Abbott, Megan E. 2002. The Street Was Mine: White Masculinity in Hardboiled Fiction and Film Noir. Basingstoke: Palgrave Macmillan.
Adorno, Theodor W and Bernstein, Jay M. 1991. The Culture Industry: Selected Essays on Mass Culture. London: Routledge.
Auster, Paul, Auster, Paul, Auster, Paul, and Auster, Paul. 1987. The New York Trilogy. London: Faber and Faber.
Bailey, Frankie Y. 1991. Out of the Woodpile: Black Characters in Crime and Detective Fiction. New York: Greenwood.
Barone, Dennis. 1995. Beyond the Red Notebook: Essays on Paul Auster. Vol. Penn studies in contemporary American fiction. Philadelphia: University of Pennsylvania Press.
Bedore, Pamela. 2013. Dime Novels and the Roots of American Detective Fiction. Vol. Crime Files. Basingstoke: Palgrave Macmillan.
Bell, Kevin. 2007. Ashes Taken for Fire: Aesthetic Modernism and the Critique of Identity. London: University of Minnesota Press.
Benjamin, W. 1973. Illuminations; Translated by H Zohn, Edited and with an Introduction by H Arendt. [Place of publication not identified]: Fontana-Collins.
Bennett, Tony. 1990. Popular Fiction: Technology, Ideology, Production, Reading. Vol. Popular fictions series. London: Routledge.
Bertens, Johannes Willem and Haen, Theo d’. 2001. Contemporary American Crime Fiction. Vol. Crime files series. Houndmills, Basingstoke: Palgrave.
Breu, Christopher. 2005. Hard-Boiled Masculinities. London: University of Minnesota Press.
Brooks, Peter. 1984. Reading for the Plot: Design and Intention in Narrative. Oxford: Clarendon Press.
Brown, Mark. 2007. Paul Auster. Vol. Contemporary American and Canadian writers. Manchester: Manchester University Press.
Cain, James M. 2005. The Postman Always Rings Twice. London: Orion.
Cain, James M., McCoy, Horace, Anderson, Edward, Fearing, Kenneth, Gresham, William Lindsay, and Woolrich, Cornell. 1997. Crime Novels: American Noir of the 1930s and 40s. Vol. The library of America. edited by Robert, Polito. New York: Library of America.
Cassuto, Leonard. 2009. Hard-Boiled Sentimentality: The Secret History of American Crime Stories. Chichester: Columbia University Press.
Chandler, Raymond. 1955. The Little Sister. London: Penguin in association with Hamish Hamilton.
Chandler, Raymond. 1976. Notebooks. First Edition. New York: ECCO P.,U.S.
Chandler, Raymond. 1988. The Simple Art of Murder. Vol. Vintage crime. 1st Vintage Books ed. New York: Vintage Books.
Chandler, Raymond. 2001. The Raymond Chandler Papers: Selected Letters and Non-Fiction 1909-1959. New edition. London: Penguin Books Ltd.
Christopher, Nicholas. 1997. Somewhere in the Night: Film Noir and the American City. London: Free Press.
Clarens, C. 1980. Crime Movies from Griffith to the Godfather and Beyond. [Place of publication not identified]: Secker & Warburg.
Cline, Sally. 2014. Dashiell Hammett: Man of Mystery. New York, NY: Skyhorse Publishing.
Cochran, David. 2000. America Noir: Underground Writers and Filmmakers of the Postwar Era. London: Smithsonian Institution Press.
Collins, Jim. 1989. Uncommon Cultures: Popular Culture and Post-Modernism. New York: Routledge.
Copjec, Joan. 1993. Shades of Noir: A Reader. London: Verso.
Denning, M. 1987. Mechanic Accents; Dime Novels and Working-Class Culture in America. [Place of publication not identified]: Verso.
Doane, Mary Ann. 1991. Femmes Fatales: Feminism, Film Theory, Psychoanalysis. London: Routledge.
