‘37 Uses of a Dead Sheep’ (2006).
Abu-Lughod, L. (1993) ‘Finding a Place for Islam: Egyptian Television Serials and the National Interest’, Public Culture, 5(3), pp. 493–513. Available at: https://doi.org/10.1215/08992363-5-3-493.
Abu-Lughod and L (1995a) ‘The objects of soap opera: Egyptian soap opera and the cultural politics of modernity’, in Worlds apart: modernity through the prism of the local. London: Routledge.
Abu-Lughod and L (1995b) ‘The objects of soap opera: Egyptian soap opera and the cultural politics of modernity’, in Worlds apart: modernity through the prism of the local. London: Routledge.
Abu-Lughod and L (2002a) ‘Egyptian Melodrama’, in Media worlds: anthropology on new terrain. Berkeley: University of California Press. Available at: http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://www.kentuk.eblib.com/patron/FullRecord.aspx?p=224223.
Abu-Lughod and L (2002b) ‘The objects of soap opera: Egyptian soap opera and the cultural politics of modernity’, in The Anthropology of media: a reader. Oxford: Blackwell Publishers.
Abu-Lughod and L (2002c) ‘The objects of soap opera: Egyptian soap opera and the cultural politics of modernity’, in The Anthropology of media: a reader. Oxford: Blackwell Publishers.
Adorno and T (2001a) ‘Culture industry reconsidered’, in The culture industry: selected essays on mass culture. London: Routledge.
Adorno and T (2001b) ‘The schema of mass culture’, in The culture industry: selected essays on mass culture. London: Routledge.
Alexander Street Video (no date). Available at: http://vasc.alexanderstreet.com.chain.kent.ac.uk/.
‘Amandla: A Revolution in Four Part Harmony’ (2002).
Amponsah and G (2004) ‘The Importance of Being Elegant’.
‘An example of PV from Insight Media’ (no date).
‘An Indonesian Film Called Primitif’ (1994) Anthropology Today, 10(4). Available at: https://doi.org/10.2307/2783438.
Anderson, B.R.O. (2016) Imagined communities: reflections on the origin and spread of nationalism. Revised edition. London: Verso.
Andrew, Dudley (1976) The major film theories: an introduction. London: O.U.P.
Andrew, Dudley (1984) Concepts in film theory. Oxford: Oxford University Press.
Ang and I (2007) ‘Dallas and the ideology of mass culture’, in The cultural studies reader. 3rd ed. London: Routledge.
Ang, Ien (1985) Watching Dallas: soap opera and the melodramatic imagination. London: Methuen.
Appadurai and A (1991) ‘Global ethnoscapes: notes for a transnational anthropology’, in Recapturing anthropology: working in the present. Santa Fe, N.M: School of American Research Press.
Armbrust, Walter (1996) Mass culture and modernism in Egypt. Cambridge: Cambridge University Press.
Armes, Roy (1987) Third World film making and the West. Berkeley: U. of California P.
Asch, T. et al. (1991) ‘The Story We Now Want to Hear Is Not Ours to Tell: Relinquishing Control Over Representation: Toward Sharing Visual Communication Skills with The Yanomami’, Visual Anthropology Review, 7(2), pp. 102–106. Available at: https://doi.org/10.1525/var.1991.7.2.102.
Askew, Kelly Michelle and Wilk, Richard R. (2002) The Anthropology of media: a reader. Oxford: Blackwell Publishers.
Atanarjuat (no date).
Attali, Jacques (1985) Noise: the political economy of music. Minneapolis: University of Minnesota Press.
Aufderheide, Patricia (2007a) Documentary film: a very short introduction. New York: Oxford University Press. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780199720392.
Aufderheide, Patricia (2007b) Documentary film: a very short introduction. New York: Oxford University Press. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780199720392.
‘Babakiueria’ (1988).
Back, Les and Bull, Michael (2003) The auditory culture reader. Oxford: Berg.
Banks and M (1992a) ‘Which Films are Ethnographic Films’, in Film as ethnography. Manchester: Manchester University Press, in association with the Granada Centre for Visual Anthropology.
