@misc{Ascher_2013, address={[Place of publication not identified]}, title={Room 237: being an inquiry into The Shining in 9 parts}, publisher={Metrodome Distribution}, author={Ascher, Rodney}, year={2013} }
@article{Astruc, edition={New edition}, title={‘What Is Mise-en-Scene?’}, journal={Cahiers Du Cinema: 1950s: Neo-Realism, Hollywood, New Wave v. 1}, publisher={Harvard University Press}, author={Astruc, Alexandre}, pages={266–268} }
@misc{Barnard_2014, address={[United Kingdom]}, title={The selfish giant}, publisher={Artificial Eye}, author={Barnard, Clio}, year={2014} }
@article{Bazin, edition={New edition}, title={‘On the Politique des Auteurs’}, journal={Cahiers Du Cinema: 1950s: Neo-Realism, Hollywood, New Wave v. 1}, publisher={Harvard University Press}, author={Bazin, Andre}, pages={248–259} }
@inbook{Bordwell_1989, address={Cambridge, Mass}, title={Symptomatic interpretation}, volume={Harvard film studies}, booktitle={Making meaning: inference and rhetoric in the interpretation of cinema}, publisher={Harvard University Press}, author={Bordwell, David}, year={1989}, pages={71–104} }
@inbook{Bordwell_2004a, address={Boston ; London}, title={" ‘The Film Review’}, booktitle={The McGraw-Hill film viewer’s guide}, publisher={McGraw-Hill}, author={Bordwell, David}, year={2004}, pages={15–17} }
@inbook{Bordwell_2004b, address={Boston ; London}, title={‘The Analytical Essay’}, booktitle={The McGraw-Hill film viewer’s guide}, publisher={McGraw-Hill}, author={Bordwell, David}, year={2004}, pages={18–26} }
@article{Bradshaw, Nick_2013, title={Build My Gallows High, interview with Joshua Oppenheimer}, volume={23}, url={http://search.proquest.com.chain.kent.ac.uk/docview/1406195047/D36A6499B81A4035PQ/22?accountid=7408}, number={7}, journal={Sight and Sound}, author={Bradshaw, Nick}, year={2013}, pages={36–39} }
@misc{Bradshaw, title={Film review: Elite Squad | Film | The Guardian}, url={http://www.theguardian.com/film/2008/aug/08/worldcinema.thriller}, author={Bradshaw, Peter} }
@misc{Camhi, title={‘Touch the Sound’ | Village Voice}, url={http://www.villagevoice.com/2005-08-30/film/touch-the-sound/full/}, author={Camhi, Leslie} }
@inbook{Carroll_2009, address={New York}, title={‘Criticism as Evaluation’}, volume={Thinking in action}, url={http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://www.kentuk.eblib.com/patron/FullRecord.aspx?p=435624}, booktitle={On criticism}, publisher={Routledge}, author={Carroll, Noël}, year={2009}, pages={11–47} }
@misc{Chandor, title={All Is Lost}, publisher={Universal Pictures UK}, author={Chandor, J.C.} }
@misc{Cianfrance_2013, address={[London]}, title={The place beyond the pines}, publisher={StudioCanal}, author={Cianfrance, Derek}, year={2013} }
@misc{Coppola, title={Somewhere}, publisher={Universal Pictures UK}, author={Coppola, Sofia} }
@inbook{Corrigan_1998, address={New York}, edition={Third edition}, title={‘Writing about the Movies’ and ‘Beginning to Think, Preparint to Watch and Starting to Write’}, volume={The short guide series}, booktitle={A short guide to writing about film}, publisher={Longman}, author={Corrigan, Timothy}, year={1998}, pages={6–33} }
@misc{Dargis, title={At Home in a War Zone - NYTimes.com}, url={http://www.nytimes.com/2008/09/19/movies/19elit.html?partner=Rotten%2520Tomatoes&ei=5083&_r=1&}, author={Dargis, Manohla} }
@misc{Dargis, title={Who Killed the Electric Car? - Review - Movies - NYTimes.com}, url={http://www.nytimes.com/2006/06/28/movies/28kill.html?adxnnl=1&adxnnlx=1398693704-j8tBaUigNXDbw6WiCZ9IFg}, author={Dargis, Manohla} }
@inbook{1989, address={Cambridge, Mass}, title={"The Logic of Justification, or Rhetoric” and "An Anatomy of Interpretation”}, volume={Harvard film studies}, booktitle={Making meaning: inference and rhetoric in the interpretation of cinema}, publisher={Harvard University Press}, author={David Bordwell}, year={1989}, pages={34–42} }
@article{Delorme_Rayns_2013, title={‘Taking Issue: In Search of the Auteur’}, volume={23}, url={http://search.proquest.com.chain.kent.ac.uk/docview/1398957761/1393701DDA6A453APQ/37?accountid=7408}, number={6}, journal={Sight and Sound}, author={Delorme, Stéphane and Rayns, Tony}, year={2013}, pages={76–77} }
