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Green, Anna Katharine. The Leavenworth case: a lawyer’s story. Rockville, MD]: : Wildside books https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=717417
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Todorov, Tzvetan. The Typology of Detective FIction. In: The poetics of prose. Ithaca, N.Y.: : Cornell U.P. 1977.
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Warshow, Robert. The Gangster as Tragic Hero. In: The immediate experience: movies, comics, theatre & other aspects of popular culture. Cambridge, MA: : Harvard University Press 2001.
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Himes, Chester B. The real cool killers. London: : Penguin 2011.
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Paretsky, Sara. Toxic shock. London: : Penguin Books 1990.
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Paretsky, Sara. Chapter 3. In: Writing in an age of silence. London: : Verso 2007.
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Luhr, William. Fargo: Far Removed from the Stereotypes of …. In: The Coen brothers Fargo. Cambridge, UK: : Cambridge University Press 2003.
21
Locke, Attica, Dawsonera. Black water rising. London: : Serpent’s Tail 2009. http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9781847652645
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Simon D. The escalating breakdown of urban society across the US | Television & radio | The Guardian. 6AD.
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Abbott, Megan E. The street was mine: white masculinity in hardboiled fiction and film noir. Basingstoke: : Palgrave Macmillan 2002.
24
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25
Horkheimer, Max, Adorno, Theodor W., Schmid Noerr, Gunzelin. Dialectic of enlightenment: philosophical fragments. Stanford, Calif: : Stanford University Press 2002.
26
Bailey, Frankie Y. Out of the woodpile: black characters in crime and detective fiction. New York: : Greenwood 1991. http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780313064272
27
Barone, Dennis. Beyond the red notebook: essays on Paul Auster. Philadelphia: : University of Pennsylvania Press 1995.
28
Bedore P. Dime Novels and the Roots of American Detective Fiction. Basingstoke: : Palgrave Macmillan 2013. http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9781137288653
29
Bell, Kevin. Ashes taken for fire: aesthetic modernism and the critique of identity. London: : University of Minnesota Press 2007.
30
Benjamin, W. Illuminations; translated by H Zohn, edited and with an introduction by H Arendt. [Place of publication not identified]: : Fontana-Collins 1973.
31
Bennett, Tony. Popular fiction: technology, ideology, production, reading. London: : Routledge 1990.
32
Bertens, Johannes Willem, Haen, Theo d’. Contemporary American crime fiction. Houndmills, Basingstoke: : Palgrave 2001.
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Breu, Christopher. Hard-boiled masculinities. London: : University of Minnesota Press 2005.
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Brooks, Peter. Reading for the plot: design and intention in narrative. Oxford: : Clarendon Press 1984.
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Cassuto, Leonard. Hard-boiled sentimentality: the secret history of American crime stories. Chichester: : Columbia University Press 2009.
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Chandler, Raymond. Notebooks. First Edition. New York: : ECCO P.,U.S 1976.
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MacShane, F. Selected Letters of Raymond Chandler. [Place of publication not identified]: : Columbia University Press
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Chandler, Raymond. The Raymond Chandler Papers: Selected Letters and Non-fiction 1909-1959. New edition. London: : Penguin Books Ltd 2001.
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Christopher, Nicholas. Somewhere in the night: film noir and the American city. London: : Free Press 1997.
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Clarens, C. Crime movies from Griffith to the Godfather and beyond. [Place of publication not identified]: : Secker & Warburg 1980.
42
Cline S. Dashiell Hammett: Man of Mystery. New York, NY: : Skyhorse Publishing 2014.
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44
Collins, Jim. Uncommon cultures: popular culture and post-modernism. New York: : Routledge 1989.
45
Copjec, Joan. Shades of noir: a reader. London: : Verso 1993.
46
Frank, Lawrence, Dawsonera. Victorian detective fiction and the nature of evidence: the scientific investigations of Poe, Dickens, and Doyle. Houndmills, Basingstoke, Hampshire: : Palgrave Macmillan 2003. http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9781403919328
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Denning, M. Mechanic accents; dime novels and working-class culture in America. [Place of publication not identified]: : Verso 1987.
