Bibliography for French Painting in the 19th Century

1
Eisenman, Stephen F., Crow, Thomas E. Nineteenth century art: a critical history. London: : Thames and Hudson 1994.

2
Harrison, Charles, Wood, Paul, Gaiger, Jason. Chapter. In: Art in theory, 1648-1815: an anthology of changing ideas. Oxford: : Blackwell Publishers 2000. http://www.loc.gov/catdir/toc/fy037/00034312.html

3
Donald Preziosi. The Question of Art History. Critical Inquiry 1992;18.http://www.jstor.org.chain.kent.ac.uk/stable/info/1343788

4
Harrison, Charles, Wood, Paul, Gaiger, Jason. Art in theory, 1815-1900: an anthology of changing ideas. Oxford: : Blackwell 1998.

5
Facos, Michelle, Dawsonera. An introduction to nineteenth century art: artists and the challenge of modernity. 1st ed. New York: : Routledge 2011. http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780203833070

6
White, Harrison Colyar, White, Cynthia A. Canvases and careers: institutional change in the French painting world. New York: : Wiley

7
Milner, John. The studios of Paris: the capital of art in the late nineteenth century. New Haven: : Yale University Press 1988.

8
Richard Shiff. The Art Bulletin. 1988;70:25–48.http://www.jstor.org/stable/3051152

9
Clark, T. J. On The Social History of Art. In: Image of the People: Gustave ourbet and the 1848 Revolution. London: : Thames & Hudson 1973.

10
Pollock, Griselda. Vision and difference: femininity, feminism and histories of art. London: : Routledge 1988.

11
Eisenman, Stephen F., Crow, Thomas E. Patriotism and Virtue: David to the Young Ingres. In: Nineteenth century art: a critical history. London: : Thames and Hudson 1994. 14–50.

12
Vaughan, William, Weston, Helen. Terror and the Tabula Rasa: David’s Marat in its Pictorial Context. In: Jacques-Louis David’s Marat. Cambridge: : Cambridge University Press 2000. 77–101.

13
Harrison, Charles, Wood, Paul, Gaiger, Jason. Jacques-Louis David, ‘on his picture of Le Peletier’. In: Art in theory, 1648-1815: an anthology of changing ideas. Oxford: : Blackwell Publishers 2000. 718–20.http://www.loc.gov/catdir/toc/fy037/00034312.html

14
Harrison, Charles, Wood, Paul, Gaiger, Jason. ‘The Jury of Art’. In: Art in theory, 1648-1815: an anthology of changing ideas. Oxford: : Blackwell Publishers 2000. 721–3.http://www.loc.gov/catdir/toc/fy037/00034312.html

15
Harrison, Charles, Wood, Paul, Gaiger, Jason. ‘Proposal for a monument to the French people’. In: Art in theory, 1648-1815: an anthology of changing ideas. Oxford: : Blackwell Publishers 2000. 724–7.http://www.loc.gov/catdir/toc/fy037/00034312.html

16
Harrison, Charles, Wood, Paul, Gaiger, Jason. ‘Project for the apotheoses of Barra and Viala’. Oxford: : Blackwell Publishers 2000. 728–30.http://www.loc.gov/catdir/toc/fy037/00034312.html

17
Wilson-Smith, Timothy. Chapter 3. In: Napoleon and his artists. London: : Constable 1996. 39–49.

18
Wilson-Smith, Timothy. Chapter 3. In: Napoleon and his artists. London: : Constable 1996. 85–98.

19
Wilson-Smith, Timothy. Chapter 5. In: Napoleon and his artists. London: : Constable 1996. 151–95.

20
Prendergast, Christopher. Napoleon and history painting: Antoine-Jean Gros’s La bataille d’Eylau. Oxford: : Clarendon Press 1997.

21
Boime, Albert. Art in an age of Bonapartism, 1800-1815. Chicago: : University of Chicago Press 1990.

22
Harrison, Charles, Wood, Paul, Gaiger, Jason. Jean-Auguste-Dominique Ingres, ‘from Notebooks and Letters,’ Chapter. In: Art in theory, 1648-1815: an anthology of changing ideas. Oxford: : Blackwell Publishers 2000. 1169–72.http://www.loc.gov/catdir/toc/fy037/00034312.html

23
Harrison, Charles, Wood, Paul, Gaiger, Jason. Jean-Auguste-Dominique Ingres, ‘from Notebooks and Letters,’ Chapter. In: Art in theory, 1648-1815: an anthology of changing ideas. Oxford: : Blackwell Publishers 2000. 1169–72.http://www.loc.gov/catdir/toc/fy037/00034312.html

24
Harrison, Charles, Wood, Paul, Gaiger, Jason. Jean-Auguste-Dominique Ingres, ‘from Notebooks’, Chapter. In: Art in theory, 1815-1900: an anthology of changing ideas. Oxford: : Blackwell 1998. 183–5.

