‘37 Uses of a Dead Sheep’
Abu-Lughod and L, ‘The Objects of Soap Opera: Egyptian Soap Opera and the Cultural Politics of Modernity’, Worlds apart: modernity through the prism of the local, vol The uses of knowledge (Routledge 1995)
——, ‘The Objects of Soap Opera: Egyptian Soap Opera and the Cultural Politics of Modernity’, Worlds apart: modernity through the prism of the local, vol The uses of knowledge (Routledge 1995)
——, ‘Egyptian Melodrama’, Media worlds: anthropology on new terrain (University of California Press 2002) <http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://www.kentuk.eblib.com/patron/FullRecord.aspx?p=224223>
——, ‘The Objects of Soap Opera: Egyptian Soap Opera and the Cultural Politics of Modernity’, The Anthropology of media: a reader, vol Blackwell readers in anthropology (Blackwell Publishers 2002)
——, ‘The Objects of Soap Opera: Egyptian Soap Opera and the Cultural Politics of Modernity’, The Anthropology of media: a reader, vol Blackwell readers in anthropology (Blackwell Publishers 2002)
Abu-Lughod L, ‘Finding a Place for Islam: Egyptian Television Serials and the National Interest’ (1993) 5 Public Culture 493
Adorno and T, ‘Culture Industry Reconsidered’, The culture industry: selected essays on mass culture, vol Routledge classics (Routledge 2001)
——, ‘The Schema of Mass Culture’, The culture industry: selected essays on mass culture, vol Routledge classics (Routledge 2001)
‘Alexander Street Video’ <http://vasc.alexanderstreet.com.chain.kent.ac.uk/>
‘Amandla: A Revolution in Four Part Harmony’
Amponsah and G, ‘The Importance of Being Elegant’
‘An Example of PV from Insight Media’
‘An Indonesian Film Called Primitif’ (1994) 10 Anthropology Today
Anderson BRO, Imagined Communities: Reflections on the Origin and Spread of Nationalism (Revised edition, Verso 2016)
Andrew, Dudley, The Major Film Theories: An Introduction (OUP 1976)
——, Concepts in Film Theory (Oxford University Press 1984)
Ang and I, ‘Dallas and the Ideology of Mass Culture’, The cultural studies reader (3rd ed, Routledge 2007)
Ang, Ien, Watching Dallas: Soap Opera and the Melodramatic Imagination (Methuen 1985)
Appadurai and A, ‘Global Ethnoscapes: Notes for a Transnational Anthropology’, Recapturing anthropology: working in the present, vol School of American Research advanced seminar series (School of American Research Press 1991)
Armbrust, Walter, Mass Culture and Modernism in Egypt, vol Cambridge studies in social and cultural anthropology (Cambridge University Press 1996)
Armes, Roy, Third World Film Making and the West (U of California P 1987)
Asch T and others, ‘The Story We Now Want to Hear Is Not Ours to Tell: Relinquishing Control Over Representation: Toward Sharing Visual Communication Skills with The Yanomami’ (1991) 7 Visual Anthropology Review 102
Askew, Kelly Michelle and Wilk, Richard R., The Anthropology of Media: A Reader, vol Blackwell readers in anthropology (Blackwell Publishers 2002)
‘Atanarjuat’
Attali, Jacques, Noise: The Political Economy of Music, vol Theory and history of literature (University of Minnesota Press 1985)
Aufderheide, Patricia, Documentary Film: A Very Short Introduction, vol Very short introductions (Oxford University Press 2007) <http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780199720392>
——, Documentary Film: A Very Short Introduction, vol Very short introductions (Oxford University Press 2007) <http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780199720392>
‘Babakiueria’
Back, Les and Bull, Michael, The Auditory Culture Reader, vol Sensory formations (Berg 2003)
