Bibliography for Shakespeare's Theatre BETA

Adams, John Cranford. The Globe Playhouse: Its Design and Equipment. 2nd ed. London: Constable, 1961. Print.

Aernout Van Buchell/Johannes De Witt. ‘Sketch of the Swan Theatre (Illustration)’. : n. pag. Print.

Akrigg, G. P. V. Jacobean Pageant: Or, The Court of King James I. London: H. Hamilton, 1962. Print.

Archer, W. The Old Drama and the New: An Essay in Revaluation. [Place of publication not identified]: Heinemann, 1923. Print.

Astington, John. English Court Theatre, 1558-1642. Cambridge: Cambridge University Press, 1999. Print.

Babcock, B A. The Reversible World: Symbolic Inversion in Art and Society. [Place of publication not identified]: Cornell U.P., 1978. Print.

Baldwin, Frances Elizabeth. Sumptuary Legislation and Personal Regulation in England. Johns Hopkins University Studies in historical and political science: series xliv; no. 1. Baltimore: The Johns Hopkins press, 1926. Print.

Barish, Jonas A. The Antitheatrical Prejudice. Berkeley: University of California Press, 1981. Print.

Barroll, J. Leeds. Politics, Plague, and Shakespeare’s Theater: The Stuart Years. Ithaca: Cornell University Press, 1991. Print.

Barton, L. Historic Costume for the Stage. [Place of publication not identified]: Black. Print.

Baskervill, Charles Read. The Elizabethan Jig and Related Song Drama. Chicago, Ill: The University of Chicago press, 1929. Print.

Beaumont, Francis and Hattaway, Michael. The Knight of the Burning Pestle. 2nd ed. New mermaids. London: A. & C. Black, 2002. Print.

Beckerman and B. ‘Philip Henslowe’. The Theatrical Manager in England and America: Player of a Perilous Game: Philip Henslowe,Tate Wilkinson, Stephen Price, Edwin Booth, Charles Wyndham. [Place of publication not identified]: Princeton U.P., 1971. Print.

Beckerman, B. Shakespeare at the Globe 1599-1609. [Place of publication not identified]: Collier-Macmillan, 1966. Print.

‘Beeston’s Cockpit Playhouse (Illustration)’. : n. pag. Print.

Ben Jonson. ‘Introduction to The Magnetic Lady’. : n. pag. Print.

---. ‘The Works of Ben Jonson’. N.p., n.d. Print.

Bentley, G E. The Profession of Dramatist in Shakespeare’s Time, 1590-1642. [Place of publication not identified]: Princeton U.P., 1971. Print.

Bentley and G.E. ‘The Theatres and the Actors’. The Revels History of Drama in English: Vol.4: 1613-1660 ; Philip Edwards ... [et Al.]. 1981: Methuen. Print.

Bentley, Gerald Eades. The Jacobean and Caroline Stage. Oxford: Clarendon Press, 1941. Print.

---. The Seventeenth-Century Stage: A Collection of Critical Essays. Patterns of literary criticism. Chicago: University of Chicago Press. Print.

Berger, Thomas L. et al. An Index of Characters in Early Modern English Drama: Printed Plays, 1500-1660. Rev. ed. Cambridge: Cambridge University Press, 1998. Print.

Berry and H. ‘The First Public Playhouses, Especially the Red Lion’. Shakespeare quarterly 40 (1989): n. pag. Print.

---. ‘The Stage and Boxes at Blackfriars’. Studies in philology 63 (1966): n. pag. Print.

Berry, Herbert. Shakespeare’s Playhouses. AMS studies in the Renaissance. New York, NY: AMS, 1987. Print.

Bradley, David. From Text to Performance in the Elizabethan Theatre: Preparing the Play for the Stage. Cambridge: Cambridge University Press, 1992. Print.

Braunmuller, A. R. and Hattaway, Michael. The Cambridge Companion to English Renaissance Drama. 2nd ed. Cambridge companions to literature. Cambridge: Cambridge University Press, 2003. Print.

Brooks-Davies, Douglas. From Playhouse to Printing House: Drama and Authorship in Early Modern England. Cambridge studies in Renaissance literature and culture. Cambridge: Cambridge University Press, 2000. Print.

Brown, John Russell. Shakespeare’s Plays in Performance. New and revised. London: Applause Books, 1993. Print.

Bruster, Douglas. Drama and the Market in the Age of Shakespeare. Cambridge studies in Renaissance literature and culture. Cambridge: Cambridge University Press, 1992. Print.

Butler, Martin. Theatre and Crisis, 1632-1642. Cambridge: C.U.P., 1984. Print.

