[1]
Lopate, Phillip, American movie critics: an anthology from the silents until now, Expanded edition. New York: Library of America, 2008.
[2]
Jim Hillier, ‘Introduction to Cahiers du cinéma: Vol.1: The 1950s : Neo-realism, Hollywood, new wave ; edited by Jim Hillier’, in Cahiers du cinéma: Vol.1: The 1950s : Neo-realism, Hollywood, new wave ; edited by Jim Hillier, London: Routledge & Kegan Paul in association with the British Film Institute, pp. 1–17.
[3]
D. Bordwell, ‘" “The Film Review”’, in The McGraw-Hill film viewer’s guide, Boston ; London: McGraw-Hill, 2004, pp. 15–17.
[4]
T. Corrigan, ‘“Writing about the Movies” and “Beginning to Think, Preparint to Watch and Starting to Write”’, in A short guide to writing about film, Third edition.New York: Longman, 1998, pp. 6–33.
[5]
N. Carroll, ‘“Criticism as Evaluation”’, in On criticism, New York: Routledge, 2009, pp. 11–47. Available: http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://www.kentuk.eblib.com/patron/FullRecord.aspx?p=435624
[6]
O. Wilde, ‘“The Critic as Artist”’, in The artist as critic: critical writings of Oscar Wilde; edited by Richard Ellmann, [Place of publication not identified]: University of Chicago P., 1982.
[7]
David Bordwell, ‘"The Logic of Justification, or Rhetoric” and "An Anatomy of Interpretation”’, in Making meaning: inference and rhetoric in the interpretation of cinema, Cambridge, Mass: Harvard University Press, 1989, pp. 34–42.
[8]
D. Cianfrance, ‘The place beyond the pines’. StudioCanal, [London], 2013.
[9]
R. Haberski, ‘“Movies into Art” and “The First New York Film Festival and the Heroic Age of Moviegoing”’, in It’s only a movie!: films and critics in American culture, Lexington, Ky: University Press of Kentucky, 2001, pp. 81-101-144–64.
[10]
J. C. Chandor, ‘All Is Lost’. Universal Pictures UK.
[11]
G. Taylor, ‘“The Spectator as Critic as Artist”’, in Artists in the audience: cults, camp, and American film criticism, Princeton, N.J.: Princeton University Press, 1999, pp. 3–18.
[12]
A. Dominik, ‘Killing them softly’. Entertainment in Video, [England], 2012.
[13]
J. Rivette, ‘“Notes on a Revolution”’, Cahiers Du Cinema: 1950s: Neo-Realism, Hollywood, New Wave v. 1, pp. 94–97.
[14]
F. Truffaut, ‘“The Rogues Are Weary”’, Cahiers Du Cinema: 1950s: Neo-Realism, Hollywood, New Wave v. 1, pp. 28–30.
[15]
A. Astruc, ‘“What Is Mise-en-Scene?”’, Cahiers Du Cinema: 1950s: Neo-Realism, Hollywood, New Wave v. 1, pp. 266–268.
[16]
A. Sarris, ‘“Notes on the Auteur Theory in 1962”’, Film Culture.
[17]
P. Kael, ‘“Circles and Squares”’, Film quarterly, vol. 16.3.
[18]
Hillier, Jim and British Film Institute, Cahiers du cinéma: Vol.1: The 1950s : Neo-realism, Hollywood, new wave ; edited by Jim Hillier. London: Routledge & Kegan Paul in association with the British Film Institute.
[19]
F. Truffaut, ‘“A Certain Tendency of French Cinema”’, Available: http://www.newwavefilm.com/about/a-certain-tendency-of-french-cinema-truffaut.shtml
[20]
J. Naremore, ‘“Authorship and the Cultural Politics of Film Criticism”’, Film Quarterly, vol. 44.1.
[21]
A. Bazin, ‘“On the Politique des Auteurs”’, Cahiers Du Cinema: 1950s: Neo-Realism, Hollywood, New Wave v. 1, pp. 248–259.
[22]
S. Coppola, ‘Somewhere’. Universal Pictures UK.
[23]
Houston, Penelope, ‘The Critical Question’, Sight and Sound / Monthly Film Bulletin, vol. 29, no. 4, pp. 160–165, Available: http://search.proquest.com.chain.kent.ac.uk/docview/740635652/7FF4BEB4C8E74EA9PQ/2?accountid=7408
[24]
Roud, Richard, ‘The French Line’, Sight and Sound / Monthly Film Bulletin, vol. 29, no. 4, pp. 166–171, Available: http://search.proquest.com.chain.kent.ac.uk/docview/740634886/7FF4BEB4C8E74EA9PQ/3?accountid=7408
[25]
S. Delorme and T. Rayns, ‘“Taking Issue: In Search of the Auteur”’, Sight and Sound, vol. 23, no. 6, pp. 76–77, 2013, Available: http://search.proquest.com.chain.kent.ac.uk/docview/1398957761/1393701DDA6A453APQ/37?accountid=7408
[26]
M. Frey, ‘“The Critical Question: Sight and Sound’s Postwar Consolidation of Liberal Taste”’, Screen, vol. 54, no. 2, pp. 194–217, June 2013, doi: 10.1093/screen/hjt002
[27]
P. Stanfield, ‘Maximum Movies: Lawrence Alloway’s Pop Art Film Criticism’, Screen, vol. 49, no. 2, pp. 179–193, Jan. 2008, doi: 10.1093/screen/hjn032
[28]
C. Barnard, ‘The selfish giant’. Artificial Eye, [United Kingdom], 2014.
[29]
Jean-Louis Comolli and Jean Narboni, ‘“Cinema/Ideology/Criticism”’, in Film theory and criticism: introductory readings, 5th ed.New York ; Oxford: Oxford University Press, 1999.
