Bibliography for Elizabethan Drama BETA

Adamson, Sylvia. Reading Shakespeare’s Dramatic Language: A Guide. The Arden Shakespeare. London: Arden Shakespeare, 2001. Print.

Agnew, Jean-Christophe. Worlds Apart: The Market and the Theater in Anglo-American Thought, 1550-1750. Cambridge: Cambridge University Press, 1986. Print.

A.L. ‘Performing Cross-Class Clandestine Marriage in The Shoemaker’s Holiday’. Studies in English literature, 1500-1900 45.2 (2005): 333–355. Print.

Arabm R.A. ‘Work, Bodies and Gender in The Shoemaker’s Holiday’. Medieval and renaissance drama in England 13 n. pag. Print.

Bamber, Linda. Comic Women, Tragic Men: A Study of Gender and Genre in Shakespeare. Stanford, Cal: Stanford University Press, 1982. Print.

Barber, Cesar Lombardi. Shakespeare’s Festive Comedy: A Study of Dramatic Form and Its Relation to Social Custom. Princeton, N.J.: Princeton University Press, 1959. Print.

Barton, Anne. Shakespeare and the Idea of the Play. Westport, Conn: Greenwood Press, 1977. Print.

Bevington, David M. et al. English Renaissance Drama: A Norton Anthology. London: W.W. Norton, 2002. Print.

Bowsher, Julian. Shakespeare’s London Theatreland: Archaeology, History and Drama. London: Museum of London Archaeology, 2012. Print.

Braunmuller, A. R. and Hattaway, Michael. The Cambridge Companion to English Renaissance Drama. 2nd ed. Cambridge companions to literature. Cambridge: Cambridge University Press, 2003. Print.

Briggs, Julia. This Stage-Play World: Texts and Contexts, 1580-1625. 2nd ed. New York: Oxford University Press, 1997. Print.

Briggs, Julia. This Stage-Play World: Texts and Contexts, 1580-1625. 2nd ed. New York: Oxford University Press, 1997. Print.

Bristol, Michael D. Carnival and Theater: Plebeian Culture and the Structure of Authority in Renaissance England. London: Methuen, 1985. Print.

Carlson, Susan. Women and Comedy: Rewriting the British Theatrical Tradition. Ann Arbor: University of Michigan Press, 1991. Print.

Carson, Christie and Karim-Cooper, Farah. ‘Introduction’. Shakespeare’s Globe: A Theatrical Experiment. Cambridge: Cambridge University Press, 2008. Print.

Cavell, Stanley. Disowning Knowledge, in Six Plays of Shakespeare. Cambridge: C.U.P., 1987. Print.

Champion, L. S. Shakespeare and Dekker: Creative Interaction and the Form of Romantic Comedy. N.p. Print.

Chapman, A. ‘Whose Saint Crispin’s Day Is It?: Shoemaking, Holiday Making, and the Politics of Memory in Early Modern England’. Renaissance Quarterly 52.4 1467–1494. Print.

Dillon, Janette. The Cambridge Introduction to Early English Theatre. Cambridge introductions to literature. Cambridge: Cambridge University Press, 2006. Print.

---. The Cambridge Introduction to Early English Theatre. Cambridge introductions to literature. Cambridge: Cambridge University Press, 2006. Print.

Dollimore, Jonathan and Sinfield, Alan. Political Shakespeare: New Essays in Cultural Materialism. Manchester: Manchester U.P., 1985. Print.

Drakakis, John. Alternative Shakespeares. New accents. London: Methuen, 1985. Print.

Dunworth, Felicity Elizabeth. Mothers and Meaning on the Early Modern English Stage. Manchester: Manchester University Press, 2010. Print.

Dusinberre, Juliet. Shakespeare and the Nature of Women. 3rd ed. Basingstoke: Palgrave Macmillan, 2003. Print.

Dutton, Richard and Howard, Jean E. A Companion to Shakespeare’s Works: Vol. 3: The Comedies. Blackwell companions to literature and culture. Oxford: Blackwell, 2003. Print.

Eagleton, Terry. Sweet Violence: The Idea of the Tragic. Malden, Mass., Oxford: Blackwell, 2003. Print.

Farley-Hills, D. The Comic in Renaissance Comedy. [Place of publication not identified]: Macmillan, 1981. Print.

Foakes and R.A. ‘Shakespeare’s Elizabethan Stages’. Shakespeare: An Illustrated Stage History. Oxford: Oxford University Press, 1996. Print.

Friedenreich, K. ‘Accompaninge the Players’: Essays Celebrating Thomas Middleton, 1580-1980; Ed K Friedenreich. [Place of publication not identified]: AMS Press, 1983. Print.