Banks and M, ‘Which Films Are Ethnographic Films’, Film as ethnography (Manchester University Press, in association with the Granada Centre for Visual Anthropology 1992)
——, ‘Which Films Are the Ethnographic Films’, Film as ethnography (Manchester University Press, in association with the Granada Centre for Visual Anthropology 1992)
Banks M, ‘Television and Anthropology: An Unhappy Marriage?’ (1994) 7 Visual Anthropology 21
——, Visual Methods in Social Research (SAGE 2001)
Banks M and Ruby J, ‘Chapter 1: Skilled Visions: Towards and Ecology of Visual Inscriptions’, Made to be seen: perspectives on the history of visual anthropology (University of Chicago Press 2011) <https://www.dawsonera.com/abstract/9780226036632>
Banks, Marcus, Visual Methods in Social Research (SAGE 2001) <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=254713>
——, Visual Methods in Social Research (SAGE 2001) <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=254713>
Banks, Marcus and Morphy, Howard, Rethinking Visual Anthropology (Yale University Press 1997)
——, Rethinking Visual Anthropology (Yale University Press 1997)
——, Rethinking Visual Anthropology (Yale University Press 1997)
Barbash, I and Taylor, and L, ‘Re-Framing Ethnographic Film: A ’conversation with David and Judith MacDougall’ 98 American anthropologist <https://www-jstor-org.chain.kent.ac.uk/stable/682894>
Barbash, Ilisa and Taylor, Lucien, Cross-Cultural Filmmaking: A Handbook for Making Documentary and Ethnographic Films and Videos (University of California Press 1997)
——, Cross-Cultural Filmmaking: A Handbook for Making Documentary and Ethnographic Films and Videos (University of California Press 1997)
——, Cross-Cultural Filmmaking: A Handbook for Making Documentary and Ethnographic Films and Videos (University of California Press 1997)
——, The Cinema of Robert Gardner (Berg 2007)
——, The Cinema of Robert Gardner (Berg 2007)
Barnouw, Erik, Documentary: A History of the Non-Fiction Film (2nd rev. ed, Oxford University Press 1993)
——, Documentary: A History of the Non-Fiction Film (2nd rev. ed, Oxford University Press 1993)
Barrot P, Abdoulaye ID and Taylor L, Nollywood: The Video Phenomenon in Nigeria (Rev English ed, James Currey 2008)
Barsam, Richard Meran, Nonfiction Film: A Critical History (Rev and expanded, Indiana University Press 1992)
Barthes and R, ‘“The Photographic Message” and “The Rhetoric of Image”’, Image, music, text, vol Fontana communications series (Collins 1977)
Barthes, Roland, Camera Lucida: Reflections on Photography (Cape 1982)
Bateson, Gregory and Mead, Margaret, Balinese Character: A Photographic Analysis, vol Special publications of the New York Academy of Sciences (New York Academy of Sciences] 1942)
Batty P, ‘Singing the Electric: Aboriginal Television in Australia’ in Tony Dowmunt (ed), Channels of resistance: global television and local empowerment (BFI Publishing 1993)
Baudrillard and J, ‘The Order of Simulacra’, Symbolic exchange and death, vol Theory, culture&society (Sage 1993)
Benjamin and W, ‘The Work of Art in the Age of Mechanical Reproduction’, Illuminations, vol Pimlico (Pimlico 1999)
Benjamin, Walter, Zorn, Harry, and Arendt, Hannah, Illuminations, vol Pimlico (Pimlico 1999)
Berger and J, ‘The Ambiguity of the Photograph’, The Anthropology of media: a reader, vol Blackwell readers in anthropology (Blackwell Publishers 2002)
——, ‘The Ambiguity of the Photograph’, The Anthropology of media: a reader, vol Blackwell readers in anthropology (Blackwell Publishers 2002)
Berger J and Mohr J, Another Way of Telling (First Vintage International, Vintage Books 1995)
