Abu-Lughod, L. 1993. ‘Finding a Place for Islam: Egyptian Television Serials and the National Interest’. Public Culture 5(3):493–513. doi: 10.1215/08992363-5-3-493.
Abu-Lughod and L. 1995a. ‘The Objects of Soap Opera: Egyptian Soap Opera and the Cultural Politics of Modernity’. in Worlds apart: modernity through the prism of the local. Vol. The uses of knowledge. London: Routledge.
Abu-Lughod and L. 1995b. ‘The Objects of Soap Opera: Egyptian Soap Opera and the Cultural Politics of Modernity’. in Worlds apart: modernity through the prism of the local. Vol. The uses of knowledge. London: Routledge.
Abu-Lughod and L. 2002a. ‘Egyptian Melodrama’. in Media worlds: anthropology on new terrain. Berkeley: University of California Press.
Abu-Lughod and L. 2002b. ‘The Objects of Soap Opera: Egyptian Soap Opera and the Cultural Politics of Modernity’. in The Anthropology of media: a reader. Vol. Blackwell readers in anthropology. Oxford: Blackwell Publishers.
Abu-Lughod and L. 2002c. ‘The Objects of Soap Opera: Egyptian Soap Opera and the Cultural Politics of Modernity’. in The Anthropology of media: a reader. Vol. Blackwell readers in anthropology. Oxford: Blackwell Publishers.
Adorno and T. 2001a. ‘Culture Industry Reconsidered’. in The culture industry: selected essays on mass culture. Vol. Routledge classics. London: Routledge.
Adorno and T. 2001b. ‘The Schema of Mass Culture’. in The culture industry: selected essays on mass culture. Vol. Routledge classics. London: Routledge.
Amponsah and G. 2004. ‘The Importance of Being Elegant’.
Anderson, Benedict R. O’G. 2016. Imagined Communities: Reflections on the Origin and Spread of Nationalism. Revised edition. London: Verso.
Andrew, Dudley. 1976. The Major Film Theories: An Introduction. London: O.U.P.
Andrew, Dudley. 1984. Concepts in Film Theory. Oxford: Oxford University Press.
Ang and I. 2007. ‘Dallas and the Ideology of Mass Culture’. in The cultural studies reader. London: Routledge.
Ang, Ien. 1985. Watching Dallas: Soap Opera and the Melodramatic Imagination. London: Methuen.
Anon. 1974. ‘Ongka’s Big Moka: The Kawelka of Papua New Guinea’.
Anon. 1987. ‘Pathfinder’.
Anon. 1988. ‘Babakiueria’.
Anon. 1990. ‘From The Heart Of The World: The Elder Borther’s Warning’.
Anon. 1991a. ‘Cowboy and Maria in Town’.
Anon. 1991b. ‘Voices of the Rainforest’.
Anon. 1994. ‘An Indonesian Film Called Primitif’. Anthropology Today 10(4). doi: 10.2307/2783438.
Anon. 1999. ‘The Gospel According to the Papuans’.
Anon. 2002. ‘Amandla: A Revolution in Four Part Harmony’.
Anon. 2004. ‘The Disappearing Of Tuvalu: Trouble In Paradise’.
Anon. 2006a. ‘37 Uses of a Dead Sheep’.
Anon. 2006b. ‘Ten Canoes’.
Anon. n.d.-a. ‘Alexander Street Video’. Retrieved (http://vasc.alexanderstreet.com.chain.kent.ac.uk/).
Anon. n.d.-b. ‘An Example of PV from Insight Media’.
Anon. n.d.-c. ‘Atanarjuat’.
Anon. n.d.-d. ‘CSAC Ethnographic Gallery’:
Anon. n.d.-e. ‘Disappearing World - Tv Series’.
Anon. n.d.-f. ‘Documentary Educational Resources’.
Anon. n.d.-g. ‘Eco-Storm’. Retrieved (https://ecostorm.tv).
Anon. n.d.-h. ‘ERA Interactive Multimedia Projects’:
Anon. n.d.-i. ‘Hockings, P., Tomaselli, K., Ruby, J., MacDougall, D., Williams, D., Piette, A., Schwarz, M., Carta, S. 2014. “Where Is the Theory in Visual Anthropology?” Visual Anthropology, 27(5): 436 – 456.’
Anon. n.d.-j. ‘Jay Ruby’s Webpage:’
Anon. n.d.-k. ‘La Soledad (Jorge Thielen Armand, 2016, 89 Min)’.
Anon. n.d.-l. ‘More Information on Participatory Video’.
Anon. n.d.-m. ‘Ngat Is Dead: Studying Mortuary Traditions - ResearchOnline@JCU’. Retrieved (http://researchonline.jcu.edu.au/9272/).
Anon. n.d.-n. ‘RAI’.
Anon. n.d.-o. ‘Rotuma’.
Anon. n.d.-p. ‘The Land Has Eyes’.
Anon. n.d.-q. ‘The Land Has Eyes’.
Anon. n.d.-r. ‘The Making of Cannibal Tours’.
Anon. n.d.-s. ‘Titicut Follies’.
Anon. n.d.-t. Tuft, T. 2000. Living with the Rubbish Queen. Telenovelas Culture and Modernity in Brazil. University of Luton Press.
Anon. n.d.-u. ‘Under The Sun - Tv Series’.
Anon. n.d.-v. ‘Visual Anthropology’.
Anon. n.d.-w. ‘Visual Anthropology Review’.
Anon. n.d.-x. ‘Web Archive in Visual Anthropology’:
Anon. n.d.-y. ‘Wipe Off The Map - Short Documentary From Gaza City’.
Appadurai and A. 1991. ‘Global Ethnoscapes: Notes for a Transnational Anthropology’. in Recapturing anthropology: working in the present. Vol. School of American Research advanced seminar series. Santa Fe, N.M: School of American Research Press.
Armbrust, Walter. 1996. Mass Culture and Modernism in Egypt. Vol. Cambridge studies in social and cultural anthropology. Cambridge: Cambridge University Press.
Armes, Roy. 1987. Third World Film Making and the West. Berkeley: U. of California P.
Asch, Timothy, Jesus Ignacio Cardozo, Hortensia Cabellero, and Jose Bortoli. 1991. ‘The Story We Now Want to Hear Is Not Ours to Tell: Relinquishing Control Over Representation: Toward Sharing Visual Communication Skills with The Yanomami’. Visual Anthropology Review 7(2):102–6. doi: 10.1525/var.1991.7.2.102.
Askew, Kelly Michelle and Wilk, Richard R. 2002. The Anthropology of Media: A Reader. Vol. Blackwell readers in anthropology. Oxford: Blackwell Publishers.
Attali, Jacques. 1985. Noise: The Political Economy of Music. Vol. Theory and history of literature. Minneapolis: University of Minnesota Press.
Aufderheide, Patricia. 2007a. Documentary Film: A Very Short Introduction. Vol. Very short introductions. New York: Oxford University Press.
Aufderheide, Patricia. 2007b. Documentary Film: A Very Short Introduction. Vol. Very short introductions. New York: Oxford University Press.
Back, Les and Bull, Michael. 2003. The Auditory Culture Reader. Vol. Sensory formations. Oxford: Berg.
Banks and M. 1992a. ‘Which Films Are Ethnographic Films’. in Film as ethnography. Manchester: Manchester University Press, in association with the Granada Centre for Visual Anthropology.
Banks and M. 1992b. ‘Which Films Are the Ethnographic Films’. in Film as ethnography. Manchester: Manchester University Press, in association with the Granada Centre for Visual Anthropology.
Banks, Marcus. 1994. ‘Television and Anthropology: An Unhappy Marriage?’ Visual Anthropology 7(1):21–45. doi: 10.1080/08949468.1994.9966634.
Banks, Marcus. 2001. Visual Methods in Social Research. London: SAGE.
Banks, Marcus. 2001a. Visual Methods in Social Research. London: SAGE.
