Abbott, Megan E., The Street Was Mine: White Masculinity in Hardboiled Fiction and Film Noir (Palgrave Macmillan 2002)
Adorno, Theodor W and Bernstein, Jay M., The Culture Industry: Selected Essays on Mass Culture (Routledge 1991)
Auster, Paul and others, The New York Trilogy (Faber and Faber 1987)
Bailey, Frankie Y., Out of the Woodpile: Black Characters in Crime and Detective Fiction (Greenwood 1991) <http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780313064272>
Barone, Dennis, Beyond the Red Notebook: Essays on Paul Auster, vol Penn studies in contemporary American fiction (University of Pennsylvania Press 1995)
Bedore P, Dime Novels and the Roots of American Detective Fiction, vol Crime Files (Palgrave Macmillan 2013) <http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9781137288653>
Bell, Kevin, Ashes Taken for Fire: Aesthetic Modernism and the Critique of Identity (University of Minnesota Press 2007)
Benjamin, W., Illuminations; Translated by H Zohn, Edited and with an Introduction by H Arendt (Fontana-Collins 1973)
Bennett, Tony, Popular Fiction: Technology, Ideology, Production, Reading, vol Popular fictions series (Routledge 1990)
Bertens, Johannes Willem and Haen, Theo d’, Contemporary American Crime Fiction, vol Crime files series (Palgrave 2001)
Breu, Christopher, Hard-Boiled Masculinities (University of Minnesota Press 2005)
Brooks, Peter, Reading for the Plot: Design and Intention in Narrative (Clarendon Press 1984)
Brown, Mark, Paul Auster, vol Contemporary American and Canadian writers (Manchester University Press 2007)
Cain, James M., The Postman Always Rings Twice (Orion 2005)
——, Crime Novels: American Noir of the 1930s and 40s, vol The library of America (Robert, Polito ed, Library of America 1997)
Cassuto, Leonard, Hard-Boiled Sentimentality: The Secret History of American Crime Stories (Columbia University Press 2009)
Chandler R, The Simple Art of Murder, vol Vintage crime (1st Vintage Books ed, Vintage Books 1988)
Chandler, Raymond, The Little Sister (Penguin in association with Hamish Hamilton 1955)
——, Notebooks (First Edition, ECCO P,US 1976)
——, The Raymond Chandler Papers: Selected Letters and Non-Fiction 1909-1959 (New edition, Penguin Books Ltd 2001)
Christopher, Nicholas, Somewhere in the Night: Film Noir and the American City (Free Press 1997)
Clarens, C., Crime Movies from Griffith to the Godfather and Beyond (Secker & Warburg 1980)
Cline S, Dashiell Hammett: Man of Mystery (Skyhorse Publishing 2014)
Cochran, David, America Noir: Underground Writers and Filmmakers of the Postwar Era (Smithsonian Institution Press 2000)
Collins, Jim, Uncommon Cultures: Popular Culture and Post-Modernism (Routledge 1989)
Copjec, Joan, Shades of Noir: A Reader (Verso 1993)
Denning, M., Mechanic Accents; Dime Novels and Working-Class Culture in America (Verso 1987)
Doane, Mary Ann, Femmes Fatales: Feminism, Film Theory, Psychoanalysis (Routledge 1991)
Docherty, Brian, American Crime Fiction: Studies in the Genre (St Martin’s Press 1988)
Dussere E, America Is Elsewhere: The Noir Tradition in the Age of Consumer Culture (Oxford University Press Inc 2013)
Effron, Malcah, The Millennial Detective: Essays on Trends in Crime Fiction, Film and Television, 1990-2010 (McFarland 2011)
Ellroy, James, The Black Dahlia (Arrow 1993)
Evans, Mary, The Imagination of Evil: Detective Fiction and the Modern World, vol Continuum literary studies (Continuum 2009) <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=476529>
Faison, Stephen E., Existentialism, Film Noir, and Hard-Boiled Fiction (Cambria Press 2008)
Fine, David, Los Angeles in Fiction: A Collection of Essays (Revised edition, University of New Mexico Press 1995)
Fine, David M., Imagining Los Angeles: A City in Fiction (University of Nevada Press 2004)