Berger, John, Ways of Seeing, vol Penguin classics (Penguin 2008)
Bordwell and D, ‘Film Studies and Grand Theory’, Post-theory: reconstructing film studies, vol Wisconsin studies in film (University of Wisconsin Press 1996)
Bourdieu, Pierre and Boltanski, Luc, Photography, a Middle-Brow Art (Stanford University Press 1990)
Bourdieu, Pierre, Darbel, Alain, and Schnapper, Dominique, The Love of Art: European Art Museums and Their Public (Stanford University Press 1990)
Bowman and G, ‘Identifying versus Identifying with the “Other”: Reflections on the Siting of the Subject in Anthropological Discourse’, After writing culture: epistemology and praxis in contemporary anthropology, vol ASA monographs (Routledge 1997) <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=181747>
Brody, Hugh, The Other Side of Eden: Hunter-Gatherers, Farmers and the Shaping of the World (Faber 2001)
——, Maps and Dreams: Indians and the British Columbia Frontier (Faber 2002)
Buckingham D, Pini M and Willett R, ‘“Take Back the Tube!”: The Discursive Construction of Amateur Film and Video Making’ (2007) 8 Journal of Media Practice 183
Buckley L, ‘Self and Accessory in Gambian Studio Photography’ (2000) 16 Visual Anthropology Review 71
Burgin, Victor, Thinking Photography, vol Communications and culture (Macmillan 1982)
Chakravarty, Sumita S., National Identity in Indian Popular Cinema, 1947-1987, vol Texas film studies series (1st ed, University of Texas Press 1993)
Chambers, Robert, Ideas for Development (Earthscan 2005)
Channel Four (Great Britain), Channels of Resistance: Global Television and Local Empowerment (Tony Dowmunt ed, BFI Publishing 1993)
Chiozzi P, ‘Photography and Anthropological Research: Three Case Studies’ (1989) 4 Visual Sociology 43
Classen and C, ‘An Andean Cosmology’, Visual sense: a cultural reader, vol Sensory formations (Berg 2008)
Claude Massot, ‘A Revisit to Injukjuak to Examine How Life Has Changed since Flaherty Filmed in 1922’
Clifford and J, ‘On Ethnographic Authority’, The predicament of culture: twentieth-century ethnography, literature, and art (Harvard UP 1988)
Clifford J, ‘On Ethnographic Surrealism’ (1981) 23 Comparative Studies in Society and History
——, ‘On Ethnographic Surrealism’ (1981) 23 Comparative Studies in Society and History
Clifford, James, The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art (Harvard UP 1988)
——, The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art (Harvard UP 1988)
——, The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art (Harvard UP 1988)
——, Routes: Travel and Translation in the Late Twentieth Century (Harvard University Press 1997)
Collier and J, ‘Photography & Visual Anthropology’, Principles of visual anthropology (2nd ed, Mouton de Gruyter 1995)
Collier, John and Collier, Malcolm, Visual Anthropology: Photography as a Research Method (Rev and expanded ed, University of New Mexico Press 1986)
——, Visual Anthropology: Photography as a Research Method (Rev and expanded ed, University of New Mexico Press 1986)
Commission on Visual Anthropology, ‘Special Issue on Jean Rouch’ (1989) 2 Visual anthropology
Connolly, B and Anderson, and R, ‘First Contact’
——, ‘Joe Leahy’s Neighbours’
——, ‘Black Harvest’
Coote, Jeremy and Shelton, Anthony, Anthropology, Art, and Aesthetics, vol Oxford studies in the anthropology of cultural forms (Oxford University Press 1992)
‘Cowboy and Maria in Town’
Crawford and P, ‘Film as Discourse: The Invention of Anthropological Realities’, Film as ethnography (Manchester University Press, in association with the Granada Centre for Visual Anthropology 1992)
