Bibliography for French Painting in the 19th Century

1.
Eisenman, Stephen F., Crow, Thomas E. Nineteenth Century Art: A Critical History. Thames and Hudson; 1994.

2.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Chapter. In: Art in Theory, 1648-1815: An Anthology of Changing Ideas. Blackwell Publishers; 2000. http://www.loc.gov/catdir/toc/fy037/00034312.html

3.
Donald Preziosi. The Question of Art History. Critical Inquiry. 1992;18(2). http://www.jstor.org.chain.kent.ac.uk/stable/info/1343788

4.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Art in Theory, 1815-1900: An Anthology of Changing Ideas. Blackwell; 1998.

5.
Facos, Michelle, Dawsonera. An Introduction to Nineteenth Century Art: Artists and the Challenge of Modernity. 1st ed. Routledge; 2011. http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780203833070

6.
White, Harrison Colyar, White, Cynthia A. Canvases and Careers: Institutional Change in the French Painting World. Wiley

7.
Milner, John. The Studios of Paris: The Capital of Art in the Late Nineteenth Century. Yale University Press; 1988.

8.
Richard Shiff. The Art Bulletin. 1988;70(1):25-48. http://www.jstor.org/stable/3051152

9.
Clark, T. J. On The Social History of Art. In: Image of the People: Gustave Ourbet and the 1848 Revolution. Thames & Hudson; 1973.

10.
Pollock, Griselda. Vision and Difference: Femininity, Feminism and Histories of Art. Routledge; 1988.

11.
Eisenman, Stephen F., Crow, Thomas E. Patriotism and Virtue: David to the Young Ingres. In: Nineteenth Century Art: A Critical History. Thames and Hudson; 1994:14-50.

12.
Vaughan, William, Weston, Helen. Terror and the Tabula Rasa: David’s Marat in its Pictorial Context. In: Jacques-Louis David’s Marat. Vol Masterpieces of Western painting. Cambridge University Press; 2000:77-101.

13.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Jacques-Louis David, ‘on his picture of Le Peletier’. In: Art in Theory, 1648-1815: An Anthology of Changing Ideas. Blackwell Publishers; 2000:718-720. http://www.loc.gov/catdir/toc/fy037/00034312.html

14.
Harrison, Charles, Wood, Paul, Gaiger, Jason. ‘The Jury of Art’. In: Art in Theory, 1648-1815: An Anthology of Changing Ideas. Blackwell Publishers; 2000:721-723. http://www.loc.gov/catdir/toc/fy037/00034312.html

15.
Harrison, Charles, Wood, Paul, Gaiger, Jason. ‘Proposal for a monument to the French people’. In: Art in Theory, 1648-1815: An Anthology of Changing Ideas. Blackwell Publishers; 2000:724-727. http://www.loc.gov/catdir/toc/fy037/00034312.html

16.
Harrison, Charles, Wood, Paul, Gaiger, Jason. ‘Project for the apotheoses of Barra and Viala’. In: Blackwell Publishers; 2000:728-730. http://www.loc.gov/catdir/toc/fy037/00034312.html

17.
Wilson-Smith, Timothy. Chapter 3. In: Napoleon and His Artists. Constable; 1996:39-49.

18.
Wilson-Smith, Timothy. Chapter 3. In: Napoleon and His Artists. Constable; 1996:85-98.

19.
Wilson-Smith, Timothy. Chapter 5. In: Napoleon and His Artists. Constable; 1996:151-195.

20.
Prendergast, Christopher. Napoleon and History Painting: Antoine-Jean Gros’s La Bataille d’Eylau. Clarendon Press; 1997.

21.
Boime, Albert. Art in an Age of Bonapartism, 1800-1815. Vol A social history of modern art. University of Chicago Press; 1990.

22.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Jean-Auguste-Dominique Ingres, ‘from Notebooks and Letters,’ Chapter. In: Art in Theory, 1648-1815: An Anthology of Changing Ideas. Blackwell Publishers; 2000:1169-1172. http://www.loc.gov/catdir/toc/fy037/00034312.html

23.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Jean-Auguste-Dominique Ingres, ‘from Notebooks and Letters,’ Chapter. In: Art in Theory, 1648-1815: An Anthology of Changing Ideas. Blackwell Publishers; 2000:1169-1172. http://www.loc.gov/catdir/toc/fy037/00034312.html

24.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Jean-Auguste-Dominique Ingres, ‘from Notebooks’, Chapter. In: Art in Theory, 1815-1900: An Anthology of Changing Ideas. Blackwell; 1998:183-185.