48
Doane, Mary Ann. Femmes fatales: feminism, film theory, psychoanalysis. London: : Routledge 1991.
49
Docherty, Brian. American crime fiction: studies in the genre. New York: : St. Martin’s Press 1988.
50
Dussere E. America Is Elsewhere: The Noir Tradition in the Age of Consumer Culture. New York: : Oxford University Press Inc 2013.
51
Effron, Malcah. The millennial detective: essays on trends in crime fiction, film and television, 1990-2010. Jefferson, N.C.: : McFarland 2011.
52
Powell, Steven. Conversations with James Ellroy. Jackson, [Miss.]: : University Press of Mississippi 2012.
53
Evans, Mary. The imagination of evil: detective fiction and the modern world. London: : Continuum 2009. https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=476529
54
Faison, Stephen E. Existentialism, film noir, and hard-boiled fiction. Amherst, NY: : Cambria Press 2008.
55
Fine, David M. Imagining Los Angeles: a city in fiction. Reno: : University of Nevada Press 2004.
56
Fine, David. Los Angeles in Fiction: A Collection of Essays. Revised edition. Albuquerque, N.M.: : University of New Mexico Press 1995.
57
Freud, Sigmund, Phillips, Adam. Remembering, Repeating and Working Through. In: The Penguin Freud reader. London: : Penguin 2006.
58
Freud, Sigmund, Phillips, Adam. From the History of an Infantile Neurosis. In: The Penguin Freud reader. London: : Penguin 2006.
59
Gale RL. A Dashiell Hammett companion. Westport, Conn: : Greenwood Press 2000.
60
Geherin, David. The American private eye: the image in fiction. New York: : F. Ungar Pub. Co 1985.
61
Gosselin, Adrienne Johnson. Multicultural detective fiction: murder from the ‘other’ side. New York: : Garland Pub 1999.
62
Halttunen, Karen. Murder most foul: the killer and the American Gothic imagination. Cambridge, Mass: : Harvard University Press 1998.
63
Hammett, Dashiell, Layman, Richard, Rivett, Julie M. Selected letters of Dashiell Hammett, 1921-1960. Washington, D.C.: : Counterpoint 2001.
64
Metress, Christopher. The critical response to Dashiell Hammett. Westport, Conn: : Greenwood Press 1994.
65
Haut, Woody, Haut, Woody, Haut, Woody. Heartbreak and Vine: the fate of hardboiled writers in Hollywood. [London]: : Serpent’s Tail 2002.
66
Haut, Woody. Neon noir: contemporary American crime fiction. 1st ed. London: : Serpent’s Tail 1999.
67
Haut, Woody. Pulp culture: hardboiled fiction and the Cold War. London: : Serpent’s Tail 1995.
68
Hawkins, Harriett. Classics and trash: traditions and taboos in high literature and popular modern genres. London: : Harvester Wheatsheaf 1990.
69
Higginson, Pim. The noir Atlantic: Chester Himes and the birth of the francophone African crime novel. Liverpool: : Liverpool University Press 2011.
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Hilfer, Anthony Channell. The crime novel: a deviant genre. 1st ed. Austin: : University of Texas Press 1990.
71
Hiney, Tom. Raymond Chandler: a biography. London: : Vintage 1998.
72
Hoffmann J. Philosophies of crime fiction. Harpenden: : No Exit 2013.
73
Horsley, Lee, Dawsonera. Twentieth-century crime fiction. Oxford: : Oxford University Press 2005. http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780191557897
74
Howe, Alexander N. It didn’t mean anything: a psychoanalytic reading of American detective fiction. Jefferson, N.C.: : McFarland & Co 2008.
75
Irons GH. Feminism in women’s detective fiction. Buffalo: : University of Toronto Press 1995.
