Allain, Paul. Gardzienice: Polish Theatre in Transition. Contemporary theatre studies. Amsterdam: Harwood Academic, 1997. Web. <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=235207>.
Allain, Paul, and Paul Allain. The Theatre Practice of Tadashi Suzuki: A Critical Study with DVD Examples. [New edition]. Methuen drama : Practitioners. London: Methuen Drama, 2009. Print.
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Behrndt and S. ‘Dance, Dramaturgy and Dramaturgical Thinking’. Contemporary theatre review 20 (2010): n. pag. Web. <databaseName>.
Bloom, Katya. The Embodied Self: Movement and Psychoanalysis. London: Karnac, 2006. Print.
Boenisch and P. ‘Towards a Theatre of Encounter and Experience’. Contemporary theatre review 20 (2010): n. pag. Web. <databaseName>.
Bogart, Anne. A Director Prepares: Seven Essays on Art and Theatre. London, New York, NY: Routledge, 2001. Print.
Bogart, Anne. And Then, You Act: Making Art in an Unpredictable World. New York: Routledge, 2007. Print.
Bogart, Anne, and Tina Landau. The Viewpoints Book: A Practical Guide to Viewpoints and Composition. 1st ed. New York: Theatre Communications Group, 2005. Web. <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=904659>.
Boston, Jane, and Rena Cook. Breath in Action: The Art of Breath in Vocal and Holistic Practice. London: Jessica Kingsley, 2009. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9781846429484>.
Britton, John. Encountering Ensemble. London: Bloomsbury Methuen Drama, 2013. Print.
Burt, Ramsay. Judson Dance Theater: Performative Traces. London: Routledge, 2006. Print.
Callery, Dymphna. Through the Body: A Practical Guide to Physical Theatre. London: Nick Hern, 2001. Print.
Carruthers, Ian and Takahashi, Yasunari. The Theatre of Suzuki Tadashi. Directors in perspective. Cambridge: Cambridge University Press, 2004. Print.
Carter, Alexandra. The Routledge Dance Studies Reader. London, New York: Routledge, 1998. Print.
Chamberlain, Franc and Yarrow, Ralph. Jacques Lecoq and the British Theatre. Contemporary theatre studies. London: Routledge, 2002. Print.
‘Complicite Theatre Company’. N.p., n.d. Print.
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Cynkutis, Zbigniew, 1938-1987, and Khalid Tyabji. Acting with Grotowski: Theatre as a Field for Experiencing Life. Ed. Paul Allain. Abingdon, Oxon: Routledge, 2014. Web. <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=1813124>.
‘Dance Research Journal.’ n. pag. Print.
Droznin, Andrei et al. Andrei Droznin’s Physical Actor Training: A Russian Masterclass. [United Kingdom]: Arts Archives, 2012. Print.
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East, Ron and Hush School of Mime and Non-Verbal Theatre. Moving Images: Experiential Learning and the Physical Theatre. A Hush manuscript publication. Beaconsfield, Western Australia: Hush School of Mime and Non-Verbal Theatre, 2000. Print.
Evans, Mark, 1957-. Jacques Copeau. Routledge performance practitioners. Abingdon: Routledge, 2006. Print.
Fraleigh and S. ‘A Vulnerable Glance: Seeing Dance through Phenomenology’. The Routledge Dance Studies Reader. London, New York: Routledge, 1998. Print.
Fraleigh, Sondra Horton and Nakamura, Tamah. Hijikata Tatsumi and Ohno Kazuo. Routledge performance practitioners. London: Routledge, 2006. Print.
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Free, Janet, and Nicky Ramsay. Holistic Bodywork for Performers: A Practical Guide. Ramsbury: Crowood, 2004. Print.
Friends of the Laban Centre and Laban Centre for Movement and Dance. ‘Dance Theatre Journal’. n. pag. Print.
Goodridge, Janet. Rhythm and Timing of Movement in Performance: Drama, Dance, and Ceremony. London: J. Kingsley Publishers, 1999. Print.
Govan, Emma, Nicholson, Helen, and Normington, Katie. Making a Performance: Devising Histories and Contemporary Practices. London: Routledge, 2007. Print.
Graham, Scott and Hoggett, Steven. The Frantic Assembly Book of Devising Theatre. London: Routledge, 2009. Print.
Grotowski, Jerzy, and Eugenio Barba. Towards a Poor Theatre. New York: Taylor and Francis, 2012. Web. <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=1075038>.
Heddon, Deirdre, and Jane Milling. Devising Performance: A Critical History. Theatre and performance practices. Basingstoke [England]: Palgrave Macmillan, 2006. Web. <http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://lib.myilibrary.com?id=86088>.
Hodge, Alison, and Peter Hulton. ‘Core Training for the Relational Actor’. 2013 : n. pag. Print.
Hodge, Alison and MyiLibrary. Twentieth Century Actor Training. London: Routledge, 2000. Web. <http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://lib.myilibrary.com?id=33513>.