@misc{Dominik_2012, address={[England]}, title={Killing them softly}, publisher={Entertainment in Video}, author={Dominik, Andrew}, year={2012} }
@misc{Feig_2011, address={[Place of publication not identified]}, edition={Extended edition}, title={Bridesmaids}, publisher={Universal Studios}, author={Feig, Paul}, year={2011} }
@article{Frey_2013, title={‘The Critical Question: Sight and Sound’s Postwar Consolidation of Liberal Taste’}, volume={54}, DOI={10.1093/screen/hjt002}, number={2}, journal={Screen}, author={Frey, Mattias}, year={2013}, month=june, pages={194–217} }
@inbook{Haberski_2001, address={Lexington, Ky}, title={‘Movies into Art’ and ‘The First New York Film Festival and the Heroic Age of Moviegoing’}, booktitle={It’s only a movie!: films and critics in American culture}, publisher={University Press of Kentucky}, author={Haberski, Raymond}, year={2001}, pages={81-101-144–64} }
@misc{Haneke, title={Hidden (cache) [DVD]: Amazon.co.uk: Daniel Auteuil, Juliette Binoche, Maurice Benichou, Annie Girardot, Bernard le Coq, Walid Afkir, Lester Makedonsky, Daniel Duval, Nathalie Richard, Denis Podalydes, Michael Haneke, Veit Heiduschka: DVD & Blu-ray}, url={http://www.amazon.co.uk/Hidden-cache-DVD-Daniel-Auteuil/dp/B000EJ9NIW/ref=sr_1_1?ie=UTF8&qid=1412157949&sr=8-1&keywords=cache+film}, author={Haneke, Michael} }
@book{Hillier, Jim_British Film Institute, address={London}, title={Cahiers du cinéma: Vol.1: The 1950s : Neo-realism, Hollywood, new wave ; edited by Jim Hillier}, publisher={Routledge & Kegan Paul in association with the British Film Institute}, author={Hillier, Jim and British Film Institute} }
@misc{Hoberman, title={Eviction Notice | Village Voice Review of Farenheit 9/11}, url={http://www.villagevoice.com/2004-06-15/film/eviction-notice/full/}, author={Hoberman, J} }
@article{Houston, Penelope, title={The Critical Question}, volume={29}, url={http://search.proquest.com.chain.kent.ac.uk/docview/740635652/7FF4BEB4C8E74EA9PQ/2?accountid=7408}, number={4}, journal={Sight and Sound / Monthly Film Bulletin}, publisher={British Film Institute}, author={Houston, Penelope}, pages={160–165} }
@misc{Hunter, title={‘City of God’: A Vivid Walk With the Devil in The Washington Post}, url={http://www.washingtonpost.com/wp-dyn/content/article/2003/01/24/AR2005033116342.html}, author={Hunter, Stephen} }
@article{James, Nick, title={Who Needs Critics?}, volume={18}, url={http://search.proquest.com.chain.kent.ac.uk/docview/1838662/74009A163EA4405DPQ/12?accountid=7408}, number={10}, journal={Sight and Sound}, publisher={British Film Institute}, author={James, Nick}, pages={16–18} }
@inbook{Jean-Louis Comolli_Jean Narboni_1999, address={New York ; Oxford}, edition={5th ed}, title={‘Cinema/Ideology/Criticism’}, booktitle={Film theory and criticism: introductory readings}, publisher={Oxford University Press}, author={Jean-Louis Comolli and Jean Narboni}, year={1999} }
@misc{Jenkins, title={Elite Squad | review, synopsis, book tickets, showtimes, movie release date | Time Out London}, url={http://www.timeout.com/london/film/elite-squad-2008}, author={Jenkins, David} }
@inbook{ address={London}, title={Introduction to Cahiers du cinéma: Vol.1: The 1950s : Neo-realism, Hollywood, new wave ; edited by Jim Hillier}, booktitle={Cahiers du cinéma: Vol.1: The 1950s : Neo-realism, Hollywood, new wave ; edited by Jim Hillier}, publisher={Routledge & Kegan Paul in association with the British Film Institute}, author={Jim Hillier}, pages={1–17} }
@article{Kael, address={Berkeley}, title={‘Circles and Squares’}, volume={16.3}, journal={Film quarterly}, publisher={University of California Press}, author={Kael, Pauline} }
@misc{Kallay, title={‘The Critic Is Dead’, in Film Ireland, Index to Film Periodicals Full Text}, url={http://fiaf.chadwyck.com/fulltext/indexFullText.do?id=004/0347188&area=index&fromToC=yes&jid=006/0000139}, author={Kallay, Jasmina} }