76
Irwin, John T. The mystery to a solution: Poe, Borges, and the analytic detective story. Baltimore, Md: : Johns Hopkins University Press 1994.
77
Kennedy, Liam, Shapiro, Stephen. The wire: race, class, and genre. Ann Arbor, [Mich.]: : University of Michigan Press 2012.
78
Klein, Kathleen Gregory. The woman detective: gender & genre. Urbana: : Univ. of Illinois P. 1988.
79
Knight, Stephen. Crime Fiction Since 1800: Detection, Death, Diversity. 2nd Revised edition. Palgrave Macmillan
80
Knight, Stephen Thomas. Form and ideology in crime fiction. London: : Macmillan 1980.
81
Kopley, Richard. Edgar Allan Poe and the Dupin mysteries. 1st ed. New York: : Palgrave Macmillan 2008. https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=455319
82
LeMenager S. Living Oil: Petroleum Culture in the American Century. New York: : Oxford University Press Inc 2014.
83
Lovell, Jarret S. Good cop, bad cop: mass media and the cycle of police reform. Monsey, New York: : Willow Tree 2003.
84
Luhr, William. The Coen brothers Fargo. Cambridge, UK: : Cambridge University Press 2003.
85
McCann, Sean. Gumshoe America: hard-boiled crime fiction and the rise and fall of New Deal liberalism. Durham, N.C.: : Duke University Press 2000.
86
McHale, Brian. Constructing postmodernism. London: : Routledge 1992.
87
McCracken, Scott. Pulp: reading popular fiction. Manchester, New York: : Manchester University Press 1998.
88
MacShane, Frank. The life of Raymond Chandler. Boston, Mass: : G.K. Hall 1986.
89
Madden, David. Tough guy writers of the thirties. Carbondale: : Feffer & Simons 1968.
90
Madden, D. James M Cain. [Place of publication not identified]: : Twayne
91
Mandel, Ernest. Delightful murder: a social history of the crime story. London: : Pluto Press 1984.
92
Margolies, Edward, Fabre, Michel. The several lives of Chester Himes. Jackson: : University Press of Mississippi 1997.
93
Marling, William. Raymond Chandler. Boston, Mass: : Twayne Publishers 1986.
94
Marling, William. The American roman noir: Hammett, Cain, and Chandler. Athens, Ga: : University of Georgia Press 1995.
95
Martin, Brendan, Dawsonera. Paul Auster’s postmodernity. London: : Routledge 2007. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://sid.kent.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203937518
96
Merivale, Patricia, Sweeney, Susan Elizabeth. Detecting texts: the metaphysical detective story from Poe to postmodernism. Philadelphia: : University of Pennsylvania Press 1999.
97
Messent, Peter B. Criminal proceedings: the contemporary American crime novel. London: : Pluto 1997.
98
Miller, Vivien M. L., Oakley, Helen. Cross-cultural connections in crime fictions. Basingstoke: : Palgrave Macmillan 2012.
99
Mizejewski, Linda. Hardboiled & high heeled: the woman detective in popular culture. London: : Routledge 2004. http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://www.kentuk.eblib.com/patron/FullRecord.aspx?p=183005
100
Moore, Lewis D. Cracking the hard-boiled detective: a critical history from the 1920s to the present. Jefferson, N.C.: : McFarland & Co 2006.
101
Moretti, Franco. Signs taken for wonders: essays in the sociology of literary forms. Rev. ed. London: : Verso 1988.
102
Most, Glenn W., Stowe, William W. The poetics of murder: detective fiction and literary theory. 1st ed. London: : Harcourt Brace Jovanovich 1983.
103
Mühleisen, Susanne, Matzke, Christine. Postcolonial postmortems: crime fiction from a transcultural perspective. Amsterdam: : Rodopi 2006.
104
Muller, Gilbert H. Chester Himes. Boston, Mass: : Twayne Publishers 1989.
105
Munby, Jonathan. Public enemies, public heroes: screening the gangster from Little Caesar to Touch of Evil. Chicago: : University of Chicago Press 1999.