Banks and M (1992b) ‘Which Films are the Ethnographic Films’, in Film as ethnography. Manchester: Manchester University Press, in association with the Granada Centre for Visual Anthropology.
Banks, M. (1994) ‘Television and anthropology: An unhappy marriage?’, Visual Anthropology, 7(1), pp. 21–45. Available at: https://doi.org/10.1080/08949468.1994.9966634.
Banks, M. (2001) Visual methods in social research. London: SAGE.
Banks, M. and Ruby, J. (2011) ‘Chapter 1: Skilled Visions: Towards and Ecology of Visual Inscriptions’, in Made to be seen: perspectives on the history of visual anthropology. Chicago, Ill: University of Chicago Press. Available at: https://www.dawsonera.com/abstract/9780226036632.
Banks, Marcus (2001a) Visual methods in social research. London: SAGE. Available at: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=254713.
Banks, Marcus (2001b) Visual methods in social research. London: SAGE. Available at: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=254713.
Banks, Marcus and Morphy, Howard (1997a) Rethinking visual anthropology. London: Yale University Press.
Banks, Marcus and Morphy, Howard (1997b) Rethinking visual anthropology. London: Yale University Press.
Banks, Marcus and Morphy, Howard (1997c) Rethinking visual anthropology. London: Yale University Press.
Barbash, I and Taylor, and L (no date) ‘Re-framing ethnographic film: a ’conversation with David and Judith MacDougall’, American anthropologist, 98. Available at: https://www-jstor-org.chain.kent.ac.uk/stable/682894.
Barbash, Ilisa and Taylor, Lucien (1997a) Cross-cultural filmmaking: a handbook for making documentary and ethnographic films and videos. Berkeley, Calif: University of California Press.
Barbash, Ilisa and Taylor, Lucien (1997b) Cross-cultural filmmaking: a handbook for making documentary and ethnographic films and videos. Berkeley, Calif: University of California Press.
Barbash, Ilisa and Taylor, Lucien (1997c) Cross-cultural filmmaking: a handbook for making documentary and ethnographic films and videos. Berkeley, Calif: University of California Press.
Barbash, Ilisa and Taylor, Lucien (2007a) The cinema of Robert Gardner. Oxford: Berg.
Barbash, Ilisa and Taylor, Lucien (2007b) The cinema of Robert Gardner. Oxford: Berg.
Barnouw, Erik (1993a) Documentary: a history of the non-fiction film. 2nd rev. ed. New York: Oxford University Press.
Barnouw, Erik (1993b) Documentary: a history of the non-fiction film. 2nd rev. ed. New York: Oxford University Press.
Barrot, P., Abdoulaye, I.D. and Taylor, L. (2008) Nollywood: the video phenomenon in Nigeria. Rev. English ed. Oxford: James Currey.
Barsam, Richard Meran (1992) Nonfiction film: a critical history. Rev. and expanded. Bloomington: Indiana University Press.
Barthes and R (1977) ‘“The photographic message” and “The rhetoric of image”’, in Image, music, text. Glasgow: Collins.
Barthes, Roland (1982) Camera lucida: reflections on photography. London: Cape.
Bateson, Gregory and Mead, Margaret (1942) Balinese character: a photographic analysis. [New York: New York Academy of Sciences].
Batty, P. (1993) ‘Singing the electric: aboriginal television in Australia’, in T. Dowmunt (ed.) Channels of resistance: global television and local empowerment. London: BFI Publishing.
Baudrillard and J (1993) ‘The order of simulacra’, in Symbolic exchange and death. London: Sage.
Benjamin and W (1999) ‘The work of art in the age of mechanical reproduction’, in Illuminations. London: Pimlico.
Benjamin, Walter, Zorn, Harry, and Arendt, Hannah (1999) Illuminations. London: Pimlico.
Berger and J (2002a) ‘The ambiguity of the photograph’, in The Anthropology of media: a reader. Oxford: Blackwell Publishers.
Berger and J (2002b) ‘The ambiguity of the photograph’, in The Anthropology of media: a reader. Oxford: Blackwell Publishers.
Berger, J. and Mohr, J. (1995) Another way of telling. First Vintage International. New York: Vintage Books.
Berger, John (2008) Ways of seeing. London: Penguin.
