. & Crow, Thomas E. (2007d). Eisenman, ‘The Generation of 1830 and the Crisis of the Public Sphere,’ Chapter. In Nineteenth century art: a critical history (3rd rev. ed). Thames & Hudson. http://www.loc.gov/catdir/toc/fy0802/2006910401.html

Eisenman, Stephen F. & Crow, Thomas E. (2007e). Eisenman, ‘The Rhetoric of Realism: Courbet ,’ Chapter. In Nineteenth century art: a critical history (3rd rev. ed, pp. 206–224). Thames & Hudson. http://www.loc.gov/catdir/toc/fy0802/2006910401.html

Eisenman, Stephen F. & Crow, Thomas E. (2007f). Eisenmann, ‘The Generation of 1830 amd the Crisis of the Public Sphere,’ Chapter. In Nineteenth century art: a critical history (3rd rev. ed). Thames & Hudson. http://www.loc.gov/catdir/toc/fy0802/2006910401.html

Eisenman, Stephen F. & Crow, Thomas E. (2007g). Eisenmann, 'The Rhetoric of Realism: Courbet and the Origins of the Avant Garde,’ Chapter. In Nineteenth century art: a critical history (3rd rev. ed). Thames & Hudson. http://www.loc.gov/catdir/toc/fy0802/2006910401.html

Eisenman, Stephen F. & Crow, Thomas E. (2007h). Nochlin, ‘Issues of Gender in Cassatt and Eakins,’ Chapter. In Nineteenth century art: a critical history (3rd rev. ed, pp. 255–273). Thames & Hudson. http://www.loc.gov/catdir/toc/fy0802/2006910401.html

Eisenman, Stephen F. & Crow, Thomas E. (2007i). T. Crow, ‘Patriotism and Virtue’ Chapter. In Nineteenth century art: a critical history (3rd rev. ed). Thames & Hudson. http://www.loc.gov/catdir/toc/fy0802/2006910401.html

Eitner, Lorenz Edwin Alfred. (1972). Géricault’s Raft of the Medusa. Phaidon [distributed in the U.S. by Praeger, New York.

Eitner, Lorenz Edwin Alfred. (1983). Gericault, his life and work. Orbis.

Facos, Michelle & Dawsonera. (2011). An introduction to nineteenth century art: artists and the challenge of modernity (1st ed) [Electronic resource]. Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780203833070

Foucault, Michel. (2009). Manet and the object of painting. Tate Publishing.

Frascina, Francis, Harrison, Charles, & Paul, Deidre. (1982a). Clark Preliminaries to a possible reading of Olympia in 1865, Chapter. In Modern art and modernism: a critical anthology (pp. 259–275). Harper & Row, in association with the Open University.

Frascina, Francis, Harrison, Charles, & Paul, Deidre. (1982b). Zola, ‘Eduard Manet’ Chapter. In Modern art and modernism: a critical anthology. Harper & Row, in association with the Open University.

Frascina, Francis, Harrison, Charles, & Paul, Deidre. (1982c). Zola, ‘Eduard Manet,’ Chapter. In Modern art and modernism: a critical anthology. Harper & Row, in association with the Open University.

Frascina, Francis, Harrison, Charles, & Paul, Deidre. (1982d). Zola, ‘Eduard Manet,’ Chapter. In Modern art and modernism: a critical anthology. Harper & Row, in association with the Open University.

Fried, Michael. (1990a). Courbet’s realism. University of Chicago Press.

Fried, Michael. (1990b). Fried, ‘Approaching Courbet,’ Chapter. In Courbet’s realism (pp. 1–52). University of Chicago Press.

Fried, Michael. (1990c). Fried, ‘The Structure of Beholding in A Burial at Ornans,’ Chapter. In Courbet’s realism (pp. 111–147). University of Chicago Press.

Fried, Michael. (1996). Manet’s modernism, or, The face of painting in the 1860s. University of Chicago Press.

