1.
Poe, Edgar Allan. Tales of mystery and imagination. Ware: Wordsworth Classics; 1993.
2.
Moretti, Franco. ‘Clues’ from Signs taken for wonders: on the sociology of literary forms. Signs taken for wonders: on the sociology of literary forms. London: Verso; 2005.
3.
Green, Anna Katharine. The Leavenworth case: a lawyer’s story [Internet]. Rockville, MD]: Wildside books; Available from: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=717417
4.
Todorov, Tzvetan. The Typology of Detective FIction. The poetics of prose. Ithaca, N.Y.: Cornell U.P.; 1977.
5.
Hemingway, Ernest, Fenton, James. The Killers. The collected stories. London: David Campbell; 1995.
6.
Cain, James M. The postman always rings twice. London: Orion; 2005.
7.
Freud, Sigmund, Phillips, Adam. Remembering, Repeating and Working Through. The Penguin Freud reader. London: Penguin; 2006.
8.
Hammett, D. Red harvest. [Place of publication not identified]: Knopf; 1929.
9.
Warshow, Robert. The Gangster as Tragic Hero. The immediate experience: movies, comics, theatre & other aspects of popular culture. Enlarged ed. Cambridge, MA: Harvard University Press; 2001.
10.
Chandler, Raymond. The little sister. London: Penguin in association with Hamish Hamilton; 1955.
11.
Chandler R. The simple art of murder. 1st Vintage Books ed. New York: Vintage Books; 1988.
12.
Schrader, Paul, Jackson, Kevin. Notes on Film Noir. Schrader on Schrader, & other writings. Rev. ed. London: Faber and Faber; 2004.
13.
Himes, Chester B. The real cool killers. London: Penguin; 2011.
14.
Horkheimer, Max, Adorno, Theodor W., Schmid Noerr, Gunzelin. The Culture Industry: Enlightenment as Mass Deception. Dialectic of enlightenment: philosophical fragments. Stanford, Calif: Stanford University Press; 2002.
15.
Ellroy, James. The black dahlia. London: Arrow; 1993.
16.
Auster, Paul, Auster, Paul, Auster, Paul, Auster, Paul. The New York trilogy. London: Faber and Faber; 1987.
17.
McHale, Brian. Constructing postmodernism. London: Routledge; 1992.
18.
Paretsky, Sara. Toxic shock. London: Penguin Books; 1990.
19.
Paretsky, Sara. Chapter 3. Writing in an age of silence. London: Verso; 2007.
20.
Luhr, William. Fargo: Far Removed from the Stereotypes of …. The Coen brothers Fargo. Cambridge, UK: Cambridge University Press; 2003.
21.
Locke, Attica, Dawsonera. Black water rising [Internet]. London: Serpent’s Tail; 2009. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9781847652645
22.
Simon D. The escalating breakdown of urban society across the US | Television & radio | The Guardian. 6AD.
23.
Abbott, Megan E. The street was mine: white masculinity in hardboiled fiction and film noir. Basingstoke: Palgrave Macmillan; 2002.
24.
Adorno, Theodor W, Bernstein, Jay M. The culture industry: selected essays on mass culture. London: Routledge; 1991.
25.
Horkheimer, Max, Adorno, Theodor W., Schmid Noerr, Gunzelin. Dialectic of enlightenment: philosophical fragments. Stanford, Calif: Stanford University Press; 2002.
26.
Bailey, Frankie Y. Out of the woodpile: black characters in crime and detective fiction [Internet]. New York: Greenwood; 1991. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780313064272
27.
Barone, Dennis. Beyond the red notebook: essays on Paul Auster. Philadelphia: University of Pennsylvania Press; 1995.
28.
Bedore P. Dime Novels and the Roots of American Detective Fiction [Internet]. Basingstoke: Palgrave Macmillan; 2013. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9781137288653
29.
Bell, Kevin. Ashes taken for fire: aesthetic modernism and the critique of identity. London: University of Minnesota Press; 2007.
30.
Benjamin, W. Illuminations; translated by H Zohn, edited and with an introduction by H Arendt. [Place of publication not identified]: Fontana-Collins; 1973.
31.
Bennett, Tony. Popular fiction: technology, ideology, production, reading. London: Routledge; 1990.
32.
Bertens, Johannes Willem, Haen, Theo d’. Contemporary American crime fiction. Houndmills, Basingstoke: Palgrave; 2001.
33.
Breu, Christopher. Hard-boiled masculinities. London: University of Minnesota Press; 2005.
34.