Bordwell and D (1996) ‘Film Studies and Grand Theory’, in Post-theory: reconstructing film studies. Madison: University of Wisconsin Press.
Bourdieu, Pierre and Boltanski, Luc (1990) Photography, a middle-brow art. Stanford, Calif: Stanford University Press.
Bourdieu, Pierre, Darbel, Alain, and Schnapper, Dominique (1990) The love of art: European art museums and their public. Stanford, Calif: Stanford University Press.
Bowman and G (1997) ‘Identifying versus identifying with the “Other”: reflections on the siting of the subject in anthropological discourse’, in After writing culture: epistemology and praxis in contemporary anthropology. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=181747.
Brody, Hugh (2001) The other side of Eden: hunter-gatherers, farmers and the shaping of the world. London: Faber.
Brody, Hugh (2002) Maps and dreams: Indians and the British Columbia frontier. London: Faber.
Buckingham, D., Pini, M. and Willett, R. (2007) ‘“Take back the tube!”: The discursive construction of amateur film and video making’, Journal of Media Practice, 8(2), pp. 183–201. Available at: https://doi.org/10.1386/jmpr.8.2.183_1.
Buckley, L. (2000) ‘Self and Accessory in Gambian Studio Photography’, Visual Anthropology Review, 16(2), pp. 71–91. Available at: https://doi.org/10.1525/var.2000.16.2.71.
Burgin, Victor (1982) Thinking photography. Basingstoke: Macmillan.
Chakravarty, Sumita S. (1993) National identity in Indian popular cinema, 1947-1987. 1st ed. Austin: University of Texas Press.
Chambers, Robert (2005) Ideas for development. London: Earthscan.
Channel Four (Great Britain) (1993) Channels of resistance: global television and local empowerment. Edited by T. Dowmunt. London: BFI Publishing.
Chiozzi, P. (1989) ‘Photography and anthropological research: Three case studies’, Visual Sociology, 4(2), pp. 43–50. Available at: https://doi.org/10.1080/14725868908583636.
Classen and C (2008) ‘An Andean Cosmology’, in Visual sense: a cultural reader. Oxford: Berg.
Claude Massot (2004) ‘A revisit to Injukjuak to examine how life has changed since Flaherty filmed in 1922’.
Clifford, J. (1981a) ‘On Ethnographic Surrealism’, Comparative Studies in Society and History, 23(04). Available at: https://doi.org/10.1017/S0010417500013554.
Clifford, J. (1981b) ‘On Ethnographic Surrealism’, Comparative Studies in Society and History, 23(04). Available at: https://doi.org/10.1017/S0010417500013554.
Clifford and J (1988) ‘On Ethnographic Authority’, in The predicament of culture: twentieth-century ethnography, literature, and art. Cambridge, Mass: Harvard U.P.
Clifford, James (1988a) The predicament of culture: twentieth-century ethnography, literature, and art. Cambridge, Mass: Harvard U.P.
Clifford, James (1988b) The predicament of culture: twentieth-century ethnography, literature, and art. Cambridge, Mass: Harvard U.P.
Clifford, James (1988c) The predicament of culture: twentieth-century ethnography, literature, and art. Cambridge, Mass: Harvard U.P.
Clifford, James (1997) Routes: travel and translation in the late twentieth century. Cambridge, Mass: Harvard University Press.
Collier and J (1995) ‘Photography & visual anthropology’, in Principles of visual anthropology. 2nd ed. Berlin: Mouton de Gruyter.
Collier, John and Collier, Malcolm (1986a) Visual anthropology: photography as a research method. Rev. and expanded ed. Albuquerque: University of New Mexico Press.
Collier, John and Collier, Malcolm (1986b) Visual anthropology: photography as a research method. Rev. and expanded ed. Albuquerque: University of New Mexico Press.
Commission on Visual Anthropology (1989) ‘Special Issue on Jean Rouch’, Visual anthropology, 2.
Connolly, B and Anderson, and R (1983) ‘First Contact’.
Connolly, B and Anderson, and R (1988) ‘Joe Leahy’s Neighbours’.
Connolly, B and Anderson, and R (1991) ‘Black Harvest’.