Gay, Penny. As She Likes It: Shakespeare’s Unruly Women. Gender in performance. London: Routledge, 1994. Web. <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=169570>.

Griswold, Wendy. Renaissance Revivals: City Comedy and Revenge Tragedy in the London Theatre, 1576-1980. Chicago: University of Chicago Press, 1986. Print.

Gurr, Andrew. ‘The Plan of 1594’. The Shakespeare Company, 1594-1642. Cambridge: Cambridge University Press, 2004. Print.

Hall, Jonathan. Anxious Pleasures: Shakespearean Comedy and the Nation-State. London: Fairleigh Dickinson University Press, 1995. Print.

Harris, Jonathan Gil and Korda, Natasha. ‘Introduction: Towards a Materialist Account of Stage Properties’. Staged Properties in Early Modern English Drama. Cambridge: Cambridge University Press, 2002. Print.

Heinemann, M. Puritanism and Theatre: Thomas Middleton and Opposition Drama under the Early Stuarts. [Place of publication not identified]: C.U.P., 1980. Print.

Howard, J E. Shakespeare’s Art of Orchestration: Stage Technique and Audience Response. [Place of publication not identified]: U. of Illinois P., 1984. Print.

Howard, Jean Elizabeth. The Stage and Social Struggle in Early Modern England. London: Routledge, 1994. Web. <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=179419>.

Jardine, Lisa. Reading Shakespeare Historically. London: Routledge, 1996. Print.

---. Still Harping on Daughters: Women and Drama in the Age of Shakespeare. Sussex, England: Barnes & Noble, 1983. Print.

Joughin, John J. Shakespeare and National Culture. Manchester: Distributed exclusively in the USA by St. Martin’s Press, 1997. Print.

Kastan, David Scott and Stallybrass, Peter. Staging the Renaissance: Reinterpretations of Elizabethan and Jacobean Drama. London: Routledge, 1991. Print.

Kastan and D.S. ‘Workshop and/as Playhouse’. Staging the Renaissance: Reinterpretations of Elizabethan and Jacobean Drama. London: Routledge, 1991. Print.

Knowles, Ronald. Shakespeare and Carnival: After Bakhtin. Early modern literature in history. Basingstoke: Macmillan Press, 1998. Print.

Krieger, Elliot. A Marxist Study of Shakespeare’s Comedies. London: Macmillan, 1979. Print.

Leech, Clifford, Craik, T. W., and Barroll, John Leeds. The Revels History of Drama in English: Vol.3: 1576-1613 ; [by]J. Leeds Barroll ... [et Al.]. 1975: Methuen. Print.

Leggatt, Alexander. English Stage Comedy, 1490-1990: Five Centuries of a Genre. London: Routledge, 1998. Print.

---. The Cambridge Companion to Shakespearean Comedy. Cambridge companions to literature. Cambridge: Cambridge University Press, 2002. Web. <http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://cco.cambridge.org/login2%3Fdest%3D%252Fbook%253Fid%253Dccol0521770440_CCOL0521770440>.

M. ‘ The Construction of The Shoemakers’ Holiday’. Studies in English literature 10.2 315–323. Print.

Mahood, M. M. Shakespeare’s Wordplay. London: Methuen. Print.

Marcus, Leah S. Puzzling Shakespeare: Local Reading and Its Discontents. The new historicism. Berkeley, Ca: University of California Press, 1988. Print.

Martin, Mathew R. Between Theater and Philosophy: Skepticism in the Major City Comedies of Ben Jonson and Thomas Middleton. London: Associated University Presses, 2001. Print.

Maynard, S. ‘Feasting on Eyre: Community, Consumption and Communion in The Shoemaker’s Holiday’. Comparative drama 32.3 (1998): 327–346. Print.

McDonald, Russ. Shakespeare and Jonson: Jonson and Shakespeare. Lincoln, Neb: U. of Nebraska P., 1988. Print.

McLuskie, Kathleen. Dekker and Heywood: Professional Dramatists. English dramatists. Basingstoke: St. Martin’s Press, 1994. Print.

Mendelson, Sara Heller and Crawford, Patricia. Women in Early Modern England, 1550-1720. Oxford: Oxford University Press, 1998. Print.

Miola, Robert S. Shakespeare and Classical Comedy: The Influence of Plautus and Terence. Oxford: Clarendon Press, 1994. Print.

Mortenson, P. ‘The Economics of Joy in The Shoemakers’ Holiday’. Studies in English literature, 1500-1900 16.2 241–252. Print.

