Adams, John Cranford, The Globe Playhouse: Its Design and Equipment (2nd ed, Constable 1961)
Aernout Van Buchell/Johannes De Witt, ‘Sketch of the Swan Theatre (Illustration)’
Akrigg, G. P. V., Jacobean Pageant: Or, The Court of King James I (H Hamilton 1962)
Archer, W., The Old Drama and the New: An Essay in Revaluation (Heinemann 1923)
Astington, John, English Court Theatre, 1558-1642 (Cambridge University Press 1999)
Babcock, B A., The Reversible World: Symbolic Inversion in Art and Society (Cornell UP 1978)
Baldwin, Frances Elizabeth, Sumptuary Legislation and Personal Regulation in England, vol Johns Hopkins University Studies in historical and political science: series xliv; no. 1 (The Johns Hopkins press 1926)
Barish, Jonas A., The Antitheatrical Prejudice (University of California Press 1981)
Barroll, J. Leeds, Politics, Plague, and Shakespeare’s Theater: The Stuart Years (Cornell University Press 1991)
Barton, L., Historic Costume for the Stage (Black)
Baskervill, Charles Read, The Elizabethan Jig and Related Song Drama (The University of Chicago press 1929)
Beaumont, Francis and Hattaway, Michael, The Knight of the Burning Pestle, vol New mermaids (2nd ed, A & C Black 2002)
Beckerman and B., ‘Philip Henslowe’, The theatrical manager in England and America: player of a perilous game: Philip Henslowe,Tate Wilkinson, Stephen Price, Edwin Booth, Charles Wyndham (Princeton UP 1971)
Beckerman, B., Shakespeare at the Globe 1599-1609 (Collier-Macmillan 1966)
‘Beeston’s Cockpit Playhouse (Illustration)’
Ben Jonson, ‘Introduction to The Magnetic Lady’
——, ‘The Works of Ben Jonson’
Bentley and G.E., ‘The Theatres and the Actors’, The Revels history of drama in English: Vol.4: 1613-1660 ; Philip Edwards ... [et al.] (Methuen)
Bentley, G E., The Profession of Dramatist in Shakespeare’s Time, 1590-1642 (Princeton UP 1971)
Bentley, Gerald Eades, The Jacobean and Caroline Stage (Clarendon Press 1941)
——, The Seventeenth-Century Stage: A Collection of Critical Essays, vol Patterns of literary criticism (University of Chicago Press)
Berger, Thomas L. and others, An Index of Characters in Early Modern English Drama: Printed Plays, 1500-1660 (Rev ed, Cambridge University Press 1998)
Berry and H., ‘The Stage and Boxes at Blackfriars’ (1966) 63 Studies in philology
——, ‘The First Public Playhouses, Especially the Red Lion’ (1989) 40 Shakespeare quarterly
Berry, Herbert, Shakespeare’s Playhouses, vol AMS studies in the Renaissance (AMS 1987)
Bradley, David, From Text to Performance in the Elizabethan Theatre: Preparing the Play for the Stage (Cambridge University Press 1992)
Braunmuller, A. R. and Hattaway, Michael, The Cambridge Companion to English Renaissance Drama, vol Cambridge companions to literature (2nd ed, Cambridge University Press 2003)
Brooks-Davies, Douglas, From Playhouse to Printing House: Drama and Authorship in Early Modern England, vol Cambridge studies in Renaissance literature and culture (Cambridge University Press 2000)
Brown, John Russell, Shakespeare’s Plays in Performance (New and revised, Applause Books 1993)
Bruster, Douglas, Drama and the Market in the Age of Shakespeare, vol Cambridge studies in Renaissance literature and culture (Cambridge University Press 1992)