Coote, Jeremy and Shelton, Anthony (1992) Anthropology, art, and aesthetics. New York: Oxford University Press.
‘Cowboy and Maria in Town’ (1991).
Crawford and P (1992) ‘Film as Discourse: The Invention of Anthropological Realities’, in Film as ethnography. Manchester: Manchester University Press, in association with the Granada Centre for Visual Anthropology.
Crawford, Peter Ian and Postma, Metje (2006) Reflecting visual ethnography: using the camera in anthropological research. Hojbjerg: Intervention Press.
Crawford, Peter Ian, Turton, David, and Granada Centre for Visual Anthropology (1992) Film as ethnography. Manchester: Manchester University Press, in association with the Granada Centre for Visual Anthropology.
Crawford, P.I. (2009) ‘Koriam’s Law: And the Dead Who Govern Directed by Gary Kildea and Andrea Simon, and anthropologist Andrew Lattas’, Visual Anthropology Review, 25(1), pp. 105–107. Available at: https://doi.org/10.1111/j.1548-7458.2009.01035.x.
CSAC Ethnographic Gallery: (no date).
Damon, F.H. (2000) ‘“To Restore the Events?”: On the ethnography of Malinowski’s photography’, Visual Anthropology Review, 16(1), pp. 71–77. Available at: https://doi.org/10.1525/var.2000.16.1.71.
Das and V (1995) ‘Soap opera and tele-documentary: culture and the domestic sphere in comtemporary India’, in Worlds apart: modernity through the prism of the local. London: Routledge.
De Brigard and E (1995) ‘The history of ethnographic film’, in Principles of visual anthropology. 2nd ed. Berlin: Mouton de Gruyter.
Devereaux, Leslie and Hillman, Roger (1995a) Fields of vision: essays in film studies, visual anthropology, and photography. Berkeley: University of California Press.
Devereaux, Leslie and Hillman, Roger (1995b) Fields of vision: essays in film studies, visual anthropology, and photography. Berkeley: University of California Press.
Dickey, Sara (1993) Cinema and the urban poor in south India. Cambridge: Cambridge University Press.
‘Disappearing World - Tv Series’ (no date).
Documentary Educational Resources (no date).
Eaton, Mick (1979) Anthropology - reality - cinema: the films of Jean Rouch. London: British Film Institute.
Eco and U (1995) ‘Apocalyptic and integrated intellectuals: mass communications and theories of mass culture’, in Apocalypse postponed. London: Flamingo.
Eco-Storm (no date). Available at: https://ecostorm.tv.
Edwards and E (1997) ‘Beyond the Boundary: a consideration of the expressive in photography and anthropology’, in Rethinking visual anthropology. London: Yale University Press.
Edwards, Elizabeth (2001) Raw histories: photographs, anthropology and museums. Oxford: Berg.
Edwards, Elizabeth and Royal Anthropological Institute, London (1992) Anthropology and photography 1860-1920. London: Yale University Press in association with the Royal Anthropological Institute, London.
Edwards, Steve (2006) Photography: a very short introduction. Oxford: Oxford University Press. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780191516535.
Engelbrecht, Beate (2007) Memories of the origins of ethnographic film. Frankfurt am Main: Peter Lang.
ERA Interactive Multimedia Projects: (no date).
Evans, Jessica (1997) The camerawork essays: context and meaning in photography. London: Published in the USA by New York University Press.
Evans and N (1991) ‘Fantastic Invasion’.
Faris and J (1992a) ‘Anthropological transparency: film, representation and politics’, in Film as ethnography. Manchester: Manchester University Press, in association with the Granada Centre for Visual Anthropology.
Faris and J (1992b) ‘Anthropological transparency: film, representation and politics’, in Film as ethnography. Manchester: Manchester University Press, in association with the Granada Centre for Visual Anthropology.
Faris and J (2002a) ‘The Gaze of Western Humanism’, in The Anthropology of media: a reader. Oxford: Blackwell Publishers.
Faris and J (2002b) ‘The Gaze of Western Humanism’, in The Anthropology of media: a reader. Oxford: Blackwell Publishers.
