1.
Poe, Edgar Allan: Tales of mystery and imagination. Wordsworth Classics, Ware (1993).
2.
Moretti, Franco: ‘Clues’ from Signs taken for wonders: on the sociology of literary forms. In: Signs taken for wonders: on the sociology of literary forms. Verso, London (2005).
3.
Green, Anna Katharine: The Leavenworth case: a lawyer’s story. Wildside books, Rockville, MD].
4.
Todorov, Tzvetan: The Typology of Detective FIction. In: The poetics of prose. Cornell U.P., Ithaca, N.Y. (1977).
5.
Hemingway, Ernest, Fenton, James: The Killers. In: The collected stories. David Campbell, London (1995).
6.
Cain, James M.: The postman always rings twice. Orion, London (2005).
7.
Freud, Sigmund, Phillips, Adam: Remembering, Repeating and Working Through. In: The Penguin Freud reader. Penguin, London (2006).
8.
Hammett, D.: Red harvest. Knopf, [Place of publication not identified] (1929).
9.
Warshow, Robert: The Gangster as Tragic Hero. In: The immediate experience: movies, comics, theatre & other aspects of popular culture. Harvard University Press, Cambridge, MA (2001).
10.
Chandler, Raymond: The little sister. Penguin in association with Hamish Hamilton, London (1955).
11.
Chandler, R.: The simple art of murder. Vintage Books, New York (1988).
12.
Schrader, Paul, Jackson, Kevin: Notes on Film Noir. In: Schrader on Schrader, & other writings. Faber and Faber, London (2004).
13.
Himes, Chester B.: The real cool killers. Penguin, London (2011).
14.
Horkheimer, Max, Adorno, Theodor W., Schmid Noerr, Gunzelin: The Culture Industry: Enlightenment as Mass Deception. In: Dialectic of enlightenment: philosophical fragments. Stanford University Press, Stanford, Calif (2002).
15.
Ellroy, James: The black dahlia. Arrow, London (1993).
16.
Auster, Paul, Auster, Paul, Auster, Paul, Auster, Paul: The New York trilogy. Faber and Faber, London (1987).
17.
McHale, Brian: Constructing postmodernism. Routledge, London (1992).
18.
Paretsky, Sara: Toxic shock. Penguin Books, London (1990).
19.
Paretsky, Sara: Chapter 3. In: Writing in an age of silence. Verso, London (2007).
20.
Luhr, William: Fargo: Far Removed from the Stereotypes of …. In: The Coen brothers Fargo. Cambridge University Press, Cambridge, UK (2003).
21.
Locke, Attica, Dawsonera: Black water rising. Serpent’s Tail, London (2009).
22.
Simon, D.: The escalating breakdown of urban society across the US | Television & radio | The Guardian.
23.
Abbott, Megan E.: The street was mine: white masculinity in hardboiled fiction and film noir. Palgrave Macmillan, Basingstoke (2002).
24.
Adorno, Theodor W, Bernstein, Jay M.: The culture industry: selected essays on mass culture. Routledge, London (1991).
25.
Horkheimer, Max, Adorno, Theodor W., Schmid Noerr, Gunzelin: Dialectic of enlightenment: philosophical fragments. Stanford University Press, Stanford, Calif (2002).
26.
Bailey, Frankie Y.: Out of the woodpile: black characters in crime and detective fiction. Greenwood, New York (1991).
27.
Barone, Dennis: Beyond the red notebook: essays on Paul Auster. University of Pennsylvania Press, Philadelphia (1995).
28.
Bedore, P.: Dime Novels and the Roots of American Detective Fiction. Palgrave Macmillan, Basingstoke (2013).
29.
Bell, Kevin: Ashes taken for fire: aesthetic modernism and the critique of identity. University of Minnesota Press, London (2007).
30.
Benjamin, W.: Illuminations; translated by H Zohn, edited and with an introduction by H Arendt. Fontana-Collins, [Place of publication not identified] (1973).
31.
Bennett, Tony: Popular fiction: technology, ideology, production, reading. Routledge, London (1990).
32.
Bertens, Johannes Willem, Haen, Theo d’: Contemporary American crime fiction. Palgrave, Houndmills, Basingstoke (2001).
33.