Frank, Lawrence and Dawsonera, Victorian Detective Fiction and the Nature of Evidence: The Scientific Investigations of Poe, Dickens, and Doyle, vol Palgrave studies in nineteenth-century writing and culture (Palgrave Macmillan 2003) <http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9781403919328>
Freud, Sigmund and Phillips, Adam, ‘From the History of an Infantile Neurosis’, The Penguin Freud reader, vol Penguin classics (Penguin 2006)
——, ‘Remembering, Repeating and Working Through’, The Penguin Freud reader, vol Penguin classics (Penguin 2006)
——, ‘Remembering, Repeating and Working Through’, The Penguin Freud reader, vol Penguin classics (Penguin 2006)
Gale RL, A Dashiell Hammett Companion (Greenwood Press 2000)
Geherin, David, The American Private Eye: The Image in Fiction (F Ungar Pub Co 1985)
Gosselin, Adrienne Johnson, Multicultural Detective Fiction: Murder from the ‘Other’ Side, vol Garland reference library of the humanities (Garland Pub 1999)
Green, Anna Katharine, The Leavenworth Case: A Lawyer’s Story (Wildside books) <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=717417>
Halttunen, Karen, Murder Most Foul: The Killer and the American Gothic Imagination (Harvard University Press 1998)
Hammett, D., Red Harvest (Knopf 1929)
Hammett, Dashiell, Layman, Richard, and Rivett, Julie M., Selected Letters of Dashiell Hammett, 1921-1960 (Counterpoint 2001)
Haut, Woody, Pulp Culture: Hardboiled Fiction and the Cold War (Serpent’s Tail 1995)
——, Neon Noir: Contemporary American Crime Fiction (1st ed, Serpent’s Tail 1999)
Haut, Woody, Haut, Woody, and Haut, Woody, Heartbreak and Vine: The Fate of Hardboiled Writers in Hollywood (Serpent’s Tail 2002)
Hawkins, Harriett, Classics and Trash: Traditions and Taboos in High Literature and Popular Modern Genres (Harvester Wheatsheaf 1990)
Hemingway, Ernest and Fenton, James, ‘The Killers’, The collected stories, vol Everyman’s library (David Campbell 1995)
Higginson, Pim, The Noir Atlantic: Chester Himes and the Birth of the Francophone African Crime Novel, vol Contemporary French and francophone cultures (Liverpool University Press 2011)
Hilfer, Anthony Channell, The Crime Novel: A Deviant Genre (1st ed, University of Texas Press 1990)
Himes, Chester B., The Real Cool Killers (Penguin 2011)
Hiney, Tom, Raymond Chandler: A Biography (Vintage 1998)
Hoffmann J, Philosophies of Crime Fiction (No Exit 2013)
Horkheimer, Max, Adorno, Theodor W., and Schmid Noerr, Gunzelin, Dialectic of Enlightenment: Philosophical Fragments, vol Cultural memory in the present (Stanford University Press 2002)
——, ‘The Culture Industry: Enlightenment as Mass Deception’, Dialectic of enlightenment: philosophical fragments, vol Cultural memory in the present (Stanford University Press 2002)
Horsley, Lee and Dawsonera, Twentieth-Century Crime Fiction (Oxford University Press 2005) <http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780191557897>
Howe, Alexander N., It Didn’t Mean Anything: A Psychoanalytic Reading of American Detective Fiction (McFarland & Co 2008)
Irons GH, Feminism in Women’s Detective Fiction (University of Toronto Press 1995)
Irwin, John T., The Mystery to a Solution: Poe, Borges, and the Analytic Detective Story (Johns Hopkins University Press 1994)
Kennedy, Liam and Shapiro, Stephen, The Wire: Race, Class, and Genre, vol Class: culture (University of Michigan Press 2012)
Klein, Kathleen Gregory, The Woman Detective: Gender & Genre (Univ of Illinois P 1988)
Knight, Stephen, Crime Fiction Since 1800: Detection, Death, Diversity (2nd Revised edition, Palgrave Macmillan)
Knight, Stephen Thomas, Form and Ideology in Crime Fiction (Macmillan 1980)
Kopley, Richard, Edgar Allan Poe and the Dupin Mysteries (1st ed, Palgrave Macmillan 2008) <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=455319>