25.
Baudelaire, Charles, Charvet, Patrick Edward, Baudelaire, Charles. ‘Ingres: The Universal Exhibition of 1855,’ Chapter. In: Baudelaire: Selected Writings on Art and Literature. Vol Penguin classics. Penguin; 1972:124-132.

26.
Athanassoglou-Kallmyer, Nina M. Théodore Géricault. Phaidon; 2010.

27.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Delacroix, ‘on Romanticism,’ Chapter. In: Art in Theory, 1815-1900: An Anthology of Changing Ideas. Blackwell; 1998:26-30.

28.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Heine, ‘from Salon of 1831,’ Chapter. In: Art in Theory, 1815-1900: An Anthology of Changing Ideas. Blackwell; 1998:81-84.

29.
Eisenman, Stephen F., Crow, Thomas E. Crow, ‘Classicism in Crisis: Gros to Delacroix,’ Chapter. In: Nineteenth Century Art: A Critical History. 3rd rev. ed. Thames & Hudson; 2007:51-77. http://www.loc.gov/catdir/toc/fy0802/2006910401.html

30.
Eisenman, Stephen F., Crow, Thomas E. Eisenman, ‘The Generation of 1830 and the Crisis of the Public Sphere,’ Chapter. In: Nineteenth Century Art: A Critical History. 3rd rev. ed. Thames & Hudson; 2007. http://www.loc.gov/catdir/toc/fy0802/2006910401.html

31.
Gervais D. Delacroix’ ‘Hamlet’. The Cambridge Quarterly. 1984;XIII(1):40-70.

32.
Lee Johnson. Johnson, ‘Delacroix, Dumas and Hamlet,’ Article. The Burlington Magazine. 1981;123(945):717-723. http://www.jstor.org/stable/880503

33.
Shakespeare, William, Wofford, Susanne Lindgren. Hamlet. Vol Case studies in contemporary criticism. Bedford Books of St. Martin’s Press; 1994.

34.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Delacroix, ‘On Modernity’, Chapter. In: Art in Theory, 1815-1900: An Anthology of Changing Ideas. Blackwell; 1998:331-326.

35.
Baudelaire, Charles, Charvet, Patrick Edward, Baudelaire, Charles. Baudelaire, ‘Delacroix: The Universal Exhibition of 1855,’ Chapter. In: Baudelaire: Selected Writings on Art and Literature. Vol Penguin classics. Penguin; 1972:132-139.

36.
Nochlin, Linda. Realism. Vol Style and civilization. Penguin; 1971.

37.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Jean-François Millet, ‘On Truth in Painting,’ Chapter. In: Art in Theory, 1815-1900: An Anthology of Changing Ideas. Blackwell; 1998:373-378.

38.
Clark, T. J. Image of the People: Gustave Courbet and the 1848 Revolution. Thames & Hudson; 1973.

39.
Eisenman, Stephen F., Crow, Thomas E. Eisenman, ‘The Rhetoric of Realism: Courbet ,’ Chapter. In: Nineteenth Century Art: A Critical History. 3rd rev. ed. Thames & Hudson; 2007:206-224. http://www.loc.gov/catdir/toc/fy0802/2006910401.html

40.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Buchon, ‘on Courbet’s Stonebreakers and Burial at Ornans,’ Chapter. In: Art in Theory, 1815-1900: An Anthology of Changing Ideas. Blackwell; 1998:364-366.

41.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Champfleury, ‘The Burial at Ornans,’ Chapter. In: Art in Theory, 1815-1900: An Anthology of Changing Ideas. Blackwell; 1998:366-370.

42.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Courbet, ‘Letter to Champfleury’ (1854) and ‘Statement on Realism,’ Chapters. In: Art in Theory, 1815-1900: An Anthology of Changing Ideas. Blackwell; 1998:370-372.

43.
Fried, Michael. Fried, ‘The Structure of Beholding in A Burial at Ornans,’ Chapter. In: Courbet’s Realism. University of Chicago Press; 1990:111-147.