Crawford, Peter Ian and Postma, Metje, Reflecting Visual Ethnography: Using the Camera in Anthropological Research, vol CNWS publications (Intervention Press 2006)
Crawford, Peter Ian, Turton, David, and Granada Centre for Visual Anthropology, Film as Ethnography (Manchester University Press, in association with the Granada Centre for Visual Anthropology 1992)
Crawford PI, ‘Koriam’s Law: And the Dead Who Govern Directed by Gary Kildea and Andrea Simon, and Anthropologist Andrew Lattas’ (2009) 25 Visual Anthropology Review 105
‘CSAC Ethnographic Gallery’:
Damon FH, ‘“To Restore the Events?”: On the Ethnography of Malinowski’s Photography’ (2000) 16 Visual Anthropology Review 71
Das and V, ‘Soap Opera and Tele-Documentary: Culture and the Domestic Sphere in Comtemporary India’, Worlds apart: modernity through the prism of the local, vol The uses of knowledge (Routledge 1995)
De Brigard and E, ‘The History of Ethnographic Film’, Principles of visual anthropology (2nd ed, Mouton de Gruyter 1995)
de Heusch L, ‘The Cinema and Social Science: A Survey of Ethnographic and Sociological Films∗’ (1988) 1 Visual Anthropology 99
Devereaux, Leslie and Hillman, Roger, Fields of Vision: Essays in Film Studies, Visual Anthropology, and Photography (University of California Press 1995)
——, Fields of Vision: Essays in Film Studies, Visual Anthropology, and Photography (University of California Press 1995)
Dickey, Sara, Cinema and the Urban Poor in South India, vol Cambridge studies in social and cultural anthropology (Cambridge University Press 1993)
‘Disappearing World - Tv Series’
‘Documentary Educational Resources’
Eaton, Mick, Anthropology - Reality - Cinema: The Films of Jean Rouch (British Film Institute 1979)
Eco and U, ‘Apocalyptic and Integrated Intellectuals: Mass Communications and Theories of Mass Culture’, Apocalypse postponed (Flamingo 1995)
‘Eco-Storm’ <https://ecostorm.tv>
Edwards and E, ‘Beyond the Boundary: A Consideration of the Expressive in Photography and Anthropology’, Rethinking visual anthropology (Yale University Press 1997)
Edwards, Elizabeth, Raw Histories: Photographs, Anthropology and Museums, vol Materializing culture (Berg 2001)
Edwards, Elizabeth and Royal Anthropological Institute, London, Anthropology and Photography 1860-1920 (Yale University Press in association with the Royal Anthropological Institute, London 1992)
Edwards, Steve, Photography: A Very Short Introduction, vol Very short introductions (Oxford University Press 2006) <http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780191516535>
Engelbrecht, Beate, Memories of the Origins of Ethnographic Film, vol Menschen, Wissen, Medien (Peter Lang 2007)
‘ERA Interactive Multimedia Projects’:
Evans and N, ‘Fantastic Invasion’
Evans, Jessica, The Camerawork Essays: Context and Meaning in Photography (Published in the USA by New York University Press 1997)
Faris and J, ‘Anthropological Transparency: Film, Representation and Politics’, Film as ethnography (Manchester University Press, in association with the Granada Centre for Visual Anthropology 1992)
——, ‘Anthropological Transparency: Film, Representation and Politics’, Film as ethnography (Manchester University Press, in association with the Granada Centre for Visual Anthropology 1992)
——, ‘The Gaze of Western Humanism’, The Anthropology of media: a reader, vol Blackwell readers in anthropology (Blackwell Publishers 2002)
——, ‘The Gaze of Western Humanism’, The Anthropology of media: a reader, vol Blackwell readers in anthropology (Blackwell Publishers 2002)
Faris JC, ‘A Response to Terence Turner’ (1993) 9 Anthropology Today