Breu, Christopher: Hard-boiled masculinities. University of Minnesota Press, London (2005).
34.
Brooks, Peter: Reading for the plot: design and intention in narrative. Clarendon Press, Oxford (1984).
35.
Brown, Mark: Paul Auster. Manchester University Press, Manchester (2007).
36.
Cassuto, Leonard: Hard-boiled sentimentality: the secret history of American crime stories. Columbia University Press, Chichester (2009).
37.
Chandler, Raymond: Notebooks. ECCO P.,U.S, New York (1976).
38.
MacShane, F.: Selected Letters of Raymond Chandler. Columbia University Press, [Place of publication not identified].
39.
Chandler, Raymond: The Raymond Chandler Papers: Selected Letters and Non-fiction 1909-1959. Penguin Books Ltd, London (2001).
40.
Christopher, Nicholas: Somewhere in the night: film noir and the American city. Free Press, London (1997).
41.
Clarens, C.: Crime movies from Griffith to the Godfather and beyond. Secker & Warburg, [Place of publication not identified] (1980).
42.
Cline, S.: Dashiell Hammett: Man of Mystery. Skyhorse Publishing, New York, NY (2014).
43.
Cochran, David: America noir: underground writers and filmmakers of the postwar era. Smithsonian Institution Press, London (2000).
44.
Collins, Jim: Uncommon cultures: popular culture and post-modernism. Routledge, New York (1989).
45.
Copjec, Joan: Shades of noir: a reader. Verso, London (1993).
46.
Frank, Lawrence, Dawsonera: Victorian detective fiction and the nature of evidence: the scientific investigations of Poe, Dickens, and Doyle. Palgrave Macmillan, Houndmills, Basingstoke, Hampshire (2003).
47.
Denning, M.: Mechanic accents; dime novels and working-class culture in America. Verso, [Place of publication not identified] (1987).
48.
Doane, Mary Ann: Femmes fatales: feminism, film theory, psychoanalysis. Routledge, London (1991).
49.
Docherty, Brian: American crime fiction: studies in the genre. St. Martin’s Press, New York (1988).
50.
Dussere, E.: America Is Elsewhere: The Noir Tradition in the Age of Consumer Culture. Oxford University Press Inc, New York (2013).
51.
Effron, Malcah: The millennial detective: essays on trends in crime fiction, film and television, 1990-2010. McFarland, Jefferson, N.C. (2011).
52.
Powell, Steven: Conversations with James Ellroy. University Press of Mississippi, Jackson, [Miss.] (2012).
53.
Evans, Mary: The imagination of evil: detective fiction and the modern world. Continuum, London (2009).
54.
Faison, Stephen E.: Existentialism, film noir, and hard-boiled fiction. Cambria Press, Amherst, NY (2008).
55.
Fine, David M.: Imagining Los Angeles: a city in fiction. University of Nevada Press, Reno (2004).
56.
Fine, David: Los Angeles in Fiction: A Collection of Essays. University of New Mexico Press, Albuquerque, N.M. (1995).
57.
Freud, Sigmund, Phillips, Adam: Remembering, Repeating and Working Through. In: The Penguin Freud reader. Penguin, London (2006).
58.
Freud, Sigmund, Phillips, Adam: From the History of an Infantile Neurosis. In: The Penguin Freud reader. Penguin, London (2006).
59.
Gale, R.L.: A Dashiell Hammett companion. Greenwood Press, Westport, Conn (2000).
60.
Geherin, David: The American private eye: the image in fiction. F. Ungar Pub. Co, New York (1985).
61.
Gosselin, Adrienne Johnson: Multicultural detective fiction: murder from the ‘other’ side. Garland Pub, New York (1999).
62.
Halttunen, Karen: Murder most foul: the killer and the American Gothic imagination. Harvard University Press, Cambridge, Mass (1998).
63.
Hammett, Dashiell, Layman, Richard, Rivett, Julie M.: Selected letters of Dashiell Hammett, 1921-1960. Counterpoint, Washington, D.C. (2001).
64.
Metress, Christopher: The critical response to Dashiell Hammett. Greenwood Press, Westport, Conn (1994).
65.