[30]
D. Bordwell, ‘Symptomatic interpretation’, in Making meaning: inference and rhetoric in the interpretation of cinema, Cambridge, Mass: Harvard University Press, 1989, pp. 71–104.
[31]
P. Feig, ‘Bridesmaids’. Universal Studios, [Place of publication not identified], 2011.
[32]
D. Rooney, ‘City of God | Variety’, Available: http://variety.com/2002/film/reviews/city-of-god-1200549576/
[33]
C. Kennedy, ‘Empire’s City Of God Movie Review’. Available: http://www.empireonline.com/reviews/ReviewComplete.asp?FID=8730
[34]
S. Hunter, ‘“City of God”: A Vivid Walk With the Devil in The Washington Post’. Available: http://www.washingtonpost.com/wp-dyn/content/article/2003/01/24/AR2005033116342.html
[35]
P. J. Smith, ‘BFI | Sight & Sound | City of God (2002)’. Available: http://old.bfi.org.uk/sightandsound/review/1483
[36]
M. Dargis, ‘At Home in a War Zone - NYTimes.com’. Available: http://www.nytimes.com/2008/09/19/movies/19elit.html?partner=Rotten%2520Tomatoes&ei=5083&_r=1&
[37]
P. Bradshaw, ‘Film review: Elite Squad | Film | The Guardian’. Available: http://www.theguardian.com/film/2008/aug/08/worldcinema.thriller
[38]
R. Witcher, ‘Empire’s Elite Squad Movie Review’. Available: http://www.empireonline.com/reviews/reviewcomplete.asp?FID=135666
[39]
D. Jenkins, ‘Elite Squad | review, synopsis, book tickets, showtimes, movie release date | Time Out London’. Available: http://www.timeout.com/london/film/elite-squad-2008
[40]
Rayns, Toby, ‘Reviews: “Neighbouring Sounds,” directed by Kieber Mendonça Filho’, Sight and Sound, vol. 23, no. 4, pp. 80–81, 2013, Available: http://search.proquest.com.chain.kent.ac.uk/docview/1328327792/39B9E73D4FC1462EPQ/38?accountid=7408
[41]
Kleber Mendonça Filho, ‘Neighbouring Sounds’. Artificial Eye.
[42]
J. Hoberman, ‘Eviction Notice | Village Voice Review of Farenheit 9/11’. Available: http://www.villagevoice.com/2004-06-15/film/eviction-notice/full/
[43]
L. Camhi, ‘“Touch the Sound” | Village Voice’. Available: http://www.villagevoice.com/2005-08-30/film/touch-the-sound/full/
[44]
M. Dargis, ‘Who Killed the Electric Car? - Review - Movies - NYTimes.com’. Available: http://www.nytimes.com/2006/06/28/movies/28kill.html?adxnnl=1&adxnnlx=1398693704-j8tBaUigNXDbw6WiCZ9IFg
[45]
Rayns, Tony, ‘Reviews: “The Act of Killing”’, Sight and Sound, vol. 23, no. 7, 2013, Available: http://search.proquest.com.chain.kent.ac.uk/docview/1406195040/D36A6499B81A4035PQ/35?accountid=7408
[46]
Bradshaw, Nick, ‘Build My Gallows High, interview with Joshua Oppenheimer’, Sight and Sound, vol. 23, no. 7, pp. 36–39, 2013, Available: http://search.proquest.com.chain.kent.ac.uk/docview/1406195047/D36A6499B81A4035PQ/22?accountid=7408
[47]
J. Oppenheimer, ‘The act of killing’. Dogwoof, United Kingdom, 2013.
[48]
M. Haneke, ‘Hidden (cache) [DVD]: Amazon.co.uk: Daniel Auteuil, Juliette Binoche, Maurice Benichou, Annie Girardot, Bernard le Coq, Walid Afkir, Lester Makedonsky, Daniel Duval, Nathalie Richard, Denis Podalydes, Michael Haneke, Veit Heiduschka: DVD & Blu-ray’. Available: http://www.amazon.co.uk/Hidden-cache-DVD-Daniel-Auteuil/dp/B000EJ9NIW/ref=sr_1_1?ie=UTF8&qid=1412157949&sr=8-1&keywords=cache+film
[49]
J. Kallay, ‘“The Critic Is Dead”, in Film Ireland, Index to Film Periodicals Full Text’. Available: http://fiaf.chadwyck.com/fulltext/indexFullText.do?id=004/0347188&area=index&fromToC=yes&jid=006/0000139
[50]
James, Nick, ‘Who Needs Critics?’, Sight and Sound, vol. 18, no. 10, pp. 16–18, Available: http://search.proquest.com.chain.kent.ac.uk/docview/1838662/74009A163EA4405DPQ/12?accountid=7408
[51]
A. White, ‘What We Don’t Talk About When We Talk About Movies | NYPress.com - New York’s essential guide to culture, arts, politics, news and more’. Available: http://nypress.com/what-we-dont-talk-about-when-we-talk-about-movies/
[52]
‘Film Criticism in the Age of the Internet: A Critical Symposium’. Available: http://www.cineaste.com/articles/film-criticism-in-the-age-of-the-internet.htm
[53]
D. Bordwell, ‘“The Analytical Essay”’, in The McGraw-Hill film viewer’s guide, Boston ; London: McGraw-Hill, 2004, pp. 18–26.
[54]
R. Ascher, ‘Room 237: being an inquiry into The Shining in 9 parts’. Metrodome Distribution, [Place of publication not identified], 2013.