Butler, Martin, Theatre and Crisis, 1632-1642 (CUP 1984)
Butterworth, Philip and Society for Theatre Research, Theatre of Fire: Special Effects in Early English and Scottish Theatre (Society for Theatre Research 1998)
Campbell, L B., Scenes and Machines on the English Stage during the Renaissance: A Classical Revival (Barnes & Noble)
Cave, Richard Allen, Schafer, Elizabeth, and Woolland, Brian, Ben Jonson and Theatre: Performance, Practice, and Theory (Routledge 1999)
Chambers, E. K., The Elizabethan Stage (The Clarendon press 1923)
Clare, Janet, Art Made Tongue-Tied by Authority: Elizabethan and Jacobean Dramatic Censorship, vol The Revels plays companion library (St Martin’s Press [distributor] 1990)
Clark, A M., Thomas Heywood (Russell & Russell)
Cook, Ann Jennalie, The Privileged Playgoers of Shakespeare’s London, 1576-1642 (Princeton University Press 1981)
Davies, Anthony and Wells, Stanley W., Shakespeare and the Moving Image: The Plays on Film and Television (Cambridge University Press 1994)
Dawson, Anthony B. and Yachnin, Paul Edward, The Culture of Playgoing in Shakespeare’s England: A Collaborative Debate (Cambridge University Press 2001)
Dekker, Thomas, Satiro-Mastix, or The Untrussing of the Humorous Poet (Kraus 1963)
——, The Wonderful Year - The Gull’s Horn-Book - Pennywise, Pound Foolish - English Villanies Discovered and Selected Writings; Ed E D Pendry (Arnold)
Dessen, A C., Elizabethan Stage Conventions and Modern Interpreters (CUP 1984)
Dessen, Alan C. and Thomson, Leslie, A Dictionary of Stage Directions in English Drama, 1580-1642 (Cambridge University Press 1999)
Dillon, Janette, Theatre, Court and City, 1595-1610: Drama and Social Space in London (Cambridge University Press 2000)
Dutton, Richard, Mastering the Revels: The Regulation and Censorship of English Renaissance Drama (Macmillan Academic and Professional 1991)
——, Ben Jonson: Authority, Criticism (Macmillan 1996)
Earle, J., [Microcosmographie] The Autograph Manuscript of Microcosmographie (Scolar Press 1966)
Eccles, Christine, The Rose Theatre (Routledge 1990)
Edwards, Christopher, The London Theatre Guide 1576-1642; Edited by Christopher Edwards (Burlington press (Cambridge) 1979)
Farley-Hills, David, Shakespeare and the Rival Playwrights, 1600-1606 (Routledge 1990)
Findlay and A., ‘Performance and Playing Spaces in the Age of Shakespeare’ [2004] Literature Compass
Fisher, S., The Theatre, the Curtain & the Globe (McGill University Library 1964)
Fitzpatrick and T., ‘Playwrights with Foresight: Staging Resources in the Elizabethan Playhouses’ (2002) 56 Theatre notebook: a quarterly journal of the history and technique of the British Theatre
Fleay, F G., A Biographical Chronicle of the English Drama, 1559-1642 (Franklin)
Foakes, Reginald Anthony, Illustrations of the English Stage, 1580-1642 (Scolar Press 1985)
Fotheringham and R., ‘The Doubling of Parts on the Jacobean Stage’ (1985) 10 Theatre research international
Gair, R., The Children of Paul’s: The Story of a Theatre Company, 1553-1608 (CUP 1982)
Galloway, D., The Elizabethan Theatre II: Papers given at the Second International Conference on Elizabethan Theatre Held at the University of Waterloo, Ontario in July 1969; Ed D Galloway (Macmillan)
