1
Beaumont, Francis, Hattaway, Michael. The knight of the burning pestle. 2nd ed. London: A. & C. Black 2002.
2
George Chapman. The Memorable Masque. Court masques: Jacobean and Caroline entertainments, 1605-1640. New York: Oxford University Press 1995.
3
William Davenant. Salmacida Spolia. Court masques: Jacobean and Caroline entertainments, 1605-1640. New York: Oxford University Press 1995.
4
Jonson, Ben, Gossett, Suzanne. Bartholomew Fair. Manchester: Manchester University Press 2000.
5
Marlowe, C. The Jew of Malta. [Place of publication not identified]: Methuen 1987.
6
Shakespeare, William. Hamlet, 1703. [Place of publication not identified]: Cornmarket Press 1969.
7
Shakespeare, William, Woudhuysen, H. R. Love’s labour’s lost. Walton-on-Thames: Nelson 1998.
8
Shakespeare, William, Braunmuller, A. R. Macbeth. Cambridge: Cambridge University Press 1997.
9
Shakespeare, William, Bawcutt, N. W. Measure for measure. New York: Clarendon Press 1991.
10
Shakespeare, William, Berger, Thomas L. A midsummer night’s dream, 1600. Oxford: O.U.P., for the Malone Society 1995.
11
Shakespeare, W.; Bate, J., et al. The RSC Shakespeare: The Complete Works. 2008.
12
Thomas Dekker. Prologue to If this Be Not a Good Play, the Devil Is In It.
13
Thomas Goffe. Praeludium to The Careless Shepherdess.
14
Ben Jonson. Introduction to The Magnetic Lady.
15
William Shakespeare. Prologue to Henry V.
16
Dekker, Thomas. The wonderful year - The gull’s horn-book - Pennywise, pound foolish - English villanies discovered and selected writings; ed E D Pendry. [Place of publication not identified]: Arnold .
17
Dekker, Thomas. Satiro-mastix, or The untrussing of the humorous poet. [Place of publication not identified]: Kraus 1963.
18
Earle, J. [Microcosmographie] The autograph manuscript of Microcosmographie. [Place of publication not identified]: Scolar Press 1966.
19
Gosson, Stephen. Plays confuted in fiue actions, prouing that they are not to be suffred in a christian common weale, [against] Thomas Lodge [STC 16663] and the Play of playes. [Place of publication not identified]: London: Imprinted for Thomas Gosson .
20
Gosson, Stephen. The schoole of abuse: conteining a plesaunt inuectiue against poets, pipers, plaiers, iesters, and such like caterpillars of a comonwelth. [Place of publication not identified]: London: Printed [by T. Dawson] for Thomas Woodcocke 1579.
21
Henslowe, Philip, Foakes, Reginald Anthony. Henslowe’s diary. Cambridge [Eng.]: University Press 1961.
22
Heywood, Thomas. An apology for actors: in three books. [England]: Elibron Classic 2005.
23
Lodge, Thomas. A Reply to Stephen Gosson’s School of Abuse. web.grcc.cc.mi.us/english/shakespeare/notes/Defenses.doc
24
Nashe, Thomas, Harrison, G. B. Pierce Penilesse: his svpplication to the divell (1592). London: E.P. Dutton & Company 1924.
25
Prynne, W. Histriomastix. [Place of publication not identified]: Garland 1974.
26
Sidney, Philip, Shepherd, Geoffrey. An apology for poetry: or, The defence of poesy. Edinburgh: Nelson 1965.
27
Stubbes, Phillip, Kidnie, Margaret Jane. Philip Stubbes, The anatomie of abuses. Tempe, Ariz: Arizona Center for Medieval and Renaissance Studies in conjunction with Renaissance English Text Society 2002.
28
Records of Early English Drama.
29
Beeston’s Cockpit Playhouse (illustration).
30
Thomas Dekker. Extract from The Gull’s Horn Book.
31
Robert Greene. Extract from A Groatsworth of Wit.
32
Stephen Gosson. Extract from The School of Abuse.
33
Thomas Heywood. Extract from An Apology for Actors.
34
Aernout Van Buchell/Johannes De Witt. Sketch of the Swan Theatre (illustration).
35
Various. Documents of Regulation and Control.