25
Baudelaire, Charles, Charvet, Patrick Edward, Baudelaire, Charles. ‘Ingres: The Universal Exhibition of 1855,’ Chapter. In: Baudelaire: selected writings on art and literature. London: : Penguin 1972. 124–32.

26
Athanassoglou-Kallmyer, Nina M. Théodore Géricault. London: : Phaidon 2010.

27
Harrison, Charles, Wood, Paul, Gaiger, Jason. Delacroix, ‘on Romanticism,’ Chapter. In: Art in theory, 1815-1900: an anthology of changing ideas. Oxford: : Blackwell 1998. 26–30.

28
Harrison, Charles, Wood, Paul, Gaiger, Jason. Heine, ‘from Salon of 1831,’ Chapter. In: Art in theory, 1815-1900: an anthology of changing ideas. Oxford: : Blackwell 1998. 81–4.

29
Eisenman, Stephen F., Crow, Thomas E. Crow, ‘Classicism in Crisis: Gros to Delacroix,’ Chapter. In: Nineteenth century art: a critical history. London: : Thames & Hudson 2007. 51–77.http://www.loc.gov/catdir/toc/fy0802/2006910401.html

30
Eisenman, Stephen F., Crow, Thomas E. Eisenman, ‘The Generation of 1830 and the Crisis of the Public Sphere,’ Chapter. In: Nineteenth century art: a critical history. London: : Thames & Hudson 2007. http://www.loc.gov/catdir/toc/fy0802/2006910401.html

31
Gervais D. Delacroix’ ‘Hamlet’. The Cambridge Quarterly 1984;XIII:40–70.

32
Lee Johnson. Johnson, ‘Delacroix, Dumas and Hamlet,’ Article. The Burlington Magazine 1981;123:717–23.http://www.jstor.org/stable/880503

33
Shakespeare, William, Wofford, Susanne Lindgren. Hamlet. Boston: : Bedford Books of St. Martin’s Press 1994.

34
Harrison, Charles, Wood, Paul, Gaiger, Jason. Delacroix, ‘On Modernity’, Chapter. In: Art in theory, 1815-1900: an anthology of changing ideas. Oxford: : Blackwell 1998. 331–326.

35
Baudelaire, Charles, Charvet, Patrick Edward, Baudelaire, Charles. Baudelaire, ‘Delacroix: The Universal Exhibition of 1855,’ Chapter. In: Baudelaire: selected writings on art and literature. London: : Penguin 1972. 132–9.

36
Nochlin, Linda. Realism. Harmondsworth: : Penguin 1971.

37
Harrison, Charles, Wood, Paul, Gaiger, Jason. Jean-François Millet, ‘On Truth in Painting,’ Chapter. In: Art in theory, 1815-1900: an anthology of changing ideas. Oxford: : Blackwell 1998. 373–8.

38
Clark, T. J. Image of the people: Gustave Courbet and the 1848 revolution. London: : Thames & Hudson 1973.

39
Eisenman, Stephen F., Crow, Thomas E. Eisenman, ‘The Rhetoric of Realism: Courbet ,’ Chapter. In: Nineteenth century art: a critical history. London: : Thames & Hudson 2007. 206–24.http://www.loc.gov/catdir/toc/fy0802/2006910401.html

40
Harrison, Charles, Wood, Paul, Gaiger, Jason. Buchon, ‘on Courbet’s Stonebreakers and Burial at Ornans,’ Chapter. In: Art in theory, 1815-1900: an anthology of changing ideas. Oxford: : Blackwell 1998. 364–6.

41
Harrison, Charles, Wood, Paul, Gaiger, Jason. Champfleury, ‘The Burial at Ornans,’ Chapter. In: Art in theory, 1815-1900: an anthology of changing ideas. Oxford: : Blackwell 1998. 366–70.