Brooks, Peter. Reading for the plot: design and intention in narrative. Oxford: Clarendon Press; 1984.
35.
Brown, Mark. Paul Auster. Manchester: Manchester University Press; 2007.
36.
Cassuto, Leonard. Hard-boiled sentimentality: the secret history of American crime stories. Chichester: Columbia University Press; 2009.
37.
Chandler, Raymond. Notebooks. First Edition. New York: ECCO P.,U.S; 1976.
38.
MacShane, F. Selected Letters of Raymond Chandler. [Place of publication not identified]: Columbia University Press;
39.
Chandler, Raymond. The Raymond Chandler Papers: Selected Letters and Non-fiction 1909-1959. New edition. London: Penguin Books Ltd; 2001.
40.
Christopher, Nicholas. Somewhere in the night: film noir and the American city. London: Free Press; 1997.
41.
Clarens, C. Crime movies from Griffith to the Godfather and beyond. [Place of publication not identified]: Secker & Warburg; 1980.
42.
Cline S. Dashiell Hammett: Man of Mystery. New York, NY: Skyhorse Publishing; 2014.
43.
Cochran, David. America noir: underground writers and filmmakers of the postwar era. London: Smithsonian Institution Press; 2000.
44.
Collins, Jim. Uncommon cultures: popular culture and post-modernism. New York: Routledge; 1989.
45.
Copjec, Joan. Shades of noir: a reader. London: Verso; 1993.
46.
Frank, Lawrence, Dawsonera. Victorian detective fiction and the nature of evidence: the scientific investigations of Poe, Dickens, and Doyle [Internet]. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan; 2003. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9781403919328
47.
Denning, M. Mechanic accents; dime novels and working-class culture in America. [Place of publication not identified]: Verso; 1987.
48.
Doane, Mary Ann. Femmes fatales: feminism, film theory, psychoanalysis. London: Routledge; 1991.
49.
Docherty, Brian. American crime fiction: studies in the genre. New York: St. Martin’s Press; 1988.
50.
Dussere E. America Is Elsewhere: The Noir Tradition in the Age of Consumer Culture. New York: Oxford University Press Inc; 2013.
51.
Effron, Malcah. The millennial detective: essays on trends in crime fiction, film and television, 1990-2010. Jefferson, N.C.: McFarland; 2011.
52.
Powell, Steven. Conversations with James Ellroy. Jackson, [Miss.]: University Press of Mississippi; 2012.
53.
Evans, Mary. The imagination of evil: detective fiction and the modern world [Internet]. London: Continuum; 2009. Available from: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=476529
54.
Faison, Stephen E. Existentialism, film noir, and hard-boiled fiction. Amherst, NY: Cambria Press; 2008.
55.
Fine, David M. Imagining Los Angeles: a city in fiction. Reno: University of Nevada Press; 2004.
56.
Fine, David. Los Angeles in Fiction: A Collection of Essays. Revised edition. Albuquerque, N.M.: University of New Mexico Press; 1995.
57.
Freud, Sigmund, Phillips, Adam. Remembering, Repeating and Working Through. The Penguin Freud reader. London: Penguin; 2006.
58.
Freud, Sigmund, Phillips, Adam. From the History of an Infantile Neurosis. The Penguin Freud reader. London: Penguin; 2006.
59.
Gale RL. A Dashiell Hammett companion. Westport, Conn: Greenwood Press; 2000.
60.
Geherin, David. The American private eye: the image in fiction. New York: F. Ungar Pub. Co; 1985.
61.
Gosselin, Adrienne Johnson. Multicultural detective fiction: murder from the ‘other’ side. New York: Garland Pub; 1999.
62.
Halttunen, Karen. Murder most foul: the killer and the American Gothic imagination. Cambridge, Mass: Harvard University Press; 1998.
63.
Hammett, Dashiell, Layman, Richard, Rivett, Julie M. Selected letters of Dashiell Hammett, 1921-1960. Washington, D.C.: Counterpoint; 2001.
64.
Metress, Christopher. The critical response to Dashiell Hammett. Westport, Conn: Greenwood Press; 1994.
65.
Haut, Woody, Haut, Woody, Haut, Woody. Heartbreak and Vine: the fate of hardboiled writers in Hollywood. [London]: Serpent’s Tail; 2002.
66.
Haut, Woody. Neon noir: contemporary American crime fiction. 1st ed. London: Serpent’s Tail; 1999.
67.
Haut, Woody. Pulp culture: hardboiled fiction and the Cold War. London: Serpent’s Tail; 1995.