36
Adams, John Cranford. The Globe playhouse: its design and equipment. 2nd ed. London: Constable 1961.
37
Herbert, Henry. The dramatic records of Sir Henry Herbert, Master of the Revels, 1623-1673; edited by Joseph Quincy Adams (Cornell studies in English). [Place of publication not identified]: New Haven: Yale University Press 1917.
38
Akrigg, G. P. V. Jacobean pageant: or, The court of King James I. London: H. Hamilton 1962.
39
Archer, W. The old drama and the new: an essay in revaluation. [Place of publication not identified]: Heinemann 1923.
40
Astington, John. English court theatre, 1558-1642. Cambridge: Cambridge University Press 1999.
41
Babcock, B A. The reversible world: symbolic inversion in art and society. [Place of publication not identified]: Cornell U.P. 1978.
42
Barroll, J. Leeds. Politics, plague, and Shakespeare’s theater: the Stuart years. Ithaca: Cornell University Press 1991.
43
Barton, L. Historic costume for the stage. [Place of publication not identified]: Black .
44
Baskervill, Charles Read. The Elizabethan jig and related song drama. Chicago, Ill: The University of Chicago press 1929.
45
Herbert, Henry, Bawcutt, N. W. The control and censorship of Caroline drama: the records of Sir Henry Herbert, Master of the Revels 1623-73. Oxford: Clarendon Press 1996.
46
Beckerman, B. Shakespeare at the Globe 1599-1609. [Place of publication not identified]: Collier-Macmillan 1966.
47
Bentley, Gerald Eades. The Jacobean and Caroline stage. Oxford: Clarendon Press 1941.
48
Bentley, G E. The profession of dramatist in Shakespeare’s time, 1590-1642. [Place of publication not identified]: Princeton U.P. 1971.
49
Bentley, Gerald Eades. The seventeenth-century stage: a collection of critical essays. Chicago: University of Chicago Press .
50
Berger, Thomas L., Bradford, William C., Sondergard, Sidney L., et al. An index of characters in early modern English drama: printed plays, 1500-1660. Rev. ed. Cambridge: Cambridge University Press 1998.
51
Berry, Herbert. Shakespeare’s playhouses. New York, NY: AMS 1987.
52
Baldwin, Frances Elizabeth. Sumptuary legislation and personal regulation in England. Baltimore: The Johns Hopkins press 1926.
53
Barish, Jonas A. The antitheatrical prejudice. Berkeley: University of California Press 1981.
54
Bradley, David. From text to performance in the Elizabethan theatre: preparing the play for the stage. Cambridge: Cambridge University Press 1992.
55
Braunmuller, A. R., Hattaway, Michael. The Cambridge companion to English Renaissance drama. 2nd ed. Cambridge: Cambridge University Press 2003.
56
Brooks-Davies, Douglas. From playhouse to printing house: drama and authorship in early modern England. Cambridge: Cambridge University Press 2000.
57
Brown, John Russell. Shakespeare’s plays in performance. New and revised. London: Applause Books 1993.
58
Bruster, Douglas. Drama and the market in the age of Shakespeare. Cambridge: Cambridge University Press 1992.
59
Butler, Martin. Theatre and crisis, 1632-1642. Cambridge: C.U.P. 1984.
60
Butterworth, Philip, Society for Theatre Research. Theatre of fire: special effects in early English and Scottish theatre. London: Society for Theatre Research 1998.
61
Campbell, L B. Scenes and machines on the English stage during the Renaissance: a classical revival. [Place of publication not identified]: Barnes & Noble .
62
Cave, Richard Allen, Schafer, Elizabeth, Woolland, Brian. Ben Jonson and theatre: performance, practice, and theory. London: Routledge 1999.
63
Chambers, E. K. The Elizabethan stage. Oxford: The Clarendon press 1923.
64
Clare, Janet. Art made tongue-tied by authority: Elizabethan and Jacobean dramatic censorship. Manchester: St. Martin’s Press [distributor] 1990.
65
Clark, A M. Thomas Heywood. [Place of publication not identified]: Russell & Russell .
66
Cook, Ann Jennalie. The privileged playgoers of Shakespeare’s London, 1576-1642. Princeton, N.J.: Princeton University Press 1981.