——, The Elizabethan Theatre III: Papers given at the Third International Conference on Elizabethan Theatre, Held at the University of Waterloo, Ontario, in July 1970; Ed D Galloway (Macmillan)
——, The Elizabethan Theatre: Papers given at the International Conference on Elizabethan Theatre Held at the University of Waterloo, Ontario, in July 1968; Ed D Galloway (Macmillan)
George Chapman, ‘The Memorable Masque’, Court masques: Jacobean and Caroline entertainments, 1605-1640, vol World’s classics (Oxford University Press 1995)
Gibbons, B., Jacobean City Comedy: A Study of Satiric Plays by Jonson, Marston, and Middleton (Hart-Davis 1968)
Gosson, Stephen, The Schoole of Abuse: Conteining a Plesaunt Inuectiue against Poets, Pipers, Plaiers, Iesters, and Such like Caterpillars of a Comonwelth (London: Printed [by T Dawson] for Thomas Woodcocke 1579)
——, Plays Confuted in Fiue Actions, Prouing That They Are Not to Be Suffred in a Christian Common Weale, [against] Thomas Lodge [STC 16663] and the Play of Playes (London: Imprinted for Thomas Gosson)
Grantley, Darryll, Wit’s Pilgrimage: Drama and the Social Impact of Education in Early Modern England (Ashgate 2000)
Grantley, Darryll and Roberts, Peter, Christopher Marlowe and English Renaissance Culture (Scolar 1996)
Greg, Walter Wilson, Dramatic Documents from the Elizabethan Playhouses: Stage Plots: Actors’ Parts: Prompt Books (The Clarendon Press 1931)
Grote, David, The Best Actors in the World: Shakespeare and His Acting Company, vol Contributions in drama and theatre studies (Greenwood Press 2002)
Gurr, Andrew, The Shakespearean Stage, 1574-1642 (3rd ed, CUP 1992)
——, Playgoing in Shakespeare’s London (2nd ed, Cambridge University Press 1996)
——, The Shakespearian Playing Companies (Clarendon Press 1996)
——, The Shakespeare Company, 1594-1642 (Cambridge University Press 2004)
Gurr, Andrew and Ichikawa, Mariko, Staging in Shakespeare’s Theatres, vol Oxford Shakespeare topics (Oxford University Press 2000)
Harris, Jonathan Gil and Korda, Natasha, Staged Properties in Early Modern English Drama (Cambridge University Press 2002)
Harrison, G B., Elizabethan Plays and Players (Routledge)
Hattaway, Michael, Elizabethan Popular Theatre: Plays for Performance, vol Theatre production studies (Routledge & Kegan Paul 1982)
Heinemann, M., Puritanism and Theatre: Thomas Middleton and Opposition Drama under the Early Stuarts (CUP 1980)
Hellenga and R., ‘Elizabethan Dramatic Conventions and Elizabethan Reality’ (1981) XII Renaissance drama
Henslowe, Philip and Foakes, Reginald Anthony, Henslowe’s Diary (University Press 1961)
——, Henslowe’s Diary (University Press 1961)
Herbert, Henry, The Dramatic Records of Sir Henry Herbert, Master of the Revels, 1623-1673; Edited by Joseph Quincy Adams (Cornell Studies in English) (New Haven: Yale University Press 1917)
Herbert, Henry and Bawcutt, N. W., The Control and Censorship of Caroline Drama: The Records of Sir Henry Herbert, Master of the Revels 1623-73 (Clarendon Press 1996)
Heywood, Thomas, An Apology for Actors: In Three Books (Elibron Classic 2005)
Hibbard and G. R, ‘The Elizabethan Theatre IV: Papers given at the Fourth International Conference on Elizabethan Theatre Held at the University of Waterloo, Ontario, in July 1971; Ed G R Hibbard.’