68.
Hawkins, Harriett. Classics and trash: traditions and taboos in high literature and popular modern genres. London: Harvester Wheatsheaf; 1990.
69.
Higginson, Pim. The noir Atlantic: Chester Himes and the birth of the francophone African crime novel. Liverpool: Liverpool University Press; 2011.
70.
Hilfer, Anthony Channell. The crime novel: a deviant genre. 1st ed. Austin: University of Texas Press; 1990.
71.
Hiney, Tom. Raymond Chandler: a biography. London: Vintage; 1998.
72.
Hoffmann J. Philosophies of crime fiction. Harpenden: No Exit; 2013.
73.
Horsley, Lee, Dawsonera. Twentieth-century crime fiction [Internet]. Oxford: Oxford University Press; 2005. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780191557897
74.
Howe, Alexander N. It didn’t mean anything: a psychoanalytic reading of American detective fiction. Jefferson, N.C.: McFarland & Co; 2008.
75.
Irons GH. Feminism in women’s detective fiction. Buffalo: University of Toronto Press; 1995.
76.
Irwin, John T. The mystery to a solution: Poe, Borges, and the analytic detective story. Baltimore, Md: Johns Hopkins University Press; 1994.
77.
Kennedy, Liam, Shapiro, Stephen. The wire: race, class, and genre. Ann Arbor, [Mich.]: University of Michigan Press; 2012.
78.
Klein, Kathleen Gregory. The woman detective: gender & genre. Urbana: Univ. of Illinois P.; 1988.
79.
Knight, Stephen. Crime Fiction Since 1800: Detection, Death, Diversity. 2nd Revised edition. Palgrave Macmillan;
80.
Knight, Stephen Thomas. Form and ideology in crime fiction. London: Macmillan; 1980.
81.
Kopley, Richard. Edgar Allan Poe and the Dupin mysteries [Internet]. 1st ed. New York: Palgrave Macmillan; 2008. Available from: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=455319
82.
LeMenager S. Living Oil: Petroleum Culture in the American Century. New York: Oxford University Press Inc; 2014.
83.
Lovell, Jarret S. Good cop, bad cop: mass media and the cycle of police reform. Monsey, New York: Willow Tree; 2003.
84.
Luhr, William. The Coen brothers Fargo. Cambridge, UK: Cambridge University Press; 2003.
85.
McCann, Sean. Gumshoe America: hard-boiled crime fiction and the rise and fall of New Deal liberalism. Durham, N.C.: Duke University Press; 2000.
86.
McHale, Brian. Constructing postmodernism. London: Routledge; 1992.
87.
McCracken, Scott. Pulp: reading popular fiction. Manchester, New York: Manchester University Press; 1998.
88.
MacShane, Frank. The life of Raymond Chandler. Boston, Mass: G.K. Hall; 1986.
89.
Madden, David. Tough guy writers of the thirties. Carbondale: Feffer & Simons; 1968.
90.
Madden, D. James M Cain. [Place of publication not identified]: Twayne;
91.
Mandel, Ernest. Delightful murder: a social history of the crime story. London: Pluto Press; 1984.
92.
Margolies, Edward, Fabre, Michel. The several lives of Chester Himes. Jackson: University Press of Mississippi; 1997.
93.
Marling, William. Raymond Chandler. Boston, Mass: Twayne Publishers; 1986.
94.
Marling, William. The American roman noir: Hammett, Cain, and Chandler. Athens, Ga: University of Georgia Press; 1995.
95.
Martin, Brendan, Dawsonera. Paul Auster’s postmodernity [Internet]. London: Routledge; 2007. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://sid.kent.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203937518
96.
Merivale, Patricia, Sweeney, Susan Elizabeth. Detecting texts: the metaphysical detective story from Poe to postmodernism. Philadelphia: University of Pennsylvania Press; 1999.
97.
Messent, Peter B. Criminal proceedings: the contemporary American crime novel. London: Pluto; 1997.
98.
Miller, Vivien M. L., Oakley, Helen. Cross-cultural connections in crime fictions. Basingstoke: Palgrave Macmillan; 2012.
99.
Mizejewski, Linda. Hardboiled & high heeled: the woman detective in popular culture [Internet]. London: Routledge; 2004. Available from: http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://www.kentuk.eblib.com/patron/FullRecord.aspx?p=183005
100.
Moore, Lewis D. Cracking the hard-boiled detective: a critical history from the 1920s to the present. Jefferson, N.C.: McFarland & Co; 2006.