Faris, J.C. (1993a) ‘A Response to Terence Turner’, Anthropology Today, 9(1). Available at: https://doi.org/10.2307/2783336.
Faris, J.C. (1993b) ‘A Response to Terence Turner’, Anthropology Today, 9(1). Available at: https://doi.org/10.2307/2783336.
Feld and S (2003) ‘A Rainforest Acoustemology’, in The auditory culture reader. Oxford: Berg.
Feld, S. and Brenneis, D. (2004) ‘Doing anthropology in sound’, American Ethnologist, 31(4), pp. 461–474. Available at: https://doi.org/10.1525/ae.2004.31.4.461.
Firth and R (1992) ‘Art and anthropology’, in Anthropology, art, and aesthetics. New York: Oxford University Press.
Fischer and M (1984) ‘Toward a third world politics: seeing through fiction and film in the Iranian cultural area’.
Fischer, Michael M J and Abedi, Mehdi (1990) Debating Muslims: cultural dialogues in postmodernity and tradition. London: U. of Wisconsin P.
Flaherty and R (no date) How I Filmed Nanook of the North.
Fletcher, R. (2007) Beyond resistance: the future of freedom. Nova Science Publishers, Inc.
Forge, A. and Wenner-Gren Foundation for Anthropological Research (1973) Primitive art & society. London: Oxford University Press, for Wenner-Gren Foundation for Anthropological Research.
Freire, Paulo (1996) Pedagogy of the oppressed. New rev. ed. London: Penguin.
Fricke (1992) ‘Baraka’.
‘From The Heart Of The World: The Elder Borther’s Warning’ (1990).
Ganti and T (2002) ‘And Yet My Heart Is Still Indian: the Bombay Film Industry and the (H)Indianization of Hollywood’, in Media worlds: anthropology on new terrain. Berkeley: University of California Press. Available at: http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://www.kentuk.eblib.com/patron/FullRecord.aspx?p=224223.
Gardner (1986) ‘Forest of Bliss’.
Geffroy, Y. (1990) ‘Family photographs: A visual heritage’, Visual Anthropology, 3(4), pp. 367–409. Available at: https://doi.org/10.1080/08949468.1990.9966540.
Gell and A (1992) ‘The Technology of Enchantment and the Enchantment of Technology’, in Anthropology, art, and aesthetics. New York: Oxford University Press.
Gell, Alfred (1998) Art and agency: an anthropological theory. Oxford: Clarendon Press.
Gell, Alfred and Hirsch, Eric (1999) The art of anthropology: essay and diagrams. London: Athlone Press.
Gillespie, Marie (1995) Television, ethnicity and cultural change. London: Routledge.
Ginsburg, F. (1991) ‘Indigenous Media: Faustian Contract or Global Village?’, Cultural Anthropology, 6(1), pp. 92–112. Available at: https://doi.org/10.1525/can.1991.6.1.02a00040.
Ginsburg, F. (1992) ‘Television and the Mediation of Culture: Issues In British Ethnographic Film’, Visual Anthropology Review, 8(1), pp. 97–102. Available at: https://doi.org/10.1525/var.1992.8.1.97.
Ginsburg, F. (1994) ‘Culture/Media: a (mild) polemic’, Anthropology today, 10(2), pp. 5–15. Available at: http://df7sm3xp4s.search.serialssolutions.com/?V=1.0&L=DF7SM3XP4S&C=Anthropology+Today&s=AC_T_M&submit=Search.
Ginsburg and F (2002a) ‘Mediating Culture’, in The Anthropology of media: a reader. Oxford: Blackwell Publishers.
Ginsburg and F (2002b) ‘Screen memories: resignifying the traditional in Indigenous Media’, in Media worlds: anthropology on new terrain. Berkeley: University of California Press. Available at: http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://www.kentuk.eblib.com/patron/FullRecord.aspx?p=224223.
Ginsburg, F and Strickland, and A (2005) ‘The latest in reality TV? Maori Television stakes a claim on the world stage’.
Ginsburg, Faye D., Abu-Lughod, Lila, and Larkin, Brian (2002) Media worlds: anthropology on new terrain. Berkeley: University of California Press. Available at: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=224223.