Banks, Marcus. 2001b. Visual Methods in Social Research. London: SAGE.
Banks, Marcus and Morphy, Howard. 1997a. Rethinking Visual Anthropology. London: Yale University Press.
Banks, Marcus and Morphy, Howard. 1997b. Rethinking Visual Anthropology. London: Yale University Press.
Banks, Marcus and Morphy, Howard. 1997c. Rethinking Visual Anthropology. London: Yale University Press.
Banks, Marcus, and Jay Ruby. 2011. ‘Chapter 1: Skilled Visions: Towards and Ecology of Visual Inscriptions’. in Made to be seen: perspectives on the history of visual anthropology. Chicago, Ill: University of Chicago Press.
Barbash, I and Taylor, and L. n.d. ‘Re-Framing Ethnographic Film: A ’conversation with David and Judith MacDougall’. American Anthropologist 98.
Barbash, Ilisa and Taylor, Lucien. 1997a. Cross-Cultural Filmmaking: A Handbook for Making Documentary and Ethnographic Films and Videos. Berkeley, Calif: University of California Press.
Barbash, Ilisa and Taylor, Lucien. 1997b. Cross-Cultural Filmmaking: A Handbook for Making Documentary and Ethnographic Films and Videos. Berkeley, Calif: University of California Press.
Barbash, Ilisa and Taylor, Lucien. 1997c. Cross-Cultural Filmmaking: A Handbook for Making Documentary and Ethnographic Films and Videos. Berkeley, Calif: University of California Press.
Barbash, Ilisa and Taylor, Lucien. 2007a. The Cinema of Robert Gardner. Oxford: Berg.
Barbash, Ilisa and Taylor, Lucien. 2007b. The Cinema of Robert Gardner. Oxford: Berg.
Barnouw, Erik. 1993a. Documentary: A History of the Non-Fiction Film. 2nd rev. ed. New York: Oxford University Press.
Barnouw, Erik. 1993b. Documentary: A History of the Non-Fiction Film. 2nd rev. ed. New York: Oxford University Press.
Barrot, Pierre, Ibbo Daddy Abdoulaye, and Lynn Taylor. 2008. Nollywood: The Video Phenomenon in Nigeria. Rev. English ed. Oxford: James Currey.
Barsam, Richard Meran. 1992. Nonfiction Film: A Critical History. Rev. and expanded. Bloomington: Indiana University Press.
Barthes and R. 1977. ‘“The Photographic Message” and “The Rhetoric of Image”’. in Image, music, text. Vol. Fontana communications series. Glasgow: Collins.
Barthes, Roland. 1982. Camera Lucida: Reflections on Photography. London: Cape.
Bateson, Gregory and Mead, Margaret. 1942. Balinese Character: A Photographic Analysis. Vol. Special publications of the New York Academy of Sciences. [New York: New York Academy of Sciences].
Batty, P. 1993. ‘Singing the Electric: Aboriginal Television in Australia’. in Channels of resistance: global television and local empowerment, edited by T. Dowmunt. London: BFI Publishing.
Baudrillard and J. 1993. ‘The Order of Simulacra’. in Symbolic exchange and death. Vol. Theory, culture&society. London: Sage.
Benjamin and W. 1999. ‘The Work of Art in the Age of Mechanical Reproduction’. in Illuminations. Vol. Pimlico. London: Pimlico.
Benjamin, Walter, Zorn, Harry, and Arendt, Hannah. 1999. Illuminations. Vol. Pimlico. London: Pimlico.
Berger and J. 2002a. ‘The Ambiguity of the Photograph’. in The Anthropology of media: a reader. Vol. Blackwell readers in anthropology. Oxford: Blackwell Publishers.
Berger and J. 2002b. ‘The Ambiguity of the Photograph’. in The Anthropology of media: a reader. Vol. Blackwell readers in anthropology. Oxford: Blackwell Publishers.
Berger, John. 2008. Ways of Seeing. Vol. Penguin classics. London: Penguin.
Berger, John, and Jean Mohr. 1995. Another Way of Telling. First Vintage International. New York: Vintage Books.
Bordwell and D. 1996. ‘Film Studies and Grand Theory’. in Post-theory: reconstructing film studies. Vol. Wisconsin studies in film. Madison: University of Wisconsin Press.
Bourdieu, Pierre and Boltanski, Luc. 1990. Photography, a Middle-Brow Art. Stanford, Calif: Stanford University Press.
Bourdieu, Pierre, Darbel, Alain, and Schnapper, Dominique. 1990. The Love of Art: European Art Museums and Their Public. Stanford, Calif: Stanford University Press.
Bowman and G. 1997. ‘Identifying versus Identifying with the “Other”: Reflections on the Siting of the Subject in Anthropological Discourse’. in After writing culture: epistemology and praxis in contemporary anthropology. Vol. ASA monographs. London: Routledge.
Brody, Hugh. 2001. The Other Side of Eden: Hunter-Gatherers, Farmers and the Shaping of the World. London: Faber.
Brody, Hugh. 2002. Maps and Dreams: Indians and the British Columbia Frontier. London: Faber.
Buckingham, David, Maria Pini, and Rebekah Willett. 2007. ‘“Take Back the Tube!”: The Discursive Construction of Amateur Film and Video Making’. Journal of Media Practice 8(2):183–201. doi: 10.1386/jmpr.8.2.183_1.
Buckley, Liam. 2000. ‘Self and Accessory in Gambian Studio Photography’. Visual Anthropology Review 16(2):71–91. doi: 10.1525/var.2000.16.2.71.
Burgin, Victor. 1982. Thinking Photography. Vol. Communications and culture. Basingstoke: Macmillan.
Chakravarty, Sumita S. 1993. National Identity in Indian Popular Cinema, 1947-1987. Vol. Texas film studies series. 1st ed. Austin: University of Texas Press.
Chambers, Robert. 2005. Ideas for Development. London: Earthscan.
Channel Four (Great Britain). 1993. Channels of Resistance: Global Television and Local Empowerment. edited by T. Dowmunt. London: BFI Publishing.
Chiozzi, Paolo. 1989. ‘Photography and Anthropological Research: Three Case Studies’. Visual Sociology 4(2):43–50. doi: 10.1080/14725868908583636.
Classen and C. 2008. ‘An Andean Cosmology’. in Visual sense: a cultural reader. Vol. Sensory formations. Oxford: Berg.
Claude Massot. 2004. ‘A Revisit to Injukjuak to Examine How Life Has Changed since Flaherty Filmed in 1922’.
Clifford and J. 1988. ‘On Ethnographic Authority’. in The predicament of culture: twentieth-century ethnography, literature, and art. Cambridge, Mass: Harvard U.P.
Clifford, James. 1981a. ‘On Ethnographic Surrealism’. Comparative Studies in Society and History 23(04). doi: 10.1017/S0010417500013554.
Clifford, James. 1981b. ‘On Ethnographic Surrealism’. Comparative Studies in Society and History 23(04). doi: 10.1017/S0010417500013554.
Clifford, James. 1988a. The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art. Cambridge, Mass: Harvard U.P.
Clifford, James. 1988b. The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art. Cambridge, Mass: Harvard U.P.
Clifford, James. 1988c. The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art. Cambridge, Mass: Harvard U.P.
Clifford, James. 1997. Routes: Travel and Translation in the Late Twentieth Century. Cambridge, Mass: Harvard University Press.
Collier and J. 1995. ‘Photography & Visual Anthropology’. in Principles of visual anthropology. Berlin: Mouton de Gruyter.
Collier, John and Collier, Malcolm. 1986a. Visual Anthropology: Photography as a Research Method. Rev. and expanded ed. Albuquerque: University of New Mexico Press.
Collier, John and Collier, Malcolm. 1986b. Visual Anthropology: Photography as a Research Method. Rev. and expanded ed. Albuquerque: University of New Mexico Press.