101.
Moretti, Franco. Signs taken for wonders: essays in the sociology of literary forms. Rev. ed. London: Verso; 1988.
102.
Most, Glenn W., Stowe, William W. The poetics of murder: detective fiction and literary theory. 1st ed. London: Harcourt Brace Jovanovich; 1983.
103.
Mühleisen, Susanne, Matzke, Christine. Postcolonial postmortems: crime fiction from a transcultural perspective. Amsterdam: Rodopi; 2006.
104.
Muller, Gilbert H. Chester Himes. Boston, Mass: Twayne Publishers; 1989.
105.
Munby, Jonathan. Public enemies, public heroes: screening the gangster from Little Caesar to Touch of Evil. Chicago: University of Chicago Press; 1999.
106.
Munt, Sally. Murder by the book?: feminism and the crime novel. London, New York: Routledge; 1994.
107.
Naremore, James. More than night: film noir in its contexts. Berkeley: University of California Press; 1998.
108.
Nickerson, Catherine Ross. The Cambridge companion to American crime fiction [Internet]. New York: Cambridge University Press; 2010. Available from: http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://cco.cambridge.org/login2%3Fdest%3D%252Fbook%253Fid%253Dccol9780521199377_CCOL9780521199377
109.
Nyman, Jopi. Men alone: masculinity, individualism, and hard-boiled fiction. Amsterdam: Rodopi; 1997.
110.
Nickerson, Catherine Ross. The web of iniquity: early detective fiction by American women. Durham, N.C.: Duke University Press; 1998.
111.
O’Brien, Geoffrey. Hardboiled America: lurid paperbacks and the masters of noir. Expanded ed. New York: Da Capo Press; 1997.
112.
Ousby, Ian. The crime and mystery book: a reader’s companion. London: Thames and Hudson; 1997.
113.
Panek, LeRoy. The American police novel: a history. Jefferson, N.C.: McFarland; 2003.
114.
Panek L. Reading early Hammett: a critical study of the fiction prior to the Maltese Falcon. Jefferson, N.C.: McFarland & Company; 2004.
115.
Paretsky, Sara. Writing in an age of silence. London: Verso; 2007.
116.
Pepper, Andrew. The contemporary American crime novel: race, ethnicity, gender, class. Edinburgh: Edinburgh University Press Ltd; 2000.
117.
Phillips, Gene D. Creatures of darkness: Raymond Chandler, detective fiction, and film noir. Lexington: University Press of Kentucky; 2000.
118.
Pittard, Christopher. Purity and contamination in late Victorian detective fiction. Farnham: Ashgate; 2011.
119.
Plain, Gill. Twentieth-century crime fiction: gender, sexuality, and the body. Edinburgh: Edinburgh University Press; 2001.
120.
Cain, James M., McCoy, Horace, Anderson, Edward, Fearing, Kenneth, Gresham, William Lindsay, Woolrich, Cornell. Crime novels: American noir of the 1930s and 40s. Robert, Polito, editor. New York: Library of America; 1997.
121.
Thompson, Jim, Highsmith, Patricia, Willeford, Charles Ray, Goodis, David, Himes, Chester B. Crime novels: American noir of the 1950s. Robert, Polito, editor. New York: Library of America; 1997.
122.
Porter, Dennis. The pursuit of crime: art and ideology in detective fiction. London: Yale University Press; 1981.
123.
Priestman, Martin. The Cambridge companion to crime fiction [Internet]. Cambridge: Cambridge University Press; 2003. Available from: http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://cco.cambridge.org/login2%3Fdest%3D%252Fbook%253Fid%253Dccol0521803993_CCOL0521803993
124.
Priestman, Martin, British Council. Crime fiction from Poe to the present. Plymouth: Northcote House in association with The British Council; 1998.
125.
Priestman, Martin. Detective fiction and literature: the figure on the carpet. New York: St. Martin’s Press; 1991.
126.
Reddy, Maureen T. Sisters in crime: feminism and the crime novel. New York: Continuum; 1988.
127.
Reddy, Maureen T. Traces, codes, and clues: reading race in crime fiction. London: Rutgers University Press; 2003.
128.
Rhodes, Chip. Politics, desire, and the Hollywood novel. Iowa City: University of Iowa Press; 2008.
129.
Rzepka, Charles J. Detective fiction. Cambridge: Polity Press; 2005.
130.
Rzepka, Charles J., Horsley, Lee. A companion to crime fiction [Internet]. Chichester, U.K.: Wiley-Blackwell; 2010. Available from: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=480446
131.