Haut, Woody, Haut, Woody, Haut, Woody: Heartbreak and Vine: the fate of hardboiled writers in Hollywood. Serpent’s Tail, [London] (2002).
66.
Haut, Woody: Neon noir: contemporary American crime fiction. Serpent’s Tail, London (1999).
67.
Haut, Woody: Pulp culture: hardboiled fiction and the Cold War. Serpent’s Tail, London (1995).
68.
Hawkins, Harriett: Classics and trash: traditions and taboos in high literature and popular modern genres. Harvester Wheatsheaf, London (1990).
69.
Higginson, Pim: The noir Atlantic: Chester Himes and the birth of the francophone African crime novel. Liverpool University Press, Liverpool (2011).
70.
Hilfer, Anthony Channell: The crime novel: a deviant genre. University of Texas Press, Austin (1990).
71.
Hiney, Tom: Raymond Chandler: a biography. Vintage, London (1998).
72.
Hoffmann, J.: Philosophies of crime fiction. No Exit, Harpenden (2013).
73.
Horsley, Lee, Dawsonera: Twentieth-century crime fiction. Oxford University Press, Oxford (2005).
74.
Howe, Alexander N.: It didn’t mean anything: a psychoanalytic reading of American detective fiction. McFarland & Co, Jefferson, N.C. (2008).
75.
Irons, G.H.: Feminism in women’s detective fiction. University of Toronto Press, Buffalo (1995).
76.
Irwin, John T.: The mystery to a solution: Poe, Borges, and the analytic detective story. Johns Hopkins University Press, Baltimore, Md (1994).
77.
Kennedy, Liam, Shapiro, Stephen: The wire: race, class, and genre. University of Michigan Press, Ann Arbor, [Mich.] (2012).
78.
Klein, Kathleen Gregory: The woman detective: gender & genre. Univ. of Illinois P., Urbana (1988).
79.
Knight, Stephen: Crime Fiction Since 1800: Detection, Death, Diversity. Palgrave Macmillan.
80.
Knight, Stephen Thomas: Form and ideology in crime fiction. Macmillan, London (1980).
81.
Kopley, Richard: Edgar Allan Poe and the Dupin mysteries. Palgrave Macmillan, New York (2008).
82.
LeMenager, S.: Living Oil: Petroleum Culture in the American Century. Oxford University Press Inc, New York (2014).
83.
Lovell, Jarret S.: Good cop, bad cop: mass media and the cycle of police reform. Willow Tree, Monsey, New York (2003).
84.
Luhr, William: The Coen brothers Fargo. Cambridge University Press, Cambridge, UK (2003).
85.
McCann, Sean: Gumshoe America: hard-boiled crime fiction and the rise and fall of New Deal liberalism. Duke University Press, Durham, N.C. (2000).
86.
McHale, Brian: Constructing postmodernism. Routledge, London (1992).
87.
McCracken, Scott: Pulp: reading popular fiction. Manchester University Press, Manchester, New York (1998).
88.
MacShane, Frank: The life of Raymond Chandler. G.K. Hall, Boston, Mass (1986).
89.
Madden, David: Tough guy writers of the thirties. Feffer & Simons, Carbondale (1968).
90.
Madden, D.: James M Cain. Twayne, [Place of publication not identified].
91.
Mandel, Ernest: Delightful murder: a social history of the crime story. Pluto Press, London (1984).
92.
Margolies, Edward, Fabre, Michel: The several lives of Chester Himes. University Press of Mississippi, Jackson (1997).
93.
Marling, William: Raymond Chandler. Twayne Publishers, Boston, Mass (1986).
94.
Marling, William: The American roman noir: Hammett, Cain, and Chandler. University of Georgia Press, Athens, Ga (1995).
95.
Martin, Brendan, Dawsonera: Paul Auster’s postmodernity. Routledge, London (2007).
96.
Merivale, Patricia, Sweeney, Susan Elizabeth: Detecting texts: the metaphysical detective story from Poe to postmodernism. University of Pennsylvania Press, Philadelphia (1999).
97.
Messent, Peter B.: Criminal proceedings: the contemporary American crime novel. Pluto, London (1997).
98.
Miller, Vivien M. L., Oakley, Helen: Cross-cultural connections in crime fictions. Palgrave Macmillan, Basingstoke (2012).