106
Munt, Sally. Murder by the book?: feminism and the crime novel. London, New York: : Routledge 1994.
107
Naremore, James. More than night: film noir in its contexts. Berkeley: : University of California Press 1998.
108
Nickerson, Catherine Ross. The Cambridge companion to American crime fiction. New York: : Cambridge University Press 2010. http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://cco.cambridge.org/login2%3Fdest%3D%252Fbook%253Fid%253Dccol9780521199377_CCOL9780521199377
109
Nyman, Jopi. Men alone: masculinity, individualism, and hard-boiled fiction. Amsterdam: : Rodopi 1997.
110
Nickerson, Catherine Ross. The web of iniquity: early detective fiction by American women. Durham, N.C.: : Duke University Press 1998.
111
O’Brien, Geoffrey. Hardboiled America: lurid paperbacks and the masters of noir. Expanded ed. New York: : Da Capo Press 1997.
112
Ousby, Ian. The crime and mystery book: a reader’s companion. London: : Thames and Hudson 1997.
113
Panek, LeRoy. The American police novel: a history. Jefferson, N.C.: : McFarland 2003.
114
Panek L. Reading early Hammett: a critical study of the fiction prior to the Maltese Falcon. Jefferson, N.C.: : McFarland & Company 2004.
115
Paretsky, Sara. Writing in an age of silence. London: : Verso 2007.
116
Pepper, Andrew. The contemporary American crime novel: race, ethnicity, gender, class. Edinburgh: : Edinburgh University Press Ltd 2000.
117
Phillips, Gene D. Creatures of darkness: Raymond Chandler, detective fiction, and film noir. Lexington: : University Press of Kentucky 2000.
118
Pittard, Christopher. Purity and contamination in late Victorian detective fiction. Farnham: : Ashgate 2011.
119
Plain, Gill. Twentieth-century crime fiction: gender, sexuality, and the body. Edinburgh: : Edinburgh University Press 2001.
120
Cain, James M., McCoy, Horace, Anderson, Edward, et al. Crime novels: American noir of the 1930s and 40s. New York: : Library of America 1997.
121
Thompson, Jim, Highsmith, Patricia, Willeford, Charles Ray, et al. Crime novels: American noir of the 1950s. New York: : Library of America 1997.
122
Porter, Dennis. The pursuit of crime: art and ideology in detective fiction. London: : Yale University Press 1981.
123
Priestman, Martin. The Cambridge companion to crime fiction. Cambridge: : Cambridge University Press 2003. http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://cco.cambridge.org/login2%3Fdest%3D%252Fbook%253Fid%253Dccol0521803993_CCOL0521803993
124
Priestman, Martin, British Council. Crime fiction from Poe to the present. Plymouth: : Northcote House in association with The British Council 1998.
125
Priestman, Martin. Detective fiction and literature: the figure on the carpet. New York: : St. Martin’s Press 1991.
126
Reddy, Maureen T. Sisters in crime: feminism and the crime novel. New York: : Continuum 1988.
127
Reddy, Maureen T. Traces, codes, and clues: reading race in crime fiction. London: : Rutgers University Press 2003.
128
Rhodes, Chip. Politics, desire, and the Hollywood novel. Iowa City: : University of Iowa Press 2008.
129
Rzepka, Charles J. Detective fiction. Cambridge: : Polity Press 2005.
130
Rzepka, Charles J., Horsley, Lee. A companion to crime fiction. Chichester, U.K.: : Wiley-Blackwell 2010. https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=480446
131
Scaggs, John. Crime fiction. London: : Routledge 2005.
132
Schwartz, Richard B. Nice and noir: contemporary American crime fiction. Columbia: : University of Missouri Press 2002.
133
Silet, Charles L. P. The critical response to Chester Himes. Westport, Conn: : Greenwood Press 1999.