——, ‘A Response to Terence Turner’ (1993) 9 Anthropology Today
Feld and S, ‘A Rainforest Acoustemology’, The auditory culture reader, vol Sensory formations (Berg 2003)
Feld S and Brenneis D, ‘Doing Anthropology in Sound’ (2004) 31 American Ethnologist 461
Firth and R, ‘Art and Anthropology’, Anthropology, art, and aesthetics, vol Oxford studies in the anthropology of cultural forms (Oxford University Press 1992)
Fischer and M, ‘Toward a Third World Politics: Seeing through Fiction and Film in the Iranian Cultural Area’
Fischer, Michael M J and Abedi, Mehdi, Debating Muslims: Cultural Dialogues in Postmodernity and Tradition, vol New directions in anthropological writing : history, poetics, cultural criticism (U of Wisconsin P 1990)
Flaherty and R, ‘How I Filmed Nanook of the North’
Fletcher R, Beyond Resistance: The Future of Freedom (Nova Science Publishers, Inc 2007)
Forge A and Wenner-Gren Foundation for Anthropological Research, Primitive Art & Society (Oxford University Press, for Wenner-Gren Foundation for Anthropological Research 1973)
Freire, Paulo, Pedagogy of the Oppressed, vol Penguin Education (New rev ed, Penguin 1996)
Fricke, ‘Baraka’
‘From The Heart Of The World: The Elder Borther’s Warning’
Ganti and T, ‘And Yet My Heart Is Still Indian: The Bombay Film Industry and the (H)Indianization of Hollywood’, Media worlds: anthropology on new terrain (University of California Press 2002) <http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://www.kentuk.eblib.com/patron/FullRecord.aspx?p=224223>
Gardner, ‘Forest of Bliss’
Geffroy Y, ‘Family Photographs: A Visual Heritage’ (1990) 3 Visual Anthropology 367
Gell and A, ‘The Technology of Enchantment and the Enchantment of Technology’, Anthropology, art, and aesthetics, vol Oxford studies in the anthropology of cultural forms (Oxford University Press 1992)
Gell, Alfred, Art and Agency: An Anthropological Theory (Clarendon Press 1998)
Gell, Alfred and Hirsch, Eric, The Art of Anthropology: Essay and Diagrams, vol London School of Economics monographs on social anthropology (Athlone Press 1999)
Gillespie, Marie, Television, Ethnicity and Cultural Change, vol Comedia (Routledge 1995)
Ginsburg and F, ‘Mediating Culture’, The Anthropology of media: a reader, vol Blackwell readers in anthropology (Blackwell Publishers 2002)
——, ‘Screen Memories: Resignifying the Traditional in Indigenous Media’, Media worlds: anthropology on new terrain (University of California Press 2002) <http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://www.kentuk.eblib.com/patron/FullRecord.aspx?p=224223>
Ginsburg, F and Strickland, and A, ‘The Latest in Reality TV? Maori Television Stakes a Claim on the World Stage’
Ginsburg F, ‘Indigenous Media: Faustian Contract or Global Village?’ (1991) 6 Cultural Anthropology 92
——, ‘Television and the Mediation of Culture: Issues In British Ethnographic Film’ (1992) 8 Visual Anthropology Review 97
——, ‘Culture/Media: A (Mild) Polemic’ (1994) 10 Anthropology today 5 <http://df7sm3xp4s.search.serialssolutions.com/?V=1.0&L=DF7SM3XP4S&C=Anthropology+Today&s=AC_T_M&submit=Search>
Ginsburg, Faye D., Abu-Lughod, Lila, and Larkin, Brian, Media Worlds: Anthropology on New Terrain (University of California Press 2002) <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=224223>
Gombrich and E, ‘The Visual Image: Its Place in Communication’, The image and the eye: further studies in the psychology of pictorial representation (Phaidon 1982)
Goodale and D, ‘Pipe Dreams’
Grady J, ‘The Visual Essay and Sociology’ (1991) 6 Visual Sociology 23