44.
Clark, T. J. Clark, ‘Courbet in Ornans and Besançon 1849–50’ and ‘Courbet in Dijon and Paris 1850–51,’ Chapters. In: Image of the People: Gustave Courbet and the 1848 Revolution. Thames & Hudson; 1973:77-154.

45.
Clark, T. J. Clark, ‘Preface,’ Chapter. In: Image of the People: Gustave Courbet and the 1848 Revolution. Thames & Hudson; 1973:4-8.

46.
Clark, T. J. Clark, ‘On the Social History of Art,’ Chapter. In: Image of the People: Gustave Courbet and the 1848 Revolution. Thames & Hudson; 1973:9-20.

47.
Fried, Michael. Fried, ‘Approaching Courbet,’ Chapter. In: Courbet’s Realism. University of Chicago Press; 1990:1-52.

48.
House J. ‘Ornans Revisited’ (Review of Michael Fried’s Courbet’s Realism). 5:18-19.

49.
Hamilton, George Heard. Manet and His Critics. Vol The Norton library, N372. Norton

50.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Zola, ‘Edouard Manet’ (1867), Chapter. In: Art in Theory, 1815-1900: An Anthology of Changing Ideas. Blackwell; 1998:554-565.

51.
Adler, Kathleen. Manet. Phaidon; 1986.

52.
Manet, âEdouard, Toledo Museum of Art, Royal Academy of Arts (Great Britain). Manet: Portraying Life. Royal Academy of Arts; 2012.

53.
Clark, T. J. Clark, ‘Olympia’s Choice,’ Chapter. In: The Painting of Modern Life: Paris in the Art of Manet and His Followers. Thames & Hudson; 1985:79-146.

54.
Harrison, Charles, Wood, Paul, Gaiger, Jason. ‘Various Authors on Manet’s Olympia,’ Chapter. In: Art in Theory, 1815-1900: An Anthology of Changing Ideas. Blackwell; 1998:514-519.

55.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Manet, ‘Reasons for Holding a Private Exhibition,’ Chapter. In: Art in Theory, 1815-1900: An Anthology of Changing Ideas. Blackwell; 1998:519-520.

56.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Morisot, ‘Letter to her Sister Edma,’ Chapter. In: Art in Theory, 1815-1900: An Anthology of Changing Ideas. Blackwell; 1998.

57.
Baudelaire, Charles, Charvet, Patrick Edward, Baudelaire, Charles. Baudelaire, ‘The Painter of Modern Life,’ Chapter. In: Baudelaire: Selected Writings on Art and Literature. Vol Penguin classics. Penguin; 1972.

58.
Moffett, Charles S., Fine Arts Museums of San Francisco, National Gallery of Art (U.S.). The New Painting: Impressionism 1874-1886 ; an Exhibition Organized by the Fine Arts Museums of San Francisco with the National Gallery of Art, Washington. Fine Arts Museum of San Francisco; 1986.

59.
Adler, Kathleen, Edelstein, T. J., Mount Holyoke College. Garb, ‘Berthe Morisot and the Feminizing of Impressionism,’ Chapter. In: Perspectives on Morisot. 1st ed. Hudson Hills Press in association with the Mount Holyoke College Art Museum; 1990:57-67.

60.
Pollock, Griselda. Pollock, ‘Modernity and the Spaces of Femininity,’ Chapter. In: Vision and Difference: Femininity, Feminism and Histories of Art. Routledge; 1988:50-90.

61.
Pollock, Griselda. Pollock, ‘Feminist Interventions in the Histories of Art: An Introduction,’ Chapter. In: Vision and Difference: Femininity, Feminism and Histories of Art. Routledge; 1988:1-17.

62.
Eisenman, Stephen F., Crow, Thomas E. Nochlin, ‘Issues of Gender in Cassatt and Eakins,’ Chapter. In: Nineteenth Century Art: A Critical History. 3rd rev. ed. Thames & Hudson; 2007:255-273. http://www.loc.gov/catdir/toc/fy0802/2006910401.html

63.
Lipton, Eunice. Chapter 2. In: Looking into Degas: Uneasy Images of Women and Modern Life. University of California Press; 1988:73-115.