LeMenager S, Living Oil: Petroleum Culture in the American Century, vol Oxford Studies in American Literary History (Oxford University Press Inc 2014)
Locke, Attica and Dawsonera, Black Water Rising (Serpent’s Tail 2009) <http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9781847652645>
Lovell, Jarret S., Good Cop, Bad Cop: Mass Media and the Cycle of Police Reform (Willow Tree 2003)
Luhr, William, ‘Fargo: Far Removed from the Stereotypes of …’, The Coen brothers Fargo, vol Cambridge university Press film handbooks series (Cambridge University Press 2003)
——, The Coen Brothers Fargo, vol Cambridge university Press film handbooks series (Cambridge University Press 2003)
MacShane, F., Selected Letters of Raymond Chandler (Columbia University Press)
MacShane, Frank, The Life of Raymond Chandler (GK Hall 1986)
Madden, D., James M Cain (Twayne)
Madden, David, Tough Guy Writers of the Thirties, vol Arcturus paperbacks (Feffer & Simons 1968)
Mandel, Ernest, Delightful Murder: A Social History of the Crime Story (Pluto Press 1984)
Margolies, Edward and Fabre, Michel, The Several Lives of Chester Himes (University Press of Mississippi 1997)
Marling, William, Raymond Chandler, vol Twayne’s United States authors series (Twayne Publishers 1986)
——, The American Roman Noir: Hammett, Cain, and Chandler (University of Georgia Press 1995)
Martin, Brendan and Dawsonera, Paul Auster’s Postmodernity (Routledge 2007) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://sid.kent.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203937518>
McCann, Sean, Gumshoe America: Hard-Boiled Crime Fiction and the Rise and Fall of New Deal Liberalism, vol New Americanists (Duke University Press 2000)
McCracken, Scott, Pulp: Reading Popular Fiction (Manchester University Press 1998)
McHale, Brian, Constructing Postmodernism (Routledge 1992)
——, Constructing Postmodernism (Routledge 1992)
Merivale, Patricia and Sweeney, Susan Elizabeth, Detecting Texts: The Metaphysical Detective Story from Poe to Postmodernism (University of Pennsylvania Press 1999)
Messent, Peter B., Criminal Proceedings: The Contemporary American Crime Novel (Pluto 1997)
Metress, Christopher, The Critical Response to Dashiell Hammett, vol Critical responses in arts and letters (Greenwood Press 1994)
Miller, Vivien M. L. and Oakley, Helen, Cross-Cultural Connections in Crime Fictions (Palgrave Macmillan 2012)
Mizejewski, Linda, Hardboiled & High Heeled: The Woman Detective in Popular Culture (Routledge 2004) <http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://www.kentuk.eblib.com/patron/FullRecord.aspx?p=183005>
Moore, Lewis D., Cracking the Hard-Boiled Detective: A Critical History from the 1920s to the Present (McFarland & Co 2006)
Moretti, Franco, Signs Taken for Wonders: Essays in the Sociology of Literary Forms, vol Verso classics (Rev ed, Verso 1988)
——, ‘“Clues” from Signs Taken for Wonders: On the Sociology of Literary Forms’, Signs taken for wonders: on the sociology of literary forms, vol Radical thinkers (Verso 2005)
Most, Glenn W. and Stowe, William W., The Poetics of Murder: Detective Fiction and Literary Theory (1st ed, Harcourt Brace Jovanovich 1983)
Mühleisen, Susanne and Matzke, Christine, Postcolonial Postmortems: Crime Fiction from a Transcultural Perspective, vol Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft (Rodopi 2006)
Muller, Gilbert H., Chester Himes, vol Twayne’s United States authors series (Twayne Publishers 1989)
Munby, Jonathan, Public Enemies, Public Heroes: Screening the Gangster from Little Caesar to Touch of Evil (University of Chicago Press 1999)
Munt, Sally, Murder by the Book?: Feminism and the Crime Novel, vol Narrative forms and social formations (Routledge 1994)
