Adamson, Sylvia. (2001). Reading Shakespeare’s dramatic language: a guide: Vol. The Arden Shakespeare. Arden Shakespeare.
Agnew, Jean-Christophe. (1986). Worlds apart: the market and the theater in Anglo-American thought, 1550-1750. Cambridge University Press.
A.L. (2005). Performing Cross-Class Clandestine Marriage in The Shoemaker’s Holiday. Studies in English Literature, 1500-1900, 45(2), 333–355.
Arabm R.A. (n.d.). Work, Bodies and Gender in The Shoemaker’s Holiday. Medieval and Renaissance Drama in England, 13.
Bamber, Linda. (1982). Comic women, tragic men: a study of gender and genre in Shakespeare. Stanford University Press.
Barber, Cesar Lombardi. (1959). Shakespeare’s festive comedy: a study of dramatic form and its relation to social custom. Princeton University Press.
Barton, Anne. (1977). Shakespeare and the idea of the play. Greenwood Press.
Bevington, David M., Engle, Lars, Maus, Katharine Eisaman, & Rasmussen, Eric. (2002). English Renaissance drama: a Norton anthology. W.W. Norton.
Bowsher, Julian. (2012). Shakespeare’s London theatreland: archaeology, history and drama. Museum of London Archaeology.
Braunmuller, A. R. & Hattaway, Michael. (2003). The Cambridge companion to English Renaissance drama: Vol. Cambridge companions to literature (2nd ed). Cambridge University Press.
Briggs, J. (1997). This stage-play world: texts and contexts, 1580-1625 (2nd ed). Oxford University Press.
Briggs, Julia. (1997). This stage-play world: texts and contexts, 1580-1625 (2nd ed). Oxford University Press.
Bristol, Michael D. (1985). Carnival and theater: plebeian culture and the structure of authority in Renaissance England. Methuen.
Carlson, Susan. (1991). Women and comedy: rewriting the British theatrical tradition. University of Michigan Press.
Carson, Christie & Karim-Cooper, Farah. (2008). Introduction. In Shakespeare’s Globe: a theatrical experiment. Cambridge University Press.
Cavell, Stanley. (1987). Disowning knowledge, in six plays of Shakespeare. C.U.P.
Champion, L. S. (n.d.). Shakespeare and Dekker: creative interaction and the form of romantic comedy.
Chapman, A. (n.d.). Whose Saint Crispin’s Day Is It?: Shoemaking, Holiday Making, and the Politics of Memory in Early Modern England. Renaissance Quarterly , 52(4), 1467–1494.
Dillon, Janette. (2006a). The Cambridge introduction to early English theatre: Vol. Cambridge introductions to literature. Cambridge University Press.
Dillon, Janette. (2006b). The Cambridge introduction to early English theatre: Vol. Cambridge introductions to literature. Cambridge University Press.
Dollimore, Jonathan & Sinfield, Alan. (1985). Political Shakespeare: new essays in cultural materialism. Manchester U.P.
Drakakis, John. (1985). Alternative Shakespeares: Vol. New accents. Methuen.
Dunworth, Felicity Elizabeth. (2010). Mothers and meaning on the early modern English stage. Manchester University Press.
Dusinberre, Juliet. (2003). Shakespeare and the nature of women (3rd ed). Palgrave Macmillan.
Dutton, Richard & Howard, Jean E. (2003). A companion to Shakespeare’s works: Vol. 3: The comedies: Vol. Blackwell companions to literature and culture. Blackwell.
Eagleton, Terry. (2003). Sweet violence: the idea of the tragic. Blackwell.
Farley-Hills, D. (1981). The comic in Renaissance comedy. Macmillan.
Foakes & R.A. (1996). Shakespeare’s Elizabethan Stages. In Shakespeare: an illustrated stage history. Oxford University Press.
Friedenreich, K. (1983). ‘Accompaninge the players’: essays celebrating Thomas Middleton, 1580-1980; ed K Friedenreich. AMS Press.