67
Davies, Anthony, Wells, Stanley W. Shakespeare and the moving image: the plays on film and television. Cambridge: Cambridge University Press 1994.
68
Dawson, Anthony B., Yachnin, Paul Edward. The culture of playgoing in Shakespeare’s England: a collaborative debate. Cambridge: Cambridge University Press 2001.
69
Dessen, A C. Elizabethan stage conventions and modern interpreters. [Place of publication not identified]: C.U.P. 1984.
70
Dessen, Alan C., Thomson, Leslie. A dictionary of stage directions in English drama, 1580-1642. Cambridge: Cambridge University Press 1999.
71
Dillon, Janette. Theatre, court and city, 1595-1610: drama and social space in London. Cambridge: Cambridge University Press 2000.
72
Dutton, Richard. Ben Jonson: authority, criticism. Basingstoke: Macmillan 1996.
73
Dutton, Richard. Mastering the revels: the regulation and censorship of English Renaissance drama. Basingstoke: Macmillan Academic and Professional 1991.
74
Eccles, Christine. The Rose Theatre. London: Routledge 1990.
75
Edwards, Christopher. The London theatre guide 1576-1642; edited by Christopher Edwards. Foxton Royston, Herts: Burlington press (Cambridge) 1979.
76
Farley-Hills, David. Shakespeare and the rival playwrights, 1600-1606. London: Routledge 1990.
77
Fisher, S. The Theatre, the Curtain & the Globe. [Place of publication not identified]: McGill University Library 1964.
78
Fleay, F G. A biographical chronicle of the English drama, 1559-1642. [Place of publication not identified]: Franklin .
79
Henslowe, Philip, Foakes, Reginald Anthony. Henslowe’s diary. Cambridge [Eng.]: University Press 1961.
80
Foakes, Reginald Anthony. Illustrations of the English stage, 1580-1642. [Place of publication not identified]: Scolar Press 1985.
81
Gair, R. The children of Paul’s: the story of a theatre company, 1553-1608. [Place of publication not identified]: C.U.P. 1982.
82
Galloway, D. The Elizabethan theatre: papers given at the International Conference on Elizabethan theatre held at the University of Waterloo, Ontario, in July 1968; ed D Galloway. [Place of publication not identified]: Macmillan .
83
Galloway, D. The Elizabethan theatre II: papers given at the Second International Conference on Elizabethan theatre held at the University of Waterloo, Ontario in July 1969; ed D Galloway. [Place of publication not identified]: Macmillan .
84
Galloway, D. The Elizabethan theatre III: papers given at the Third International Conference on Elizabethan Theatre, held at the University of Waterloo, Ontario, in July 1970; ed D Galloway. [Place of publication not identified]: Macmillan .
85
Gibbons, B. Jacobean city comedy: a study of satiric plays by Jonson, Marston, and Middleton. [Place of publication not identified]: Hart-Davis 1968.
86
Grantley, Darryll. Wit’s pilgrimage: drama and the social impact of education in early modern England. Aldershot: Ashgate 2000.
87
Grantley, Darryll, Roberts, Peter. Christopher Marlowe and English Renaissance culture. Aldershot: Scolar 1996.
88
Greg, Walter Wilson. Dramatic documents from the Elizabethan playhouses: stage plots: actors’ parts: prompt books. Oxford: The Clarendon Press 1931.
89
Grote, David. The best actors in the world: Shakespeare and his acting company. Westport, Conn. ; London: Greenwood Press 2002.
90
Gurr, Andrew. Playgoing in Shakespeare’s London. 2nd ed. Cambridge: Cambridge University Press 1996.
91
Gurr, Andrew. The Shakespearean stage, 1574-1642. 3rd ed. Cambridge: C.U.P. 1992.
92
Gurr, Andrew. The Shakespeare Company, 1594-1642. Cambridge: Cambridge University Press 2004.
93
Gurr, Andrew. The Shakespearian playing companies. Oxford: Clarendon Press 1996.
94
Gurr, Andrew, Ichikawa, Mariko. Staging in Shakespeare’s theatres. New York: Oxford University Press 2000.
95
Harris, Jonathan Gil, Korda, Natasha. Staged properties in early modern English drama. Cambridge: Cambridge University Press 2002.