Naremore, James, More than Night: Film Noir in Its Contexts (University of California Press 1998)
Nickerson, Catherine Ross, The Web of Iniquity: Early Detective Fiction by American Women (Duke University Press 1998)
——, The Cambridge Companion to American Crime Fiction, vol Cambridge companions to literature (Cambridge University Press 2010) <http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://cco.cambridge.org/login2%3Fdest%3D%252Fbook%253Fid%253Dccol9780521199377_CCOL9780521199377>
Nyman, Jopi, Men Alone: Masculinity, Individualism, and Hard-Boiled Fiction, vol Costerus (Rodopi 1997)
O’Brien, Geoffrey, Hardboiled America: Lurid Paperbacks and the Masters of Noir (Expanded ed, Da Capo Press 1997)
Ousby, Ian, The Crime and Mystery Book: A Reader’s Companion (Thames and Hudson 1997)
Panek L, Reading Early Hammett: A Critical Study of the Fiction Prior to the Maltese Falcon (McFarland & Company 2004)
Panek, LeRoy, The American Police Novel: A History (McFarland 2003)
Paretsky, Sara, Toxic Shock, vol A Penguin book (Penguin Books 1990)
——, ‘Chapter 3’, Writing in an age of silence (Verso 2007)
——, Writing in an Age of Silence (Verso 2007)
Pepper, Andrew, The Contemporary American Crime Novel: Race, Ethnicity, Gender, Class (Edinburgh University Press Ltd 2000)
Phillips, Gene D., Creatures of Darkness: Raymond Chandler, Detective Fiction, and Film Noir (University Press of Kentucky 2000)
Pittard, Christopher, Purity and Contamination in Late Victorian Detective Fiction (Ashgate 2011)
Plain, Gill, Twentieth-Century Crime Fiction: Gender, Sexuality, and the Body (Edinburgh University Press 2001)
Poe, Edgar Allan, Tales of Mystery and Imagination, vol Wordsworth classics (Wordsworth Classics 1993)
Porter, Dennis, The Pursuit of Crime: Art and Ideology in Detective Fiction (Yale University Press 1981)
Powell, Steven, Conversations with James Ellroy, vol Literary Conversations Series (University Press of Mississippi 2012)
Priestman, Martin, Detective Fiction and Literature: The Figure on the Carpet (St Martin’s Press 1991)
——, The Cambridge Companion to Crime Fiction, vol Cambridge companions to literature (Cambridge University Press 2003) <http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://cco.cambridge.org/login2%3Fdest%3D%252Fbook%253Fid%253Dccol0521803993_CCOL0521803993>
Priestman, Martin and British Council, Crime Fiction from Poe to the Present, vol Writers and their work (Northcote House in association with The British Council 1998)
Reddy, Maureen T., Sisters in Crime: Feminism and the Crime Novel (Continuum 1988)
——, Traces, Codes, and Clues: Reading Race in Crime Fiction (Rutgers University Press 2003)
Rhodes, Chip, Politics, Desire, and the Hollywood Novel (University of Iowa Press 2008)
Rzepka, Charles J., Detective Fiction, vol Cultural history of literature (Polity Press 2005)
Rzepka, Charles J. and Horsley, Lee, A Companion to Crime Fiction, vol Blackwell companions to literature and culture (Wiley-Blackwell 2010) <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=480446>
Scaggs, John, Crime Fiction, vol The new critical idiom (Routledge 2005)
Schrader, Paul and Jackson, Kevin, ‘Notes on Film Noir’, Schrader on Schrader, & other writings (Rev ed, Faber and Faber 2004)
Schwartz, Richard B., Nice and Noir: Contemporary American Crime Fiction (University of Missouri Press 2002)
Silet, Charles L. P., The Critical Response to Chester Himes, vol Critical responses in arts and letters (Greenwood Press 1999)
Silver, Alain and Ursini, James, Film Noir Reader 2 (1st Limelight ed, Limelight Editions 1999)
Sim, Stuart, Irony and Crisis: A Critical History of Postmodern Culture, vol Critical histories series (Icon 2002)
Simon D, ‘The Escalating Breakdown of Urban Society across the US | Television & Radio | The Guardian’ (6AD)