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Keefe, John and Murray, Simon David. Physical Theatres: A Critical Reader. London: Routledge, 2007. Print.
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Küppers, Petra. Disability and Contemporary Performance: Bodies on Edge. London: Routledge, 2003. Print.
Leabhart, Thomas. Etienne Decroux. Routledge performance practitioners. Abingdon: Routledge, 2007. Print.
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Lecoq, Jacques. The Theatre of Movement and Gesture. Abingdon: Routledge, 2006. Print.
Lecoq, Jacques, Carasso, Jean-Gabriel, and Lallias, Jean-Claude. The Moving Body: Teaching Creative Theatre. Rev. ed. London: Methuen, 2002. Print.
Machon, Josephine. (Syn)Aesthetics: Redefining Visceral Performance. Basingstoke: Palgrave Macmillan, 2009. Print.
Making Contemporary Theatre: International Rehearsal Processes. Manchester: Manchester University Press, 2010. Print.
Marshall, Lorna. The Body Speaks. 2nd ed. London: Methuen Drama, 2008. Print.
Martin, Jacqueline. Voice in Modern Theatre. London: Routledge, 1991. Print.
McConnell, Alison. Breathe Strong, Perform Better. Champaign, IL: Human Kinetics, 2011. Print.
Mime Action Group. ‘Total Theatre: The Magazine for Mime, Physical Theatre and Visual Prformance’. n. pag. Print.
Murray, Simon David. Jacques Lecoq. Routledge performance practitioners. London ; New York: Routledge, 2003. Print.
Murray, Simon David, and John Keefe. Physical Theatres: A Critical Introduction. Second edition. London: Routledge, 2015. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9781315674513>.
Newlove, Jean and Laban, Rudolf von. Laban for Actors and Dancers: Putting Laban’s Movement Theory into Practice, a Step-by-Step Guide. London: Nick Hern Books, 1993. Print.
Oida, Yoshi and Marshall, Lorna. The Invisible Actor. London: Methuen, 1997. Print.
Pavis and P. ‘Dramatic, Postdramatic and Post-Postdramatic’. TheatreForum (La Jolla, San Diego, Calif.) 37 (2010): n. pag. Web. <databaseName>.
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Pitches, Jonathan. Vsevolod Meyerhold. Routledge performance practitioners. London: Routledge, 2003. Print.
Preston-Dunlop, Valerie and Sanchez-Colberg, Ana. Dance and the Performative: A Choreological Perspective - Laban and Beyond. London: Verve, 2002. Print.
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Radosavljevic and D. ‘Emma Rice in Interview with Duska Radosavljevic’. Journal of Adaptation in Film & Performance 3 (2010): n. pag. Web. <databaseName>.
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Richards, Thomas and Grotowski, Jerzy. At Work with Grotowski on Physical Actions. London: Routledge, 1995. Web. <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=179586>.
Roy, Jean-Noël, and Jean-Gabriel Carasso. ‘Les Deux Voyages de Jacques Lecoq’. 1999 : n. pag. Print.
Sanchez-Colberg and Anna. ‘Altered States and Subliminal Spaces: Charting the Road towards a Physical Theatre’. Physical Theatres: A Critical Reader. London: Routledge, 2007. Print.
Schechner, Richard. Between Theater & Anthropology. Philadelphia: University of Pennsylvania Press, 1985. Print.
Slowiak, James and Cuesta, Jairo. Jerzy Grotowski. Routledge performance practitioners. Abingdon: Routledge, 2007. Web. <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=292746>.
Staniewski, Włodzimierz and Hodge, Alison. Hidden Territories: The Theatre of Gardzienice : [With CD-ROM]. London ; New York: Routledge, 2004. Print.
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‘The Body’. Canadian theatre review 109 (2002): n. pag. Print.
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Turner, Margery Jean, Grauert, Ruth, and Zallman, Arlene. New Dance: Approaches to Nonliteral Choreography. Pittsburgh Pa: University of Pittsburgh Press, 1971. Print.
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Vuyst and Hildegard de. ‘Ballet C de La B Website’. N.p., 1998. Print.
Wangh, Stephen. An Acrobat of the Heart: A Physical Approach to Acting Inspired by the Work of Jerzy Grotowski. 1st ed. New York: Vintage Books, 2000. Print.
Watson, Ian. Towards a Third Theatre: Eugenio Barba and the Odin Teatret. London: Routledge, 1993. Print.
Williams, David. Collaborative Theatre: The Théâtre Du Soleil Sourcebook. London: Routledge, 1999. Print.
Wolford, Lisa. Grotowski’s Objective Drama Research. Performance studies. Jackson: University Press of Mississippi, 1996. Print.
Wolford, Lisa Ann. The Occupation of the Saint: Grotowski’s Art as Vehicle. Ann Arbor, Mich: UMI Dissertation Services, 1997. Print.
Zarrilli, Phillip B. Acting (Re)Considered: A Theoretical and Practical Guide. 2nd ed. Worlds of performance. London: Routledge, 2002. Web. <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=235058>.