Commission on Visual Anthropology. 1989. ‘Special Issue on Jean Rouch’. Visual Anthropology 2.
Connolly, B and Anderson, and R. 1983. ‘First Contact’.
Connolly, B and Anderson, and R. 1988. ‘Joe Leahy’s Neighbours’.
Connolly, B and Anderson, and R. 1991. ‘Black Harvest’.
Coote, Jeremy and Shelton, Anthony. 1992. Anthropology, Art, and Aesthetics. Vol. Oxford studies in the anthropology of cultural forms. New York: Oxford University Press.
Crawford and P. 1992. ‘Film as Discourse: The Invention of Anthropological Realities’. in Film as ethnography. Manchester: Manchester University Press, in association with the Granada Centre for Visual Anthropology.
Crawford, Peter I. 2009. ‘Koriam’s Law: And the Dead Who Govern Directed by Gary Kildea and Andrea Simon, and Anthropologist Andrew Lattas’. Visual Anthropology Review 25(1):105–7. doi: 10.1111/j.1548-7458.2009.01035.x.
Crawford, Peter Ian and Postma, Metje. 2006. Reflecting Visual Ethnography: Using the Camera in Anthropological Research. Vol. CNWS publications. Hojbjerg: Intervention Press.
Crawford, Peter Ian, Turton, David, and Granada Centre for Visual Anthropology. 1992. Film as Ethnography. Manchester: Manchester University Press, in association with the Granada Centre for Visual Anthropology.
Damon, Frederick H. 2000. ‘“To Restore the Events?”: On the Ethnography of Malinowski’s Photography’. Visual Anthropology Review 16(1):71–77. doi: 10.1525/var.2000.16.1.71.
Das and V. 1995. ‘Soap Opera and Tele-Documentary: Culture and the Domestic Sphere in Comtemporary India’. in Worlds apart: modernity through the prism of the local. Vol. The uses of knowledge. London: Routledge.
De Brigard and E. 1995. ‘The History of Ethnographic Film’. in Principles of visual anthropology. Berlin: Mouton de Gruyter.
Devereaux, Leslie and Hillman, Roger. 1995a. Fields of Vision: Essays in Film Studies, Visual Anthropology, and Photography. Berkeley: University of California Press.
Devereaux, Leslie and Hillman, Roger. 1995b. Fields of Vision: Essays in Film Studies, Visual Anthropology, and Photography. Berkeley: University of California Press.
Dickey, Sara. 1993. Cinema and the Urban Poor in South India. Vol. Cambridge studies in social and cultural anthropology. Cambridge: Cambridge University Press.
Eaton, Mick. 1979. Anthropology - Reality - Cinema: The Films of Jean Rouch. London: British Film Institute.
Eco and U. 1995. ‘Apocalyptic and Integrated Intellectuals: Mass Communications and Theories of Mass Culture’. in Apocalypse postponed. London: Flamingo.
Edwards and E. 1997. ‘Beyond the Boundary: A Consideration of the Expressive in Photography and Anthropology’. in Rethinking visual anthropology. London: Yale University Press.
Edwards, Elizabeth. 2001. Raw Histories: Photographs, Anthropology and Museums. Vol. Materializing culture. Oxford: Berg.
Edwards, Elizabeth and Royal Anthropological Institute, London. 1992. Anthropology and Photography 1860-1920. London: Yale University Press in association with the Royal Anthropological Institute, London.
Edwards, Steve. 2006. Photography: A Very Short Introduction. Vol. Very short introductions. Oxford: Oxford University Press.
Engelbrecht, Beate. 2007. Memories of the Origins of Ethnographic Film. Vol. Menschen, Wissen, Medien. Frankfurt am Main: Peter Lang.
Evans, Jessica. 1997. The Camerawork Essays: Context and Meaning in Photography. London: Published in the USA by New York University Press.
Evans and N. 1991. ‘Fantastic Invasion’.
Faris and J. 1992a. ‘Anthropological Transparency: Film, Representation and Politics’. in Film as ethnography. Manchester: Manchester University Press, in association with the Granada Centre for Visual Anthropology.
Faris and J. 1992b. ‘Anthropological Transparency: Film, Representation and Politics’. in Film as ethnography. Manchester: Manchester University Press, in association with the Granada Centre for Visual Anthropology.
Faris and J. 2002a. ‘The Gaze of Western Humanism’. in The Anthropology of media: a reader. Vol. Blackwell readers in anthropology. Oxford: Blackwell Publishers.
Faris and J. 2002b. ‘The Gaze of Western Humanism’. in The Anthropology of media: a reader. Vol. Blackwell readers in anthropology. Oxford: Blackwell Publishers.
Faris, James C. 1993a. ‘A Response to Terence Turner’. Anthropology Today 9(1). doi: 10.2307/2783336.
Faris, James C. 1993b. ‘A Response to Terence Turner’. Anthropology Today 9(1). doi: 10.2307/2783336.
Feld and S. 2003. ‘A Rainforest Acoustemology’. in The auditory culture reader. Vol. Sensory formations. Oxford: Berg.
Feld, Steven, and Donald Brenneis. 2004. ‘Doing Anthropology in Sound’. American Ethnologist 31(4):461–74. doi: 10.1525/ae.2004.31.4.461.
Firth and R. 1992. ‘Art and Anthropology’. in Anthropology, art, and aesthetics. Vol. Oxford studies in the anthropology of cultural forms. New York: Oxford University Press.
Fischer and M. 1984. ‘Toward a Third World Politics: Seeing through Fiction and Film in the Iranian Cultural Area’.
Fischer, Michael M J and Abedi, Mehdi. 1990. Debating Muslims: Cultural Dialogues in Postmodernity and Tradition. Vol. New directions in anthropological writing : history, poetics, cultural criticism. London: U. of Wisconsin P.
Flaherty and R. n.d. ‘How I Filmed Nanook of the North’.
Fletcher, Robert. 2007. Beyond Resistance: The Future of Freedom. Nova Science Publishers, Inc.
Forge, Anthony and Wenner-Gren Foundation for Anthropological Research. 1973. Primitive Art & Society. London: Oxford University Press, for Wenner-Gren Foundation for Anthropological Research.
Freire, Paulo. 1996. Pedagogy of the Oppressed. Vol. Penguin Education. New rev. ed. London: Penguin.
Fricke. 1992. ‘Baraka’.
Ganti and T. 2002. ‘And Yet My Heart Is Still Indian: The Bombay Film Industry and the (H)Indianization of Hollywood’. in Media worlds: anthropology on new terrain. Berkeley: University of California Press.
Gardner. 1986. ‘Forest of Bliss’.
Geffroy, Yannick. 1990. ‘Family Photographs: A Visual Heritage’. Visual Anthropology 3(4):367–409. doi: 10.1080/08949468.1990.9966540.
Gell and A. 1992. ‘The Technology of Enchantment and the Enchantment of Technology’. in Anthropology, art, and aesthetics. Vol. Oxford studies in the anthropology of cultural forms. New York: Oxford University Press.
Gell, Alfred. 1998. Art and Agency: An Anthropological Theory. Oxford: Clarendon Press.
Gell, Alfred and Hirsch, Eric. 1999. The Art of Anthropology: Essay and Diagrams. Vol. London School of Economics monographs on social anthropology. London: Athlone Press.
Gillespie, Marie. 1995. Television, Ethnicity and Cultural Change. Vol. Comedia. London: Routledge.
Ginsburg and F. 2002a. ‘Mediating Culture’. in The Anthropology of media: a reader. Vol. Blackwell readers in anthropology. Oxford: Blackwell Publishers.
Ginsburg and F. 2002b. ‘Screen Memories: Resignifying the Traditional in Indigenous Media’. in Media worlds: anthropology on new terrain. Berkeley: University of California Press.
Ginsburg, F and Strickland, and A. 2005. ‘The Latest in Reality TV? Maori Television Stakes a Claim on the World Stage’.
