Allain, P. and Allain, P. (2009) The theatre practice of Tadashi Suzuki: a critical study with DVD examples. [New edition]. London: Methuen Drama.
Allain, Paul (1997) Gardzienice: Polish theatre in transition. Amsterdam: Harwood Academic. Available at: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=235207.
American Theatre Association (no date) ‘Theatre journal’.
Artaud, Antonin (1970) The theatre and its double: essays. London: John Calder.
Behrndt and S (2010) ‘Dance, dramaturgy and dramaturgical thinking’, Contemporary theatre review, 20. Available at: databaseName.
Bloom, Katya (2006) The embodied self: movement and psychoanalysis. London: Karnac.
Boenisch and P (2010) ‘Towards a theatre of encounter and experience’, Contemporary theatre review, 20. Available at: databaseName.
Bogart, A. (2007) And then, you act: making art in an unpredictable world. New York: Routledge.
Bogart, A. and Landau, T. (2005) The viewpoints book: a practical guide to viewpoints and composition [electronic resource]. 1st ed. New York: Theatre Communications Group. Available at: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=904659.
Bogart, Anne (2001) A director prepares: seven essays on art and theatre. London, New York, NY: Routledge.
Boston, J. and Cook, R. (2009) Breath in action: the art of breath in vocal and holistic practice [electronic resource]. London: Jessica Kingsley. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9781846429484.
Britton, J. (2013) Encountering ensemble. London: Bloomsbury Methuen Drama.
Burt, Ramsay (2006) Judson Dance Theater: performative traces. London: Routledge.
Callery, Dymphna (2001) Through the body: a practical guide to physical theatre. London: Nick Hern.
Carruthers, Ian and Takahashi, Yasunari (2004) The Theatre of Suzuki Tadashi. Cambridge: Cambridge University Press.
Carter, Alexandra (1998) The Routledge dance studies reader. London, New York: Routledge.
Chamberlain, Franc and Yarrow, Ralph (2002) Jacques Lecoq and the British theatre. London: Routledge.
Complicite theatre company (no date).
‘Contemporary theatre review’ (no date). Available at: databaseName.
Cynkutis, Zbigniew, 1938-1987 and Tyabji, K. (2014) Acting with Grotowski: theatre as a field for experiencing life [electronic resource]. Edited by P. Allain. Abingdon, Oxon: Routledge. Available at: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=1813124.
‘Dance Research Journal.’ (no date).
Droznin, A. et al. (2012) Andrei Droznin’s physical actor training: a Russian Masterclass [videorecording]. [United Kingdom]: Arts Archives.
DV8 Physical Theatre (no date).
East, Ron and Hush School of Mime and Non-Verbal Theatre (2000) Moving images: experiential learning and the physical theatre. Beaconsfield, Western Australia: Hush School of Mime and Non-Verbal Theatre.
Evans, Mark, 1957- (2006) Jacques Copeau. Abingdon: Routledge.
Fraleigh and S. (1998) ‘A Vulnerable Glance: Seeing Dance through Phenomenology’, in The Routledge dance studies reader. London, New York: Routledge.
Fraleigh, Sondra Horton and Nakamura, Tamah (2006) Hijikata Tatsumi and Ohno Kazuo. London: Routledge.
Frantic Assembly (no date).
Free, J. and Ramsay, N. (2004) Holistic bodywork for performers: a practical guide. Ramsbury: Crowood.
Friends of the Laban Centre and Laban Centre for Movement and Dance (no date) ‘Dance theatre journal’.
Goodridge, Janet (1999) Rhythm and timing of movement in performance: drama, dance, and ceremony. London: J. Kingsley Publishers.
Govan, Emma, Nicholson, Helen, and Normington, Katie (2007) Making a performance: devising histories and contemporary practices. London: Routledge.
Graham, Scott and Hoggett, Steven (2009) The Frantic Assembly book of devising theatre. London: Routledge.
Grotowski, J. and Barba, E. (2012) Towards a poor theatre [electronic resource]. New York: Taylor and Francis. Available at: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=1075038.
Heddon, D. and Milling, J. (2006) Devising performance: a critical history [electronic resource]. Basingstoke [England]: Palgrave Macmillan. Available at: http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://lib.myilibrary.com?id=86088.
Hodge, A. and Hulton, P. (2013) ‘Core training for the relational actor’. United Kingdom: Routledge.
Hodge, Alison and MyiLibrary (2000) Twentieth century actor training. London: Routledge. Available at: http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://lib.myilibrary.com?id=33513.
Huston, Hollis (1992) The actor’s instrument: body, theory, stage. Ann Arbor: University of Michigan Press.
‘Journal of Adaptation in Film & Performance’ (no date). Available at: databaseName.
Keefe, John and Murray, Simon David (2007) Physical theatres: a critical reader. London: Routledge.
Kneehigh Theatre (no date).
Küppers, Petra (2003) Disability and contemporary performance: bodies on edge. London: Routledge.