42
Harrison, Charles, Wood, Paul, Gaiger, Jason. Courbet, ‘Letter to Champfleury’ (1854) and ‘Statement on Realism,’ Chapters. In: Art in theory, 1815-1900: an anthology of changing ideas. Oxford: : Blackwell 1998. 370–2.

43
Fried, Michael. Fried, ‘The Structure of Beholding in A Burial at Ornans,’ Chapter. In: Courbet’s realism. Chicago: : University of Chicago Press 1990. 111–47.

44
Clark, T. J. Clark, ‘Courbet in Ornans and Besançon 1849–50’ and ‘Courbet in Dijon and Paris 1850–51,’ Chapters. In: Image of the people: Gustave Courbet and the 1848 revolution. London: : Thames & Hudson 1973. 77–154.

45
Clark, T. J. Clark, ‘Preface,’ Chapter. In: Image of the people: Gustave Courbet and the 1848 revolution. London: : Thames & Hudson 1973. 4–8.

46
Clark, T. J. Clark, ‘On the Social History of Art,’ Chapter. In: Image of the people: Gustave Courbet and the 1848 revolution. London: : Thames & Hudson 1973. 9–20.

47
Fried, Michael. Fried, ‘Approaching Courbet,’ Chapter. In: Courbet’s realism. Chicago: : University of Chicago Press 1990. 1–52.

48
House J. ‘Ornans Revisited’ (Review of Michael Fried’s Courbet’s Realism). ;5:18–9.

49
Hamilton, George Heard. Manet and his critics. New York: : Norton

50
Harrison, Charles, Wood, Paul, Gaiger, Jason. Zola, ‘Edouard Manet’ (1867), Chapter. In: Art in theory, 1815-1900: an anthology of changing ideas. Oxford: : Blackwell 1998. 554–65.

51
Adler, Kathleen. Manet. Oxford: : Phaidon 1986.

52
Manet, âEdouard, Toledo Museum of Art, Royal Academy of Arts (Great Britain). Manet: portraying life. London, UK: : Royal Academy of Arts 2012.

53
Clark, T. J. Clark, ‘Olympia’s Choice,’ Chapter. In: The painting of modern life: Paris in the art of Manet and his followers. London: : Thames & Hudson 1985. 79–146.

54
Harrison, Charles, Wood, Paul, Gaiger, Jason. ‘Various Authors on Manet’s Olympia,’ Chapter. In: Art in theory, 1815-1900: an anthology of changing ideas. Oxford: : Blackwell 1998. 514–9.

55
Harrison, Charles, Wood, Paul, Gaiger, Jason. Manet, ‘Reasons for Holding a Private Exhibition,’ Chapter. In: Art in theory, 1815-1900: an anthology of changing ideas. Oxford: : Blackwell 1998. 519–20.

56
Harrison, Charles, Wood, Paul, Gaiger, Jason. Morisot, ‘Letter to her Sister Edma,’ Chapter. In: Art in theory, 1815-1900: an anthology of changing ideas. Oxford: : Blackwell 1998.

57
Baudelaire, Charles, Charvet, Patrick Edward, Baudelaire, Charles. Baudelaire, ‘The Painter of Modern Life,’ Chapter. In: Baudelaire: selected writings on art and literature. London: : Penguin 1972.

58
Moffett, Charles S., Fine Arts Museums of San Francisco, National Gallery of Art (U.S.). The new painting: Impressionism 1874-1886 ; an exhibition organized by the Fine Arts Museums of San Francisco with the National Gallery of Art, Washington. [San Francisco]: : Fine Arts Museum of San Francisco 1986.

59
Adler, Kathleen, Edelstein, T. J., Mount Holyoke College. Garb, ‘Berthe Morisot and the Feminizing of Impressionism,’ Chapter. In: Perspectives on Morisot. New York: : Hudson Hills Press in association with the Mount Holyoke College Art Museum 1990. 57–67.

60
Pollock, Griselda. Pollock, ‘Modernity and the Spaces of Femininity,’ Chapter. In: Vision and difference: femininity, feminism and histories of art. London: : Routledge 1988. 50–90.

61
Pollock, Griselda. Pollock, ‘Feminist Interventions in the Histories of Art: An Introduction,’ Chapter. In: Vision and difference: femininity, feminism and histories of art. London: : Routledge 1988. 1–17.