99.
Mizejewski, Linda: Hardboiled & high heeled: the woman detective in popular culture. Routledge, London (2004).
100.
Moore, Lewis D.: Cracking the hard-boiled detective: a critical history from the 1920s to the present. McFarland & Co, Jefferson, N.C. (2006).
101.
Moretti, Franco: Signs taken for wonders: essays in the sociology of literary forms. Verso, London (1988).
102.
Most, Glenn W., Stowe, William W.: The poetics of murder: detective fiction and literary theory. Harcourt Brace Jovanovich, London (1983).
103.
Mühleisen, Susanne, Matzke, Christine: Postcolonial postmortems: crime fiction from a transcultural perspective. Rodopi, Amsterdam (2006).
104.
Muller, Gilbert H.: Chester Himes. Twayne Publishers, Boston, Mass (1989).
105.
Munby, Jonathan: Public enemies, public heroes: screening the gangster from Little Caesar to Touch of Evil. University of Chicago Press, Chicago (1999).
106.
Munt, Sally: Murder by the book?: feminism and the crime novel. Routledge, London, New York (1994).
107.
Naremore, James: More than night: film noir in its contexts. University of California Press, Berkeley (1998).
108.
Nickerson, Catherine Ross: The Cambridge companion to American crime fiction. Cambridge University Press, New York (2010).
109.
Nyman, Jopi: Men alone: masculinity, individualism, and hard-boiled fiction. Rodopi, Amsterdam (1997).
110.
Nickerson, Catherine Ross: The web of iniquity: early detective fiction by American women. Duke University Press, Durham, N.C. (1998).
111.
O’Brien, Geoffrey: Hardboiled America: lurid paperbacks and the masters of noir. Da Capo Press, New York (1997).
112.
Ousby, Ian: The crime and mystery book: a reader’s companion. Thames and Hudson, London (1997).
113.
Panek, LeRoy: The American police novel: a history. McFarland, Jefferson, N.C. (2003).
114.
Panek, L.: Reading early Hammett: a critical study of the fiction prior to the Maltese Falcon. McFarland & Company, Jefferson, N.C. (2004).
115.
Paretsky, Sara: Writing in an age of silence. Verso, London (2007).
116.
Pepper, Andrew: The contemporary American crime novel: race, ethnicity, gender, class. Edinburgh University Press Ltd, Edinburgh (2000).
117.
Phillips, Gene D.: Creatures of darkness: Raymond Chandler, detective fiction, and film noir. University Press of Kentucky, Lexington (2000).
118.
Pittard, Christopher: Purity and contamination in late Victorian detective fiction. Ashgate, Farnham (2011).
119.
Plain, Gill: Twentieth-century crime fiction: gender, sexuality, and the body. Edinburgh University Press, Edinburgh (2001).
120.
Cain, James M., McCoy, Horace, Anderson, Edward, Fearing, Kenneth, Gresham, William Lindsay, Woolrich, Cornell: Crime novels: American noir of the 1930s and 40s. Library of America, New York (1997).
121.
Thompson, Jim, Highsmith, Patricia, Willeford, Charles Ray, Goodis, David, Himes, Chester B.: Crime novels: American noir of the 1950s. Library of America, New York (1997).
122.
Porter, Dennis: The pursuit of crime: art and ideology in detective fiction. Yale University Press, London (1981).
123.
Priestman, Martin: The Cambridge companion to crime fiction. Cambridge University Press, Cambridge (2003).
124.
Priestman, Martin, British Council: Crime fiction from Poe to the present. Northcote House in association with The British Council, Plymouth (1998).
125.
Priestman, Martin: Detective fiction and literature: the figure on the carpet. St. Martin’s Press, New York (1991).
126.
Reddy, Maureen T.: Sisters in crime: feminism and the crime novel. Continuum, New York (1988).
127.
Reddy, Maureen T.: Traces, codes, and clues: reading race in crime fiction. Rutgers University Press, London (2003).
128.
Rhodes, Chip: Politics, desire, and the Hollywood novel. University of Iowa Press, Iowa City (2008).
129.
Rzepka, Charles J.: Detective fiction. Polity Press, Cambridge (2005).
130.