Docherty, Brian. 1988. American Crime Fiction: Studies in the Genre. New York: St. Martin’s Press.
Dussere, Erik. 2013. America Is Elsewhere: The Noir Tradition in the Age of Consumer Culture. New York: Oxford University Press Inc.
Effron, Malcah. 2011. The Millennial Detective: Essays on Trends in Crime Fiction, Film and Television, 1990-2010. Jefferson, N.C.: McFarland.
Ellroy, James. 1993. The Black Dahlia. London: Arrow.
Evans, Mary. 2009. The Imagination of Evil: Detective Fiction and the Modern World. Vol. Continuum literary studies. London: Continuum.
Faison, Stephen E. 2008. Existentialism, Film Noir, and Hard-Boiled Fiction. Amherst, NY: Cambria Press.
Fine, David. 1995. Los Angeles in Fiction: A Collection of Essays. Revised edition. Albuquerque, N.M.: University of New Mexico Press.
Fine, David M. 2004. Imagining Los Angeles: A City in Fiction. Reno: University of Nevada Press.
Frank, Lawrence and Dawsonera. 2003. Victorian Detective Fiction and the Nature of Evidence: The Scientific Investigations of Poe, Dickens, and Doyle. Vol. Palgrave studies in nineteenth-century writing and culture. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan.
Freud, Sigmund and Phillips, Adam. 2006a. ‘From the History of an Infantile Neurosis’. in The Penguin Freud reader. Vol. Penguin classics. London: Penguin.
Freud, Sigmund and Phillips, Adam. 2006b. ‘Remembering, Repeating and Working Through’. in The Penguin Freud reader. Vol. Penguin classics. London: Penguin.
Freud, Sigmund and Phillips, Adam. 2006c. ‘Remembering, Repeating and Working Through’. in The Penguin Freud reader. Vol. Penguin classics. London: Penguin.
Gale, Robert L. 2000. A Dashiell Hammett Companion. Westport, Conn: Greenwood Press.
Geherin, David. 1985. The American Private Eye: The Image in Fiction. New York: F. Ungar Pub. Co.
Gosselin, Adrienne Johnson. 1999. Multicultural Detective Fiction: Murder from the ‘Other’ Side. Vol. Garland reference library of the humanities. New York: Garland Pub.
Green, Anna Katharine. n.d. The Leavenworth Case: A Lawyer’s Story. Rockville, MD]: Wildside books.
Halttunen, Karen. 1998. Murder Most Foul: The Killer and the American Gothic Imagination. Cambridge, Mass: Harvard University Press.
Hammett, D. 1929. Red Harvest. [Place of publication not identified]: Knopf.
Hammett, Dashiell, Layman, Richard, and Rivett, Julie M. 2001. Selected Letters of Dashiell Hammett, 1921-1960. Washington, D.C.: Counterpoint.
Haut, Woody. 1995. Pulp Culture: Hardboiled Fiction and the Cold War. London: Serpent’s Tail.
Haut, Woody. 1999. Neon Noir: Contemporary American Crime Fiction. 1st ed. London: Serpent’s Tail.
Haut, Woody, Haut, Woody, and Haut, Woody. 2002. Heartbreak and Vine: The Fate of Hardboiled Writers in Hollywood. [London]: Serpent’s Tail.
Hawkins, Harriett. 1990. Classics and Trash: Traditions and Taboos in High Literature and Popular Modern Genres. London: Harvester Wheatsheaf.
Hemingway, Ernest and Fenton, James. 1995. ‘The Killers’. in The collected stories. Vol. Everyman’s library. London: David Campbell.
Higginson, Pim. 2011. The Noir Atlantic: Chester Himes and the Birth of the Francophone African Crime Novel. Vol. Contemporary French and francophone cultures. Liverpool: Liverpool University Press.
Hilfer, Anthony Channell. 1990. The Crime Novel: A Deviant Genre. 1st ed. Austin: University of Texas Press.