Hibbard, G. R., The Elizabethan Theatre V: Papers given at the Fifth International Conference on Elizabethan Theatre Held at the University of Waterloo, Ontario, in July 1973; Ed G R Hibbard (Macmillan in collaboration with the University of Waterloo 1975)
——, The Elizabethan Theatre VI: Papers given at the Sixth International Conference on Elizabethan Theatre, Held at the University of Waterloo, Ontario, in July 1975; Ed G R Hibbard (Macmillan 1978)
Hibbard, G. R and International Conference on Elizabethan Theatre, The Elizabethan Theatre VII: Papers given at the Seventh International Conference on Elizabethan Theatre Held at the University of Waterloo, Ontario, in July 1977 (Macmillan Press 1981)
Hibbard, G. R., University of Waterloo, and International Conference on Elizabethan Theatre, The Elizabethan Theatre VIII: Papers given at the Eighth International Conference on Elizabethan Theatre Held at the University of Waterloo, Ontario, in July 1979 (PD Meany, in collaboration with the University 1982)
——, The Elizabethan Theatre IX: Papers given at the Ninth International Conference on Elizabethan Theatre Held at the University of Waterloo, in July 1981 (Published in collaboration with the University of Waterloo [by] PDMeany)
Hill, Christopher, Society and Puritanism in Pre-Revolutionary England, vol Panther history (Panther 1969)
Hill, Christopher, Pennington, D. H, and Thomas, Keith Vivian, Puritans and Revolutionaries: Essays in Seventeenth-Century History Presented to Christopher Hill (Clarendon Press 1978)
Hillebrand, Harold Newcomb, The Child Actors: A Chapter in Elizabethan Stage History (Russell & Russell 1964)
Hodges, C. Walter, The Globe Restored: A Study of the Elizabethan Theatre (OUP 1968)
——, Enter the Whole Army: A Pictorial Study of Shakespearean Staging, 1576-1616 (Cambridge University Press 1999)
Holden, W P., Anti-Puritan Satire, 1572-1642 (Archon 1968)
Holmes, Martin Rivington, Shakespeare and His Players (J Murray)
Hosley and R., ‘The Discovery-Space in Shakespeare’s Globe’ (1959) 12 Shakespeare survey
Hotson, Leslie, Shakespeare’s Wooden O. (Hart-Davis 1959)
Ingram, W., A London Life in the Brazen Age: Francis Langley 1548-1602 (Harvard UP 1978)
Ingram, William, The Business of Playing: The Beginnings of the Adult Professional Theater in Elizabethan London (Cornell UP 1992)
Isaacs, Jacob and Shakespeare Association, Production and Stage-Management at the Blackfriars Theatre (OUP for the Shakespeare Association 1933)
Jardine, Lisa, Still Harping on Daughters: Women and Drama in the Age of Shakespeare (Barnes & Noble 1983)
Johnson, Nora, The Actor as Playwright in Early Modern Drama (Cambridge University Press 2003)
Jones, Ann Rosalind and Stallybrass, Peter, Renaissance Clothing and the Materials of Memory, vol Cambridge studies in Renaissance literature and culture (Cambridge University Press 2000)
Jonson, Ben and Gossett, Suzanne, Bartholomew Fair, vol Revels student editions (Manchester University Press 2000)
Joseph, Bertram Leon, Elizabethan Acting (2d ed, Oxford University Press 1964)
Kantor, Andrea T., Metadramatic Structure in English Renaissance Drama ([publisher not identified] 1978)
Kastan, David Scott, A Companion to Shakespeare, vol Blackwell companions to literature and culture (Blackwell Publishers 1999)
Kay, Dennis, William Shakespeare:His Life and Times, vol Twayne’s English authors series (Twayne Publishers 1995)
Keenan, Siobhan, Travelling Players in Shakespeare’s England (Palgrave 2002)
Kelly, F M., Shakespearian Costume for Stage and Screen (Black 1938)