96
Harrison, G B. Elizabethan plays and players. [Place of publication not identified]: Routledge .
97
Hattaway, Michael. Elizabethan popular theatre: plays for performance. Boston: Routledge & Kegan Paul 1982.
98
Heinemann, M. Puritanism and theatre: Thomas Middleton and opposition drama under the early Stuarts. [Place of publication not identified]: C.U.P. 1980.
99
Hibbard, G. R. The Elizabethan theatre IV: papers given at the Fourth International Conference on Elizabethan Theatre held at the University of Waterloo, Ontario, in July 1971; ed G R Hibbard.
100
Hibbard, G. R. The Elizabethan theatre V: papers given at the Fifth International Conference on Elizabethan Theatre held at the University of Waterloo, Ontario, in July 1973; ed G R Hibbard. [Place of publication not identified]: Macmillan in collaboration with the University of Waterloo 1975.
101
Hibbard, G. R. The Elizabethan theatre VI: papers given at the Sixth International Conference on Elizabethan Theatre, held at the University of Waterloo, Ontario, in July 1975; ed G R Hibbard. [Place of publication not identified]: Macmillan 1978.
102
Hibbard, G. R, International Conference on Elizabethan Theatre. The Elizabethan theatre VII: papers given at the Seventh International Conference on Elizabethan Theatre held at the University of Waterloo, Ontario, in July 1977. London: Macmillan Press 1981.
103
Hibbard, G. R., University of Waterloo, International Conference on Elizabethan Theatre. The Elizabethan theatre VIII: papers given at the Eighth International Conference on Elizabethan Theatre held at the University of Waterloo, Ontario, in July 1979. Port Credit, [Ont.]: P.D. Meany, in collaboration with the University 1982.
104
Hibbard, G. R., University of Waterloo, International Conference on Elizabethan Theatre. The Elizabethan Theatre IX: papers given at the Ninth International Conference on Elizabethan Theatre held at the University of Waterloo, in July 1981. Port Credit, Ontario: Published in collaboration with the University of Waterloo [by] P.D.Meany .
105
McGee, C. Edward, International Conference on Elizabethan Theatre. The Elizabethan theatre X: papers given at the tenth International Conference on Elizabethan Theatre held at the University of Waterloo, Ontario, in July 1983. Port Credit, Ont: P.D. Meany 1988.
106
Hill, Christopher. Society and Puritanism in pre-revolutionary England. London: Panther 1969.
107
Hillebrand, Harold Newcomb. The child actors: A chapter in Elizabethan stage history. New York: Russell & Russell 1964.
108
Hodges, C. Walter. The Globe restored: a study of the Elizabethan theatre. [Place of publication not identified]: O.U.P. 1968.
109
Hodges, C. Walter. Enter the whole army: a pictorial study of Shakespearean staging, 1576-1616. Cambridge: Cambridge University Press 1999.
110
Holden, W P. Anti-Puritan satire, 1572-1642. [Place of publication not identified]: Archon 1968.
111
Holmes, Martin Rivington. Shakespeare and his players. London]: J. Murray .
112
Hotson, Leslie. Shakespeare’s wooden O. London: Hart-Davis 1959.
113
Ingram, W. A London life in the brazen Age: Francis Langley 1548-1602. [Place of publication not identified]: Harvard U.P. 1978.
114
Ingram, William. The business of playing: the beginnings of the adult professional theater in Elizabethan London. Ithaca, N.Y.: Cornell U.P. 1992.
115
Isaacs, Jacob, Shakespeare Association. Production and stage-management at the Blackfriars Theatre. London: O.U.P. for the Shakespeare Association 1933.
116
Jardine, Lisa. Still harping on daughters: women and drama in the Age of Shakespeare. Sussex, England: Barnes & Noble 1983.
117
Johnson, Nora. The actor as playwright in early modern drama. Cambridge: Cambridge University Press 2003.
118
Jones, Ann Rosalind, Stallybrass, Peter. Renaissance clothing and the materials of memory. Cambridge: Cambridge University Press 2000.
119
Joseph, Bertram Leon. Elizabethan acting. 2d ed. [London]: Oxford University Press 1964.