62
Eisenman, Stephen F., Crow, Thomas E. Nochlin, ‘Issues of Gender in Cassatt and Eakins,’ Chapter. In: Nineteenth century art: a critical history. London: : Thames & Hudson 2007. 255–73.http://www.loc.gov/catdir/toc/fy0802/2006910401.html

63
Lipton, Eunice. Chapter 2. In: Looking into Degas: uneasy images of women and modern life. Berkeley: : University of California Press 1988. 73–115.

64
Kendall, Richard, DeVonyar, Jill, Degas, Edgar, et al. Chapter 3. In: Degas and the ballet: picturing movement. London: : Royal Academy of Arts 2011. 128–83.

65
House, John. House, ‘Making a Mark: The Impressionist Brushstroke,’ Chapter 5 and Conlcusion. In: Impressionism: paint and politics. New Haven, Conn: : Yale University Press 2004.

66
Moffett, Charles S., Fine Arts Museums of San Francisco, National Gallery of Art (U.S.). Duranty, ‘from The New Painting,’ Chapter. In: The new painting: Impressionism 1874-1886 ; an exhibition organized by the Fine Arts Museums of San Francisco with the National Gallery of Art, Washington. [San Francisco]: : Fine Arts Museum of San Francisco 1986. 37–47.

67
Moffett, Charles S., Fine Arts Museums of San Francisco, National Gallery of Art (U.S.). Mallarmé, ‘The Impressionists and Edouard Manet,’ Chapter. In: The new painting: Impressionism 1874-1886 ; an exhibition organized by the Fine Arts Museums of San Francisco with the National Gallery of Art, Washington. [San Francisco]: : Fine Arts Museum of San Francisco 1986. 27–35.

68
LAND2 : Texts: Griselda Pollock : ’The Homeland of Pictures, Reflections on Van Gogh’s Place Memories 2004. http://www.land2.uwe.ac.uk/essay9.htm

69
Gowing, Lawrence, Stevens, Mary Anne, Adriani, Götz, et al. Cézanne: the early years 1859-1872. London: : Royal Academy of Arts in association with Weidenfeld and Nicolson 1988.

70
Dombrowski, Andr,̌. Cžanne, murder, and modern life. Berkeley, Calif: : University of California Press 2012.

71
John A. Walker. Walker, ‘Lust for Life,’ Article in Art and Artists on Screen [Paperback]. Art and Artists on Screen [Paperback];:40–8.http://www.amazon.co.uk/Art-Artists-Screen-John-Walker/dp/0954570251/ref=sr_1_1?s=books&ie=UTF8&qid=1368542137&sr=1-1&keywords=0954570251

72
Minnelli, Vincente. Lust for life. 1956.

73
Vincent van Gogh The Letters. http://www.vangoghletters.org/vg/

74
Nochlin, Linda. Nochlin, ‘Seurat’s La Grande Jatte, An Anti-Utopian Allegory,’ Chapter. In: The politics of vision: essays on nineteenth-century art and society. London: : Thames and Hudson 1991. 170–93.

75
Harrison, Charles, Wood, Paul, Gaiger, Jason. Albert Aurier, from ‘Symbolism in Painting: Paul Gauguin,’ Chapter. In: Art in theory, 1815-1900: an anthology of changing ideas. Oxford: : Blackwell 1998. 1025–9.

76
Moffett, Charles S., Fine Arts Museums of San Francisco, National Gallery of Art (U.S.). Shiff, ‘The End of Impressionism,’ Chapter. In: The new painting: Impressionism 1874-1886 ; an exhibition organized by the Fine Arts Museums of San Francisco with the National Gallery of Art, Washington. [San Francisco]: : Fine Arts Museum of San Francisco 1986. 61–92.

77
Smith, Paul. Seurat and the avant-garde. New Haven: : Yale University Press 1997.

78
Shiff, Richard. Cézanne and the end of impressionism: a study of the theory, technique, and critical evaluation of modern art. Chicago: : University of Chicago Press 1984.

79
Harrison, Charles, Wood, Paul, Gaiger, Jason. Moréas, ‘Symbolism – a Manifesto,’ Chapter. In: Art in theory, 1815-1900: an anthology of changing ideas. Oxford: : Blackwell 1998. 1014–6.

80
Harrison, Charles, Wood, Paul, Gaiger, Jason. Gauguin, ‘Notes on Painting,’ Chapter. In: Art in theory, 1815-1900: an anthology of changing ideas. Oxford: : Blackwell 1998. 1022–4.