Butterworth, Philip and Society for Theatre Research. Theatre of Fire: Special Effects in Early English and Scottish Theatre. London: Society for Theatre Research, 1998. Print.

Campbell, L B. Scenes and Machines on the English Stage during the Renaissance: A Classical Revival. [Place of publication not identified]: Barnes & Noble. Print.

Cave, Richard Allen, Schafer, Elizabeth, and Woolland, Brian. Ben Jonson and Theatre: Performance, Practice, and Theory. London: Routledge, 1999. Print.

Chambers, E. K. The Elizabethan Stage. Oxford: The Clarendon press, 1923. Print.

Clare, Janet. Art Made Tongue-Tied by Authority: Elizabethan and Jacobean Dramatic Censorship. The Revels plays companion library. Manchester: St. Martin’s Press [distributor], 1990. Print.

Clark, A M. Thomas Heywood. [Place of publication not identified]: Russell & Russell. Print.

Cook, Ann Jennalie. The Privileged Playgoers of Shakespeare’s London, 1576-1642. Princeton, N.J.: Princeton University Press, 1981. Print.

Davies, Anthony and Wells, Stanley W. Shakespeare and the Moving Image: The Plays on Film and Television. Cambridge: Cambridge University Press, 1994. Print.

Dawson, Anthony B. and Yachnin, Paul Edward. The Culture of Playgoing in Shakespeare’s England: A Collaborative Debate. Cambridge: Cambridge University Press, 2001. Print.

Dekker, Thomas. Satiro-Mastix, or The Untrussing of the Humorous Poet. [Place of publication not identified]: Kraus, 1963. Print.

---. The Wonderful Year - The Gull’s Horn-Book - Pennywise, Pound Foolish - English Villanies Discovered and Selected Writings; Ed E D Pendry. [Place of publication not identified]: Arnold. Print.

Dessen, A C. Elizabethan Stage Conventions and Modern Interpreters. [Place of publication not identified]: C.U.P., 1984. Print.

Dessen, Alan C. and Thomson, Leslie. A Dictionary of Stage Directions in English Drama, 1580-1642. Cambridge: Cambridge University Press, 1999. Print.

Dillon, Janette. Theatre, Court and City, 1595-1610: Drama and Social Space in London. Cambridge: Cambridge University Press, 2000. Print.

Dutton, Richard. Ben Jonson: Authority, Criticism. Basingstoke: Macmillan, 1996. Print.

---. Mastering the Revels: The Regulation and Censorship of English Renaissance Drama. Basingstoke: Macmillan Academic and Professional, 1991. Print.

Earle, J. [Microcosmographie] The Autograph Manuscript of Microcosmographie. [Place of publication not identified]: Scolar Press, 1966. Print.

Eccles, Christine. The Rose Theatre. London: Routledge, 1990. Print.

Edwards, Christopher. The London Theatre Guide 1576-1642; Edited by Christopher Edwards. Foxton Royston, Herts: Burlington press (Cambridge), 1979. Print.

Farley-Hills, David. Shakespeare and the Rival Playwrights, 1600-1606. London: Routledge, 1990. Print.

Findlay and A. ‘Performance and Playing Spaces in the Age of Shakespeare’. Literature Compass (2004): n. pag. Print.

Fisher, S. The Theatre, the Curtain & the Globe. [Place of publication not identified]: McGill University Library, 1964. Print.

Fitzpatrick and T. ‘Playwrights with Foresight: Staging Resources in the Elizabethan Playhouses’. Theatre notebook: a quarterly journal of the history and technique of the British Theatre 56 (2002): n. pag. Print.

Fleay, F G. A Biographical Chronicle of the English Drama, 1559-1642. [Place of publication not identified]: Franklin. Print.

Foakes, Reginald Anthony. Illustrations of the English Stage, 1580-1642. [Place of publication not identified]: Scolar Press, 1985. Print.

Fotheringham and R. ‘The Doubling of Parts on the Jacobean Stage’. Theatre research international 10 (1985): n. pag. Print.

Gair, R. The Children of Paul’s: The Story of a Theatre Company, 1553-1608. [Place of publication not identified]: C.U.P., 1982. Print.

Galloway, D. The Elizabethan Theatre II: Papers given at the Second International Conference on Elizabethan Theatre Held at the University of Waterloo, Ontario in July 1969; Ed D Galloway. [Place of publication not identified]: Macmillan. Print.

---. The Elizabethan Theatre III: Papers given at the Third International Conference on Elizabethan Theatre, Held at the University of Waterloo, Ontario, in July 1970; Ed D Galloway. [Place of publication not identified]: Macmillan. Print.