Himes, Chester B. 2011. The Real Cool Killers. London: Penguin.
Hiney, Tom. 1998. Raymond Chandler: A Biography. London: Vintage.
Hoffmann, Josef. 2013. Philosophies of Crime Fiction. Harpenden: No Exit.
Horkheimer, Max, Adorno, Theodor W., and Schmid Noerr, Gunzelin. 2002a. Dialectic of Enlightenment: Philosophical Fragments. Vol. Cultural memory in the present. Stanford, Calif: Stanford University Press.
Horkheimer, Max, Adorno, Theodor W., and Schmid Noerr, Gunzelin. 2002b. ‘The Culture Industry: Enlightenment as Mass Deception’. in Dialectic of enlightenment: philosophical fragments. Vol. Cultural memory in the present. Stanford, Calif: Stanford University Press.
Horsley, Lee and Dawsonera. 2005. Twentieth-Century Crime Fiction. Oxford: Oxford University Press.
Howe, Alexander N. 2008. It Didn’t Mean Anything: A Psychoanalytic Reading of American Detective Fiction. Jefferson, N.C.: McFarland & Co.
Irons, Glenwood H. 1995. Feminism in Women’s Detective Fiction. Buffalo: University of Toronto Press.
Irwin, John T. 1994. The Mystery to a Solution: Poe, Borges, and the Analytic Detective Story. Baltimore, Md: Johns Hopkins University Press.
Kennedy, Liam and Shapiro, Stephen. 2012. The Wire: Race, Class, and Genre. Vol. Class: culture. Ann Arbor, [Mich.]: University of Michigan Press.
Klein, Kathleen Gregory. 1988. The Woman Detective: Gender & Genre. Urbana: Univ. of Illinois P.
Knight, Stephen. n.d. Crime Fiction Since 1800: Detection, Death, Diversity. 2nd Revised edition. Palgrave Macmillan.
Knight, Stephen Thomas. 1980. Form and Ideology in Crime Fiction. London: Macmillan.
Kopley, Richard. 2008. Edgar Allan Poe and the Dupin Mysteries. 1st ed. New York: Palgrave Macmillan.
LeMenager, Stephanie. 2014. Living Oil: Petroleum Culture in the American Century. Vol. Oxford Studies in American Literary History. New York: Oxford University Press Inc.
Locke, Attica and Dawsonera. 2009. Black Water Rising. London: Serpent’s Tail.
Lovell, Jarret S. 2003. Good Cop, Bad Cop: Mass Media and the Cycle of Police Reform. Monsey, New York: Willow Tree.
Luhr, William. 2003a. ‘Fargo: Far Removed from the Stereotypes of …’. in The Coen brothers Fargo. Vol. Cambridge university Press film handbooks series. Cambridge, UK: Cambridge University Press.
Luhr, William. 2003b. The Coen Brothers Fargo. Vol. Cambridge university Press film handbooks series. Cambridge, UK: Cambridge University Press.
MacShane, F. n.d. Selected Letters of Raymond Chandler. [Place of publication not identified]: Columbia University Press.
MacShane, Frank. 1986. The Life of Raymond Chandler. Boston, Mass: G.K. Hall.
Madden, D. n.d. James M Cain. [Place of publication not identified]: Twayne.
Madden, David. 1968. Tough Guy Writers of the Thirties. Vol. Arcturus paperbacks. Carbondale: Feffer & Simons.
Mandel, Ernest. 1984. Delightful Murder: A Social History of the Crime Story. London: Pluto Press.
Margolies, Edward and Fabre, Michel. 1997. The Several Lives of Chester Himes. Jackson: University Press of Mississippi.
Marling, William. 1986. Raymond Chandler. Vol. Twayne’s United States authors series. Boston, Mass: Twayne Publishers.
Marling, William. 1995. The American Roman Noir: Hammett, Cain, and Chandler. Athens, Ga: University of Georgia Press.
Martin, Brendan and Dawsonera. 2007. Paul Auster’s Postmodernity. London: Routledge.