Rzepka, Charles J., Horsley, Lee: A companion to crime fiction. Wiley-Blackwell, Chichester, U.K. (2010).
131.
Scaggs, John: Crime fiction. Routledge, London (2005).
132.
Schwartz, Richard B.: Nice and noir: contemporary American crime fiction. University of Missouri Press, Columbia (2002).
133.
Silet, Charles L. P.: The critical response to Chester Himes. Greenwood Press, Westport, Conn (1999).
134.
Silver, Alain, Ursini, James: Film noir reader 2. Limelight Editions, New York (1999).
135.
Skinner, Robert E.: Two guns from Harlem: the detective fiction of Chester Himes. Bowling Green State University Popular Press, Bowling Green, Ohio (1989).
136.
Slotkin, Richard: Regeneration through violence: the mythology of the American frontier, 1600-1860. Wesleyan University Press, Middletown, Conn.
137.
Soitos, Stephen F.: The blues detective: a study of African American detective fiction. University of Massachusetts Press, Amherst (1996).
138.
Sim, Stuart: Irony and crisis: a critical history of postmodern culture. Icon, Cambridge (2002).
139.
Simon, David: Homicide: a year on the killing streets. Canongate, Edinburgh (2009).
140.
Skenazy, P.: James M. Cain. Continuum, New York (1989).
141.
Srebnick, Amy Gilman: The mysterious death of Mary Rogers: sex and culture in nineteenth-century New York. Oxford University Press, New York (1997).
142.
Sussex, Lucy: Women writers and detectives in nineteenth-century crime fiction: the mothers of the mystery genre. Palgrave Macmillan, Basingstoke, Hampshire (2010).
143.
Symons, J.: Bloody murder: from the detective story to the crime novel: a history. Faber & Faber, [Place of publication not identified].
144.
Tani, S.: The doomed detective: the contribution of the detective novel to postmodern American and Italian fiction. Southern Illinois U.P., [Place of publication not identified] (1984).
145.
Telotte, J. P: Voices in the dark: the narrative patterns of film noir. University of Illinois Press, Urbana (1989).
146.
Thompson, Jon: Fiction, crime, and empire: clues to modernity and postmodernism. University of Illinois Press, Urbana (1993).
147.
Todorov, Tzvetan: The poetics of prose. Cornell U.P., Ithaca, N.Y. (1977).
148.
Trotter, D.: ‘Theory and Detective Fiction’. Critical Quarterly . 33, (1991).
149.
Van Deburg, William L.: Hoodlums: Black villains and social bandits in American life. University of Chicago Press, Chicago (2004).
150.
Van Dover, J. Kenneth: The critical response to Raymond Chandler. Greenwood Press, London (1995).
151.
Van Dover, J. Kenneth: Making the detective story American: Biggers, Van Dine and Hammett and the turning point of the genre, 1925-1930. McFarland, Jefferson, N.C. (2010).
152.
Wager, Jans B.: Dangerous dames: women and representation in the Weimar street film and film noir. Ohio University Press, Athens, Ohio (1999).
153.
Walton, Priscilla L., Jones, Manina: Detective agency: women rewriting the hard-boiled tradition. University of California Press, Berkeley (1999).
154.
Wandtke, Terrence R.: The amazing transforming superhero!: essays on the revision of characters in comic books, film and television. McFarland & Co, Jefferson, N.C. (2007).
155.
Werner, James V., Dawsonera: American flaneur: the cosmic physiognomy of Edgar Allan Poe. Routledge, London (2004).
156.
Willett, Ralph: The naked city: urban crime fiction in the USA. Manchester University Press, Manchester (1996).
157.
Williams, John: Into the badlands. Paladin, London (1991).
158.
Wilson, Christopher P.: Cop knowledge: police power and cultural narrative in twentieth-century America. University of Chicago Press, Chicago (2000).
159.
Winston, Robert Paul, Mellerski, Nancy C.: The public eye: ideology and the police procedural. Macmillan, London (1992).
160.
Wolfe, Peter: Something more than night: the case of Raymond Chandler. Bowling Green State University Popular Press, Bowling Green, Ohio (1985).
161.
Worthington, Heather: Key concepts in crime fiction. Palgrave Macmillan, New York (2011).