81
Harrison, Charles, Wood, Paul. Denis, ‘From Gauguin and van Gogh to Neo-Classicism,’ Chapter. In: Art in theory, 1900-2000: an anthology of changing ideas. Oxford: : Blackwell Publishers 2003. 47–53.

82
Eisenman, Stephen F., Crow, Thomas E. Eisenman, ‘Symbolism and the Dialectics of Retreat,’ Chapter. In: Nineteenth century art: a critical history. London: : Thames & Hudson 2007. 304–36.http://www.loc.gov/catdir/toc/fy0802/2006910401.html

83
Eisenman, Stephen F., Crow, Thomas E. T. Crow, ‘Patriotism and Virtue’ Chapter. In: Nineteenth century art: a critical history. London: : Thames & Hudson 2007. http://www.loc.gov/catdir/toc/fy0802/2006910401.html

84
Johnson, Dorothy. Jacques-Louis David: art in metamorphosis. Princeton, N.J.: : Princeton University Press 1993.

85
Lee, Simon. David. London: : Phaidon 1999.

86
Crow, Thomas E. Emulation: making artists for revolutionary France. New Haven: : Yale University Press 1995.

87
Lajer-Burcharth, Ewa. Necklines: the art of Jacques-Louis David after the Terror. New Haven, Conn: : Yale University Press 1999.

88
Honour, Hugh. Neo-classicism. Harmondsworth: : Penguin 1968.

89
Honour, Hugh. Romanticism. London: : Allen Lane 1979.

90
Vaughan, William. Romanticism and art. Repr. with revisions. London: : Thames and Hudson 1994.

91
Bryson, Norman. Chapters 1 & 2. In: Tradition and desire: from David to Delacroix. Cambridge: : Cambridge University Press 1984.

92
Vaughan, William, Weston, Helen. ‘Introduction’ Chapter. In: Jacques-Louis David’s Marat. Cambridge: : Cambridge University Press 2000. 1–33.

93
Vaughan, William, Weston, Helen. ‘The Corday–Marat Affair: No Place for a Woman,’ Chapter. In: Jacques-Louis David’s Marat. Cambridge: : Cambridge University Press 2000. 128–52.

94
Eisenman, Stephen F., Crow, Thomas E. Crow, ‘Classicism in Crisis,’ Chapter. In: Nineteenth century art: a critical history. London: : Thames & Hudson 2007. http://www.loc.gov/catdir/toc/fy0802/2006910401.html

95
Prendergast, Christopher. Napoleon and history painting: Antoine-Jean Gros’s La bataille d’Eylau. Oxford: : Clarendon Press 1997.

96
Lajer-Burcharth, Ewa. Necklines: the art of Jacques-Louis David after the Terror. New Haven, Conn: : Yale University Press 1999.

97
Walker McCoubrey J. ‘Gros’ Battle of Eylau and Roman Imperial Art,’. Art Bulletin;43:137–8.

98
Boime, Albert. Art in an age of Bonapartism, 1800-1815. Chicago: : University of Chicago Press 1990.

99
Leith, James A. The idea of art as propaganda in France, 1750-1799: a study in the history of ideas. Toronto]: : University of Toronto Press

100
Baudelaire, Charles, Charvet, Patrick Edward, Baudelaire, Charles. The Universal Exhibition of 1855 : the Fine Arts. Chapter. In: Baudelaire: selected writings on art and literature. London: : Penguin 1972.

101
Taylor, Joshua Charles. ‘Ingres’ commentaries on Art,’ Chapter. In: Nineteenth-century theories of art. Berkeley: : University of California Press 1987.

102
Bryson, Norman. Chapter 5. In: Tradition and desire: from David to Delacroix. Cambridge: : Cambridge University Press 1984.

103
Collier, Peter, Lethbridge, Robert. ‘“Telle main veut tel pied”: Balzac, Ingres and the Art of Portraiture,’ Chapter. In: Artistic relations: literature and the visual arts in nineteenth-century France. New Haven: : Yale University Press 1994.

104
Rifkin A. Ingres and the Academic Dictionary. ;6.

105
Athanassoglou-Kallmyer, Nina M. Théodore Géricault. London: : Phaidon 2010.

106
Berger, Klaus. Géricault and his work. New York: : Hacker Art Books 1978.

107
Eitner, Lorenz Edwin Alfred. Gericault, his life and work. London: : Orbis 1983.

108
Eitner, Lorenz Edwin Alfred. Géricault’s Raft of the Medusa. London]: : Phaidon [distributed in the U.S. by Praeger, New York 1972.