Ginsburg, Faye. 1991. ‘Indigenous Media: Faustian Contract or Global Village?’ Cultural Anthropology 6(1):92–112. doi: 10.1525/can.1991.6.1.02a00040.
Ginsburg, Faye. 1992. ‘Television and the Mediation of Culture: Issues In British Ethnographic Film’. Visual Anthropology Review 8(1):97–102. doi: 10.1525/var.1992.8.1.97.
Ginsburg, Faye. 1994. ‘Culture/Media: A (Mild) Polemic’. Anthropology Today 10(2):5–15.
Ginsburg, Faye D., Abu-Lughod, Lila, and Larkin, Brian. 2002. Media Worlds: Anthropology on New Terrain. Berkeley: University of California Press.
Gombrich and E. 1982. ‘The Visual Image: Its Place in Communication’. in The image and the eye: further studies in the psychology of pictorial representation. Oxford: Phaidon.
Goodale and D. 2000. ‘Pipe Dreams’.
Grady, John. 1991. ‘The Visual Essay and Sociology’. Visual Sociology 6(2):23–38. doi: 10.1080/14725869108583689.
Graeber, David. 2001. Toward an Anthropological Theory of Value: The False Coin of Our Own Dreams. Basingstoke: Palgrave.
Graeber, David. 2004. Fragments of an Anarchist Anthropology. Vol. Paradigm. Chicago: Prickly Paradigm Press.
Gregory, Sam. 2005. Video for Change: A Guide for Advocacy and Activism. London: Pluto Press in association with Witness.
Griffiths, Alison. 2002. Wondrous Difference: Cinema, Anthropology, and Turn-of-the-Century Visual Culture. New York: Columbia University Press.
Grimshaw, Anna. 2001a. ‘Chapter 1: The Modernist Moment and after, 1895-1945’. in The ethnographer’s eye: ways of seeing in anthropology. Cambridge: Cambridge University Press.
Grimshaw, Anna. 2001. The Ethnographer’s Eye: Ways of Seeing in Anthropology. Cambridge: Cambridge University Press.
Grimshaw, Anna. 2001b. The Ethnographer’s Eye: Ways of Seeing in Anthropology. Cambridge: Cambridge University Press.
Grimshaw, Anna. 2001c. The Ethnographer’s Eye: Ways of Seeing in Anthropology. Cambridge: Cambridge University Press.
Grimshaw, Anna. 2001d. The Ethnographer’s Eye: Ways of Seeing in Anthropology. Cambridge: Cambridge University Press.
Grimshaw, Anna. 2001e. The Ethnographer’s Eye: Ways of Seeing in Anthropology. Cambridge: Cambridge University Press.
Grimshaw, Anna. 2001f. The Ethnographer’s Eye: Ways of Seeing in Anthropology. Cambridge: Cambridge University Press.
Grimshaw, Anna. 2001g. The Ethnographer’s Eye: Ways of Seeing in Anthropology. Cambridge: Cambridge University Press.
Grimshaw, Anna and Papastergiadis, Nikos. 1995. ‘Conversations with Anthropological Film-Makers: David MacDougall’. Prickly Pear pamphlet.
Grimshaw, Anna, and Amanda Ravetz. 2009. ‘Observational Cinema: Anthropology, Film, and the Exploration of Social Life.’ in Observational cinema: anthropology, film, and the exploration of social life. Bloomington: Indiana University Press.
Grundberg, Andy. 1990. Crisis of the Real: Writings on Photography, 1974-1989. Vol. Writers and artists on photography. New York: Aperture.
Habermas and J. 1983. ‘Modernity: An Incomplete Project’. in The anti-aesthetic: essays on postmodern culture. Port Townsend, Washington: Bay Press.
Hahn and E. 2002. ‘The Tongan Tradition of Going to the Movies’. in The Anthropology of media: a reader. Vol. Blackwell readers in anthropology. Oxford: Blackwell Publishers.
Hahn, Elizabeth. 1994. ‘The Tongan Tradition of Going to the Movies’. Visual Anthropology Review 10(1):103–11. doi: 10.1525/var.1994.10.1.103.
Hall and S. 1982. ‘The Rediscovery of “Ideology”: Return of the Oppressed in Media Studies’. in Culture, society, and the media. London: Methuen.
Hamilton and A. 2002. ‘The National Picture: Thai Media and Cultural Identity’. in Media worlds: anthropology on new terrain. Berkeley: University of California Press.
Harding and T. 2005. ‘Strategic Distribution: Reaching Key Audiences in Innovative Ways’. in Video for change: a guide for advocacy and activism. London: Pluto Press in association with Witness.
Harding, Thomas. 2001. The Video Activist Handbook. 2nd ed. London: Pluto Press.
Harper, Douglas. 1987. ‘The Visual Ethnographic Narrative’. Visual Anthropology 1(1):1–19. doi: 10.1080/08949468.1987.9966457.
Hartmann, Paul, B. R. Patil, and Anita Dighe. 1989. The Mass Media and Village Life: An Indian Study. New Delhi: Sage Publications.
Harvey, David. 1989. The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change. Oxford: Blackwell.
Harvey, Penny. 1993. ‘Ethnographic Film and the Politics of Difference: A Review of Film Festivals’. Visual Anthropology Review 9(1):164–76. doi: 10.1525/var.1993.9.1.164.
Hastrup and K. 1992. ‘Anthropological Visions: Some Notes on Visual and Textual Authority’. in Film as ethnography. Manchester: Manchester University Press, in association with the Granada Centre for Visual Anthropology.
Hebdige, Dick. 1988. Hiding in the Light: On Images and Things. Vol. Comedia book. London: Routledge.
Helmreich, Stefan. 2007. ‘An Anthropologist Underwater: Immersive Soundscapes, Submarine Cyborgs, and Transductive Ethnography’. American Ethnologist 34(4):621–41.
Henley and P. 1985. ‘British Ethnographic Film’. Anthropology Today 1(1).
Henley and P. 2006. ‘Narratives: The Guilty Secret of Ethnographic Documentary?’ in Reflecting visual ethnography: using the camera in anthropological research. Vol. CNWS publications. Hojbjerg: CNWS Publications.
Henley and P. 2007. ‘The Origins of Observational Cinema: Conversations with Colin Young’. Memories of the Origins of Visual Anthropology.
Hereniko and V. 2000. ‘Indigenous Knowledge and Academic Imperialism’. Remembrance of Pacific Pasts: An Invitation to Remake History.
Hereniko, Vilsoni Tausie. 1977. Don’t Cry, Mama: A Three-Act Play. Suva: Mana.
Hereniko, Vilsoni and Wilson, Rob. 1999. Inside out: Literature, Cultural Politics, and Identity in the New Pacific. Vol. Pacific formations. Lanham, Md: Rowman & Littlefield.
Herzog. 2005. ‘Grizzly Man’.
de Heusch, Luc. 1988. ‘The Cinema and Social Science: A Survey of Ethnographic and Sociological Films∗’. Visual Anthropology 1(2):99–156. doi: 10.1080/08949468.1988.9966467.
Hewison, Robert. n.d. The Heritage Industry: Britain in a Climate of Decline. London: Methuen London.
Hirschkind, Charles. 2001. ‘The Ethics of Listening: Cassette-SermonAudition in Contemporary Egypt’. American Ethnologist 28(3):623–49. doi: 10.1525/ae.2001.28.3.623.
Hochberg and J. n.d. ‘The Representation of Things and People’. in Art, perception and reality. Vol. The Alvin and Fanny Blaustein Thalheimer lectures. Baltimore: Johns Hopkins University Press.
Hockings, Paul. 1995. Principles of Visual Anthropology. 2nd ed. Berlin: Mouton de Gruyter.
Howard and A. 2006a. ‘Presenting Rotuma to the World: The Making of The Land Has Eyes’.
