1.
Bowsher, Julian. Shakespeare’s London theatreland: archaeology, history and drama. (Museum of London Archaeology, 2012).
2.
Bevington, David M., Engle, Lars, Maus, Katharine Eisaman, & Rasmussen, Eric. English Renaissance drama: a Norton anthology. (W.W. Norton, 2002).
3.
Shakespeare, William et al. The Norton Shakespeare: based on the Oxford edition. (W. W. Norton, 2008).
4.
Briggs, J. This stage-play world: texts and contexts, 1580-1625. (Oxford University Press, 1997).
5.
Dillon, Janette. The Cambridge introduction to early English theatre. vol. Cambridge introductions to literature (Cambridge University Press, 2006).
6.
Wrightson, Keith. English society, 1580-1680. (Routledge, 2003).
7.
Sharpe, J. A. Early modern England: a social history 1550-1760. (Arnold, 1997).
8.
Wrightson, Keith. Earthly necessities: economic lives in early modern Britain, 1470-1750. (Penguin, 2002).
9.
Mendelson, Sara Heller & Crawford, Patricia. Women in early modern England, 1550-1720. (Oxford University Press, 1998).
10.
Tittler, Robert, Jones, Norman L., & Dawsonera. A companion to Tudor Britain. vol. Blackwell companions to British history (Blackwell Pub, 2004).
11.
Adamson, Sylvia. Reading Shakespeare’s dramatic language: a guide. vol. The Arden Shakespeare (Arden Shakespeare, 2001).
12.
Agnew, Jean-Christophe. Worlds apart: the market and the theater in Anglo-American thought, 1550-1750. (Cambridge University Press, 1986).
13.
Arabm R.A. Work, Bodies and Gender in The Shoemaker’s Holiday. Medieval and renaissance drama in England 13,.
14.
Bamber, Linda. Comic women, tragic men: a study of gender and genre in Shakespeare. (Stanford University Press, 1982).
15.
Barber, Cesar Lombardi. Shakespeare’s festive comedy: a study of dramatic form and its relation to social custom. (Princeton University Press, 1959).
16.
Barton, Anne. Shakespeare and the idea of the play. (Greenwood Press, 1977).
17.
Braunmuller, A. R. & Hattaway, Michael. The Cambridge companion to English Renaissance drama. vol. Cambridge companions to literature (Cambridge University Press, 2003).
18.
Briggs, Julia. This stage-play world: texts and contexts, 1580-1625. (Oxford University Press, 1997).
19.
Bristol, Michael D. Carnival and theater: plebeian culture and the structure of authority in Renaissance England. (Methuen, 1985).
20.
Carlson, Susan. Women and comedy: rewriting the British theatrical tradition. (University of Michigan Press, 1991).
21.
Carson, Christie & Karim-Cooper, Farah. Introduction. in Shakespeare’s Globe: a theatrical experiment (Cambridge University Press, 2008).
22.
Cavell, Stanley. Disowning knowledge, in six plays of Shakespeare. (C.U.P., 1987).
23.
Champion, L. S. Shakespeare and Dekker: creative interaction and the form of romantic comedy.
24.
W.K. The Sources of the Characters in The Shoemaker’s Holiday . Modern philology 27, 175–182 (1929).
25.
Chapman, A. Whose Saint Crispin’s Day Is It?: Shoemaking, Holiday Making, and the Politics of Memory in Early Modern England. Renaissance Quarterly 52, 1467–1494.
26.
Dollimore, Jonathan & Sinfield, Alan. Political Shakespeare: new essays in cultural materialism. (Manchester U.P., 1985).
27.
Drakakis, John. Alternative Shakespeares. vol. New accents (Methuen, 1985).
28.
Dunworth, Felicity Elizabeth. Mothers and meaning on the early modern English stage. (Manchester University Press, 2010).
29.
Dusinberre, Juliet. Shakespeare and the nature of women. (Palgrave Macmillan, 2003).
30.
Dutton, Richard & Howard, Jean E. A companion to Shakespeare’s works: Vol. 3: The comedies. vol. Blackwell companions to literature and culture (Blackwell, 2003).