McCann, Sean. 2000. Gumshoe America: Hard-Boiled Crime Fiction and the Rise and Fall of New Deal Liberalism. Vol. New Americanists. Durham, N.C.: Duke University Press.
McCracken, Scott. 1998. Pulp: Reading Popular Fiction. Manchester, New York: Manchester University Press.
McHale, Brian. 1992a. Constructing Postmodernism. London: Routledge.
McHale, Brian. 1992b. Constructing Postmodernism. London: Routledge.
Merivale, Patricia and Sweeney, Susan Elizabeth. 1999. Detecting Texts: The Metaphysical Detective Story from Poe to Postmodernism. Philadelphia: University of Pennsylvania Press.
Messent, Peter B. 1997. Criminal Proceedings: The Contemporary American Crime Novel. London: Pluto.
Metress, Christopher. 1994. The Critical Response to Dashiell Hammett. Vol. Critical responses in arts and letters. Westport, Conn: Greenwood Press.
Miller, Vivien M. L. and Oakley, Helen. 2012. Cross-Cultural Connections in Crime Fictions. Basingstoke: Palgrave Macmillan.
Mizejewski, Linda. 2004. Hardboiled & High Heeled: The Woman Detective in Popular Culture. London: Routledge.
Moore, Lewis D. 2006. Cracking the Hard-Boiled Detective: A Critical History from the 1920s to the Present. Jefferson, N.C.: McFarland & Co.
Moretti, Franco. 1988. Signs Taken for Wonders: Essays in the Sociology of Literary Forms. Vol. Verso classics. Rev. ed. London: Verso.
Moretti, Franco. 2005. ‘“Clues” from Signs Taken for Wonders: On the Sociology of Literary Forms’. in Signs taken for wonders: on the sociology of literary forms. Vol. Radical thinkers. London: Verso.
Most, Glenn W. and Stowe, William W. 1983. The Poetics of Murder: Detective Fiction and Literary Theory. 1st ed. London: Harcourt Brace Jovanovich.
Mühleisen, Susanne and Matzke, Christine. 2006. Postcolonial Postmortems: Crime Fiction from a Transcultural Perspective. Vol. Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft. Amsterdam: Rodopi.
Muller, Gilbert H. 1989. Chester Himes. Vol. Twayne’s United States authors series. Boston, Mass: Twayne Publishers.
Munby, Jonathan. 1999. Public Enemies, Public Heroes: Screening the Gangster from Little Caesar to Touch of Evil. Chicago: University of Chicago Press.
Munt, Sally. 1994. Murder by the Book?: Feminism and the Crime Novel. Vol. Narrative forms and social formations. London, New York: Routledge.
Naremore, James. 1998. More than Night: Film Noir in Its Contexts. Berkeley: University of California Press.
Nickerson, Catherine Ross. 1998. The Web of Iniquity: Early Detective Fiction by American Women. Durham, N.C.: Duke University Press.
Nickerson, Catherine Ross. 2010. The Cambridge Companion to American Crime Fiction. Vol. Cambridge companions to literature. New York: Cambridge University Press.
Nyman, Jopi. 1997. Men Alone: Masculinity, Individualism, and Hard-Boiled Fiction. Vol. Costerus. Amsterdam: Rodopi.
O’Brien, Geoffrey. 1997. Hardboiled America: Lurid Paperbacks and the Masters of Noir. Expanded ed. New York: Da Capo Press.
Ousby, Ian. 1997. The Crime and Mystery Book: A Reader’s Companion. London: Thames and Hudson.
Panek, LeRoy. 2003. The American Police Novel: A History. Jefferson, N.C.: McFarland.
Panek, LeRoy. 2004. Reading Early Hammett: A Critical Study of the Fiction Prior to the Maltese Falcon. Jefferson, N.C.: McFarland & Company.
Paretsky, Sara. 1990. Toxic Shock. Vol. A Penguin book. London: Penguin Books.