Nevo, R. Comic Transformations in Shakespeare. [Place of publication not identified]: Methuen, 1980. Print.

Newman, K. Shakespeare’s Rhetoric of Comic Character: Dramatic Convention in Classical and Renaissance Comedy. [Place of publication not identified]: Methuen, 1985. Print.

Novarr, D. ‘Dekker’s Gentle Craft and the Lord Mayor of London’. Modern Philology 57.4 233–239. Print.

Ornstein, Robert. Shakespeare’s Comedies: From Roman Farce to Romantic Mystery. London: Associated University Presses, 1986. Print.

Parker, P. Shakespeare and the Question of Theory; Ed P Parker and G Hartman. New York: Methuen, 1985. Web. <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=179172>.

Purcell, Stephen. Popular Shakespeare: Simulation and Subversion on the Modern Stage. Palgrave Shakespeare studies. Basingstoke: Palgrave Macmillan, 2009. Print.

Rowland, Richard. Thomas Heywood’s Theatre, 1599-1639. Studies in performance and early modern drama. Burlington, VT: Ashgate, 2010. Print.

Shakespeare, William et al. The Norton Shakespeare: Based on the Oxford Edition. 2nd ed., International student ed. London: W. W. Norton, 2008. Print.

Sharpe, J. A. Early Modern England: A Social History 1550-1760. 2nd ed. London: Arnold, 1997. Print.

Smith and B. ‘Studies in Sexuality’. Shakespeare: An Oxford Guide. Oxford: Oxford University Press, 2003. Print.

Smith, David L., Strier, Richard, and Bevington, David M. The Theatrical City: Culture, Theatre, and Politics in London, 1576-1649. Cambridge: Cambridge University Press, 1995. Print.

Smith, Emma and Sullivan, Garrett A. The Cambridge Companion to English Renaissance Tragedy. Cambridge companions to topics. Cambridge: Cambridge University Press, 2010. Web. <http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://cco.cambridge.org/login2%3Fdest%3D%252Fbook%253Fid%253Dccol9780521519373_CCOL9780521519373>.

Straznicky, M. ‘The End(s) of Discord in The Shoemaker’s Holiday’. Studies in English literature, 1500-1900 36.2 357–372. Print.

Sullivan, Garrett A., Cheney, Patrick Gerard, and Hadfield, Andrew. Early Modern English Drama: A Critical Companion. New York: Oxford University Press, 2006. Print.

Tennenhouse, Leonard. ‘Power on Display: The Politics of Shakespeare’s Genres’. (1986): n. pag. Print.

Thomson, Peter. Shakespeare’s Professional Career. Cambridge: Cambridge University Press, 1992. Print.

---. Shakespeare’s Theatre. 2nd ed. Theatre production studies. London: Routledge, 1992. Print.

Tittler, Robert, Jones, Norman L., and Dawsonera. A Companion to Tudor Britain. Blackwell companions to British history. Malden, MA: Blackwell Pub, 2004. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9781405137409>.

Traversi, D A. William Shakespeare, the Early Comedies: The Comedy of Errors, The Taming of the Shrew, The Two Gentlemen of Verona, Love’s Labour Lost, The Merchant of Venice. [Place of publication not identified]: Longmans Green for the British Council and the National Book League, 1964. Print.

Ward, I. ‘Shakespeare and the Politics of Community’. Early Modern Literary Studies 4.3 (1999): 1–45. Print.

Weimann, Robert and Schwartz, Robert. Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and Function. Baltimore: Johns Hopkins U.P., 1978. Print.

---. ‘Shakespeare’s Theater: Tradition and Experiment’. Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and Function. Baltimore: Johns Hopkins U.P., 1978. Print.

Wells, Stanley W. Shakespeare and Co: Christopher Marlowe, Thomas Dekker, Ben Johnson, Thomas Middleton, John Fletcher and the Other Players in His Story. London: Allen Lane, 2006. Print.

Wells, Stanley W. and Orlin, Lena Cowen. Shakespeare: An Oxford Guide. Oxford: Oxford University Press, 2003. Print.

Whitney, C. ‘The Devil His Due: Mayor John Spencer, Elizabethan Civic Antitheatricalism, and “The Shoemaker’s Holiday”’. Medieval and Renaissance Drama in England 14 (2001): 168–185. Print.

W.K. ‘The Sources of the Characters in The Shoemaker’s Holiday ’. Modern philology 27.2 (1929): 175–182. Print.

Wrightson, Keith. Earthly Necessities: Economic Lives in Early Modern Britain, 1470-1750. London: Penguin, 2002. Print.

---. English Society, 1580-1680. London: Routledge, 2003. Print.