Fry, Roger Eliot & Blunt, Anthony. (1965). Seurat. Phaidon.

Garb, T. (n.d.). ‘“L’Art Féminin,” The Formation of a critical category in late 19th  Century France’. 12(1).

Garb, T. (1986). Women Impressionists. Phaidon.

Garb, Tamar. (1998). Bodies of modernity: figure and flesh in fin-de-siècle France: Vol. Interplay. Thames & Hudson.

Gervais, D. (1984a). Delacroix’ ‘Hamlet’. The Cambridge Quarterly, XIII(1), 40–70.

Gervais, D. (1984b). Delacroix’ ‘Hamlet’. The Cambridge Quarterly, XIII(1), 40–70. https://doi.org/10.1093/camqtly/XIII.1.40

Goldwater, Robert John. (1979). Symbolism: Vol. Icon editions (1st U.S. ed). Westview Press.

Gowing, Lawrence, Stevens, Mary Anne, Adriani, Götz, & Royal Academy of Arts (Great Britain). (1988a). Cézanne: the early years 1859-1872. Royal Academy of Arts in association with Weidenfeld and Nicolson.

Gowing, Lawrence, Stevens, Mary Anne, Adriani, Götz, & Royal Academy of Arts (Great Britain). (1988b). Cézanne: the early years 1859-1872. Royal Academy of Arts in association with Weidenfeld and Nicolson.

Hamilton, George Heard. (n.d.-a). Manet and his critics: Vol. The Norton library, N372. Norton.

Hamilton, George Heard. (n.d.-b). Manet and his critics: Vol. The Norton library, N372. Norton.

Hannoosh, Michele & Delacroix, Eugène. (1995). Painting and the journal of Eugène Delacroix: Vol. The Princeton series in nineteenth-century art, culture, and society. Princeton University Press.

Harrison, Charles & Wood, Paul. (2003). Denis, ‘From Gauguin and van Gogh to Neo-Classicism,’ Chapter. In Art in theory, 1900-2000: an anthology of changing ideas (New ed, pp. 47–53). Blackwell Publishers.

Harrison, Charles, Wood, Paul, & Gaiger, Jason. (1998a). Albert Aurier, from ‘Symbolism in Painting: Paul Gauguin,’ Chapter. In Art in theory, 1815-1900: an anthology of changing ideas (pp. 1025–1029). Blackwell.

Harrison, Charles, Wood, Paul, & Gaiger, Jason. (1998b). Art in theory, 1815-1900: an anthology of changing ideas. Blackwell.

Harrison, Charles, Wood, Paul, & Gaiger, Jason. (1998c). Buchon, ‘on Courbet’s Stonebreakers and Burial at Ornans,’ Chapter. In Art in theory, 1815-1900: an anthology of changing ideas (pp. 364–366). Blackwell.

Harrison, Charles, Wood, Paul, & Gaiger, Jason. (1998d). Champfleury, ‘The Burial at Ornans,’ Chapter. In Art in theory, 1815-1900: an anthology of changing ideas (pp. 366–370). Blackwell.

Harrison, Charles, Wood, Paul, & Gaiger, Jason. (1998e). Courbet, ‘Letter to Champfleury’ (1854) and ‘Statement on Realism,’ Chapters. In Art in theory, 1815-1900: an anthology of changing ideas (pp. 370–372). Blackwell.

Harrison, Charles, Wood, Paul, & Gaiger, Jason. (1998f). Delacroix, ‘On Modernity’, Chapter. In Art in theory, 1815-1900: an anthology of changing ideas (pp. 331–326). Blackwell.

Harrison, Charles, Wood, Paul, & Gaiger, Jason. (1998g). Delacroix, ‘on Romanticism,’ Chapter. In Art in theory, 1815-1900: an anthology of changing ideas (pp. 26–30). Blackwell.

Harrison, Charles, Wood, Paul, & Gaiger, Jason. (1998h). Gauguin, ‘Notes on Painting,’ Chapter. In Art in theory, 1815-1900: an anthology of changing ideas (pp. 1022–1024). Blackwell.