64.
Kendall, Richard, DeVonyar, Jill, Degas, Edgar, Royal Academy of Arts (Great Britain). Chapter 3. In: Degas and the Ballet: Picturing Movement. Royal Academy of Arts; 2011:128-183.

65.
House, John. House, ‘Making a Mark: The Impressionist Brushstroke,’ Chapter 5 and Conlcusion. In: Impressionism: Paint and Politics. Yale University Press; 2004.

66.
Moffett, Charles S., Fine Arts Museums of San Francisco, National Gallery of Art (U.S.). Duranty, ‘from The New Painting,’ Chapter. In: The New Painting: Impressionism 1874-1886 ; an Exhibition Organized by the Fine Arts Museums of San Francisco with the National Gallery of Art, Washington. Fine Arts Museum of San Francisco; 1986:37-47.

67.
Moffett, Charles S., Fine Arts Museums of San Francisco, National Gallery of Art (U.S.). Mallarmé, ‘The Impressionists and Edouard Manet,’ Chapter. In: The New Painting: Impressionism 1874-1886 ; an Exhibition Organized by the Fine Arts Museums of San Francisco with the National Gallery of Art, Washington. Fine Arts Museum of San Francisco; 1986:27-35.

68.
LAND2 : Texts: Griselda Pollock : ’The Homeland of Pictures, Reflections on Van Gogh’s Place Memories 2004. http://www.land2.uwe.ac.uk/essay9.htm

69.
Gowing, Lawrence, Stevens, Mary Anne, Adriani, Götz, Royal Academy of Arts (Great Britain). Cézanne: The Early Years 1859-1872. Royal Academy of Arts in association with Weidenfeld and Nicolson; 1988.

70.
Dombrowski, Andr,̌. Cžanne, Murder, and Modern Life. Vol The Phillips book prize series. University of California Press; 2012.

71.
John A. Walker. Walker, ‘Lust for Life,’ Article in Art and Artists on Screen [Paperback]. Art and Artists on Screen [Paperback].:40-48. http://www.amazon.co.uk/Art-Artists-Screen-John-Walker/dp/0954570251/ref=sr_1_1?s=books&ie=UTF8&qid=1368542137&sr=1-1&keywords=0954570251

72.
Minnelli, Vincente. Lust for life. Published online 1956.

73.
Vincent van Gogh The Letters. http://www.vangoghletters.org/vg/

74.
Nochlin, Linda. Nochlin, ‘Seurat’s La Grande Jatte, An Anti-Utopian Allegory,’ Chapter. In: The Politics of Vision: Essays on Nineteenth-Century Art and Society. Thames and Hudson; 1991:170-193.

75.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Albert Aurier, from ‘Symbolism in Painting: Paul Gauguin,’ Chapter. In: Art in Theory, 1815-1900: An Anthology of Changing Ideas. Blackwell; 1998:1025-1029.

76.
Moffett, Charles S., Fine Arts Museums of San Francisco, National Gallery of Art (U.S.). Shiff, ‘The End of Impressionism,’ Chapter. In: The New Painting: Impressionism 1874-1886 ; an Exhibition Organized by the Fine Arts Museums of San Francisco with the National Gallery of Art, Washington. Fine Arts Museum of San Francisco; 1986:61-92.

77.
Smith, Paul. Seurat and the Avant-Garde. Yale University Press; 1997.

78.
Shiff, Richard. Cézanne and the End of Impressionism: A Study of the Theory, Technique, and Critical Evaluation of Modern Art. University of Chicago Press; 1984.

79.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Moréas, ‘Symbolism – a Manifesto,’ Chapter. In: Art in Theory, 1815-1900: An Anthology of Changing Ideas. Blackwell; 1998:1014-1016.

80.
Harrison, Charles, Wood, Paul, Gaiger, Jason. Gauguin, ‘Notes on Painting,’ Chapter. In: Art in Theory, 1815-1900: An Anthology of Changing Ideas. Blackwell; 1998:1022-1024.

81.
Harrison, Charles, Wood, Paul. Denis, ‘From Gauguin and van Gogh to Neo-Classicism,’ Chapter. In: Art in Theory, 1900-2000: An Anthology of Changing Ideas. New ed. Blackwell Publishers; 2003:47-53.