120
Miriam Joseph, Sister. Rhetoric in Shakespeare’s time: literary theory of Renaissance Europe. [Place of publication not identified]: Harcourt, Brace .
121
Kantor, Andrea T. Metadramatic structure in English Renaissance drama. 1978: [publisher not identified] 1978.
122
Kastan, David Scott. A companion to Shakespeare. Oxford: Blackwell Publishers 1999.
123
Kay, Dennis. William Shakespeare:his life and times. New York: Twayne Publishers 1995.
124
Keenan, Siobhan. Travelling players in Shakespeare’s England. Basingstoke: Palgrave 2002.
125
Kelly, F M. Shakespearian costume for stage and screen. [Place of publication not identified]: Black 1938.
126
Kernan, Alvin B. Shakespeare, the king’s playwright: theater in the Stuart Court, 1603-1613. London: Yale University Press 1995.
127
Kiefer, Frederick. Shakespeare’s visual theatre: staging the personified characters. Cambridge: Cambridge University Press 2003.
128
Kiernan, V. G. Shakespeare, poet and citizen. London: Verso 1993.
129
King, T. Casting Shakespeare’s Plays: London actors and their roles 1590-1642.
130
Kinney, Arthur F. Shakespeare by stages: an historical introduction. Oxford: Blackwell 2003.
131
Knutson, R. The Repertory of Shakespeare’s Company 1594-1613.
132
Knutson, Roslyn Lander. Playing companies and commerce in Shakespeare’s time. Cambridge: Cambridge University Press 2001.
133
Laroque, François. Shakespeare’s festive world: Elizabethan seasonal entertainment and the professional stage. Cambridge: Cambridge University Press 1991.
134
Lawrence, W J. Pre-Restoration stage studies. [Place of publication not identified]: Blom .
135
Lawrence, W.J. The Elizabethan playhouse and other studies. Stratford-upon-Avon: Shakespeare Head Press 1912.
136
Leggatt, Alexander. Jacobean public theatre. London: Routledge 1992.
137
Leinwand, Theodore B. Theatre, finance, and society in early modern England. Cambridge: Cambridge University Press 1999.
138
Levin, R. The multiple plot in English Renaissance drama. [Place of publication not identified]: Chicago U.P. .
139
Levine, Laura. Men in women’s clothing: anti-theatricality and effeminization, 1579-1642. Cambridge: Cambridge University Press 1994.
140
Linnell, R. The Curtain Playhouse. [Place of publication not identified]: Curtain Theatre 1977.
141
Linthicum, M C. Costume in the drama of Shakespeare and his contemporaries. [Place of publication not identified]: Russell & Russell 1963.
142
McJannet, Linda. The voice of Elizabethan stage directions: the evolution of a theatrical code. London: Associated University Presses 1999.
143
McLuskie, Kathleen. Dekker and Heywood: professional dramatists. Basingstoke: St. Martin’s Press 1994.
144
McLuskie, Kathleen. Renaissance dramatists. London: Harvester Wheatsheaf 1989.
145
McManus, Clare. Women on the Renaissance stage: Anna of Denmark and female masquing in the Stuart court (1590-1619). Manchester: Manchester University Press 2002.
146
McMillin, Scott, MacLean, Sally-Beth. The Queen’s Men and their plays. Cambridge: Cambridge University Press 1998.
147
Mann, David. The Elizabethan player: contemporary stage representation. London: Routledge 1991.
148
Masten, Jeffrey. Textual intercourse: collaboration, authorship, and sexualities in Renaissance drama. Cambridge: Cambridge University Press 1997.
149
Mehl, D. The Elizabethan dumb show: the history of a dramatic convention [Translated from the German]. [Place of publication not identified]: Methuen .
150
Miles, Rosalind. Ben Jonson: his life and work. London: Routledge & Kegan Paul 1986.
151
Miles, Rosalind. Ben Jonson: his craft and art. London: Routledge 1990.
152
Montrose, Louis Adrian. The purpose of playing: Shakespeare and the cultural politics of the Elizabethan theatre. Chicago: University of Chicago Press 1996.
153
Mullaney, Steven. The place of the stage: license, play, and power in Renaissance England. Chicago: University of Chicago Press 1988.