Howard and A. 2006b. ‘Presenting Rotuma to the World: The Making of The Land Has Eyes’.
Howard and A. 2006c. ‘Presenting Rotuma to the World: The Making of The Land Has Eyes’.
Huyssen, Andreas and American Council of Learned Societies. 1986. After the Great Divide: Modernism, Mass Culture, Postmodernism. Vol. Language, discourse, society. Basingstoke: Macmillan.
Jacknis, Ira. 1988. ‘Margaret Mead and Gregory Bateson in Bali: Their Use of Photography and Film’. Cultural Anthropology 3(2):160–77.
Jackson, Michael. 1998. Minima Ethnographica: Intersubjectivity and the Anthropological Project. Chicago: University of Chicago Press.
Jameson and F. 1984. ‘Postmodernism or the Cultural Logic of Late Capitalism’. New Left Review 146.
Jameson and F. 1991. ‘Postmodernism or the Cultural Logic of Late Capitalism’. in Postmodernism, or, The cultural logic of late capitalism. London: Verso.
Jensen, Gordon D. and Suryani, Luh Ketut. 1992. The Balinese People: A Reinvestigation of Character. New York: Oxford University Press.
Karp, Ivan and Lavine, Steven D. n.d. Exhibiting Cultures: The Poetics and Politics of Museum Display. London: 1991.
King, John. 2000. Magical Reels: A History of Cinema in Latin America. Vol. Critical studies in Latin American and Iberian cultures. New ed. London: Verso.
Klima and A. 2008. ‘Corpore Obscuro: Meditation on the Dead in Thailand’. in Visual sense: a cultural reader. Vol. Sensory formations. Oxford: Berg.
Klima, Alan. 2002. The Funeral Casino: Meditation, Massacre, and Exchange with the Dead in Thailand. Princeton, N.J.: Princeton University Press.
Kottak, Conrad Phillip. 1990a. Prime-Time Society: An Anthropological Analysis of Television and Culture. Vol. The Wadsworth modern anthropology library. Belmont, Calif: Wadsworth Pub. Co.
Kottak, Conrad Phillip. 1990b. Prime-Time Society: An Anthropological Analysis of Television and Culture. Vol. The Wadsworth modern anthropology library. Belmont, Calif: Wadsworth Pub. Co.
Krebs and S. 1995. ‘The Film Elicitation Technique’. in Principles of visual anthropology. Berlin: Mouton de Gruyter.
Kulick, D & Wilson, and M. 2002. ‘Rambo’s Wife Saves the Day’. in The Anthropology of media: a reader. Vol. Blackwell readers in anthropology. Oxford: Blackwell Publishers.
Kunreuther, Laura. 2006. ‘Technologies of the Voice: FM Radio, Telephone, and the Nepali Diaspora in Kathmandu’. Cultural Anthropology 21(3):323–53. doi: 10.1525/can.2006.21.3.323.
Kunuk, Zacharias. 2009. ‘Atanarjuat: The Fast Runner’.
Lakoff, Andrew. 1996. ‘Freezing Time: Margaret Mead’s Diagnostic Photography’. Visual Anthropology Review 12(1):1–18. doi: 10.1525/var.1996.12.1.1.
Lamphere and L. 2004. ‘The Convergence of Applied, Practicising, and Public Anthropology in the 21st Century’. Human Organization 63.
Larkin and B. 1997. ‘Indian Films and Nigerian Lovers: Media and the Creation of Parallel Modernities’. Africa 67.
Larry Gross (ed.). n.d. ‘Studying Visual Communication’.
Lave and J et al. 1992. ‘Coming of Age in Birmingham’. Annual Review of Anthropology 21.
Loizos and P. 1997. ‘First Exits from Observational Realism: Narrative Experiments in Recent Ethnographic Film’. in Rethinking visual anthropology. London: Yale University Press.
Loizos and P. n.d. ‘Granada Television’s Disappearing World Series: An Appraisal’. American Anthropologist 82.
Loizos, Peter. 1993a. Innovation in Ethnographic Film: From Innocence to Self- Consciousness, 1955-85. Manchester: Manchester U. P.
Loizos, Peter. 1993b. Innovation in Ethnographic Film: From Innocence to Self- Consciousness, 1955-85. Manchester: Manchester U. P.
Loizos, Peter. 1993c. Innovation in Ethnographic Film: From Innocence to Self- Consciousness, 1955-85. Manchester: Manchester U. P.
Loizos, Peter. 1993d. Innovation in Ethnographic Film: From Innocence to Self- Consciousness, 1955-85. Manchester: Manchester U. P.
Loizos, Peter. 1993e. Innovation in Ethnographic Film: From Innocence to Self- Consciousness, 1955-85. Manchester: Manchester U. P.
Lull, James. 1988. World Families Watch Television. Vol. Communication and human values. London: Sage Publications.
Lull, James. 1990a. Inside Family Viewing: Ethnographic Research on Television’s Audiences. Vol. Comedia. London: Routledge.
Lull, James. 1990b. Inside Family Viewing: Ethnographic Research on Television’s Audiences. Vol. Comedia. London: Routledge.
Lull, James. 1991. China Turned on: Television, Reform, and Resistance. London: Routledge.
Lunch, N & Lunch, and C. 2006. ‘Insights into Participatory Video: A Handbook for the Field’.
MacClancy and J. 1997. ‘Anthropology, Art and Contest’. in Contesting art: art, politics and identity in the modern world. Vol. Berg ethnicity and identity series. New York: Berg.
Macdonald, Kevin and Cousins, Mark. 1996. Imagining Reality: The Faber Book of Documentary. London: Faber.
MacDougall. 1972. ‘To Live With Herds’.
MacDougall. n.d. ‘Wedding Camels’.
MacDougall, D. 1978. ‘Ethnographic Film: Failure and Promise’. Annual Review of Anthropology 7(1):405–25. doi: 10.1146/annurev.an.07.100178.002201.
MacDougall and D. 1992. ‘Whose Story Is It?’ in Ethnographic film aesthetics and narrative traditions. Vol. Proceedings from NAFA. Aarhus: Intervention Press in association with the Nordic Anthropological Film Association.
MacDougall and D. 1994. ‘Whose Story Is It?’ in Visualizing theory: selected essays from V.A.R., 1990-1994. London: Routledge.
MacDougall and D. 1995a. ‘Beyond Observational Cinema’. in Principles of visual anthropology. Berlin: Mouton de Gruyter.
MacDougall and D. 1995b. ‘Beyond Observational Cinema’. in Principles of visual anthropology. Berlin: Mouton de Gruyter.
MacDougall and D. 1997. ‘The Visual in Anthropology’. in Rethinking visual anthropology. London: Yale University Press.
MacDougall and D. 1998a. ‘Transcultural Cinema’. in Transcultural cinema. Princeton, N.J.: Princeton University Press.
MacDougall and D. 1998b. ‘Unpriveliged Camera Style’. in Transcultural cinema. Princeton, N.J.: Princeton University Press.
MacDougall, David. 1992a. ‘Photo Hierarchicus: Signs and Mirrors in Indian Photography’. Visual Anthropology 5(2):103–29. doi: 10.1080/08949468.1992.9966581.
MacDougall, David. 1992b. ‘“Photo Wallahs:” An Encounter with Photography’. Visual Anthropology Review 8(2):96–100. doi: 10.1525/var.1992.8.2.96.
MacDougall, David. 2006a. The Corporeal Image: Film, Ethnography, and the Senses. Oxford: Princeton University Press.
MacDougall, David. 2006b. The Corporeal Image: Film, Ethnography, and the Senses. Oxford: Princeton University Press.
MacDougall, David and Taylor, Lucien. 1998a. Transcultural Cinema. Princeton, N.J.: Princeton University Press.
MacDougall, David and Taylor, Lucien. 1998b. Transcultural Cinema. Princeton, N.J.: Princeton University Press.
