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Cynkutis, Zbigniew 1938-1987, Tyabji K. Acting with Grotowski: theatre as a field for experiencing life. Abingdon, Oxon: : Routledge 2014. https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=1813124
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Keefe, John, Murray, Simon David. Physical theatres: a critical reader. London: : Routledge 2007.
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Hodge A, Hulton P. Core training for the relational actor. 2013.
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Murray SD, Keefe J. Physical theatres: a critical introduction. Second edition. London: : Routledge 2015. http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9781315674513
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Bogart A, Landau T. The viewpoints book: a practical guide to viewpoints and composition. 1st ed. New York: : Theatre Communications Group 2005. https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=904659
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Callery, Dymphna. Through the body: a practical guide to physical theatre. London: : Nick Hern 2001.
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Goodridge, Janet. Rhythm and timing of movement in performance: drama, dance, and ceremony. London: : J. Kingsley Publishers 1999.
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Grotowski J, Barba E. Towards a poor theatre. New York: : Taylor and Francis 2012. https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=1075038
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Heddon D, Milling J. Devising performance: a critical history. Basingstoke [England]: : Palgrave Macmillan 2006. http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://lib.myilibrary.com?id=86088
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Hodge, Alison, MyiLibrary. Twentieth century actor training. London: : Routledge 2000. http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://lib.myilibrary.com?id=33513
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Lecoq, Jacques, Carasso, Jean-Gabriel, Lallias, Jean-Claude. The moving body: teaching creative theatre. Rev. ed. London: : Methuen 2002.
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Pavis, Patrice. Analyzing performance: theater, dance, and film. Ann Arbor, Mich: : University of Michigan Press 2003.
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Slowiak, James, Cuesta, Jairo. Jerzy Grotowski. Abingdon: : Routledge 2007. https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=292746
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Richards, Thomas, Grotowski, Jerzy. At work with Grotowski on physical actions. London: : Routledge 1995. https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=179586
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Radosavljevic, D. Emma Rice in interview with Duska Radosavljevic. Journal of Adaptation in Film & Performance 2010;3.databaseName
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Wolford, Lisa Ann. The occupation of the saint: Grotowski’s art as vehicle. Ann Arbor, Mich: : UMI Dissertation Services 1997.
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Wangh, Stephen. An acrobat of the heart: a physical approach to acting inspired by the work of Jerzy Grotowski. 1st ed. New York: : Vintage Books 2000.
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Evans, Mark, 1957-. Jacques Copeau. Abingdon: : Routledge 2006.
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Chamberlain, Franc, Yarrow, Ralph. Jacques Lecoq and the British theatre. London: : Routledge 2002.
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Newlove, Jean, Laban, Rudolf von. Laban for actors and dancers: putting Laban’s movement theory into practice, a step-by-step guide. London: : Nick Hern Books 1993.
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Staniewski, Włodzimierz, Hodge, Alison. Hidden territories: the Theatre of Gardzienice : [with CD-ROM]. London ; New York: : Routledge 2004.
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Leabhart, Thomas. Etienne Decroux. Abingdon: : Routledge 2007.
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Pitches, Jonathan. Vsevolod Meyerhold. London: : Routledge 2003.
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Lecoq, Jacques. The theatre of movement and gesture. Abingdon: : Routledge 2006.
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Watson, Ian. Towards a third theatre: Eugenio Barba and the Odin teatret. London: : Routledge 1993.
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Williams, David. Collaborative theatre: the Théâtre du Soleil sourcebook. London: : Routledge 1999.
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Allain, Paul. Gardzienice: Polish theatre in transition. Amsterdam: : Harwood Academic 1997. https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=235207
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Murray SD. Jacques Lecoq. London ; New York: : Routledge 2003.
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Allain P, Allain P. The theatre practice of Tadashi Suzuki: a critical study with DVD examples. [New edition]. London: : Methuen Drama 2009.
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Burt, Ramsay. Judson Dance Theater: performative traces. London: : Routledge 2006.
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Fraleigh, Sondra Horton, Nakamura, Tamah. Hijikata Tatsumi and Ohno Kazuo. London: : Routledge 2006.
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Preston-Dunlop, Valerie, Sanchez-Colberg, Ana. Dance and the performative: a choreological perspective - Laban and beyond. London: : Verve 2002.
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Fraleigh, S. A Vulnerable Glance: Seeing Dance through Phenomenology. In: The Routledge dance studies reader. London, New York: : Routledge 1998.
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Bogart, Anne. A director prepares: seven essays on art and theatre. London, New York, NY: : Routledge 2001.
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East, Ron, Hush School of Mime and Non-Verbal Theatre. Moving images: experiential learning and the physical theatre. Beaconsfield, Western Australia: : Hush School of Mime and Non-Verbal Theatre 2000.
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Govan, Emma, Nicholson, Helen, Normington, Katie. Making a performance: devising histories and contemporary practices. London: : Routledge 2007.
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Making contemporary theatre: international rehearsal processes. Manchester: : Manchester University Press 2010.
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Oida, Yoshi, Marshall, Lorna. The invisible actor. London: : Methuen 1997.
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Boston J, Cook R. Breath in action: the art of breath in vocal and holistic practice. London: : Jessica Kingsley 2009. http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9781846429484
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McConnell A. Breathe strong, perform better. Champaign, IL: : Human Kinetics 2011.
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Ramachandran VS. The tell-tale brain: a neuroscientist’s quest for what makes us human. First edition. New York: : W.W. Norton 2011.