Gay, Penny. (1994). As she likes it: Shakespeare’s unruly women: Vol. Gender in performance. Routledge. https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=169570
Griswold, Wendy. (1986). Renaissance revivals: city comedy and revenge tragedy in the London theatre, 1576-1980. University of Chicago Press.
Gurr, Andrew. (2004). The plan of 1594. In The Shakespeare Company, 1594-1642. Cambridge University Press.
Hall, Jonathan. (1995). Anxious pleasures: Shakespearean comedy and the nation-state. Fairleigh Dickinson University Press.
Harris, Jonathan Gil & Korda, Natasha. (2002). Introduction: towards a materialist account of stage properties. In Staged properties in early modern English drama. Cambridge University Press.
Heinemann, M. (1980). Puritanism and theatre: Thomas Middleton and opposition drama under the early Stuarts. C.U.P.
Howard, J E. (1984). Shakespeare’s art of orchestration: stage technique and audience response. U. of Illinois P.
Howard, Jean Elizabeth. (1994). The stage and social struggle in early modern England. Routledge. https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=179419
Jardine, Lisa. (1983). Still harping on daughters: women and drama in the Age of Shakespeare. Barnes & Noble.
Jardine, Lisa. (1996). Reading Shakespeare historically. Routledge.
Joughin, John J. (1997). Shakespeare and national culture. Distributed exclusively in the USA by St. Martin’s Press.
Kastan, David Scott & Stallybrass, Peter. (1991). Staging the Renaissance: reinterpretations of Elizabethan and Jacobean drama. Routledge.
Kastan & D.S. (1991). Workshop and/as playhouse. In Staging the Renaissance: reinterpretations of Elizabethan and Jacobean drama. Routledge.
Knowles, Ronald. (1998). Shakespeare and carnival: after Bakhtin: Vol. Early modern literature in history. Macmillan Press.
Krieger, Elliot. (1979). A Marxist study of Shakespeare’s comedies. Macmillan.
Leech, Clifford, Craik, T. W., & Barroll, John Leeds. (n.d.). The Revels history of drama in English: Vol.3: 1576-1613 ; [by]J. Leeds Barroll ... [et al.]. Methuen.
Leggatt, Alexander. (1998). English stage comedy, 1490-1990: five centuries of a genre. Routledge.
Leggatt, Alexander. (2002). The Cambridge companion to Shakespearean comedy: Vol. Cambridge companions to literature. Cambridge University Press. http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://cco.cambridge.org/login2%3Fdest%3D%252Fbook%253Fid%253Dccol0521770440_CCOL0521770440
M. (n.d.). The Construction of The Shoemakers’ Holiday. Studies in English Literature, 10(2), 315–323.
Mahood, M. M. (n.d.). Shakespeare’s wordplay. Methuen.
Marcus, Leah S. (1988). Puzzling Shakespeare: local reading and its discontents: Vol. The new historicism. University of California Press.
Martin, Mathew R. (2001). Between theater and philosophy: skepticism in the major city comedies of Ben Jonson and Thomas Middleton. Associated University Presses.
Maynard, S. (1998). Feasting on Eyre: Community, Consumption and Communion in The Shoemaker’s Holiday. Comparative Drama, 32(3), 327–346.
McDonald, Russ. (1988). Shakespeare and Jonson: Jonson and Shakespeare. U. of Nebraska P.
McLuskie, Kathleen. (1994). Dekker and Heywood: professional dramatists: Vol. English dramatists. St. Martin’s Press.
Mendelson, Sara Heller & Crawford, Patricia. (1998). Women in early modern England, 1550-1720. Oxford University Press.
Miola, Robert S. (1994). Shakespeare and classical comedy: the influence of Plautus and Terence. Clarendon Press.
Mortenson, P. (n.d.). The Economics of Joy in The Shoemakers’ Holiday. Studies in English Literature, 1500-1900, 16(2), 241–252.
Nevo, R. (1980). Comic transformations in Shakespeare. Methuen.
Newman, K. (1985). Shakespeare’s rhetoric of comic character: dramatic convention in classical and Renaissance comedy. Methuen.
Novarr, D. (n.d.). Dekker’s Gentle Craft and the Lord Mayor of London. Modern Philology , 57(4), 233–239.