Graeber, David, Toward an Anthropological Theory of Value: The False Coin of Our Own Dreams (Palgrave 2001)
——, Fragments of an Anarchist Anthropology, vol Paradigm (Prickly Paradigm Press 2004)
Gregory, Sam, Video for Change: A Guide for Advocacy and Activism (Pluto Press in association with Witness 2005)
Griffiths A, Wondrous Difference: Cinema, Anthropology, and Turn-of-the-Century Visual Culture (Columbia University Press 2002)
Grimshaw A, The Ethnographer’s Eye: Ways of Seeing in Anthropology (Cambridge University Press 2001) <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=202024>
Grimshaw A and Ravetz A, ‘Observational Cinema: Anthropology, Film, and the Exploration of Social Life.’, Observational cinema: anthropology, film, and the exploration of social life (Indiana University Press 2009)
Grimshaw, Anna, ‘Chapter 1: The Modernist Moment and after, 1895-1945’, The ethnographer’s eye: ways of seeing in anthropology (Cambridge University Press 2001) <http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://www.kentuk.eblib.com/patron/FullRecord.aspx?p=202024>
——, The Ethnographer’s Eye: Ways of Seeing in Anthropology (Cambridge University Press 2001) <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=202024>
——, The Ethnographer’s Eye: Ways of Seeing in Anthropology (Cambridge University Press 2001) <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=202024>
——, The Ethnographer’s Eye: Ways of Seeing in Anthropology (Cambridge University Press 2001) <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=202024>
——, The Ethnographer’s Eye: Ways of Seeing in Anthropology (Cambridge University Press 2001) <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=202024>
——, The Ethnographer’s Eye: Ways of Seeing in Anthropology (Cambridge University Press 2001) <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=202024>
——, The Ethnographer’s Eye: Ways of Seeing in Anthropology (Cambridge University Press 2001) <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=202024>
Grimshaw, Anna and Papastergiadis, Nikos, ‘Conversations with Anthropological Film-Makers: David MacDougall’ (1995) Prickly Pear pamphlet
Grundberg, Andy, Crisis of the Real: Writings on Photography, 1974-1989, vol Writers and artists on photography (Aperture 1990)
Habermas and J, ‘Modernity: An Incomplete Project’, The anti-aesthetic: essays on postmodern culture (Bay Press 1983)
Hahn and E, ‘The Tongan Tradition of Going to the Movies’, The Anthropology of media: a reader, vol Blackwell readers in anthropology (Blackwell Publishers 2002)
Hahn E, ‘The Tongan Tradition of Going to the Movies’ (1994) 10 Visual Anthropology Review 103
Hall and S, ‘The Rediscovery of “Ideology”: Return of the Oppressed in Media Studies’, Culture, society, and the media (Methuen 1982)
Hamilton and A, ‘The National Picture: Thai Media and Cultural Identity’, Media worlds: anthropology on new terrain (University of California Press 2002) <http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://www.kentuk.eblib.com/patron/FullRecord.aspx?p=224223>
Harding and T, ‘Strategic Distribution: Reaching Key Audiences in Innovative Ways’, Video for change: a guide for advocacy and activism (Pluto Press in association with Witness 2005)
Harding, Thomas, The Video Activist Handbook (2nd ed, Pluto Press 2001) <http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://www.theacademiclibrary.com/login_cat.asp?filename=0745317715>
Harper D, ‘The Visual Ethnographic Narrative’ (1987) 1 Visual Anthropology 1
Hartmann P, Patil BR and Dighe A, The Mass Media and Village Life: An Indian Study (Sage Publications 1989)