Simon, David, Homicide: A Year on the Killing Streets (Canongate 2009)
Skenazy P, James M. Cain, vol Literature and life.: Mystery writers (Continuum 1989)
Skinner, Robert E., Two Guns from Harlem: The Detective Fiction of Chester Himes (Bowling Green State University Popular Press 1989)
Slotkin, Richard, Regeneration through Violence: The Mythology of the American Frontier, 1600-1860 (Wesleyan University Press)
Soitos, Stephen F., The Blues Detective: A Study of African American Detective Fiction (University of Massachusetts Press 1996)
Srebnick, Amy Gilman, The Mysterious Death of Mary Rogers: Sex and Culture in Nineteenth-Century New York, vol Studies in the history of sexuality (Oxford University Press 1997)
Sussex, Lucy, Women Writers and Detectives in Nineteenth-Century Crime Fiction: The Mothers of the Mystery Genre, vol Crime files series (Palgrave Macmillan 2010) <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=652342>
Symons, J., Bloody Murder: From the Detective Story to the Crime Novel: A History (Faber & Faber)
Tani, S., The Doomed Detective: The Contribution of the Detective Novel to Postmodern American and Italian Fiction (Southern Illinois UP 1984)
Telotte, J. P, Voices in the Dark: The Narrative Patterns of Film Noir (University of Illinois Press 1989)
Thompson, Jim and others, Crime Novels: American Noir of the 1950s, vol The library of America (Robert, Polito ed, Library of America 1997)
Thompson, Jon, Fiction, Crime, and Empire: Clues to Modernity and Postmodernism (University of Illinois Press 1993)
Todorov, Tzvetan, The Poetics of Prose (Cornell UP 1977)
——, ‘The Typology of Detective FIction’, The poetics of prose (Cornell UP 1977)
Trotter D, ‘“Theory and Detective Fiction”’ (1991) 33 Critical Quarterly <http://df7sm3xp4s.search.serialssolutions.com/?C=Critical Quarterly &s=AC_T_B&V=1.0&L=DF7SM3XP4S&submit=Find&C=&S=SC&N=10>
Van Deburg, William L., Hoodlums: Black Villains and Social Bandits in American Life (University of Chicago Press 2004)
Van Dover, J. Kenneth, The Critical Response to Raymond Chandler, vol Critical responses in arts and letters (Greenwood Press 1995)
——, Making the Detective Story American: Biggers, Van Dine and Hammett and the Turning Point of the Genre, 1925-1930 (McFarland 2010) <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=530072>
Wager, Jans B., Dangerous Dames: Women and Representation in the Weimar Street Film and Film Noir (Ohio University Press 1999)
Walton, Priscilla L. and Jones, Manina, Detective Agency: Women Rewriting the Hard-Boiled Tradition (University of California Press 1999)
Wandtke, Terrence R., The Amazing Transforming Superhero!: Essays on the Revision of Characters in Comic Books, Film and Television (McFarland & Co 2007)
Warshow, Robert, ‘The Gangster as Tragic Hero’, The immediate experience: movies, comics, theatre & other aspects of popular culture (Enlarged ed, Harvard University Press 2001)
Werner, James V. and Dawsonera, American Flaneur: The Cosmic Physiognomy of Edgar Allan Poe, vol Studies in major literary authors (Routledge 2004) <http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780203492826>
Willett, Ralph, The Naked City: Urban Crime Fiction in the USA (Manchester University Press 1996)
Williams, John, Into the Badlands, vol Grafton books (Paladin 1991)
Wilson, Christopher P., Cop Knowledge: Police Power and Cultural Narrative in Twentieth-Century America (University of Chicago Press 2000)
Winston, Robert Paul and Mellerski, Nancy C., The Public Eye: Ideology and the Police Procedural (Macmillan 1992)
Wolfe, Peter, Something More than Night: The Case of Raymond Chandler (Bowling Green State University Popular Press 1985)
Worthington, Heather, Key Concepts in Crime Fiction (Palgrave Macmillan 2011)