109
Alhadeff, Albert. The raft of the Medusa: Géricault, art, and race. Munich: : Prestel 2002.

110
Miles, Jonathan. The wreck of the Medusa. 1st ed. London: : Jonathan Cape 2007. http://www.loc.gov/catdir/enhancements/fy0712/2006052633-d.html

111
Whitney, Wheelock, Géricault, Théodore. Géricault in Italy. New Haven: : Yale University Press 1997.

112
Honour, Hugh. Romanticism. London: : Allen Lane 1979.

113
Vaughan, William. Romanticism and art. Repr. with revisions. London: : Thames and Hudson 1994.

114
BOIME A. Portraying Monomaniacs to Service the Alienist’s Monomania: Gericault and Georget. Oxford Art Journal 1991;14:79–91. doi:10.1093/oxartj/14.1.79

115
Athanassoglou-Kallmyer N. Gericault’s severed heads and limbs: The politics and aesthetics of the scaffold. 1982;LXXXIV.http://connection.ebscohost.com/c/articles/9309200004/gericaults-severed-heads-limbs-politics-aesthetics-scaffold

116
Clarke, Graham. The portrait in photography. London: : Reaktion Bks 1992. https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=475098

117
Eisenman, Stephen F., Crow, Thomas E. Eisenmann, ‘The Generation of 1830 amd the Crisis of the Public Sphere,’ Chapter. In: Nineteenth century art: a critical history. London: : Thames & Hudson 2007. http://www.loc.gov/catdir/toc/fy0802/2006910401.html

118
Bann, Stephen. Paul Delaroche: history painted. London: : Reaktion Books 1997.

119
Bann, Stephen, University of Kent at Canterbury. History at the theatre: Paul Delaroche’s ‘Execution of Lady Jane Grey’. 2006;Open lecture, delivered 10th February 2006.

120
Ziff, N D. Paul Delaroche: a study in nineteenth century French history painting. [Place of publication not identified]: : Garland 1977.

121
Wright, Beth Segal. Painting and history during the French restoration: abandoned by the past. Cambridge: : Cambridge University Press 1997.

122
Marrinan, Michael. Painting politics for Louis-Philippe: art and ideology in Orléanist France, 1830-1848. New Haven: : Yale U.P. 1988.

123
Gervais D. Delacroix’ ‘Hamlet’. The Cambridge Quarterly 1984;XIII:40–70. doi:10.1093/camqtly/XIII.1.40

124
Lee Johnson. The Burlington Magazine. 1981;123:717–23.http://www.jstor.org/stable/880503

125
Shakespeare, William, Wofford, Susanne Lindgren. Hamlet. Boston: : Bedford Books of St. Martin’s Press 1994.

126
Nochlin, Linda. Realism. Harmondsworth: : Penguin 1971.

127
Eisenman, Stephen F., Crow, Thomas E. Eisenmann, 'The Rhetoric of Realism: Courbet and the Origins of the Avant Garde,’ Chapter. In: Nineteenth century art: a critical history. London: : Thames & Hudson 2007. http://www.loc.gov/catdir/toc/fy0802/2006910401.html

128
Clark, T. J. Image of the people: Gustave Courbet and the 1848 revolution. London: : Thames & Hudson 1973.

129
Fried, Michael. Courbet’s realism. Chicago: : University of Chicago Press 1990.

130
Clark, Timothy James. The absolute bourgeois: artists and politics in France, 1848-1851. London: : Thames and Hudson 1973.

131
Clark, T. J. Image of the people: Gustave Courbet and the 1848 revolution. London: : Thames & Hudson 1973.

132
Lindsay, Jack. Gustave Courbet: his life and art. Bath: : Adams and Dart 1973.

133
Arts Council. Gustave Courbet 1819-1877 : [catalogue of an exhibition held] at the Royal Academy of Arts 19 January-19 March, 1978. London : Arts Council of Great Britain: : [publisher not identified] 1978.