Kernan, Alvin B., Shakespeare, the King’s Playwright: Theater in the Stuart Court, 1603-1613 (Yale University Press 1995)
Kiefer, Frederick, Shakespeare’s Visual Theatre: Staging the Personified Characters (Cambridge University Press 2003)
Kiernan, V. G., Shakespeare, Poet and Citizen (Verso 1993)
King and T., ‘Casting Shakespeare’s Plays: London Actors and Their Roles 1590-1642’
Kinney, Arthur F., Shakespeare by Stages: An Historical Introduction (Blackwell 2003)
Knutson and R., ‘The Repertory of Shakespeare’s Company 1594-1613’
Knutson, Roslyn Lander, Playing Companies and Commerce in Shakespeare’s Time (Cambridge University Press 2001)
Laroque, François, Shakespeare’s Festive World: Elizabethan Seasonal Entertainment and the Professional Stage, vol European studies in English literature (Cambridge University Press 1991)
Lawrence, W J., Pre-Restoration Stage Studies (Blom)
Lawrence, W.J., The Elizabethan Playhouse and Other Studies (Shakespeare Head Press 1912)
Leggatt, Alexander, Jacobean Public Theatre, vol Theatre production studies (Routledge 1992)
Leinwand, Theodore B., Theatre, Finance, and Society in Early Modern England, vol Cambridge studies in Renaissance literature and culture (Cambridge University Press 1999)
Levin, R., The Multiple Plot in English Renaissance Drama (Chicago UP)
Levine, Laura, Men in Women’s Clothing: Anti-Theatricality and Effeminization, 1579-1642, vol Cambridge studies in Renaissance literature and culture (Cambridge University Press 1994)
Linnell, R., The Curtain Playhouse (Curtain Theatre 1977)
Linthicum, M C., Costume in the Drama of Shakespeare and His Contemporaries (Russell & Russell 1963)
Lodge and Thomas, ‘A Reply to Stephen Gosson’s School of Abuse’ <web.grcc.cc.mi.us/english/shakespeare/notes/Defenses.doc>
Loengard and J., ‘An Elizabethan Lawsuit: John Brayne, His Carpenter, and the Building of the Red Lion Theatre’ (1983) 34 Shakespeare quarterly
Macintyre and J., ‘Production Resources at the Whitefriars Playhouse’
Mann, David, The Elizabethan Player: Contemporary Stage Representation (Routledge 1991)
Marker and L., ‘Nature and Decorum in the Theory of Elizabethan Acting’, The Elizabethan theatre: papers given at the International Conference on Elizabethan theatre held at the University of Waterloo, Ontario, in July 1968; ed D Galloway (Macmillan)
Marlowe, C., The Jew of Malta (Methuen 1987)
‘Marlowe’s Works’
Masten, Jeffrey, Textual Intercourse: Collaboration, Authorship, and Sexualities in Renaissance Drama, vol Cambridge studies in Renaissance literature and culture (Cambridge University Press 1997)
McGee, C. Edward and International Conference on Elizabethan Theatre, The Elizabethan Theatre X: Papers given at the Tenth International Conference on Elizabethan Theatre Held at the University of Waterloo, Ontario, in July 1983 (PD Meany 1988)
McJannet, Linda, The Voice of Elizabethan Stage Directions: The Evolution of a Theatrical Code (Associated University Presses 1999)
McLuskie, Kathleen, Renaissance Dramatists, vol Feminist readings (Harvester Wheatsheaf 1989)
——, Dekker and Heywood: Professional Dramatists, vol English dramatists (St Martin’s Press 1994)
McManus, Clare, Women on the Renaissance Stage: Anna of Denmark and Female Masquing in the Stuart Court (1590-1619) (Manchester University Press 2002)
McMillin, Scott and MacLean, Sally-Beth, The Queen’s Men and Their Plays (Cambridge University Press 1998)
Mehl, D., The Elizabethan Dumb Show: The History of a Dramatic Convention [Translated from the German] (Methuen)
Middleton, ‘Thomas Middleton (1580-1627)’