MacDougall, David and Taylor, Lucien. 1998c. Transcultural Cinema. Princeton, N.J.: Princeton University Press.
MacDougall, David and Taylor, Lucien. 1998d. Transcultural Cinema. Princeton, N.J.: Princeton University Press.
MacDougall, David and Taylor, Lucien. 1998e. Transcultural Cinema. Princeton, N.J.: Princeton University Press.
MacDougall, David and Taylor, Lucien. 1998f. Transcultural Cinema. Princeton, N.J.: Princeton University Press.
MacDougall, David and Taylor, Lucien. 1998g. Transcultural Cinema. Princeton, N.J.: Princeton University Press.
MacDougall, David and Taylor, Lucien. 1998h. Transcultural Cinema. Princeton, N.J.: Princeton University Press.
Mader, R. 1993. ‘Globo Village: Television in Brazil’. in Channels of resistance: global television and local empowerment, edited by T. Dowmunt. London: BFI Publishing.
Mandel and R. 2002. ‘A Marshall Plan of the Mind: The Political Economy of a Kazakh Soap Opera’. in Media worlds: anthropology on new terrain. Berkeley: University of California Press.
Mankenar and P. 2002a. ‘Epic Contests: Television and Religious Identity in India’. in Media worlds: anthropology on new terrain. Berkeley: University of California Press.
Mankenar and P. 2002b. ‘Epic Contests: Television and Religious Identity in India’. in Media worlds: anthropology on new terrain. Berkeley: University of California Press.
Marcus and G. 1994. ‘The Modernist Sensibility in Recent Ethnographic Writing and the Cinematic Metaphor of Montage’. in Visualizing theory: selected essays from V.A.R., 1990-1994. London: Routledge.
Marshall, John and Ruby, Jay. 1993. The Cinema of John Marshall. Vol. Visual anthropology. Langhorne Pa: Harwood Academic Publishers.
McLuhan and M. 2002. ‘The Medium Is the Message’. in The Anthropology of media: a reader. Vol. Blackwell readers in anthropology. Oxford: Blackwell Publishers.
Mead and M. 1995a. ‘Visual Anthropology in a Discipline of Words’. in Principles of visual anthropology. Berlin: Mouton de Gruyter.
Mead and M. 1995b. ‘Visual Anthrpology in a Discipline of Words’. in Principles of visual anthropology. Berlin: Mouton de Gruyter.
Mead, M and Bateson, and G. 1977. ‘On the Use of the Camera in Anthropology’. Studies in the Anthropology of Visual Communication 4.
Mead, M and Bateson, and G. 2002. ‘On the Use of the Camera in Anthropology’. in The Anthropology of media: a reader. Vol. Blackwell readers in anthropology. Oxford: Blackwell Publishers.
Meadows and M. 1992. ‘Broadcasting in Aboriginal Australia: One Mob, One Voice, One Land’. in Ethnic minority media: an international perspective. Vol. Communication and human values. London: Sage Publications.
Mehta, Deepa. 2005. ‘Water’.
Merriman and N. 1989. ‘Heritage from the Other Side of the Glass Case’. Anthropology Today 5.
Michaels and E. 1982a. ‘How to Look at Us Looking at the Yanamamo Looking at Us’. in A crack in the mirror: reflexive perspectives in anthropology. Philadelphia: U. of Pennsylvania P.
Michaels and E. 1982b. ‘TV Tribes’.
Michaels and E. 1991. ‘Aboriginal Content - Who’s Got It, Who Needs It?’
Michaels and E. 1994. ‘Hundreds Shot at Aboriginal Community: ABC Makes TV Documentary at Yuendumu’. in Bad Aboriginal art: tradition, media, and technological horizons. Vol. Theory out of bounds. Minneapolis: University of Minnesota Press.
Miller and D. 1994. ‘The Young and the Restless in Trinidad: A Case of the Local and the Global in Mass Consumption’. in Consuming technologies: media and information in domestic spaces. London: Routledge.
Miller, Daniel and Association of Social Anthropologists of the Commonwealth. 1995. Worlds Apart: Modernity through the Prism of the Local. Vol. The uses of knowledge. London: Routledge.
Mitchell and WJT. 1986. ‘“What Is an Image?”’ in Iconology: image, text, ideology. Chicago: U. of Chicago P.
Moore and H. 1994. ‘Trinh T. Minh-Ha Observed: Anthropology and Others’. in Visualizing theory: selected essays from V.A.R., 1990-1994. London: Routledge.
Moore, Rachel O. 2000a. Savage Theory: Cinema as Modern Magic. Durham, N.C.: Duke University Press.
Moore, Rachel O. 2000b. Savage Theory: Cinema as Modern Magic. Durham, N.C.: Duke University Press.
Moore and RO. 1994. ‘Marketing Alterity’. in Visualizing theory: selected essays from V.A.R., 1990-1994. London: Routledge.
Morley, David. 1992. Television, Audiences and Cultural Studies. London: Routledge.
Morphy and H. 1994. ‘The Anthropology of Art’. in Companion encyclopedia of anthropology. London: Routledge.
Morphy, Howard. 1991. Ancestral Connections: Art and an Aboriginal System of Knowledge. Chicago: University of Chicago Press.
Morphy, Howard. 1994. ‘The Interpretation of Ritual: Reflections from Film on Anthropological Practice’. Man 29(1):117–46.
Mulvey and L. 1975. ‘Visual Pleasure and Narrative Cinema’. Screen 16.
Mulvey, Laura. 1989. Visual and Other Pleasures. Vol. Language, discourse, society. Houndmills, Basingstoke, Hampshire: Macmillan.
Munn, N D. n.d. Walbiri Iconography: Graphic Representation and Cultural Symbolism in a Central Australiansociety. [Place of publication not identified]: Cornell U.P.
Myers, Fred R. 1988. ‘From Ethnography to Metaphor: Recent Films from David and Judith MacDougall’. Cultural Anthropology 3(2):205–20. doi: 10.1525/can.1988.3.2.02a00050.
Nichols, Bill. 1976. Movies and Methods: An Anthology. Berkeley: University of California Press.
Nichols, Bill. 1991a. Representing Reality: Issues and Concepts in Documentary. Bloomington: Indiana U.P.
Nichols, Bill. 1991b. Representing Reality: Issues and Concepts in Documentary. Bloomington: Indiana U.P.
Nichols, Bill. 1991c. Representing Reality: Issues and Concepts in Documentary. Bloomington: Indiana U.P.
Norman, Wilbert Reuben. 1991. ‘Photography as a Research Tool’. Visual Anthropology 4(2):193–216. doi: 10.1080/08949468.1991.9966560.
O’Rourke. 1988. ‘Cannibal Tours’.
Otto, Ton. 2013. ‘Ethnographic Film as Exchange’. The Asia Pacific Journal of Anthropology 14(2):195–205. doi: 10.1080/14442213.2013.768698.
Palombini. n.d. ‘Rainforest Soundwalks’.
Pearson, Roberta. 2009. Reading Lost: Perspectives on a Hit Television Show. Vol. Reading contemporary television. London: I. B. Tauris.
Pines, Jim and Willemen, Paul. 1989. Questions of Third Cinema. London: British Film Institute.
Pini and M. n.d. ‘Girls on Film: Video Diaries as “Auto-Ethnographies”’.
Pink, Sarah. 2006. The Future of Visual Anthropology: Engaging the Senses. London: Routledge.
Pink, Sarah. 2007. Visual Interventions: Applied Visual Anthropology. Vol. Studies in applied anthropology. New York: Berghahn Books.
Pink, Sarah. 2013. Doing Visual Ethnography. 3rd edition. Los Angeles: SAGA.
Pinney and C. 1992a. ‘Montage, Doubling and the Mouth of God’. in Ethnographic film aesthetics and narrative traditions. Vol. Proceedings from NAFA. Aarhus: Intervention Press in association with the Nordic Anthropological Film Association.