Scaggs, John. Crime fiction. London: Routledge; 2005.
132.
Schwartz, Richard B. Nice and noir: contemporary American crime fiction. Columbia: University of Missouri Press; 2002.
133.
Silet, Charles L. P. The critical response to Chester Himes. Westport, Conn: Greenwood Press; 1999.
134.
Silver, Alain, Ursini, James. Film noir reader 2. 1st Limelight ed. New York: Limelight Editions; 1999.
135.
Skinner, Robert E. Two guns from Harlem: the detective fiction of Chester Himes. Bowling Green, Ohio: Bowling Green State University Popular Press; 1989.
136.
Slotkin, Richard. Regeneration through violence: the mythology of the American frontier, 1600-1860. Middletown, Conn: Wesleyan University Press;
137.
Soitos, Stephen F. The blues detective: a study of African American detective fiction. Amherst: University of Massachusetts Press; 1996.
138.
Sim, Stuart. Irony and crisis: a critical history of postmodern culture. Cambridge: Icon; 2002.
139.
Simon, David. Homicide: a year on the killing streets. Edinburgh: Canongate; 2009.
140.
Skenazy P. James M. Cain. New York: Continuum; 1989.
141.
Srebnick, Amy Gilman. The mysterious death of Mary Rogers: sex and culture in nineteenth-century New York. New York: Oxford University Press; 1997.
142.
Sussex, Lucy. Women writers and detectives in nineteenth-century crime fiction: the mothers of the mystery genre [Internet]. Basingstoke, Hampshire: Palgrave Macmillan; 2010. Available from: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=652342
143.
Symons, J. Bloody murder: from the detective story to the crime novel: a history. [Place of publication not identified]: Faber & Faber;
144.
Tani, S. The doomed detective: the contribution of the detective novel to postmodern American and Italian fiction. [Place of publication not identified]: Southern Illinois U.P.; 1984.
145.
Telotte, J. P. Voices in the dark: the narrative patterns of film noir. Urbana: University of Illinois Press; 1989.
146.
Thompson, Jon. Fiction, crime, and empire: clues to modernity and postmodernism. Urbana: University of Illinois Press; 1993.
147.
Todorov, Tzvetan. The poetics of prose. Ithaca, N.Y.: Cornell U.P.; 1977.
148.
Trotter D. ‘Theory and Detective Fiction’. Critical Quarterly [Internet]. 1991;33(2). Available from: http://df7sm3xp4s.search.serialssolutions.com/?C=Critical Quarterly &s=AC_T_B&V=1.0&L=DF7SM3XP4S&submit=Find&C=&S=SC&N=10
149.
Van Deburg, William L. Hoodlums: Black villains and social bandits in American life. Chicago: University of Chicago Press; 2004.
150.
Van Dover, J. Kenneth. The critical response to Raymond Chandler. London: Greenwood Press; 1995.
151.
Van Dover, J. Kenneth. Making the detective story American: Biggers, Van Dine and Hammett and the turning point of the genre, 1925-1930 [Internet]. Jefferson, N.C.: McFarland; 2010. Available from: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=530072
152.
Wager, Jans B. Dangerous dames: women and representation in the Weimar street film and film noir. Athens, Ohio: Ohio University Press; 1999.
153.
Walton, Priscilla L., Jones, Manina. Detective agency: women rewriting the hard-boiled tradition. Berkeley: University of California Press; 1999.
154.
Wandtke, Terrence R. The amazing transforming superhero!: essays on the revision of characters in comic books, film and television. Jefferson, N.C.: McFarland & Co; 2007.
155.
Werner, James V., Dawsonera. American flaneur: the cosmic physiognomy of Edgar Allan Poe [Internet]. London: Routledge; 2004. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780203492826
156.
Willett, Ralph. The naked city: urban crime fiction in the USA. Manchester: Manchester University Press; 1996.
157.
Williams, John. Into the badlands. London: Paladin; 1991.
158.
Wilson, Christopher P. Cop knowledge: police power and cultural narrative in twentieth-century America. Chicago: University of Chicago Press; 2000.
159.
Winston, Robert Paul, Mellerski, Nancy C. The public eye: ideology and the police procedural. London: Macmillan; 1992.
160.
Wolfe, Peter. Something more than night: the case of Raymond Chandler. Bowling Green, Ohio: Bowling Green State University Popular Press; 1985.
161.
Worthington, Heather. Key concepts in crime fiction. New York: Palgrave Macmillan; 2011.