134
Silver, Alain, Ursini, James. Film noir reader 2. 1st Limelight ed. New York: : Limelight Editions 1999.
135
Skinner, Robert E. Two guns from Harlem: the detective fiction of Chester Himes. Bowling Green, Ohio: : Bowling Green State University Popular Press 1989.
136
Slotkin, Richard. Regeneration through violence: the mythology of the American frontier, 1600-1860. Middletown, Conn: : Wesleyan University Press
137
Soitos, Stephen F. The blues detective: a study of African American detective fiction. Amherst: : University of Massachusetts Press 1996.
138
Sim, Stuart. Irony and crisis: a critical history of postmodern culture. Cambridge: : Icon 2002.
139
Simon, David. Homicide: a year on the killing streets. Edinburgh: : Canongate 2009.
140
Skenazy P. James M. Cain. New York: : Continuum 1989.
141
Srebnick, Amy Gilman. The mysterious death of Mary Rogers: sex and culture in nineteenth-century New York. New York: : Oxford University Press 1997.
142
Sussex, Lucy. Women writers and detectives in nineteenth-century crime fiction: the mothers of the mystery genre. Basingstoke, Hampshire: : Palgrave Macmillan 2010. https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=652342
143
Symons, J. Bloody murder: from the detective story to the crime novel: a history. [Place of publication not identified]: : Faber & Faber
144
Tani, S. The doomed detective: the contribution of the detective novel to postmodern American and Italian fiction. [Place of publication not identified]: : Southern Illinois U.P. 1984.
145
Telotte, J. P. Voices in the dark: the narrative patterns of film noir. Urbana: : University of Illinois Press 1989.
146
Thompson, Jon. Fiction, crime, and empire: clues to modernity and postmodernism. Urbana: : University of Illinois Press 1993.
147
Todorov, Tzvetan. The poetics of prose. Ithaca, N.Y.: : Cornell U.P. 1977.
148
Trotter D. ‘Theory and Detective Fiction’. Critical Quarterly 1991;33.http://df7sm3xp4s.search.serialssolutions.com/?C=Critical Quarterly &s=AC_T_B&V=1.0&L=DF7SM3XP4S&submit=Find&C=&S=SC&N=10
149
Van Deburg, William L. Hoodlums: Black villains and social bandits in American life. Chicago: : University of Chicago Press 2004.
150
Van Dover, J. Kenneth. The critical response to Raymond Chandler. London: : Greenwood Press 1995.
151
Van Dover, J. Kenneth. Making the detective story American: Biggers, Van Dine and Hammett and the turning point of the genre, 1925-1930. Jefferson, N.C.: : McFarland 2010. https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=530072
152
Wager, Jans B. Dangerous dames: women and representation in the Weimar street film and film noir. Athens, Ohio: : Ohio University Press 1999.
153
Walton, Priscilla L., Jones, Manina. Detective agency: women rewriting the hard-boiled tradition. Berkeley: : University of California Press 1999.
154
Wandtke, Terrence R. The amazing transforming superhero!: essays on the revision of characters in comic books, film and television. Jefferson, N.C.: : McFarland & Co 2007.
155
Werner, James V., Dawsonera. American flaneur: the cosmic physiognomy of Edgar Allan Poe. London: : Routledge 2004. http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780203492826
156
Willett, Ralph. The naked city: urban crime fiction in the USA. Manchester: : Manchester University Press 1996.
157
Williams, John. Into the badlands. London: : Paladin 1991.
158
Wilson, Christopher P. Cop knowledge: police power and cultural narrative in twentieth-century America. Chicago: : University of Chicago Press 2000.
159
Winston, Robert Paul, Mellerski, Nancy C. The public eye: ideology and the police procedural. London: : Macmillan 1992.
160
Wolfe, Peter. Something more than night: the case of Raymond Chandler. Bowling Green, Ohio: : Bowling Green State University Popular Press 1985.
161
Worthington, Heather. Key concepts in crime fiction. New York: : Palgrave Macmillan 2011.