82.
Eisenman, Stephen F., Crow, Thomas E. Eisenman, ‘Symbolism and the Dialectics of Retreat,’ Chapter. In: Nineteenth Century Art: A Critical History. 3rd rev. ed. Thames & Hudson; 2007:304-336. http://www.loc.gov/catdir/toc/fy0802/2006910401.html

83.
Eisenman, Stephen F., Crow, Thomas E. T. Crow, ‘Patriotism and Virtue’ Chapter. In: Nineteenth Century Art: A Critical History. 3rd rev. ed. Thames & Hudson; 2007. http://www.loc.gov/catdir/toc/fy0802/2006910401.html

84.
Johnson, Dorothy. Jacques-Louis David: Art in Metamorphosis. Vol The Princeton series in nineteenth-century art, culture, and society. Princeton University Press; 1993.

85.
Lee, Simon. David. Vol Art&ideas. Phaidon; 1999.

86.
Crow, Thomas E. Emulation: Making Artists for Revolutionary France. Yale University Press; 1995.

87.
Lajer-Burcharth, Ewa. Necklines: The Art of Jacques-Louis David after the Terror. Yale University Press; 1999.

88.
Honour, Hugh. Neo-Classicism. Vol Style and civilization. Penguin; 1968.

89.
Honour, Hugh. Romanticism. Vol Style and civilization. Allen Lane; 1979.

90.
Vaughan, William. Romanticism and Art. Vol World of art (Thames and Hudson). Repr. with revisions. Thames and Hudson; 1994.

91.
Bryson, Norman. Chapters 1 & 2. In: Tradition and Desire: From David to Delacroix. Vol Cambridge studies in French. Cambridge University Press; 1984.

92.
Vaughan, William, Weston, Helen. ‘Introduction’ Chapter. In: Jacques-Louis David’s Marat. Vol Masterpieces of Western painting. Cambridge University Press; 2000:1-33.

93.
Vaughan, William, Weston, Helen. ‘The Corday–Marat Affair: No Place for a Woman,’ Chapter. In: Jacques-Louis David’s Marat. Vol Masterpieces of Western painting. Cambridge University Press; 2000:128-152.

94.
Eisenman, Stephen F., Crow, Thomas E. Crow, ‘Classicism in Crisis,’ Chapter. In: Nineteenth Century Art: A Critical History. 3rd rev. ed. Thames & Hudson; 2007. http://www.loc.gov/catdir/toc/fy0802/2006910401.html

95.
Prendergast, Christopher. Napoleon and History Painting: Antoine-Jean Gros’s La Bataille d’Eylau. Clarendon Press; 1997.

96.
Lajer-Burcharth, Ewa. Necklines: The Art of Jacques-Louis David after the Terror. Yale University Press; 1999.

97.
Walker McCoubrey J. ‘Gros’ Battle of Eylau and Roman Imperial Art,’. Art Bulletin. 43(2):137-138.

98.
Boime, Albert. Art in an Age of Bonapartism, 1800-1815. Vol A social history of modern art. University of Chicago Press; 1990.

99.
Leith, James A. The Idea of Art as Propaganda in France, 1750-1799: A Study in the History of Ideas. Vol University of Toronto Romance series. University of Toronto Press

100.
Baudelaire, Charles, Charvet, Patrick Edward, Baudelaire, Charles. The Universal Exhibition of 1855 : the Fine Arts. Chapter. In: Baudelaire: Selected Writings on Art and Literature. Vol Penguin classics. Penguin; 1972.

101.
Taylor, Joshua Charles. ‘Ingres’ commentaries on Art,’ Chapter. In: Nineteenth-Century Theories of Art. Vol California studies in the history of art. University of California Press; 1987.

102.
Bryson, Norman. Chapter 5. In: Tradition and Desire: From David to Delacroix. Vol Cambridge studies in French. Cambridge University Press; 1984.

103.
Collier, Peter, Lethbridge, Robert. ‘“Telle main veut tel pied”: Balzac, Ingres and the Art of Portraiture,’ Chapter. In: Artistic Relations: Literature and the Visual Arts in Nineteenth-Century France. Yale University Press; 1994.