Miles, Rosalind, Ben Jonson: His Life and Work (Routledge & Kegan Paul 1986)
——, Ben Jonson: His Craft and Art (Routledge 1990)
Miriam Joseph, Sister, Rhetoric in Shakespeare’s Time: Literary Theory of Renaissance Europe (Harcourt, Brace)
Montrose, Louis Adrian, The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre (University of Chicago Press 1996)
Mullaney, Steven, The Place of the Stage: License, Play, and Power in Renaissance England (University of Chicago Press 1988)
Mulryne, J. R. and Shewring, Margaret, Theatre and Government under the Early Stuarts (Cambridge University Press 1993)
Murray, J T., English Dramatic Companies, 1558-1642: 1 - London Companies 2- Provincial Companies, Appendices (Constable 1910)
Nashe, Thomas and Harrison, G. B., Pierce Penilesse: His Svpplication to the Divell (1592), vol The Bodley Head quartos (EP Dutton & Company 1924)
Nelson, R J., Play within a Play: The Dramatist’s Conception of His Art, Shakespeare to Anouilh (Da Capo Press 1971)
Nungezer, E., A Dictionary of Actors: And of Other Persons Associated with the Public Representation of Plays in England before 1642 (Greenwood Press 1968)
Ordish, Thomas Fairman, Early London Theatres -In the Fields (White Lion Publishers 1971)
Orgel, S., The Jonsonian Masque (Harvard UP)
Orgel, Stephen, Impersonations: The Performance of Gender in Shakespeare’s England (Cambridge University Press 1996)
Orrell, J., The Quest for Shakespeare’s Globe (CUP 1983)
Orrell, John, The Human Stage: English Theatre Design, 1567-1640 (Cambridge University Press 1988)
Prynne, W., Histriomastix (Garland 1974)
‘Records of Early English Drama’
Reynolds, G F., The Staging of Elizabethan Plays at the Red Bull Theater 1605-1625 (Kraus 1940)
——, On Shakespeare’s Stage; Ed R K Knaub (Colorado UP)
Rhodes, E L., Henslowe’s Rose: The Stage & Staging (UP of Kentucky 1976)
Riggs, David, Ben Jonson: A Life (Harvard UP 1989)
Ringler, W A., Stephen Gosson: A Biographical and Critical Study (OUP 1942)
Robert Greene, ‘Extract from A Groatsworth of Wit’
‘Rose Theatre’
Rosenberg and M., ‘Elizabethan Actors: Men or Marionettes?’ [1954] PMLA: Publications of the Modern Language Association of America
Rutter, Carol Chillington, Documents of the Rose Playhouse, vol Revels plays companion library (Manchester University Press 1984)
Schoenbaum, S., William Shakespeare: A Documentary Life (Clarendon Press in association with the Scolar Press 1975)
——, Shakespeare, the Globe & the World (OUP [for the] Folger Shakespeare Library 1979)
Schoenbaum, S., Parker, R. B., and Zitner, Sheldon P., Elizabethan Theater: Essays in Honor of S. Schoenbaum (Associated University Presses 1996)
Scott, Michael, Renaissance Drama and a Modern Audience (Macmillan 1982)
Shakespeare and others, ‘The RSC Shakespeare: The Complete Works’
‘Shakespeare Resource Center’
Shakespeare, William, Hamlet, 1703 (Cornmarket Press 1969)
Shakespeare, William and Bawcutt, N. W., Measure for Measure, vol The Oxford Shakespeare (Clarendon Press 1991)
Shakespeare, William and Berger, Thomas L., A Midsummer Night’s Dream, 1600, vol Malone Society reprints (OUP, for the Malone Society 1995)
Shakespeare, William and Braunmuller, A. R., Macbeth, vol The New Cambridge Shakespeare (Cambridge University Press 1997)
Shakespeare, William and Woudhuysen, H. R., Love’s Labour’s Lost, vol The Arden Shakespeare (Nelson 1998)
‘Shakespeare’s Globe’
‘Shakespeare’s Works’ <www.opensourceshakespeare.org>
Shaughnessy, Robert, Representing Shakespeare: England, History and the RSC (Harvester Wheatsheaf 1994)