154
Mulryne, J. R., Shewring, Margaret. Theatre and government under the early Stuarts. Cambridge: Cambridge University Press 1993.
155
Murray, J T. English dramatic companies, 1558-1642: 1 - London companies 2- Provincial companies, appendices. [Place of publication not identified]: Constable 1910.
156
Nelson, R J. Play within a play: the dramatist’s conception of his art, Shakespeare to Anouilh. [Place of publication not identified]: Da Capo Press 1971.
157
Nungezer, E. A dictionary of actors: and of other persons associated with the public representation of plays in England before 1642. [Place of publication not identified]: Greenwood Press 1968.
158
Ordish, Thomas Fairman. Early London theatres -In the Fields. London: White Lion Publishers 1971.
159
Orgel, Stephen. Impersonations: the performance of gender in Shakespeare’s England. Cambridge: Cambridge University Press 1996.
160
Orgel, S. The Jonsonian masque. Harvard U.P. .
161
Orrell, John. The human stage: English theatre design, 1567-1640. Cambridge [England]: Cambridge University Press 1988.
162
Orrell, J. The quest for Shakespeare’s Globe. [Place of publication not identified]: C.U.P. 1983.
163
Schoenbaum, S., Parker, R. B., Zitner, Sheldon P. Elizabethan theater: essays in honor of S. Schoenbaum. Cranbury, NJ: Associated University Presses 1996.
164
Hill, Christopher, Pennington, D. H, Thomas, Keith Vivian. Puritans and revolutionaries: essays in seventeenth-century history presented to Christopher Hill. Oxford: Clarendon Press 1978.
165
Reynolds, G F. On Shakespeare’s stage; ed R K Knaub. [Place of publication not identified]: Colorado U.P. .
166
Reynolds, G F. The staging of Elizabethan plays at the Red Bull theater 1605-1625. [Place of publication not identified]: Kraus 1940.
167
Rhodes, E L. Henslowe’s Rose: the stage & staging. [Place of publication not identified]: U.P. of Kentucky 1976.
168
Riggs, David. Ben Jonson: a life. Cambridge, Mass: Harvard U.P. 1989.
169
Ringler, W A. Stephen Gosson: a biographical and critical study. [Place of publication not identified]: O.U.P. 1942.
170
Rutter, Carol Chillington. Documents of the Rose Playhouse. Dover, N.H., USA: Manchester University Press 1984.
171
Schoenbaum, S. William Shakespeare: a documentary life. [Place of publication not identified]: Clarendon Press in association with the Scolar Press 1975.
172
Schoenbaum, S. Shakespeare, the Globe & the world. [Place of publication not identified]: O.U.P. [for the] Folger Shakespeare Library 1979.
173
Scott, Michael. Renaissance drama and a modern audience. London: Macmillan 1982.
174
Shaughnessy, Robert. Representing Shakespeare: England, history and the RSC. Hemel Hempstead: Harvester Wheatsheaf 1994.
175
Simkin, Stevie. A preface to Marlowe. Harlow: Longman 2000.
176
Sisson, C J. The Boar’s Head theatre: an inn-yard theatre of the Elizabethan age; ed S Wells. [Place of publication not identified]: Routledge & Kegan Paul .
177
Smith, I. Shakespeare’s Blackfriars playhouse: its history and design. [Place of publication not identified]: New York U.P. .
178
Stern, Tiffany. Rehearsal from Shakespeare to Sheridan. Oxford: Clarendon Press 2000.
179
Stopes, Charlotte Carmichael. Burbage and Shakespeare’s stage. 1913.
180
Sturgess, K. Jacobean private theatre. [Place of publication not identified]: Routledge & Kegan Paul 1987.
181
Styan, John Louis. Shakespeare’s stagecraft. Cambridge: Cambridge U. P. 1967.
182
Taylor, Gary. Reinventing Shakespeare: a cultural history from the Restoration to the present. London: Hogarth 1990.
183
Thomson, Peter. Shakespeare’s theatre. 2nd ed. London: Routledge 1992.
184
Thomson, Peter. Shakespeare’s professional career. Cambridge: Cambridge University Press 1992.
185
Videbaek, Bente A. The stage clown in Shakespeare’s theatre. London: Greenwood Press 1996.