104.
Rifkin A. Ingres and the Academic Dictionary. 6(2).

105.
Athanassoglou-Kallmyer, Nina M. Théodore Géricault. Phaidon; 2010.

106.
Berger, Klaus. Géricault and His Work. Hacker Art Books; 1978.

107.
Eitner, Lorenz Edwin Alfred. Gericault, His Life and Work. Orbis; 1983.

108.
Eitner, Lorenz Edwin Alfred. Géricault’s Raft of the Medusa. Phaidon [distributed in the U.S. by Praeger, New York; 1972.

109.
Alhadeff, Albert. The Raft of the Medusa: Géricault, Art, and Race. Prestel; 2002.

110.
Miles, Jonathan. The Wreck of the Medusa. 1st ed. Jonathan Cape; 2007. http://www.loc.gov/catdir/enhancements/fy0712/2006052633-d.html

111.
Whitney, Wheelock, Géricault, Théodore. Géricault in Italy. Yale University Press; 1997.

112.
Honour, Hugh. Romanticism. Vol Style and civilization. Allen Lane; 1979.

113.
Vaughan, William. Romanticism and Art. Vol World of art (Thames and Hudson). Repr. with revisions. Thames and Hudson; 1994.

114.
BOIME A. Portraying Monomaniacs to Service the Alienist’s Monomania: Gericault and Georget. Oxford Art Journal. 1991;14(1):79-91. doi:10.1093/oxartj/14.1.79

115.
Athanassoglou-Kallmyer N. Gericault’s severed heads and limbs: The politics and aesthetics of the scaffold. 1982;LXXXIV(4). http://connection.ebscohost.com/c/articles/9309200004/gericaults-severed-heads-limbs-politics-aesthetics-scaffold

116.
Clarke, Graham. The Portrait in Photography. Vol Critical views. Reaktion Bks; 1992. https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=475098

117.
Eisenman, Stephen F., Crow, Thomas E. Eisenmann, ‘The Generation of 1830 amd the Crisis of the Public Sphere,’ Chapter. In: Nineteenth Century Art: A Critical History. 3rd rev. ed. Thames & Hudson; 2007. http://www.loc.gov/catdir/toc/fy0802/2006910401.html

118.
Bann, Stephen. Paul Delaroche: History Painted. Reaktion Books; 1997.

119.
Bann, Stephen, University of Kent at Canterbury. History at the theatre: Paul Delaroche’s ‘Execution of Lady Jane Grey’. 2006;Open lecture, delivered 10th February 2006.

120.
Ziff, N D. Paul Delaroche: A Study in Nineteenth Century French History Painting. Garland; 1977.

121.
Wright, Beth Segal. Painting and History during the French Restoration: Abandoned by the Past. Cambridge University Press; 1997.

122.
Marrinan, Michael. Painting Politics for Louis-Philippe: Art and Ideology in Orléanist France, 1830-1848. Yale U.P.; 1988.

123.
Gervais D. Delacroix’ ‘Hamlet’. The Cambridge Quarterly. 1984;XIII(1):40-70. doi:10.1093/camqtly/XIII.1.40

124.
Lee Johnson. The Burlington Magazine. 1981;123(945):717-723. http://www.jstor.org/stable/880503

125.
Shakespeare, William, Wofford, Susanne Lindgren. Hamlet. Vol Case studies in contemporary criticism. Bedford Books of St. Martin’s Press; 1994.

126.
Nochlin, Linda. Realism. Vol Style and civilization. Penguin; 1971.

127.
Eisenman, Stephen F., Crow, Thomas E. Eisenmann, 'The Rhetoric of Realism: Courbet and the Origins of the Avant Garde,’ Chapter. In: Nineteenth Century Art: A Critical History. 3rd rev. ed. Thames & Hudson; 2007. http://www.loc.gov/catdir/toc/fy0802/2006910401.html

128.
Clark, T. J. Image of the People: Gustave Courbet and the 1848 Revolution. Thames & Hudson; 1973.

129.
Fried, Michael. Courbet’s Realism. University of Chicago Press; 1990.

130.
Clark, Timothy James. The Absolute Bourgeois: Artists and Politics in France, 1848-1851. Thames and Hudson; 1973.

131.
Clark, T. J. Image of the People: Gustave Courbet and the 1848 Revolution. Thames & Hudson; 1973.

132.
Lindsay, Jack. Gustave Courbet: His Life and Art. Adams and Dart; 1973.

133.
Arts Council. Gustave Courbet 1819-1877 : [Catalogue of an Exhibition Held] at the Royal Academy of Arts 19 January-19 March, 1978. [publisher not identified]; 1978.