Gombrich and E (1982) ‘The Visual Image: its Place in Communication’, in The image and the eye: further studies in the psychology of pictorial representation. Oxford: Phaidon.
Goodale and D (2000) ‘Pipe Dreams’.
Grady, J. (1991) ‘The visual essay and sociology’, Visual Sociology, 6(2), pp. 23–38. Available at: https://doi.org/10.1080/14725869108583689.
Graeber, David (2001) Toward an anthropological theory of value: the false coin of our own dreams. Basingstoke: Palgrave.
Graeber, David (2004) Fragments of an anarchist anthropology. Chicago: Prickly Paradigm Press.
Gregory, Sam (2005) Video for change: a guide for advocacy and activism. London: Pluto Press in association with Witness.
Griffiths, A. (2002) Wondrous difference: cinema, anthropology, and turn-of-the-century visual culture. New York: Columbia University Press.
Grimshaw, A. (2001) The ethnographer’s eye: ways of seeing in anthropology. Cambridge: Cambridge University Press. Available at: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=202024.
Grimshaw, A. and Ravetz, A. (2009) ‘Observational cinema: anthropology, film, and the exploration of social life.’, in Observational cinema: anthropology, film, and the exploration of social life. Bloomington: Indiana University Press.
Grimshaw, Anna (2001a) ‘Chapter 1: The modernist moment and after, 1895-1945’, in The ethnographer’s eye: ways of seeing in anthropology. Cambridge: Cambridge University Press. Available at: http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://www.kentuk.eblib.com/patron/FullRecord.aspx?p=202024.
Grimshaw, Anna (2001b) The ethnographer’s eye: ways of seeing in anthropology. Cambridge: Cambridge University Press. Available at: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=202024.
Grimshaw, Anna (2001c) The ethnographer’s eye: ways of seeing in anthropology. Cambridge: Cambridge University Press. Available at: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=202024.
Grimshaw, Anna (2001d) The ethnographer’s eye: ways of seeing in anthropology. Cambridge: Cambridge University Press. Available at: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=202024.
Grimshaw, Anna (2001e) The ethnographer’s eye: ways of seeing in anthropology. Cambridge: Cambridge University Press. Available at: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=202024.
Grimshaw, Anna (2001f) The ethnographer’s eye: ways of seeing in anthropology. Cambridge: Cambridge University Press. Available at: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=202024.
Grimshaw, Anna (2001g) The ethnographer’s eye: ways of seeing in anthropology. Cambridge: Cambridge University Press. Available at: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=202024.
Grimshaw, Anna and Papastergiadis, Nikos (1995) ‘Conversations with anthropological film-makers: David MacDougall’, Prickly Pear pamphlet.
Grundberg, Andy (1990) Crisis of the real: writings on photography, 1974-1989. New York: Aperture.
Habermas and J (1983) ‘Modernity: an incomplete project’, in The anti-aesthetic: essays on postmodern culture. Port Townsend, Washington: Bay Press.
Hahn, E. (1994) ‘The Tongan Tradition of Going to the Movies’, Visual Anthropology Review, 10(1), pp. 103–111. Available at: https://doi.org/10.1525/var.1994.10.1.103.
Hahn and E (2002) ‘The Tongan tradition of going to the movies’, in The Anthropology of media: a reader. Oxford: Blackwell Publishers.
Hall and S (1982) ‘The rediscovery of “ideology”: return of the oppressed in media studies’, in Culture, society, and the media. London: Methuen.
Hamilton and A (2002) ‘The National Picture: Thai Media and Cultural Identity’, in Media worlds: anthropology on new terrain. Berkeley: University of California Press. Available at: http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://www.kentuk.eblib.com/patron/FullRecord.aspx?p=224223.
Harding and T (2005) ‘Strategic Distribution: Reaching Key Audiences in Innovative Ways’, in Video for change: a guide for advocacy and activism. London: Pluto Press in association with Witness.
Harding, Thomas (2001) The Video Activist Handbook. 2nd ed. London: Pluto Press. Available at: http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://www.theacademiclibrary.com/login_cat.asp?filename=0745317715.
Harper, D. (1987) ‘The visual ethnographic narrative’, Visual Anthropology, 1(1), pp. 1–19. Available at: https://doi.org/10.1080/08949468.1987.9966457.