Harrison, Charles, Wood, Paul, & Gaiger, Jason. (1998i). Heine, ‘from Salon of 1831,’ Chapter. In Art in theory, 1815-1900: an anthology of changing ideas (pp. 81–84). Blackwell.

Harrison, Charles, Wood, Paul, & Gaiger, Jason. (1998j). Jean-Auguste-Dominique Ingres, ‘from Notebooks’, Chapter. In Art in theory, 1815-1900: an anthology of changing ideas (pp. 183–185). Blackwell.

Harrison, Charles, Wood, Paul, & Gaiger, Jason. (1998k). Jean-François Millet, ‘On Truth in Painting,’ Chapter. In Art in theory, 1815-1900: an anthology of changing ideas (pp. 373–378). Blackwell.

Harrison, Charles, Wood, Paul, & Gaiger, Jason. (1998l). Manet, ‘Reasons for Holding a Private Exhibition,’ Chapter. In Art in theory, 1815-1900: an anthology of changing ideas (pp. 519–520). Blackwell.

Harrison, Charles, Wood, Paul, & Gaiger, Jason. (1998m). Moréas, ‘Symbolism – a Manifesto,’ Chapter. In Art in theory, 1815-1900: an anthology of changing ideas (pp. 1014–1016). Blackwell.

Harrison, Charles, Wood, Paul, & Gaiger, Jason. (1998n). Morisot, ‘Letter to her Sister Edma,’ Chapter. In Art in theory, 1815-1900: an anthology of changing ideas. Blackwell.

Harrison, Charles, Wood, Paul, & Gaiger, Jason. (1998o). ‘Various Authors on Manet’s Olympia,’ Chapter. In Art in theory, 1815-1900: an anthology of changing ideas (pp. 514–519). Blackwell.

Harrison, Charles, Wood, Paul, & Gaiger, Jason. (1998p). Zola, ‘Edouard Manet’ (1867), Chapter. In Art in theory, 1815-1900: an anthology of changing ideas (pp. 554–565). Blackwell.

Harrison, Charles, Wood, Paul, & Gaiger, Jason. (2000a). Chapter. In Art in theory, 1648-1815: an anthology of changing ideas. Blackwell Publishers. http://www.loc.gov/catdir/toc/fy037/00034312.html

Harrison, Charles, Wood, Paul, & Gaiger, Jason. (2000b). Jacques-Louis David, ‘on his picture of Le Peletier’. In Art in theory, 1648-1815: an anthology of changing ideas (pp. 718–720). Blackwell Publishers. http://www.loc.gov/catdir/toc/fy037/00034312.html

Harrison, Charles, Wood, Paul, & Gaiger, Jason. (2000c). Jean-Auguste-Dominique Ingres, ‘from Notebooks and Letters,’ Chapter. In Art in theory, 1648-1815: an anthology of changing ideas (pp. 1169–1172). Blackwell Publishers. http://www.loc.gov/catdir/toc/fy037/00034312.html

Harrison, Charles, Wood, Paul, & Gaiger, Jason. (2000d). Jean-Auguste-Dominique Ingres, ‘from Notebooks and Letters,’ Chapter. In Art in theory, 1648-1815: an anthology of changing ideas (pp. 1169–1172). Blackwell Publishers. http://www.loc.gov/catdir/toc/fy037/00034312.html

Harrison, Charles, Wood, Paul, & Gaiger, Jason. (2000e). ‘Project for the apotheoses of Barra and Viala’ (pp. 728–730). Blackwell Publishers. http://www.loc.gov/catdir/toc/fy037/00034312.html

Harrison, Charles, Wood, Paul, & Gaiger, Jason. (2000f). ‘Proposal for a monument to the French people’. In Art in theory, 1648-1815: an anthology of changing ideas (pp. 724–727). Blackwell Publishers. http://www.loc.gov/catdir/toc/fy037/00034312.html

Harrison, Charles, Wood, Paul, & Gaiger, Jason. (2000g). ‘The Jury of Art’. In Art in theory, 1648-1815: an anthology of changing ideas (pp. 721–723). Blackwell Publishers. http://www.loc.gov/catdir/toc/fy037/00034312.html

Herbert, Robert L. (1988a). Impressionism: art, leisure, and Parisian society. Yale U.P.