Pinney and C. 1992b. ‘The Lexical Spaces of Eye-Spy’. in Film as ethnography. Manchester: Manchester University Press, in association with the Granada Centre for Visual Anthropology.
Pinney and C. 1992c. ‘The Parallel Histories of Anthropology and Photography’. in Anthropology and photography 1860-1920. London: Yale University Press in association with the Royal Anthropological Institute, London.
Pinney and C. 1992d. ‘The Parallel Histories of Anthropology and Photography’. in Anthropology and photography 1860-1920. London: Yale University Press in association with the Royal Anthropological Institute, London.
Pinney, Christopher. 1997. Camera Indica: The Social Life of Indian Photographs. Vol. Envisioning Asia. London: Reaktion Books.
Pinney, Christopher. 2011. Photography and Anthropology. Vol. Exposures. London: Reaktion.
Pinney, Christopher and Dawsonera. 2011. Photography and Anthropology. Vol. Exposures. London: Reaktion.
Powdermaker and H. 2002. ‘Hollywood, the Dream Factory’. in The Anthropology of media: a reader. Vol. Blackwell readers in anthropology. Oxford: Blackwell Publishers.
Powdermaker, Hortense. 2013. Hollywood, the Dream Factory: An Anthropologist Looks at the Movie-Makers. Mansfield Centre, Connecticut: Martino Publishing.
Powell, Michael and Pressburger, Emeric. 1944a. ‘A Canterbury Tale’.
Powell, Michael and Pressburger, Emeric. 1944b. ‘A Canterbury Tale’.
Prins, Harald E. L., and John Bishop. 2001. ‘Edmund Carpenter: Explorations In Media & Anthropology.’ Visual Anthropology Review 17(2):110–40. doi: 10.1525/var.2001.17.2.110.
Prins and HE. 2002. ‘Visual Media and the Primitive Perplex’. in Media worlds: anthropology on new terrain. Berkeley: University of California Press.
Rabiger, Michael. 2004. Directing the Documentary. 4th ed. Boston, Mass: Focal Press.
Riggins, Stephen Harold. 1992. Ethnic Minority Media: An International Perspective. Vol. Communication and human values. London: Sage Publications.
Rocha and G. n.d. ‘Glauber Rocha: Introduction’.
Rollwagen, Jack R. 1988. Anthropological Filmmaking: Anthropological Perspectives on the Production of Film and Video for General Public Audiences. Vol. Visual anthropology. Chur: Harwood Academic.
Rollwagen, Jack R. 1993. Anthropological Film and Video in the 1990s. Vol. Case studies in documentary filmmaking and videomaking. Brockport, N.Y.: Institute Press.
Rosaldo and R. n.d. ‘Whose Cultural Studies?’ American Anthropologist 96.
Rotha, Paul and Ruby, Jay. 1983. Robert J. Flaherty: A Biography. Philadelphia: Univ. of Pennsylvania P.
Rouch and J. 1995. ‘The Camera and Man’. in Principles of visual anthropology. Berlin: Mouton de Gruyter.
Ruby and J. 2000. ‘In the Belly of the Beast: Eric Michaels and Indigenous Media’. in Picturing culture: explorations of film & anthropology. Chicago: University of Chicago Press.
Ruby, Jay. 1991. ‘Speaking For, Speaking About, Speaking With, or Speaking Alongside An Anthropological and Documentary Dilemma’. Visual Anthropology Review 7(2):50–67. doi: 10.1525/var.1991.7.2.50.
Ruby, Jay. 2000a. Picturing Culture: Explorations of Film & Anthropology. Chicago: University of Chicago Press.
Ruby, Jay. 2000b. Picturing Culture: Explorations of Film & Anthropology. Chicago: University of Chicago Press.
Ruby, Jay. 2000c. Picturing Culture: Explorations of Film & Anthropology. Chicago: University of Chicago Press.
Ruby, Jay. 2000d. Picturing Culture: Explorations of Film & Anthropology. Chicago: University of Chicago Press.
Ruby, Jay. 2000e. Picturing Culture: Explorations of Film & Anthropology. Chicago: University of Chicago Press.
Russell, Catherine. 1999. Experimental Ethnography. Durham, N.C.: Duke University Press.
Salazar and JF. 2007. ‘Indigenous People and the Communication Rights Agenda: A Global Perspective’. in New media worlds: challenges for convergence. South Melbourne, Vic: Oxford University Press.
Salazar and JF. 2010. ‘Making Culture Visible: The Mediated Construction of a Mapuche Nation in Chile’. in Making our media: global initiatives toward a democratic public sphere, Vol. 1: Creating new communication spaces. Vol. Euricom monographs : communicative innovations and democracy. Cresskill, N.J.: Hampton Press.
Salazar, JF & Cordova, and A. 2008a. ‘Imperfect Media and the Poetics of Indigenous Video in Latin America’. in Global indigenous media: cultures, poetics, and politics. Durham, N.C.: Duke University Press.
Salazar, JF & Cordova, and A. 2008b. ‘Imperfect Media and the Poetics of Indigenous Video in Latin America (1985-2005)’. in Global indigenous media: cultures, poetics, and politics. Durham, N.C.: Duke University Press.
Salazar, Juan Francisco. 2007. ‘Indigenous Peoples and the Cultural Constructions of Information and Communication Technology (ICT) in Latin America’. Pp. 14–26 in Information technology and indigenous people. Hershey, Pa: Information Science Publishing.
Samuels and D. 2005. ‘Alien Tongues’. in E.T. culture: anthropology in outerspaces. Durham, N.C.: Duke University Press.
Saussure, Ferdinand de, Bally, Charles, Sechehaye, Albert, and Riedlinger, Albert. 1986. Course in General Linguistics. Chicago: Open Court.
Scheper-Hughes, Nancy. 1995. ‘The Primacy of the Ethical: Propositions for a Militant Anthropology’. Current Anthropology 36(3):409–40.
Schieffelin, Edward L. 1976. The Sorrow of the Lonely and the Burning of the Dancers. New York: St. Martin’s Press.
Sekula and A. 1982. ‘On the Invention of Photographic Meaning’. in Thinking photography. Vol. Communications and culture. Basingstoke: Macmillan.
Seremetakis and N. 1991. ‘The Screaming’. in The last word: women, death, and divination in Inner Mani. Chicago: University of Chicago Press.
Shaw, Jackie and Robertson, Clive. 1997a. Participatory Video: A Practical Approach to Using Video Creatively in Group Development Work. London: Routledge.
Shaw, Jackie and Robertson, Clive. 1997b. Participatory Video: A Practical Approach to Using Video Creatively in Group Development Work. London: Routledge.
Sheppard & Parkes. 1990. ‘The Kalasha: Rites of Spring’.
Silverstone, Roger and British Film Institute. 1985. Framing Science: The Making of a BBC Documentary. London: BFI Pub.
Silverstone, Roger and Hirsch, Eric. 1994. Consuming Technologies: Media and Information in Domestic Spaces. London: Routledge.
Smith, Linda Tuhiwai. 1999. Decolonizing Methodologies: Research and Indigenous Peoples. Dunedin, N.Z.: University of Otago Press.
Sontag, Susan. 1979. On Photography. London: Penguin.
Spitulnik and D. 1993. ‘Anthropology and Mass Media’. Annual Review of Anthropology 22.
Spitulnik, Debra. 1993. ‘“Anthropology and Mass Media”, “Emergence of Indigenous Media”’. Annual Review of Anthropology 22:293–315.
Sprague and S. 1978. ‘How I See the Yoruba See Themselves’. Studies in the Anthropology of Visual Communication 5.
Sprague and SF. 2002a. ‘Yoruba Photography: How Yoruba See Themselves’. in The Anthropology of media: a reader. Vol. Blackwell readers in anthropology. Oxford: Blackwell Publishers.