Hartmann, P., Patil, B.R. and Dighe, A. (1989) The mass media and village life: an Indian study. New Delhi: Sage Publications.
Harvey, David (1989) The condition of postmodernity: an enquiry into the origins of cultural change. Oxford: Blackwell.
Harvey, P. (1993) ‘Ethnographic Film and the Politics of Difference: A Review of Film Festivals’, Visual Anthropology Review, 9(1), pp. 164–176. Available at: https://doi.org/10.1525/var.1993.9.1.164.
Hastrup and K (1992) ‘Anthropological visions: some notes on visual and textual authority’, in Film as ethnography. Manchester: Manchester University Press, in association with the Granada Centre for Visual Anthropology.
Hebdige, Dick (1988) Hiding in the light: on images and things. London: Routledge.
Helmreich, S. (2007) ‘An Anthropologist Underwater: Immersive Soundscapes, Submarine Cyborgs, and Transductive Ethnography’, American ethnologist, 34(4), pp. 621–641.
Henley and P (1985) ‘British Ethnographic Film’, Anthropology today, 1(1). Available at: http://df7sm3xp4s.search.serialssolutions.com/?V=1.0&L=DF7SM3XP4S&C=Anthropology+Today&s=AC_T_M&submit=Search.
Henley and P (2006) ‘Narratives: the guilty secret of ethnographic documentary?’, in Reflecting visual ethnography: using the camera in anthropological research. Hojbjerg: CNWS Publications.
Henley and P (2007) ‘The origins of observational cinema: conversations with Colin Young’, Memories of the Origins of Visual Anthropology [Preprint].
Hereniko and V (2000) ‘Indigenous Knowledge and Academic Imperialism’, Remembrance of Pacific Pasts: An Invitation to Remake History [Preprint].
Hereniko, Vilsoni Tausie (1977) Don’t cry, mama: a three-act play. Suva: Mana.
Hereniko, Vilsoni and Wilson, Rob (1999) Inside out: literature, cultural politics, and identity in the new Pacific. Lanham, Md: Rowman & Littlefield.
Herzog (2005) Grizzly Man.
de Heusch, L. (1988) ‘The cinema and social science: A survey of ethnographic and sociological films∗’, Visual Anthropology, 1(2), pp. 99–156. Available at: https://doi.org/10.1080/08949468.1988.9966467.
Hewison, Robert (no date) The heritage industry: Britain in a climate of decline. London: Methuen London.
Hirschkind, C. (2001) ‘The Ethics of Listening: Cassette-SermonAudition in Contemporary Egypt’, American Ethnologist, 28(3), pp. 623–649. Available at: https://doi.org/10.1525/ae.2001.28.3.623.
Hochberg and J (no date) ‘The representation of things and people’, in Art, perception and reality. Baltimore: Johns Hopkins University Press.
‘Hockings, P., Tomaselli, K., Ruby, J., MacDougall, D., Williams, D., Piette, A., Schwarz, M., Carta, S. 2014. “Where is the Theory in Visual Anthropology?” Visual Anthropology, 27(5): 436 – 456.’ (no date). Available at: http://content.ebscohost.com/ContentServer.asp?EbscoContent=dGJyMNXb4kSep7c40dvuOLCmr1Cep7BSsa24SbKWxWXS&ContentCustomer=dGJyMPGptEy1qbJPuePfgeyx43zx1%2B6B&T=P&P=AN&S=R&D=f3h&K=98530762.
Hockings, Paul (1995) Principles of visual anthropology. 2nd ed. Berlin: Mouton de Gruyter.
Howard and A (2006a) ‘Presenting Rotuma to the World: The Making of The Land Has Eyes’.
Howard and A (2006b) ‘Presenting Rotuma to the World: The Making of The Land Has Eyes’.
Howard and A (2006c) ‘Presenting Rotuma to the World: The Making of The Land Has Eyes’.
Huyssen, Andreas and American Council of Learned Societies (1986) After the great divide: modernism, mass culture, postmodernism. Basingstoke: Macmillan. Available at: http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://name.umdl.umich.edu/HEB01765.
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