134.
Millet, Jean François, Pollock, Griselda. Millet. Oresko Books Ltd; 1977.

135.
Weber, Eugen Joseph. Peasants into Frenchmen: The Modernization of Rural France, 1870-1914. Chatto and Windus; 1977. http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://name.umdl.umich.edu/HEB01321

136.
Chu, Petra ten Doesschate. Courbet in Perspective. Vol The Artists in perspective series. Prentice-Hall; 1977.

137.
Nochlin, Linda. Gustave Courbet: A Study of Style and Society. Vol Outstanding dissertations in the fine arts. Garland Pub; 1976.

138.
Christopher Parsons and Neil McWilliam. Oxford Art Journal. 1983;6(2):38-58. doi:10.2307/1360203

139.
Kinsey MS. The Cambridge Companion to Delacroix (review). Nineteenth Century French Studies. 2002;31(1):155-157. doi:10.1353/ncf.2002.0052

140.
Athanassoglou-Kallmyer, Nina M. Eugène Delacroix: Prints, Politics and Satire 1814-1822. Yale University Press; 1991.

141.
Jobert, Barthélémy, Delacroix, Eugène. Delacroix. Princeton University Press; 1998.

142.
Wilson-Smith, Timothy. Delacroix: A Life. Constable; 1992.

143.
Spector, Jack J. The Murals of Eugene Delacroix at Saint-Sulpice. Vol Monographs on archaeology and fine arts. College Art Association of America; 1967.

144.
Hannoosh, Michele, Delacroix, Eugène. Painting and the Journal of Eugène Delacroix. Vol The Princeton series in nineteenth-century art, culture, and society. Princeton University Press; 1995.

145.
Clark, T. J. ‘Olympia’s Choice,’ Chapter. In: The Painting of Modern Life: Paris in the Art of Manet and His Followers. Thames & Hudson; 1985.

146.
Frascina, Francis, Harrison, Charles, Paul, Deidre. Clark Preliminaries to a possible reading of Olympia in 1865, Chapter. In: Modern Art and Modernism: A Critical Anthology. Harper & Row, in association with the Open University; 1982:259-275.

147.
Shaw JL. THE FIGURE OF VENUS: RHETORIC OF THE IDEAL AND THE SALON OF 1863. Art History. 14(4). http://www.artworlds.org/ab/resources/AH340-S12/002Shaw.pdf

148.
Clayson, Hollis. Painted Love: Prostitution in French Art of the Impressionist Era. Yale University Press; 1991.

149.
Reff, T. Manet: Olympia. Allen Lane; 1976.

150.
Krell A. Manet’s Déjeuner sur l’herbe in the Salon des Réfuses. LXV(2).

151.
Adler, Kathleen. Manet. Phaidon; 1986.

152.
Baudelaire, Charles, Charvet, Patrick Edward, Baudelaire, Charles. Baudelaire, ‘the painter of modern life,’ Chapter. In: Baudelaire: Selected Writings on Art and Literature. Vol Penguin classics. Penguin; 1972.

153.
Manet, âEdouard, Toledo Museum of Art, Royal Academy of Arts (Great Britain). Manet: Portraying Life. Royal Academy of Arts; 2012.

154.
Hamilton, George Heard. Manet and His Critics. Vol The Norton library, N372. Norton

155.
Richardson, John, Adler, Kathleen. Manet. Vol Phaidon colour library. Phaidon; 1982.

156.
Foucault, Michel. Manet and the Object of Painting. Tate Publishing; 2009.

157.
Moffett, Charles S., Fine Arts Museums of San Francisco, National Gallery of Art (U.S.). Duranty, ‘The New Painting’ in The New Painting,’ Chapter. In: The New Painting: Impressionism 1874-1886 ; an Exhibition Organized by the Fine Arts Museums of San Francisco with the National Gallery of Art, Washington. Fine Arts Museum of San Francisco; 1986.

158.
Frascina, Francis, Harrison, Charles, Paul, Deidre. Zola, ‘Eduard Manet’ Chapter. In: Modern Art and Modernism: A Critical Anthology. Harper & Row, in association with the Open University; 1982.

159.
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