Harvey, David, The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change (Blackwell 1989)
Harvey P, ‘Ethnographic Film and the Politics of Difference: A Review of Film Festivals’ (1993) 9 Visual Anthropology Review 164
Hastrup and K, ‘Anthropological Visions: Some Notes on Visual and Textual Authority’, Film as ethnography (Manchester University Press, in association with the Granada Centre for Visual Anthropology 1992)
Hebdige, Dick, Hiding in the Light: On Images and Things, vol Comedia book (Routledge 1988)
Helmreich S, ‘An Anthropologist Underwater: Immersive Soundscapes, Submarine Cyborgs, and Transductive Ethnography’ (2007) 34 American ethnologist 621
Henley and P, ‘British Ethnographic Film’ (1985) 1 Anthropology today <http://df7sm3xp4s.search.serialssolutions.com/?V=1.0&L=DF7SM3XP4S&C=Anthropology+Today&s=AC_T_M&submit=Search>
——, ‘Narratives: The Guilty Secret of Ethnographic Documentary?’, Reflecting visual ethnography: using the camera in anthropological research, vol CNWS publications (CNWS Publications 2006)
——, ‘The Origins of Observational Cinema: Conversations with Colin Young’ [2007] Memories of the Origins of Visual Anthropology
Hereniko and V, ‘Indigenous Knowledge and Academic Imperialism’ [2000] Remembrance of Pacific Pasts: An Invitation to Remake History
Hereniko, Vilsoni and Wilson, Rob, Inside out: Literature, Cultural Politics, and Identity in the New Pacific, vol Pacific formations (Rowman & Littlefield 1999)
Hereniko, Vilsoni Tausie, Don’t Cry, Mama: A Three-Act Play (Mana 1977)
Herzog, ‘Grizzly Man’ (2005)
Hewison, Robert, The Heritage Industry: Britain in a Climate of Decline (Methuen London)
Hirschkind C, ‘The Ethics of Listening: Cassette-SermonAudition in Contemporary Egypt’ (2001) 28 American Ethnologist 623
Hochberg and J, ‘The Representation of Things and People’, Art, perception and reality, vol The Alvin and Fanny Blaustein Thalheimer lectures (Johns Hopkins University Press)
‘Hockings, P., Tomaselli, K., Ruby, J., MacDougall, D., Williams, D., Piette, A., Schwarz, M., Carta, S. 2014. “Where Is the Theory in Visual Anthropology?” Visual Anthropology, 27(5): 436 – 456.’ <http://content.ebscohost.com/ContentServer.asp?EbscoContent=dGJyMNXb4kSep7c40dvuOLCmr1Cep7BSsa24SbKWxWXS&amp;ContentCustomer=dGJyMPGptEy1qbJPuePfgeyx43zx1%2B6B&amp;T=P&amp;P=AN&amp;S=R&amp;D=f3h&amp;K=98530762>
Hockings, Paul, Principles of Visual Anthropology (2nd ed, Mouton de Gruyter 1995)
Howard and A, ‘Presenting Rotuma to the World: The Making of The Land Has Eyes’
——, ‘Presenting Rotuma to the World: The Making of The Land Has Eyes’
——, ‘Presenting Rotuma to the World: The Making of The Land Has Eyes’
Huyssen, Andreas and American Council of Learned Societies, After the Great Divide: Modernism, Mass Culture, Postmodernism, vol Language, discourse, society (Macmillan 1986) <http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://name.umdl.umich.edu/HEB01765>
im Thurn EF, ‘Anthropological Uses of the Camera’ (1893) 22 Journal of the Anthropological Institute of Great Britain and Ireland 184
Jacknis I, ‘Margaret Mead and Gregory Bateson in Bali: Their Use of Photography and Film’ (1988) 3 Cultural Anthropology 160
Jackson, Michael, Minima Ethnographica: Intersubjectivity and the Anthropological Project (University of Chicago Press 1998)
Jameson and F, ‘Postmodernism or the Cultural Logic of Late Capitalism’ (1984) 146 New left review
——, ‘Postmodernism or the Cultural Logic of Late Capitalism’, Postmodernism, or, The cultural logic of late capitalism (Verso 1991)
‘Jay Ruby’s Webpage:’