Herbert, Robert L. (1988b). Impressionism: art, leisure, and Parisian society. Yale U.P.

Herbert, Robert L. (2001). Seurat: drawings and paintings. Yale University Press.

Herbert, Robert L., Harris, Neil, & Art Institute of Chicago. (2004). Seurat and the making of La Grande Jatte (1st ed). Art Institute of Chicago, in association with University of California Press.

Higonnet, Anne. (1990). Berthe Morisot (1st ed). Collins.

Higonnet, Anne. (1994). Berthe Morisot’s images of women. Harvard University Press.

Hofmann, Werner. (2007). Degas: a dialogue of difference. Thames & Hudson.

Homer, W I. (1978). Seurat and the science of painting. MIT Press.

Honour, Hugh. (1968). Neo-classicism: Vol. Style and civilization. Penguin.

Honour, Hugh. (1979a). Romanticism: Vol. Style and civilization. Allen Lane.

Honour, Hugh. (1979b). Romanticism: Vol. Style and civilization. Allen Lane.

House, J. (n.d.). ‘Ornans Revisited’ (Review of Michael Fried’s Courbet’s Realism). 5, 18–19.

House, J. (1988). ART VIEW; The Work of Cezanne Before He Became Cezanne - New York Times. http://www.nytimes.com/1988/06/05/arts/art-view-the-work-of-cezanne-before-he-became-cezanne.html?pagewanted=all&src=pm

House, John. (2004a). House, ‘Making a Mark: The Impressionist Brushstroke,’ Chapter 5 and Conlcusion. In Impressionism: paint and politics. Yale University Press.

House, John. (2004b). Impressionism: paint and politics. Yale University Press.

House, John. (2004c). Impressionism: paint and politics. Yale University Press.

House, John & Hayward Gallery. (1995a). Landscapes of France: impressionism and its rivals. Hayward Gallery.

House, John & Hayward Gallery. (1995b). Landscapes of France: impressionism and its rivals. Hayward Gallery.

Isaacson, J. (n.d.). ‘Constable, Duranty, Mallarme, Impressionism, Plein Air, and Forgetting’ by Isaacson, Joel - The Art Bulletin, Vol. 76, Issue 3, September 1994 | Questia, Your Online Research Library. 76(3). http://www.questia.com/library/1P3-1498608/constable-duranty-mallarme-impressionism-plein

Jacobus, M. (n.d.). Berthe Morisot: Inventing the Psyche. 6, 191–199.

Jacobus, Mary. (1995). First things: the maternal imaginary in literature, art and psychoanalysis. Routledge.

Jobert, Barthélémy & Delacroix, Eugène. (1998). Delacroix. Princeton University Press.

John A. Walker. (n.d.). Walker, ‘Lust for Life,’ Article in Art and Artists on Screen [Paperback]. Art and Artists on Screen [Paperback], 40–48. http://www.amazon.co.uk/Art-Artists-Screen-John-Walker/dp/0954570251/ref=sr_1_1?s=books&ie=UTF8&qid=1368542137&sr=1-1&keywords=0954570251

Johnson, Dorothy. (1993). Jacques-Louis David: art in metamorphosis: Vol. The Princeton series in nineteenth-century art, culture, and society. Princeton University Press.