@misc{Kennedy, title={Empire’s City Of God Movie Review}, url={http://www.empireonline.com/reviews/ReviewComplete.asp?FID=8730}, author={Kennedy, Colin} }
@misc{Kleber Mendonça Filho, title={Neighbouring Sounds}, publisher={Artificial Eye}, author={Kleber Mendonça Filho} }
@book{Lopate, Phillip_2008, address={New York}, edition={Expanded edition}, title={American movie critics: an anthology from the silents until now}, publisher={Library of America}, author={Lopate, Phillip}, year={2008} }
@article{Naremore, address={Berkeley}, title={‘Authorship and the Cultural Politics of Film Criticism’}, volume={44.1}, journal={Film Quarterly}, publisher={University of California Press}, author={Naremore, James} }
@misc{Oppenheimer_2013, address={United Kingdom}, title={The act of killing}, publisher={Dogwoof}, author={Oppenheimer, Joshua}, year={2013} }
@article{Rayns, Toby_2013, title={Reviews: ‘Neighbouring Sounds,’ directed by Kieber Mendonça Filho}, volume={23}, url={http://search.proquest.com.chain.kent.ac.uk/docview/1328327792/39B9E73D4FC1462EPQ/38?accountid=7408}, number={4}, journal={Sight and Sound}, author={Rayns, Toby}, year={2013}, pages={80–81} }
@article{Rayns, Tony_2013, title={Reviews: ‘The Act of Killing’}, volume={23}, url={http://search.proquest.com.chain.kent.ac.uk/docview/1406195040/D36A6499B81A4035PQ/35?accountid=7408}, number={7}, journal={Sight and Sound}, author={Rayns, Tony}, year={2013} }
@article{Rivette, edition={New edition}, title={‘Notes on a Revolution’}, journal={Cahiers Du Cinema: 1950s: Neo-Realism, Hollywood, New Wave v. 1}, publisher={Harvard University Press}, author={Rivette, Jacques}, pages={94–97} }
@article{Rooney, title={City of God | Variety}, url={http://variety.com/2002/film/reviews/city-of-god-1200549576/}, author={Rooney, David} }
@article{Roud, Richard, title={The French Line}, volume={29}, url={http://search.proquest.com.chain.kent.ac.uk/docview/740634886/7FF4BEB4C8E74EA9PQ/3?accountid=7408}, number={4}, journal={Sight and Sound / Monthly Film Bulletin}, publisher={British Film Institute}, author={Roud, Richard}, pages={166–171} }
@article{Sarris, address={New York}, title={‘Notes on the Auteur Theory in 1962’}, journal={Film Culture}, author={Sarris, Andrew} }
@misc{Smith, title={BFI | Sight & Sound | City of God (2002)}, url={http://old.bfi.org.uk/sightandsound/review/1483}, author={Smith, Paul Julian} }
@article{Stanfield_2008, title={Maximum Movies: Lawrence Alloway’s Pop Art Film Criticism}, volume={49}, DOI={10.1093/screen/hjn032}, number={2}, journal={Screen}, author={Stanfield, Peter}, year={2008}, month=jan, pages={179–193} }
@inbook{Taylor_1999, address={Princeton, N.J.}, title={‘The Spectator as Critic as Artist’}, booktitle={Artists in the audience: cults, camp, and American film criticism}, publisher={Princeton University Press}, author={Taylor, Greg}, year={1999}, pages={3–18} }
@article{Truffaut, edition={New edition}, title={‘The Rogues Are Weary’}, journal={Cahiers Du Cinema: 1950s: Neo-Realism, Hollywood, New Wave v. 1}, publisher={Harvard University Press}, author={Truffaut, François}, pages={28–30} }
@article{Truffaut, title={‘A Certain Tendency of French Cinema’}, url={http://www.newwavefilm.com/about/a-certain-tendency-of-french-cinema-truffaut.shtml}, author={Truffaut, François} }
@misc{White, title={What We Don’t Talk About When We Talk About Movies | NYPress.com - New York’s essential guide to culture, arts, politics, news and more}, url={http://nypress.com/what-we-dont-talk-about-when-we-talk-about-movies/}, author={White, Armond} }
@inbook{Wilde_1982, address={[Place of publication not identified]}, title={‘The Critic as Artist’}, booktitle={The artist as critic: critical writings of Oscar Wilde; edited by Richard Ellmann}, publisher={University of Chicago P.}, author={Wilde, Oscar}, year={1982} }
@misc{Witcher, title={Empire’s Elite Squad Movie Review}, url={http://www.empireonline.com/reviews/reviewcomplete.asp?FID=135666}, author={Witcher, Rosamund} }
@misc{Film Criticism in the Age of the Internet: A Critical Symposium, url={http://www.cineaste.com/articles/film-criticism-in-the-age-of-the-internet.htm} }