Jensen, Gordon D. and Suryani, Luh Ketut, The Balinese People: A Reinvestigation of Character (Oxford University Press 1992)
Karp, Ivan and Lavine, Steven D., Exhibiting Cultures: The Poetics and Politics of Museum Display (1991)
King, John, Magical Reels: A History of Cinema in Latin America, vol Critical studies in Latin American and Iberian cultures (New ed, Verso 2000)
Klima and A, ‘Corpore Obscuro: Meditation on the Dead in Thailand’, Visual sense: a cultural reader, vol Sensory formations (Berg 2008)
Klima, Alan, The Funeral Casino: Meditation, Massacre, and Exchange with the Dead in Thailand (Princeton University Press 2002)
Kottak, Conrad Phillip, Prime-Time Society: An Anthropological Analysis of Television and Culture, vol The Wadsworth modern anthropology library (Wadsworth Pub Co 1990)
——, Prime-Time Society: An Anthropological Analysis of Television and Culture, vol The Wadsworth modern anthropology library (Wadsworth Pub Co 1990)
Krebs and S, ‘The Film Elicitation Technique’, Principles of visual anthropology (2nd ed, Mouton de Gruyter 1995)
Kulick, D & Wilson, and M, ‘Rambo’s Wife Saves the Day’, The Anthropology of media: a reader, vol Blackwell readers in anthropology (Blackwell Publishers 2002)
Kunreuther L, ‘Technologies of the Voice: FM Radio, Telephone, and the Nepali Diaspora in Kathmandu’ (2006) 21 Cultural Anthropology 323
Kunuk Z, ‘Atanarjuat: The Fast Runner’
‘La Soledad (Jorge Thielen Armand, 2016, 89 Min)’ <http://www.lafaenafilms.com/films/lasoledad/>
Lakoff A, ‘Freezing Time: Margaret Mead’s Diagnostic Photography’ (1996) 12 Visual Anthropology Review 1
Lamphere and L, ‘The Convergence of Applied, Practicising, and Public Anthropology in the 21st Century’ (2004) 63 Human organization
Larkin and B, ‘Indian Films and Nigerian Lovers: Media and the Creation of Parallel Modernities’ (1997) 67 Africa
Larry Gross (ed.), ‘Studying Visual Communication’
Lave and J et al, ‘Coming of Age in Birmingham’ (1992) 21 Annual review of anthropology
Loizos and P, ‘First Exits from Observational Realism: Narrative Experiments in Recent Ethnographic Film’, Rethinking visual anthropology (Yale University Press 1997)
——, ‘Granada Television’s Disappearing World Series: An Appraisal’ 82 American anthropologist <https://www-jstor-org.chain.kent.ac.uk/stable/677459>
Loizos, Peter, Innovation in Ethnographic Film: From Innocence to Self- Consciousness, 1955-85 (Manchester U P 1993)
——, Innovation in Ethnographic Film: From Innocence to Self- Consciousness, 1955-85 (Manchester U P 1993)
——, Innovation in Ethnographic Film: From Innocence to Self- Consciousness, 1955-85 (Manchester U P 1993)
——, Innovation in Ethnographic Film: From Innocence to Self- Consciousness, 1955-85 (Manchester U P 1993)
——, Innovation in Ethnographic Film: From Innocence to Self- Consciousness, 1955-85 (Manchester U P 1993)
Lull, James, World Families Watch Television, vol Communication and human values (Sage Publications 1988)
——, Inside Family Viewing: Ethnographic Research on Television’s Audiences, vol Comedia (Routledge 1990)
——, Inside Family Viewing: Ethnographic Research on Television’s Audiences, vol Comedia (Routledge 1990)
——, China Turned on: Television, Reform, and Resistance (Routledge 1991)
Lunch, N & Lunch, and C, ‘Insights into Participatory Video: A Handbook for the Field’ (2006)
MacClancy and J, ‘Anthropology, Art and Contest’, Contesting art: art, politics and identity in the modern world, vol Berg ethnicity and identity series (Berg 1997)
Macdonald, Kevin and Cousins, Mark, Imagining Reality: The Faber Book of Documentary (Faber 1996)
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