Paretsky, Sara. 2007a. ‘Chapter 3’. in Writing in an age of silence. London: Verso.
Paretsky, Sara. 2007b. Writing in an Age of Silence. London: Verso.
Pepper, Andrew. 2000. The Contemporary American Crime Novel: Race, Ethnicity, Gender, Class. Edinburgh: Edinburgh University Press Ltd.
Phillips, Gene D. 2000. Creatures of Darkness: Raymond Chandler, Detective Fiction, and Film Noir. Lexington: University Press of Kentucky.
Pittard, Christopher. 2011. Purity and Contamination in Late Victorian Detective Fiction. Farnham: Ashgate.
Plain, Gill. 2001. Twentieth-Century Crime Fiction: Gender, Sexuality, and the Body. Edinburgh: Edinburgh University Press.
Poe, Edgar Allan. 1993. Tales of Mystery and Imagination. Vol. Wordsworth classics. Ware: Wordsworth Classics.
Porter, Dennis. 1981. The Pursuit of Crime: Art and Ideology in Detective Fiction. London: Yale University Press.
Powell, Steven. 2012. Conversations with James Ellroy. Vol. Literary Conversations Series. Jackson, [Miss.]: University Press of Mississippi.
Priestman, Martin. 1991. Detective Fiction and Literature: The Figure on the Carpet. New York: St. Martin’s Press.
Priestman, Martin. 2003. The Cambridge Companion to Crime Fiction. Vol. Cambridge companions to literature. Cambridge: Cambridge University Press.
Priestman, Martin and British Council. 1998. Crime Fiction from Poe to the Present. Vol. Writers and their work. Plymouth: Northcote House in association with The British Council.
Reddy, Maureen T. 1988. Sisters in Crime: Feminism and the Crime Novel. New York: Continuum.
Reddy, Maureen T. 2003. Traces, Codes, and Clues: Reading Race in Crime Fiction. London: Rutgers University Press.
Rhodes, Chip. 2008. Politics, Desire, and the Hollywood Novel. Iowa City: University of Iowa Press.
Rzepka, Charles J. 2005. Detective Fiction. Vol. Cultural history of literature. Cambridge: Polity Press.
Rzepka, Charles J. and Horsley, Lee. 2010. A Companion to Crime Fiction. Vol. Blackwell companions to literature and culture. Chichester, U.K.: Wiley-Blackwell.
Scaggs, John. 2005. Crime Fiction. Vol. The new critical idiom. London: Routledge.
Schrader, Paul and Jackson, Kevin. 2004. ‘Notes on Film Noir’. in Schrader on Schrader, & other writings. London: Faber and Faber.
Schwartz, Richard B. 2002. Nice and Noir: Contemporary American Crime Fiction. Columbia: University of Missouri Press.
Silet, Charles L. P. 1999. The Critical Response to Chester Himes. Vol. Critical responses in arts and letters. Westport, Conn: Greenwood Press.
Silver, Alain and Ursini, James. 1999. Film Noir Reader 2. 1st Limelight ed. New York: Limelight Editions.
Sim, Stuart. 2002. Irony and Crisis: A Critical History of Postmodern Culture. Vol. Critical histories series. Cambridge: Icon.
Simon, David. 6AD. ‘The Escalating Breakdown of Urban Society across the US | Television & Radio | The Guardian’.
Simon, David. 2009. Homicide: A Year on the Killing Streets. Edinburgh: Canongate.
Skenazy, Paul. 1989. James M. Cain. Vol. Literature and life.: Mystery writers. New York: Continuum.
Skinner, Robert E. 1989. Two Guns from Harlem: The Detective Fiction of Chester Himes. Bowling Green, Ohio: Bowling Green State University Popular Press.
Slotkin, Richard. n.d. Regeneration through Violence: The Mythology of the American Frontier, 1600-1860. Middletown, Conn: Wesleyan University Press.
