1.
Lopate, Phillip. American movie critics: an anthology from the silents until now. Expanded edition. New York: Library of America; 2008.
2.
Jim Hillier. Introduction to Cahiers du cinéma: Vol.1: The 1950s : Neo-realism, Hollywood, new wave ; edited by Jim Hillier. In: Cahiers du cinéma: Vol1: The 1950s : Neo-realism, Hollywood, new wave ; edited by Jim Hillier. London: Routledge & Kegan Paul in association with the British Film Institute; p. 1–17.
3.
Bordwell D. " ‘The Film Review’. In: The McGraw-Hill film viewer’s guide. Boston ; London: McGraw-Hill; 2004. p. 15–7.
4.
Corrigan T. ‘Writing about the Movies’ and ‘Beginning to Think, Preparint to Watch and Starting to Write’. In: A short guide to writing about film. Third edition. New York: Longman; 1998. p. 6–33.
5.
Carroll N. ‘Criticism as Evaluation’. In: On criticism [Internet]. New York: Routledge; 2009. p. 11–47. Available from: http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://www.kentuk.eblib.com/patron/FullRecord.aspx?p=435624
6.
Wilde O. ‘The Critic as Artist’. In: The artist as critic: critical writings of Oscar Wilde; edited by Richard Ellmann. [Place of publication not identified]: University of Chicago P.; 1982.
7.
David Bordwell. "The Logic of Justification, or Rhetoric” and "An Anatomy of Interpretation”. In: Making meaning: inference and rhetoric in the interpretation of cinema. Cambridge, Mass: Harvard University Press; 1989. p. 34–42.
8.
Cianfrance D. The place beyond the pines. [London]: StudioCanal; 2013.
9.
Haberski R. ‘Movies into Art’ and ‘The First New York Film Festival and the Heroic Age of Moviegoing’. In: It’s only a movie!: films and critics in American culture. Lexington, Ky: University Press of Kentucky; 2001. p. 81-101-144–64.
10.
Chandor JC. All Is Lost. Universal Pictures UK;
11.
Taylor G. ‘The Spectator as Critic as Artist’. In: Artists in the audience: cults, camp, and American film criticism. Princeton, N.J.: Princeton University Press; 1999. p. 3–18.
12.
Dominik A. Killing them softly. [England]: Entertainment in Video; 2012.
13.
Rivette J. ‘Notes on a Revolution’. Cahiers Du Cinema: 1950s: Neo-Realism, Hollywood, New Wave v 1. New edition. :94–7.
14.
Truffaut F. ‘The Rogues Are Weary’. Cahiers Du Cinema: 1950s: Neo-Realism, Hollywood, New Wave v 1. New edition. :28–30.
15.
Astruc A. ‘What Is Mise-en-Scene?’ Cahiers Du Cinema: 1950s: Neo-Realism, Hollywood, New Wave v 1. New edition. :266–8.
16.
Sarris A. ‘Notes on the Auteur Theory in 1962’. Film Culture.
17.
Kael P. ‘Circles and Squares’. Film quarterly. 16.3.
18.
Hillier, Jim, British Film Institute. Cahiers du cinéma: Vol.1: The 1950s : Neo-realism, Hollywood, new wave ; edited by Jim Hillier. London: Routledge & Kegan Paul in association with the British Film Institute;
19.
Truffaut F. ‘A Certain Tendency of French Cinema’. Available from: http://www.newwavefilm.com/about/a-certain-tendency-of-french-cinema-truffaut.shtml
20.
Naremore J. ‘Authorship and the Cultural Politics of Film Criticism’. Film Quarterly. 44.1.
21.
Bazin A. ‘On the Politique des Auteurs’. Cahiers Du Cinema: 1950s: Neo-Realism, Hollywood, New Wave v 1. New edition. :248–59.
22.
Coppola S. Somewhere. Universal Pictures UK;
23.
Houston, Penelope. The Critical Question. Sight and Sound / Monthly Film Bulletin [Internet]. 29(4):160–5. Available from: http://search.proquest.com.chain.kent.ac.uk/docview/740635652/7FF4BEB4C8E74EA9PQ/2?accountid=7408
24.
Roud, Richard. The French Line. Sight and Sound / Monthly Film Bulletin [Internet]. 29(4):166–71. Available from: http://search.proquest.com.chain.kent.ac.uk/docview/740634886/7FF4BEB4C8E74EA9PQ/3?accountid=7408
25.
Delorme S, Rayns T. ‘Taking Issue: In Search of the Auteur’. Sight and Sound [Internet]. 2013;23(6):76–7. Available from: http://search.proquest.com.chain.kent.ac.uk/docview/1398957761/1393701DDA6A453APQ/37?accountid=7408
26.
Frey M. ‘The Critical Question: Sight and Sound’s Postwar Consolidation of Liberal Taste’. Screen. 2013 June 1;54(2):194–217.
27.
Stanfield P. Maximum Movies: Lawrence Alloway’s Pop Art Film Criticism. Screen. 2008 Jan 1;49(2):179–93.
28.
Barnard C. The selfish giant. [United Kingdom]: Artificial Eye; 2014.
29.
Jean-Louis Comolli, Jean Narboni. ‘Cinema/Ideology/Criticism’. In: Film theory and criticism: introductory readings. 5th ed. New York ; Oxford: Oxford University Press; 1999.
30.