Ornstein, Robert. (1986). Shakespeare’s comedies: from Roman farce to romantic mystery. Associated University Presses.
Parker, P. (1985). Shakespeare and the question of theory; ed P Parker and G Hartman. Methuen. https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=179172
Purcell, Stephen. (2009). Popular Shakespeare: simulation and subversion on the modern stage: Vol. Palgrave Shakespeare studies. Palgrave Macmillan.
Rowland, Richard. (2010). Thomas Heywood’s theatre, 1599-1639: Vol. Studies in performance and early modern drama. Ashgate.
Shakespeare, William, Greenblatt, Stephen, Cohen, Walter, Howard, Jean E., Maus, Katharine Eisaman, & Gurr, Andrew. (2008). The Norton Shakespeare: based on the Oxford edition (2nd ed., International student ed). W. W. Norton.
Sharpe, J. A. (1997). Early modern England: a social history 1550-1760 (2nd ed). Arnold.
Smith & B. (2003). Studies in Sexuality. In Shakespeare: an Oxford guide. Oxford University Press.
Smith, David L., Strier, Richard, & Bevington, David M. (1995). The theatrical city: culture, theatre, and politics in London, 1576-1649. Cambridge University Press.
Smith, Emma & Sullivan, Garrett A. (2010). The Cambridge companion to English Renaissance tragedy: Vol. Cambridge companions to topics. Cambridge University Press. http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://cco.cambridge.org/login2%3Fdest%3D%252Fbook%253Fid%253Dccol9780521519373_CCOL9780521519373
Straznicky, M. (n.d.). The End(s) of Discord in The Shoemaker’s Holiday. Studies in English Literature, 1500-1900, 36(2), 357–372.
Sullivan, Garrett A., Cheney, Patrick Gerard, & Hadfield, Andrew. (2006). Early modern English drama: a critical companion. Oxford University Press.
Tennenhouse, Leonard. (1986). Power on display: the politics of Shakespeare’s genres.
Thomson, Peter. (1992a). Shakespeare’s professional career. Cambridge University Press.
Thomson, Peter. (1992b). Shakespeare’s theatre: Vol. Theatre production studies (2nd ed). Routledge.
Tittler, Robert, Jones, Norman L., & Dawsonera. (2004). A companion to Tudor Britain: Vol. Blackwell companions to British history. Blackwell Pub. http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9781405137409
Traversi, D A. (1964). William Shakespeare, the early comedies: The comedy of errors, The taming of the Shrew, The two gentlemen of Verona, Love’s labour lost, The merchant of Venice [2nd rev. ed]. Longmans Green for the British Council and the National Book League.
Ward, I. (1999). Shakespeare and the Politics of Community. Early Modern Literary Studies, 4(3), 1–45.
Weimann, Robert & Schwartz, Robert. (1978a). Shakespeare and the popular tradition in the theater: studies in the social dimension of dramatic form and function. Johns Hopkins U.P.
Weimann, Robert & Schwartz, Robert. (1978b). Shakespeare’s theater: tradition and experiment. In Shakespeare and the popular tradition in the theater: studies in the social dimension of dramatic form and function. Johns Hopkins U.P.
Wells, Stanley W. (2006). Shakespeare and Co: Christopher Marlowe, Thomas Dekker, Ben Johnson, Thomas Middleton, John Fletcher and the other players in his story. Allen Lane.
Wells, Stanley W. & Orlin, Lena Cowen. (2003). Shakespeare: an Oxford guide. Oxford University Press.
Whitney, C. (2001). The Devil His Due: Mayor John Spencer, Elizabethan Civic Antitheatricalism, and ‘The Shoemaker’s Holiday’. Medieval and Renaissance Drama in England, 14, 168–185.
W.K. (1929). The Sources of the Characters in The Shoemaker’s Holiday . Modern Philology, 27(2), 175–182.
Wrightson, Keith. (2002). Earthly necessities: economic lives in early modern Britain, 1470-1750. Penguin.
Wrightson, Keith. (2003). English society, 1580-1680. Routledge.