Sidney, Philip and Shepherd, Geoffrey, An Apology for Poetry: Or, The Defence of Poesy, vol Nelson’s medieval and Renaissance library (Nelson 1965)
Simkin, Stevie, A Preface to Marlowe, vol Preface books (Longman 2000)
Sisson, C J., The Boar’s Head Theatre: An Inn-Yard Theatre of the Elizabethan Age; Ed S Wells (Routledge & Kegan Paul)
Smith, I., Shakespeare’s Blackfriars Playhouse: Its History and Design (New York UP)
Stallybrass and P., ‘Worn Worlds: Clothes and Identity on the Renaissance Stage’, Subject and object in Renaissance culture, vol Cambridge studies in Renaissance literature and culture (Cambridge University Press 1996)
Stephen Gosson, ‘Extract from The School of Abuse’
Stern, Tiffany, Rehearsal from Shakespeare to Sheridan (Clarendon Press 2000)
Stopes, Charlotte Carmichael, ‘Burbage and Shakespeare’s Stage’
Stubbes, Phillip and Kidnie, Margaret Jane, Philip Stubbes, The Anatomie of Abuses, vol Medieval&Renaissance texts&studies (Arizona Center for Medieval and Renaissance Studies in conjunction with Renaissance English Text Society 2002)
Sturgess, K., Jacobean Private Theatre (Routledge & Kegan Paul 1987)
Styan, John Louis, Shakespeare’s Stagecraft (Cambridge U P 1967)
Taylor, Gary, Reinventing Shakespeare: A Cultural History from the Restoration to the Present (Hogarth 1990)
Thomas Dekker, ‘Extract from The Gull’s Horn Book’
——, ‘Prologue to If This Be Not a Good Play, the Devil Is In It’
Thomas Goffe, ‘Praeludium to The Careless Shepherdess’
Thomas Heywood, ‘Extract from An Apology for Actors’
Thomson, Peter, Shakespeare’s Professional Career (Cambridge University Press 1992)
——, Shakespeare’s Theatre, vol Theatre production studies (2nd ed, Routledge 1992)
Various, ‘Documents of Regulation and Control’
Videbaek, Bente A., The Stage Clown in Shakespeare’s Theatre, vol Contributions in drama and theatre studies (Greenwood Press 1996)
Weimann, Robert and Schwartz, Robert, Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and Function (Johns Hopkins UP 1978)
White, Martin, Middleton and Tourneur, vol English dramatists (Macmillan 1992)
——, Renaissance Drama in Action: An Introduction to Aspects of Theatre Practice and Performance (Routledge 1998)
White, Paul Whitfield, Theatre and Reformation: Protestantism, Patronage , and Playing in Tudor England (CUP 1993)
White, Paul Whitfield and Westfall, Suzanne R., Shakespeare and Theatrical Patronage in Early Modern England (Cambridge University Press 2002)
White, R. S., Edelman, Charles, and Wortham, Christopher, Shakespeare: Readers, Audiences, Players (University of Western Australia Press 1998)
Wickham, Glynne William Gladstone, Early English Stages, 1300 to 1660 (Routledge and Paul 1959)
Wickham, Glynne William Gladstone, Berry, Herbert, and Ingram, William, English Professional Theatre, 1530-1660, vol Theatre in Europe (Cambridge University Press 2000)
Wiggins, Martin, Shakespeare and the Drama of His Time, vol Oxford Shakespeare topics (Oxford University Press 2000)
Wiles, D., Shakespeare’s Clown: Actor and Text in the Elizabethan Playhouse (CUP 1987)
William Davenant, ‘Salmacida Spolia’, Court masques: Jacobean and Caroline entertainments, 1605-1640, vol World’s classics (Oxford University Press 1995)
William Shakespeare, ‘Prologue to Henry V’
Wilson, Jean, The Archaeology of Shakespeare: The Material Legacy of Shakespeare’s Theatre (Sutton 1995)
Wilson, Richard, Christopher Marlowe, vol Longman critical readers (Longman 1999)
Zunder, William, Elizabethan Marlowe: Writing and Culture in the English Renaissance (Unity P 1994)