Bordwell D. Symptomatic interpretation. In: Making meaning: inference and rhetoric in the interpretation of cinema. Cambridge, Mass: Harvard University Press; 1989. p. 71–104.
31.
Feig P. Bridesmaids. Extended edition. [Place of publication not identified]: Universal Studios; 2011.
32.
Rooney D. City of God | Variety. Available from: http://variety.com/2002/film/reviews/city-of-god-1200549576/
33.
Kennedy C. Empire’s City Of God Movie Review [Internet]. Available from: http://www.empireonline.com/reviews/ReviewComplete.asp?FID=8730
34.
Hunter S. ‘City of God’: A Vivid Walk With the Devil in The Washington Post [Internet]. Available from: http://www.washingtonpost.com/wp-dyn/content/article/2003/01/24/AR2005033116342.html
35.
Smith PJ. BFI | Sight & Sound | City of God (2002) [Internet]. Available from: http://old.bfi.org.uk/sightandsound/review/1483
36.
Dargis M. At Home in a War Zone - NYTimes.com [Internet]. Available from: http://www.nytimes.com/2008/09/19/movies/19elit.html?partner=Rotten%2520Tomatoes&ei=5083&_r=1&
37.
Bradshaw P. Film review: Elite Squad | Film | The Guardian [Internet]. Available from: http://www.theguardian.com/film/2008/aug/08/worldcinema.thriller
38.
Witcher R. Empire’s Elite Squad Movie Review [Internet]. Available from: http://www.empireonline.com/reviews/reviewcomplete.asp?FID=135666
39.
Jenkins D. Elite Squad | review, synopsis, book tickets, showtimes, movie release date | Time Out London [Internet]. Available from: http://www.timeout.com/london/film/elite-squad-2008
40.
Rayns, Toby. Reviews: ‘Neighbouring Sounds,’ directed by Kieber Mendonça Filho. Sight and Sound [Internet]. 2013;23(4):80–1. Available from: http://search.proquest.com.chain.kent.ac.uk/docview/1328327792/39B9E73D4FC1462EPQ/38?accountid=7408
41.
Kleber Mendonça Filho. Neighbouring Sounds. Artificial Eye;
42.
Hoberman J. Eviction Notice | Village Voice Review of Farenheit 9/11 [Internet]. Available from: http://www.villagevoice.com/2004-06-15/film/eviction-notice/full/
43.
Camhi L. ‘Touch the Sound’ | Village Voice [Internet]. Available from: http://www.villagevoice.com/2005-08-30/film/touch-the-sound/full/
44.
Dargis M. Who Killed the Electric Car? - Review - Movies - NYTimes.com [Internet]. Available from: http://www.nytimes.com/2006/06/28/movies/28kill.html?adxnnl=1&adxnnlx=1398693704-j8tBaUigNXDbw6WiCZ9IFg
45.
Rayns, Tony. Reviews: ‘The Act of Killing’. Sight and Sound [Internet]. 2013;23(7). Available from: http://search.proquest.com.chain.kent.ac.uk/docview/1406195040/D36A6499B81A4035PQ/35?accountid=7408
46.
Bradshaw, Nick. Build My Gallows High, interview with Joshua Oppenheimer. Sight and Sound [Internet]. 2013;23(7):36–9. Available from: http://search.proquest.com.chain.kent.ac.uk/docview/1406195047/D36A6499B81A4035PQ/22?accountid=7408
47.
Oppenheimer J. The act of killing. United Kingdom: Dogwoof; 2013.
48.
Haneke M. Hidden (cache) [DVD]: Amazon.co.uk: Daniel Auteuil, Juliette Binoche, Maurice Benichou, Annie Girardot, Bernard le Coq, Walid Afkir, Lester Makedonsky, Daniel Duval, Nathalie Richard, Denis Podalydes, Michael Haneke, Veit Heiduschka: DVD & Blu-ray [Internet]. Available from: http://www.amazon.co.uk/Hidden-cache-DVD-Daniel-Auteuil/dp/B000EJ9NIW/ref=sr_1_1?ie=UTF8&qid=1412157949&sr=8-1&keywords=cache+film
49.
Kallay J. ‘The Critic Is Dead’, in Film Ireland, Index to Film Periodicals Full Text [Internet]. Available from: http://fiaf.chadwyck.com/fulltext/indexFullText.do?id=004/0347188&area=index&fromToC=yes&jid=006/0000139
50.
James, Nick. Who Needs Critics? Sight and Sound [Internet]. 18(10):16–8. Available from: http://search.proquest.com.chain.kent.ac.uk/docview/1838662/74009A163EA4405DPQ/12?accountid=7408
51.
White A. What We Don’t Talk About When We Talk About Movies | NYPress.com - New York’s essential guide to culture, arts, politics, news and more [Internet]. Available from: http://nypress.com/what-we-dont-talk-about-when-we-talk-about-movies/
52.
Film Criticism in the Age of the Internet: A Critical Symposium [Internet]. Available from: http://www.cineaste.com/articles/film-criticism-in-the-age-of-the-internet.htm
53.
Bordwell D. ‘The Analytical Essay’. In: The McGraw-Hill film viewer’s guide. Boston ; London: McGraw-Hill; 2004. p. 18–26.
54.
Ascher R. Room 237: being an inquiry into The Shining in 9 parts. [Place of publication not identified]: Metrodome Distribution; 2013.