31.
Eagleton, Terry. Sweet violence: the idea of the tragic. (Blackwell, 2003).
32.
Farley-Hills, D. The comic in Renaissance comedy. (Macmillan, 1981).
33.
Foakes & R.A. Shakespeare’s Elizabethan Stages. in Shakespeare: an illustrated stage history (Oxford University Press, 1996).
34.
Friedenreich, K. ‘Accompaninge the players’: essays celebrating Thomas Middleton, 1580-1980; ed K Friedenreich. (AMS Press, 1983).
35.
Gay, Penny. As she likes it: Shakespeare’s unruly women. vol. Gender in performance (Routledge, 1994).
36.
Harris, Jonathan Gil & Korda, Natasha. Introduction: towards a materialist account of stage properties. in Staged properties in early modern English drama (Cambridge University Press, 2002).
37.
Griswold, Wendy. Renaissance revivals: city comedy and revenge tragedy in the London theatre, 1576-1980. (University of Chicago Press, 1986).
38.
Gurr, Andrew. The plan of 1594. in The Shakespeare Company, 1594-1642 (Cambridge University Press, 2004).
39.
Hall, Jonathan. Anxious pleasures: Shakespearean comedy and the nation-state. (Fairleigh Dickinson University Press, 1995).
40.
Heinemann, M. Puritanism and theatre: Thomas Middleton and opposition drama under the early Stuarts. (C.U.P., 1980).
41.
Howard, J E. Shakespeare’s art of orchestration: stage technique and audience response. (U. of Illinois P., 1984).
42.
Howard, Jean Elizabeth. The stage and social struggle in early modern England. (Routledge, 1994).
43.
Jardine, Lisa. Reading Shakespeare historically. (Routledge, 1996).
44.
Jardine, Lisa. Still harping on daughters: women and drama in the Age of Shakespeare. (Barnes & Noble, 1983).
45.
Joughin, John J. Shakespeare and national culture. (Distributed exclusively in the USA by St. Martin’s Press, 1997).
46.
Kastan & D.S. Workshop and/as playhouse. in Staging the Renaissance: reinterpretations of Elizabethan and Jacobean drama (Routledge, 1991).
47.
Kastan, David Scott & Stallybrass, Peter. Staging the Renaissance: reinterpretations of Elizabethan and Jacobean drama. (Routledge, 1991).
48.
Knowles, Ronald. Shakespeare and carnival: after Bakhtin. vol. Early modern literature in history (Macmillan Press, 1998).
49.
Krieger, Elliot. A Marxist study of Shakespeare’s comedies. (Macmillan, 1979).
50.
Leech, Clifford, Craik, T. W., & Barroll, John Leeds. The Revels history of drama in English: Vol.3: 1576-1613 ; [by]J. Leeds Barroll ... [et al.]. (Methuen).
51.
Leggatt, Alexander. English stage comedy, 1490-1990: five centuries of a genre. (Routledge, 1998).
52.
Leggatt, Alexander. The Cambridge companion to Shakespearean comedy. vol. Cambridge companions to literature (Cambridge University Press, 2002).
53.
Mahood, M. M. Shakespeare’s wordplay. (Methuen).
54.
M. The Construction of The Shoemakers’ Holiday. Studies in English literature 10, 315–323.
55.
Marcus, Leah S. Puzzling Shakespeare: local reading and its discontents. vol. The new historicism (University of California Press, 1988).
56.
Martin, Mathew R. Between theater and philosophy: skepticism in the major city comedies of Ben Jonson and Thomas Middleton. (Associated University Presses, 2001).
57.
Maynard, S. Feasting on Eyre: Community, Consumption and Communion in The Shoemaker’s Holiday. Comparative drama 32, 327–346 (1998).
58.
McDonald, Russ. Shakespeare and Jonson: Jonson and Shakespeare. (U. of Nebraska P., 1988).
59.
McLuskie, Kathleen. Dekker and Heywood: professional dramatists. vol. English dramatists (St. Martin’s Press, 1994).