---. The Elizabethan Theatre: Papers given at the International Conference on Elizabethan Theatre Held at the University of Waterloo, Ontario, in July 1968; Ed D Galloway. [Place of publication not identified]: Macmillan. Print.

George Chapman. ‘The Memorable Masque’. Court Masques: Jacobean and Caroline Entertainments, 1605-1640. World’s classics. New York: Oxford University Press, 1995. Print.

Gibbons, B. Jacobean City Comedy: A Study of Satiric Plays by Jonson, Marston, and Middleton. [Place of publication not identified]: Hart-Davis, 1968. Print.

Gosson, Stephen. Plays Confuted in Fiue Actions, Prouing That They Are Not to Be Suffred in a Christian Common Weale, [against] Thomas Lodge [STC 16663] and the Play of Playes. [Place of publication not identified]: London: Imprinted for Thomas Gosson. Print.

---. The Schoole of Abuse: Conteining a Plesaunt Inuectiue against Poets, Pipers, Plaiers, Iesters, and Such like Caterpillars of a Comonwelth. [Place of publication not identified]: London: Printed [by T. Dawson] for Thomas Woodcocke, 1579. Print.

Grantley, Darryll. Wit’s Pilgrimage: Drama and the Social Impact of Education in Early Modern England. Aldershot: Ashgate, 2000. Print.

Grantley, Darryll and Roberts, Peter. Christopher Marlowe and English Renaissance Culture. Aldershot: Scolar, 1996. Print.

Greg, Walter Wilson. Dramatic Documents from the Elizabethan Playhouses: Stage Plots: Actors’ Parts: Prompt Books. Oxford: The Clarendon Press, 1931. Print.

Grote, David. The Best Actors in the World: Shakespeare and His Acting Company. Contributions in drama and theatre studies. Westport, Conn. ; London: Greenwood Press, 2002. Print.

Gurr, Andrew. Playgoing in Shakespeare’s London. 2nd ed. Cambridge: Cambridge University Press, 1996. Print.

---. The Shakespeare Company, 1594-1642. Cambridge: Cambridge University Press, 2004. Print.

---. The Shakespearean Stage, 1574-1642. 3rd ed. Cambridge: C.U.P., 1992. Print.

---. The Shakespearian Playing Companies. Oxford: Clarendon Press, 1996. Print.

Gurr, Andrew and Ichikawa, Mariko. Staging in Shakespeare’s Theatres. Oxford Shakespeare topics. New York: Oxford University Press, 2000. Print.

Harris, Jonathan Gil and Korda, Natasha. Staged Properties in Early Modern English Drama. Cambridge: Cambridge University Press, 2002. Print.

Harrison, G B. Elizabethan Plays and Players. [Place of publication not identified]: Routledge. Print.

Hattaway, Michael. Elizabethan Popular Theatre: Plays for Performance. Theatre production studies. Boston: Routledge & Kegan Paul, 1982. Print.

Heinemann, M. Puritanism and Theatre: Thomas Middleton and Opposition Drama under the Early Stuarts. [Place of publication not identified]: C.U.P., 1980. Print.

Hellenga and R. ‘Elizabethan Dramatic Conventions and Elizabethan Reality’. Renaissance drama XII (1981): n. pag. Print.

Henslowe, Philip and Foakes, Reginald Anthony. Henslowe’s Diary. Cambridge [Eng.]: University Press, 1961. Print.

---. Henslowe’s Diary. Cambridge [Eng.]: University Press, 1961. Print.

Herbert, Henry. The Dramatic Records of Sir Henry Herbert, Master of the Revels, 1623-1673; Edited by Joseph Quincy Adams (Cornell Studies in English). [Place of publication not identified]: New Haven: Yale University Press, 1917. Print.

Herbert, Henry and Bawcutt, N. W. The Control and Censorship of Caroline Drama: The Records of Sir Henry Herbert, Master of the Revels 1623-73. Oxford: Clarendon Press, 1996. Print.

Heywood, Thomas. An Apology for Actors: In Three Books. [England]: Elibron Classic, 2005. Print.

Hibbard and G. R. ‘The Elizabethan Theatre IV: Papers given at the Fourth International Conference on Elizabethan Theatre Held at the University of Waterloo, Ontario, in July 1971; Ed G R Hibbard.’ : n. pag. Print.

Hibbard, G. R. The Elizabethan Theatre V: Papers given at the Fifth International Conference on Elizabethan Theatre Held at the University of Waterloo, Ontario, in July 1973; Ed G R Hibbard. [Place of publication not identified]: Macmillan in collaboration with the University of Waterloo, 1975. Print.