134
Millet, Jean François, Pollock, Griselda. Millet. London: : Oresko Books Ltd 1977.

135
Weber, Eugen Joseph. Peasants into Frenchmen: the modernization of rural France, 1870-1914. London: : Chatto and Windus 1977. http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://name.umdl.umich.edu/HEB01321

136
Chu, Petra ten Doesschate. Courbet in perspective. Englewood Cliffs, N.J.: : Prentice-Hall 1977.

137
Nochlin, Linda. Gustave Courbet: a study of style and society. New York: : Garland Pub 1976.

138
Christopher Parsons and Neil McWilliam. Oxford Art Journal. 1983;6:38–58. doi:10.2307/1360203

139
Kinsey MS. The Cambridge Companion to Delacroix (review). Nineteenth Century French Studies 2002;31:155–7. doi:10.1353/ncf.2002.0052

140
Athanassoglou-Kallmyer, Nina M. Eugène Delacroix: prints, politics and satire 1814-1822. New Haven: : Yale University Press 1991.

141
Jobert, Barthélémy, Delacroix, Eugène. Delacroix. Princeton, N.J.: : Princeton University Press 1998.

142
Wilson-Smith, Timothy. Delacroix: a life. London: : Constable 1992.

143
Spector, Jack J. The murals of Eugene Delacroix at Saint-Sulpice. New York: : College Art Association of America 1967.

144
Hannoosh, Michele, Delacroix, Eugène. Painting and the journal of Eugène Delacroix. Princeton: : Princeton University Press 1995.

145
Clark, T. J. ‘Olympia’s Choice,’ Chapter. In: The painting of modern life: Paris in the art of Manet and his followers. London: : Thames & Hudson 1985.

146
Frascina, Francis, Harrison, Charles, Paul, Deidre. Clark Preliminaries to a possible reading of Olympia in 1865, Chapter. In: Modern art and modernism: a critical anthology. London: : Harper & Row, in association with the Open University 1982. 259–75.

147
Shaw JL. THE FIGURE OF VENUS: RHETORIC OF THE IDEAL AND THE SALON OF 1863. Art History;14.http://www.artworlds.org/ab/resources/AH340-S12/002Shaw.pdf

148
Clayson, Hollis. Painted love: prostitution in French art of the impressionist era. New Haven: : Yale University Press 1991.

149
Reff, T. Manet: Olympia. [Place of publication not identified]: : Allen Lane 1976.

150
Krell A. Manet’s Déjeuner sur l’herbe in the Salon des Réfuses. ;LXV.

151
Adler, Kathleen. Manet. Oxford: : Phaidon 1986.

152
Baudelaire, Charles, Charvet, Patrick Edward, Baudelaire, Charles. Baudelaire, ‘the painter of modern life,’ Chapter. In: Baudelaire: selected writings on art and literature. London: : Penguin 1972.

153
Manet, âEdouard, Toledo Museum of Art, Royal Academy of Arts (Great Britain). Manet: portraying life. London, UK: : Royal Academy of Arts 2012.

154
Hamilton, George Heard. Manet and his critics. New York: : Norton

155
Richardson, John, Adler, Kathleen. Manet. London: : Phaidon 1982.

156
Foucault, Michel. Manet and the object of painting. London: : Tate Publishing 2009.

157
Moffett, Charles S., Fine Arts Museums of San Francisco, National Gallery of Art (U.S.). Duranty, ‘The New Painting’ in The New Painting,’ Chapter. In: The new painting: Impressionism 1874-1886 ; an exhibition organized by the Fine Arts Museums of San Francisco with the National Gallery of Art, Washington. [San Francisco]: : Fine Arts Museum of San Francisco 1986.

158
Frascina, Francis, Harrison, Charles, Paul, Deidre. Zola, ‘Eduard Manet’ Chapter. In: Modern art and modernism: a critical anthology. London: : Harper & Row, in association with the Open University 1982.

159
Krell, Alan, Manet, Edouard. Manet and the painters of contemporary life. London: : Thames and Hudson 1996.

160
Fried, Michael. Manet’s modernism, or, The face of painting in the 1860s. Chicago: : University of Chicago Press 1996.

161
Reff, T. Manet: Olympia. [Place of publication not identified]: : Allen Lane 1976.

162
Rubin, James Henry, Manet, Édouard. Manet: initial M, hand and eye. Paris: : Flammarion 2010.

163
Rubin, James Henry, Manet, Edouard. Manet’s silence and the poetics of bouquets. London: : Reaktion 1994.

164
Rubin, James Henry, Manet, Edouard. Manet’s silence and the poetics of bouquets. London: : Reaktion 1994.

165
Tinterow, Gary, Lacambre, Geneviève, Roldán, Deborah L., et al. Manet/Velázquez: the French taste for Spanish painting. New York: : Metropolitan Museum of Art 2003.

166
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