60.
Miola, Robert S. Shakespeare and classical comedy: the influence of Plautus and Terence. (Clarendon Press, 1994).
61.
Mortenson, P. The Economics of Joy in The Shoemakers’ Holiday. Studies in English literature, 1500-1900 16, 241–252.
62.
Nevo, R. Comic transformations in Shakespeare. (Methuen, 1980).
63.
Newman, K. Shakespeare’s rhetoric of comic character: dramatic convention in classical and Renaissance comedy. (Methuen, 1985).
64.
Novarr, D. Dekker’s Gentle Craft and the Lord Mayor of London. Modern Philology 57, 233–239.
65.
Ornstein, Robert. Shakespeare’s comedies: from Roman farce to romantic mystery. (Associated University Presses, 1986).
66.
Parker, P. Shakespeare and the question of theory; ed P Parker and G Hartman. (Methuen, 1985).
67.
Purcell, Stephen. Popular Shakespeare: simulation and subversion on the modern stage. vol. Palgrave Shakespeare studies (Palgrave Macmillan, 2009).
68.
A.L. Performing Cross-Class Clandestine Marriage in The Shoemaker’s Holiday. Studies in English literature, 1500-1900 45, 333–355 (2005).
69.
Smith & B. Studies in Sexuality. in Shakespeare: an Oxford guide (Oxford University Press, 2003).
70.
Smith, David L., Strier, Richard, & Bevington, David M. The theatrical city: culture, theatre, and politics in London, 1576-1649. (Cambridge University Press, 1995).
71.
Wells, Stanley W. Shakespeare and Co: Christopher Marlowe, Thomas Dekker, Ben Johnson, Thomas Middleton, John Fletcher and the other players in his story. (Allen Lane, 2006).
72.
Smith, Emma & Sullivan, Garrett A. The Cambridge companion to English Renaissance tragedy. vol. Cambridge companions to topics (Cambridge University Press, 2010).
73.
Straznicky, M. The End(s) of Discord in The Shoemaker’s Holiday. Studies in English literature, 1500-1900 36, 357–372.
74.
Sullivan, Garrett A., Cheney, Patrick Gerard, & Hadfield, Andrew. Early modern English drama: a critical companion. (Oxford University Press, 2006).
75.
Tennenhouse, Leonard. Power on display: the politics of Shakespeare’s genres. (1986).
76.
Thomson, Peter. Shakespeare’s professional career. (Cambridge University Press, 1992).
77.
Thomson, Peter. Shakespeare’s theatre. vol. Theatre production studies (Routledge, 1992).
78.
Traversi, D A. William Shakespeare, the early comedies: The comedy of errors, The taming of the Shrew, The two gentlemen of Verona, Love’s labour lost, The merchant of Venice. (Longmans Green for the British Council and the National Book League, 1964).
79.
Ward, I. Shakespeare and the Politics of Community. Early Modern Literary Studies 4, 1–45 (1999).
80.
Weimann, Robert & Schwartz, Robert. Shakespeare and the popular tradition in the theater: studies in the social dimension of dramatic form and function. (Johns Hopkins U.P., 1978).
81.
Weimann, Robert & Schwartz, Robert. Shakespeare’s theater: tradition and experiment. in Shakespeare and the popular tradition in the theater: studies in the social dimension of dramatic form and function (Johns Hopkins U.P., 1978).
82.
Wells, Stanley W. & Orlin, Lena Cowen. Shakespeare: an Oxford guide. (Oxford University Press, 2003).
83.
Whitney, C. The Devil His Due: Mayor John Spencer, Elizabethan Civic Antitheatricalism, and ‘The Shoemaker’s Holiday’. Medieval and Renaissance Drama in England 14, 168–185 (2001).
84.
Rowland, Richard. Thomas Heywood’s theatre, 1599-1639. vol. Studies in performance and early modern drama (Ashgate, 2010).
85.
Dillon, Janette. The Cambridge introduction to early English theatre. vol. Cambridge introductions to literature (Cambridge University Press, 2006).