Kear, J. (n.d.-a). Art on the line. 1. http://www.waspress.co.uk/journals/artontheline/journal_20031/articles/index.html

Kear, J. (n.d.-b). ‘Le Sang Provencal: Joachim Gasquet’s Cezanne’ by Kear, Jonathan - Journal of European Studies, June-September 2002 | Questia, Your Online Research Library. http://www.questia.com/library/1G1-94983835/le-sang-provencal-joachim-gasquet-s-cezanne#articleDetails

Kear, J. (2006). ‘Frenhofer, c’est moi’: Cezanne’s Nudes and Balzac’s Le Chef-d’oeuvre inconnu. The Cambridge Quarterly, 35(4), 345–360. https://doi.org/10.1093/camqtly/bfl028

Kear, Jon. (2012). Degas: his life and works in 500 images : an illustrated exploration of the artist, his life and context with a gallery of 300 of his finest paintings and sculptures. Lorenz.

Kendall, Richard & Degas, Edgar. (1996). Degas backstage. Thames and Hudson.

Kendall, Richard, Degas, Edgar, Druick, Douglas W., Beale, Arthur, & Joslyn Art Museum (Omaha). (1998). Degas and the Little dancer. Yale University Press, in association with Joslyn Art Museum, Omaha.

Kendall, Richard, DeVonyar, Jill, Degas, Edgar, & Royal Academy of Arts (Great Britain). (2011a). Chapter 3. In Degas and the ballet: picturing movement (pp. 128–183). Royal Academy of Arts.

Kendall, Richard, DeVonyar, Jill, Degas, Edgar, & Royal Academy of Arts (Great Britain). (2011b). Degas and the ballet: picturing movement. Royal Academy of Arts.

Kendall, Richard, National Gallery (Great Britain), & Art Institute of Chicago. (1996). Degas: beyond Impressionism. National Gallery Publications in association with the Art Institute of Chicago, distributed by Yale University Press.

Kendall, Richard & Pollock, Griselda. (1992). Dealing with Degas: representations of women and the politics of vision. Pandora.

Kinsey, M. S. (2002). The Cambridge Companion to Delacroix (review). Nineteenth Century French Studies, 31(1), 155–157. https://doi.org/10.1353/ncf.2002.0052

Krell, A. (n.d.). Manet’s Déjeuner sur l’herbe in the Salon des Réfuses. LXV(2).

Krell, Alan & Manet, Edouard. (1996). Manet and the painters of contemporary life: Vol. World of art. Thames and Hudson.

Lajer-Burcharth, Ewa. (1999a). Necklines: the art of Jacques-Louis David after the Terror. Yale University Press.

Lajer-Burcharth, Ewa. (1999b). Necklines: the art of Jacques-Louis David after the Terror. Yale University Press.

LAND2 : Texts: Griselda Pollock : ’The Homeland of Pictures, Reflections on Van Gogh’s Place Memories 2004. (n.d.). http://www.land2.uwe.ac.uk/essay9.htm

Lee Johnson. (1981a). Johnson, ‘Delacroix, Dumas and Hamlet,’ Article. The Burlington Magazine, 123(945), 717–723. http://www.jstor.org/stable/880503

Lee Johnson. (1981b). The Burlington Magazine. 123(945), 717–723. http://www.jstor.org/stable/880503

Lee, Simon. (1999). David: Vol. Art&ideas. Phaidon.

Leighton, John, Thompson, Richard, & National Gallery Great Britain). (1997). Seurat and the bathers. National Gallery.

Leith, James A. (n.d.). The idea of art as propaganda in France, 1750-1799: a study in the history of ideas: Vol. University of Toronto Romance series. University of Toronto Press.

Lewis, Mary Tompkins & Cézanne, Paul. (2000). Cézanne: Vol. Art&ideas. Phaidon.

Lindsay, Jack. (1973). Gustave Courbet: his life and art. Adams and Dart.

Lipton, Eunice. (1988a). Chapter 2. In Looking into Degas: uneasy images of women and modern life (pp. 73–115). University of California Press.

Lipton, Eunice. (1988b). Looking into Degas: uneasy images of women and modern life. University of California Press.

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