Soitos, Stephen F. 1996. The Blues Detective: A Study of African American Detective Fiction. Amherst: University of Massachusetts Press.
Srebnick, Amy Gilman. 1997. The Mysterious Death of Mary Rogers: Sex and Culture in Nineteenth-Century New York. Vol. Studies in the history of sexuality. New York: Oxford University Press.
Sussex, Lucy. 2010. Women Writers and Detectives in Nineteenth-Century Crime Fiction: The Mothers of the Mystery Genre. Vol. Crime files series. Basingstoke, Hampshire: Palgrave Macmillan.
Symons, J. n.d. Bloody Murder: From the Detective Story to the Crime Novel: A History. [Place of publication not identified]: Faber & Faber.
Tani, S. 1984. The Doomed Detective: The Contribution of the Detective Novel to Postmodern American and Italian Fiction. [Place of publication not identified]: Southern Illinois U.P.
Telotte, J. P. 1989. Voices in the Dark: The Narrative Patterns of Film Noir. Urbana: University of Illinois Press.
Thompson, Jim, Highsmith, Patricia, Willeford, Charles Ray, Goodis, David, and Himes, Chester B. 1997. Crime Novels: American Noir of the 1950s. Vol. The library of America. edited by Robert, Polito. New York: Library of America.
Thompson, Jon. 1993. Fiction, Crime, and Empire: Clues to Modernity and Postmodernism. Urbana: University of Illinois Press.
Todorov, Tzvetan. 1977a. The Poetics of Prose. Ithaca, N.Y.: Cornell U.P.
Todorov, Tzvetan. 1977b. ‘The Typology of Detective FIction’. in The poetics of prose. Ithaca, N.Y.: Cornell U.P.
Trotter, David. 1991. ‘“Theory and Detective Fiction”’. Critical Quarterly 33(2).
Van Deburg, William L. 2004. Hoodlums: Black Villains and Social Bandits in American Life. Chicago: University of Chicago Press.
Van Dover, J. Kenneth. 1995. The Critical Response to Raymond Chandler. Vol. Critical responses in arts and letters. London: Greenwood Press.
Van Dover, J. Kenneth. 2010. Making the Detective Story American: Biggers, Van Dine and Hammett and the Turning Point of the Genre, 1925-1930. Jefferson, N.C.: McFarland.
Wager, Jans B. 1999. Dangerous Dames: Women and Representation in the Weimar Street Film and Film Noir. Athens, Ohio: Ohio University Press.
Walton, Priscilla L. and Jones, Manina. 1999. Detective Agency: Women Rewriting the Hard-Boiled Tradition. Berkeley: University of California Press.
Wandtke, Terrence R. 2007. The Amazing Transforming Superhero!: Essays on the Revision of Characters in Comic Books, Film and Television. Jefferson, N.C.: McFarland & Co.
Warshow, Robert. 2001. ‘The Gangster as Tragic Hero’. in The immediate experience: movies, comics, theatre & other aspects of popular culture. Cambridge, MA: Harvard University Press.
Werner, James V. and Dawsonera. 2004. American Flaneur: The Cosmic Physiognomy of Edgar Allan Poe. Vol. Studies in major literary authors. London: Routledge.
Willett, Ralph. 1996. The Naked City: Urban Crime Fiction in the USA. Manchester: Manchester University Press.
Williams, John. 1991. Into the Badlands. Vol. Grafton books. London: Paladin.
Wilson, Christopher P. 2000. Cop Knowledge: Police Power and Cultural Narrative in Twentieth-Century America. Chicago: University of Chicago Press.
Winston, Robert Paul and Mellerski, Nancy C. 1992. The Public Eye: Ideology and the Police Procedural. London: Macmillan.
Wolfe, Peter. 1985. Something More than Night: The Case of Raymond Chandler. Bowling Green, Ohio: Bowling Green State University Popular Press.
Worthington, Heather. 2011. Key Concepts in Crime Fiction. New York: Palgrave Macmillan.