Leabhart, Thomas (1989) Modern and post-modern mime. Basingstoke: Macmillan.
Leabhart, Thomas (2007) Etienne Decroux. Abingdon: Routledge.
Lecoq, Jacques (2006) The theatre of movement and gesture. Abingdon: Routledge.
Lecoq, Jacques, Carasso, Jean-Gabriel, and Lallias, Jean-Claude (2002) The moving body: teaching creative theatre. Rev. ed. London: Methuen.
Machon, Josephine (2009) (Syn)aesthetics: redefining visceral performance. Basingstoke: Palgrave Macmillan.
Making contemporary theatre: international rehearsal processes (2010). Manchester: Manchester University Press.
Marshall, Lorna (2008) The body speaks. 2nd ed. London: Methuen Drama.
Martin, Jacqueline (1991) Voice in modern theatre. London: Routledge.
McConnell, A. (2011) Breathe strong, perform better. Champaign, IL: Human Kinetics.
Mime Action Group (no date) ‘Total theatre: the magazine for mime, physical theatre and visual prformance’.
Murray, S.D. (2003) Jacques Lecoq. London ; New York: Routledge.
Murray, S.D. and Keefe, J. (2015) Physical theatres: a critical introduction [electronic resource]. Second edition. London: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9781315674513.
Newlove, Jean and Laban, Rudolf von (1993) Laban for actors and dancers: putting Laban’s movement theory into practice, a step-by-step guide. London: Nick Hern Books.
Oida, Yoshi and Marshall, Lorna (1997) The invisible actor. London: Methuen.
Pavis and P (2010) ‘Dramatic, postdramatic and post-postdramatic’, TheatreForum (La Jolla, San Diego, Calif.), 37. Available at: databaseName.
Pavis, Patrice (2003) Analyzing performance: theater, dance, and film. Ann Arbor, Mich: University of Michigan Press.
‘Performance research’ (no date).
Pina Bausch (no date).
Pitches, Jonathan (2003) Vsevolod Meyerhold. London: Routledge.
Preston-Dunlop, Valerie and Sanchez-Colberg, Ana (2002) Dance and the performative: a choreological perspective - Laban and beyond. London: Verve.
Punchdrunk (no date).
Radosavljevic and D (2010) ‘Emma Rice in interview with Duska Radosavljevic’, Journal of Adaptation in Film & Performance, 3. Available at: databaseName.
Ramachandran, V.S. (2011) The tell-tale brain: a neuroscientist’s quest for what makes us human. First edition. New York: W.W. Norton.
Richards, Thomas and Grotowski, Jerzy (1995) At work with Grotowski on physical actions. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=179586.
Roy, J.-N. and Carasso, J.-G. (1999) ‘Les deux voyages de Jacques Lecoq’. Paris: La Sept ARTE/On Line Productions/ANRAT.
Sanchez-Colberg and Anna (2007) ‘Altered States and Subliminal Spaces: Charting the Road towards a Physical Theatre’, in Physical theatres: a critical reader. London: Routledge.
Schechner, Richard (1985) Between theater & anthropology. Philadelphia: University of Pennsylvania Press.
Slowiak, James and Cuesta, Jairo (2007) Jerzy Grotowski. Abingdon: Routledge. Available at: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=292746.
Staniewski, Włodzimierz and Hodge, Alison (2004) Hidden territories: the Theatre of Gardzienice : [with CD-ROM]. London ; New York: Routledge.
‘TDR: The drama review’ (no date).
‘The Body’ (2002) Canadian theatre review, 109.
‘TheatreForum (La Jolla, San Diego, Calif.)’ (no date). Available at: databaseName.
Todd, Mabel Elsworth (no date) The thinking body: a study of the balancing forces of dynamic man. Princeton, N.J.: Princeton Book Company.
Turner, Margery Jean, Grauert, Ruth, and Zallman, Arlene (1971) New dance: approaches to nonliteral choreography. Pittsburgh Pa: University of Pittsburgh Press.
University of California (no date) ‘TheatreForum’.
Vuyst and Hildegard de (1998) Ballet C de la B website.
Wangh, Stephen (2000) An acrobat of the heart: a physical approach to acting inspired by the work of Jerzy Grotowski. 1st ed. New York: Vintage Books.
Watson, Ian (1993) Towards a third theatre: Eugenio Barba and the Odin teatret. London: Routledge.
Williams, David (1999) Collaborative theatre: the Théâtre du Soleil sourcebook. London: Routledge.
Wolford, L. (1996) Grotowski’s objective drama research. Jackson: University Press of Mississippi.
Wolford, Lisa Ann (1997) The occupation of the saint: Grotowski’s art as vehicle. Ann Arbor, Mich: UMI Dissertation Services.
Zarrilli, P.B. (2002) Acting (re)considered: a theoretical and practical guide [electronic resource]. 2nd ed. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=235058.