186
Weimann, Robert, Schwartz, Robert. Shakespeare and the popular tradition in the theater: studies in the social dimension of dramatic form and function. Baltimore: Johns Hopkins U.P. 1978.
187
White, Martin. Middleton and Tourneur. Basingstoke: Macmillan 1992.
188
White, Martin. Renaissance drama in action: an introduction to aspects of theatre practice and performance. London: Routledge 1998.
189
White, Paul Whitfield. Theatre and reformation: Protestantism, patronage , and playing in Tudor England. Cambridge: C.U.P. 1993.
190
White, Paul Whitfield, Westfall, Suzanne R. Shakespeare and theatrical patronage in early Modern England. Cambridge: Cambridge University Press 2002.
191
White, R. S., Edelman, Charles, Wortham, Christopher. Shakespeare: readers, audiences, players. Nedlands, W.A.: University of Western Australia Press 1998.
192
Wickham, Glynne William Gladstone. Early English stages, 1300 to 1660. London: Routledge and Paul 1959.
193
Wickham, Glynne William Gladstone, Berry, Herbert, Ingram, William. English professional theatre, 1530-1660. Cambridge: Cambridge University Press 2000.
194
Wiggins, Martin. Shakespeare and the drama of his time. New York: Oxford University Press 2000.
195
Wiles, D. Shakespeare’s clown: actor and text in the Elizabethan playhouse. [Place of publication not identified]: C.U.P. 1987.
196
Wilson, Jean. The archaeology of Shakespeare: the material legacy of Shakespeare’s theatre. Stroud, Glocestershire: Sutton 1995.
197
Wilson, Richard. Christopher Marlowe. London: Longman 1999.
198
Zunder, William. Elizabethan Marlowe: writing and culture in the English Renaissance. Hull: Unity P. 1994.
201
Shakespeare Resource Center.
202
Ben Jonson. The Works of Ben Jonson.
204
Middleton. Thomas Middleton (1580-1627).
205
Shakespeare’s Works. www.opensourceshakespeare.org
206
Beckerman, B. Philip Henslowe. The theatrical manager in England and America: player of a perilous game: Philip Henslowe,Tate Wilkinson, Stephen Price, Edwin Booth, Charles Wyndham. [Place of publication not identified]: Princeton U.P. 1971.
207
Bentley, G.E. The Theatres and the Actors. The Revels history of drama in English: Vol.4: 1613-1660 ; Philip Edwards ... [et al.]. 1981: Methuen .
208
Berry, H. The Stage and Boxes at Blackfriars. Studies in philology. 1966;63.
209
Berry, H. The First Public Playhouses, Especially the Red Lion. Shakespeare quarterly. 1989;40.
210
Findlay, A. Performance and Playing Spaces in the Age of Shakespeare. Literature Compass. 2004.
211
Fitzpatrick, T. Playwrights with Foresight: Staging Resources in the Elizabethan Playhouses. Theatre notebook: a quarterly journal of the history and technique of the British Theatre. 2002;56.
212
Fotheringham, R. The Doubling of Parts on the Jacobean Stage. Theatre research international. 1985;10.
213
Hellenga, R. Elizabethan Dramatic Conventions and Elizabethan Reality. Renaissance drama. 1981;XII.
214
Hosley, R. The Discovery-Space in Shakespeare’s Globe. Shakespeare survey. 1959;12.
215
Loengard, J. An Elizabethan Lawsuit: John Brayne, his Carpenter, and the Building of the Red Lion Theatre. Shakespeare quarterly. 1983;34.
216
Macintyre, J. Production Resources at the Whitefriars Playhouse. 1996.
217
Marker, L. Nature and Decorum in the Theory of Elizabethan Acting. The Elizabethan theatre: papers given at the International Conference on Elizabethan theatre held at the University of Waterloo, Ontario, in July 1968; ed D Galloway. [Place of publication not identified]: Macmillan .
218
Rosenberg, M. Elizabethan Actors: Men or Marionettes? PMLA: Publications of the Modern Language Association of America. 1954.
219
Stallybrass, P. Worn Worlds: Clothes and Identity on the Renaissance Stage. Subject and object in Renaissance culture. Cambridge: Cambridge University Press 1996.