Sprague and SF. 2002b. ‘Yoruba Photography: How Yoruba See Themselves’. in The Anthropology of media: a reader. Vol. Blackwell readers in anthropology. Oxford: Blackwell Publishers.
Stocking, George W. 1985. Objects and Others: Essays on Museums and Material Culture. Vol. History of anthropology. Madison, Wis: University of Wisconsin Press.
Stoller, Paul. 1992a. The Cinematic Griot: The Ethnography of Jean Rouch. Chicago: University of Chicago Press.
Stoller, Paul. 1992b. The Cinematic Griot: The Ethnography of Jean Rouch. Chicago: University of Chicago Press.
Stoller, Paul. 1995. Embodying Colonial Memories: Spirit Possession, Power, and the Hauka in West Africa. London: Routledge.
Suchar, Charles S. 1989. ‘The Sociological Imagination and Documentary Still Photography: The Interrogatory Stance’. Visual Sociology 4(2):51–62. doi: 10.1080/14725868908583637.
Tacchi and J. 2002. ‘Radio Texture: Between Self and Others’. in The Anthropology of media: a reader. Vol. Blackwell readers in anthropology. Oxford: Blackwell Publishers.
Tagg, John. 1988. The Burden of Representation: Essays on Photographies and Histories. Vol. Communications and culture. Basingstoke: Macmillan Education.
Taussig and M. 1994. ‘Physiognomic Aspects of Visual Worlds’. in Visualizing theory: selected essays from V.A.R., 1990-1994. London: Routledge.
Taylor, Lucien. 1994a. Visualizing Theory: Selected Essays from V.A.R., 1990-1994. London: Routledge.
Taylor, Lucien. 1994b. Visualizing Theory: Selected Essays from V.A.R., 1990-1994. London: Routledge.
Taylor, Lucien. 1994c. Visualizing Theory: Selected Essays from V.A.R., 1990-1994. London: Routledge.
Thomas and N. 1997. ‘Collecting and Nationality in the Anthropology of Art’. in Rethinking visual anthropology. London: Yale University Press.
Thomas, Nicholas, Losche, Diane, and Newell, Jennifer. 1999. Double Vision: Art Histories and Colonial Histories in the Pacific. Cambridge: Cambridge University Press.
Thomas, R. 1985. ‘Indian Cinema: Pleasures and Popularity’. Screen 26(3–4):116–31. doi: 10.1093/screen/26.3-4.116.
Thompson, C. W. and French Institute. 1995. L’autre et Le Sacré: Surréalisme, Cinéma, Ethnologie. Paris: L’Harmattan.
im Thurn, E. F. 1893. ‘Anthropological Uses of the Camera’. Journal of the Anthropological Institute of Great Britain and Ireland 22:184–203.
Tomas and D. 1994. ‘Manufacturing Vision: Kino-Eye, The Man with a Movie Camera, and the Perceptual Reconstruction of Social Identity’. in Visualizing theory: selected essays from V.A.R., 1990-1994. London: Routledge.
Trinh, T. Minh-Ha. 1989. Woman, Native, Other: Writing Postcoloniality and Feminism. Bloomington: Indiana University Press.
Trinh, T. Minh-Ha. 1991. When the Moon Waxes Red: Representation, Gender, and Cultural Politics. London: Routledge.
Trinh, T. Minh-Ha. 1992. Framer Framed. London: Routledge.
Turkle, Sherry. 1996. Life on the Screen: Identity in the Age of the Internet. London: Weidenfeld & Nicolson.
Turner, Graeme. 1999. Film as Social Practice. Vol. Studies in culture and communication. 3rd ed. London: Routledge.
Turner and T. 1991a. ‘Representing, Resisting, Rethinking: Historical Transformations of Kayapo Culture’. in Colonial situations: essays on the contextualization of ethnographic knowledge. Vol. History of anthropology. London: University of Wisconsin Press.
Turner and T. 1991b. ‘Representing, Resisting, Rethinking: Historical Transformations of Kayapo Culture’. in Colonial situations: essays on the contextualization of ethnographic knowledge. Vol. History of anthropology. London: University of Wisconsin Press.
Turner and T. 2002a. ‘Representation, Politics, and Cultural Imagination in Indigenous Video’. in Media worlds: anthropology on new terrain. Berkeley: University of California Press.
Turner and T. 2002b. ‘Representation, Politics, and Cultural Imagination in Indigenous Video’. in Media worlds: anthropology on new terrain. Berkeley: University of California Press.
Turner, T. 2006. ‘Anthropology as Reality Show and as Co-Production: Internal Relations between Theory and Activism’. Critique of Anthropology 26(1):15–25. doi: 10.1177/0308275X06061481.
Turner, Terence. 1992a. ‘Defiant Images: The Kayapo Appropriation of Video’. Anthropology Today 8(6). doi: 10.2307/2783265.
Turner, Terence. 1992b. ‘Defiant Images: The Kayapo Appropriation of Video’. Anthropology Today 8(6). doi: 10.2307/2783265.
Turton and D. 1992a. ‘Anthropology on Television: What Next?’ in Film as ethnography. Manchester: Manchester University Press, in association with the Granada Centre for Visual Anthropology.
Turton and D. 1992b. ‘Anthropology on Television: What Next?’ in Film as ethnography. Manchester: Manchester University Press, in association with the Granada Centre for Visual Anthropology.
Uberoi and P. 1998. ‘The Diaspora Comes Home: Disciplining Desire in DDLJ’.
Watson, C. William, Wade, Peter, and Group for Debates in Anthropological Theory. 1998. In Anthropology, the Image Can Never Have the Last Say: The Ninth Annual GDAT Debate, Heldin the University of Manchester on 6th December 1997. Vol. The GDAT debate. Manchester: GDAT.
Weakland and J. 1995a. ‘Feature Films as Cultural Documents’. in Principles of visual anthropology. Berlin: Mouton de Gruyter.
Weakland and J. 1995b. ‘Feature Films as Cultural Documents’. in Principles of visual anthropology. Berlin: Mouton de Gruyter.
Wheeler, Joanna. 2009. ‘“The Life That We Don’t Want”: Using Participatory Video in Researching Violence’. IDS Bulletin 40(3):10–18. doi: 10.1111/j.1759-5436.2009.00033.x.
Wikan and U. n.d. ‘Beyond the Words: The Power of Resonance’. American Ethnologist 19.
Wilk and RR. 2002. ‘“It’s Destroying a Whole Generation”: Television and Moral Discourse in Belize’. in The Anthropology of media: a reader. Vol. Blackwell readers in anthropology. Oxford: Blackwell Publishers.
Williams and R. 1988. ‘“Culture”, “Hegemony” and “Masses”’. in Keywords: a vocabulary of culture and society. London: Fontana.
Winston, Brian and British Film Institute. 1995. Claiming the Real: The Griersonian Documentary and Its Legitimations. London: British Film Institute.
Worth, S. 1972. Through Navajo Eyes: An Exploration in Film Communication and Anthropology. [Place of publication not identified]: Indiana U.P.
Wright and Chris. 1998. ‘The Third Subject: Perspectives on Visual Anthropology’. Anthropology Today 14(4):16–22.
Wright and T. 1992a. ‘’Photography: Theories of Realism and Convention’. in Anthropology and photography 1860-1920. London: Yale University Press in association with the Royal Anthropological Institute, London.
Wright and T. 1992b. ‘Photography: Theories of Realism and Convention’. in Anthropology and photography 1860-1920. London: Yale University Press in association with the Royal Anthropological Institute, London.
Young and C. 1995a. ‘Observational Cinema’. in Principles of visual anthropology. Berlin: Mouton de Gruyter.
Young and C. 1995b. ‘Observational Cinema’. in Principles of visual anthropology. Berlin: Mouton de Gruyter.
Young, Michael W. and Malinowski, Bronislaw. 1998. Malinowski’s Kiriwina: Fieldwork Photography, 1915-1918. Chicago: University of Chicago Press.