---. The Elizabethan Theatre VI: Papers given at the Sixth International Conference on Elizabethan Theatre, Held at the University of Waterloo, Ontario, in July 1975; Ed G R Hibbard. [Place of publication not identified]: Macmillan, 1978. Print.

Hibbard, G. R and International Conference on Elizabethan Theatre. The Elizabethan Theatre VII: Papers given at the Seventh International Conference on Elizabethan Theatre Held at the University of Waterloo, Ontario, in July 1977. London: Macmillan Press, 1981. Print.

Hibbard, G. R., University of Waterloo, and International Conference on Elizabethan Theatre. The Elizabethan Theatre IX: Papers given at the Ninth International Conference on Elizabethan Theatre Held at the University of Waterloo, in July 1981. Port Credit, Ontario: Published in collaboration with the University of Waterloo [by] P.D.Meany. Print.

---. The Elizabethan Theatre VIII: Papers given at the Eighth International Conference on Elizabethan Theatre Held at the University of Waterloo, Ontario, in July 1979. Port Credit, [Ont.]: P.D. Meany, in collaboration with the University, 1982. Print.

Hill, Christopher. Society and Puritanism in Pre-Revolutionary England. Panther history. London: Panther, 1969. Print.

Hill, Christopher, Pennington, D. H, and Thomas, Keith Vivian. Puritans and Revolutionaries: Essays in Seventeenth-Century History Presented to Christopher Hill. Oxford: Clarendon Press, 1978. Print.

Hillebrand, Harold Newcomb. The Child Actors: A Chapter in Elizabethan Stage History. New York: Russell & Russell, 1964. Print.

Hodges, C. Walter. Enter the Whole Army: A Pictorial Study of Shakespearean Staging, 1576-1616. Cambridge: Cambridge University Press, 1999. Print.

---. The Globe Restored: A Study of the Elizabethan Theatre. [Place of publication not identified]: O.U.P., 1968. Print.

Holden, W P. Anti-Puritan Satire, 1572-1642. [Place of publication not identified]: Archon, 1968. Print.

Holmes, Martin Rivington. Shakespeare and His Players. London]: J. Murray. Print.

Hosley and R. ‘The Discovery-Space in Shakespeare’s Globe’. Shakespeare survey 12 (1959): n. pag. Print.

Hotson, Leslie. Shakespeare’s Wooden O. London: Hart-Davis, 1959. Print.

Ingram, W. A London Life in the Brazen Age: Francis Langley 1548-1602. [Place of publication not identified]: Harvard U.P., 1978. Print.

Ingram, William. The Business of Playing: The Beginnings of the Adult Professional Theater in Elizabethan London. Ithaca, N.Y.: Cornell U.P., 1992. Print.

Isaacs, Jacob and Shakespeare Association. Production and Stage-Management at the Blackfriars Theatre. London: O.U.P. for the Shakespeare Association, 1933. Print.

Jardine, Lisa. Still Harping on Daughters: Women and Drama in the Age of Shakespeare. Sussex, England: Barnes & Noble, 1983. Print.

Johnson, Nora. The Actor as Playwright in Early Modern Drama. Cambridge: Cambridge University Press, 2003. Print.

Jones, Ann Rosalind and Stallybrass, Peter. Renaissance Clothing and the Materials of Memory. Cambridge studies in Renaissance literature and culture. Cambridge: Cambridge University Press, 2000. Print.

Jonson, Ben and Gossett, Suzanne. Bartholomew Fair. Revels student editions. Manchester: Manchester University Press, 2000. Print.

Joseph, Bertram Leon. Elizabethan Acting. 2d ed. [London]: Oxford University Press, 1964. Print.

Kantor, Andrea T. Metadramatic Structure in English Renaissance Drama. 1978: [publisher not identified], 1978. Print.

Kastan, David Scott. A Companion to Shakespeare. Blackwell companions to literature and culture. Oxford: Blackwell Publishers, 1999. Print.

Kay, Dennis. William Shakespeare:His Life and Times. Twayne’s English authors series. New York: Twayne Publishers, 1995. Print.

Keenan, Siobhan. Travelling Players in Shakespeare’s England. Basingstoke: Palgrave, 2002. Print.

Kelly, F M. Shakespearian Costume for Stage and Screen. [Place of publication not identified]: Black, 1938. Print.

Kernan, Alvin B. Shakespeare, the King’s Playwright: Theater in the Stuart Court, 1603-1613. London: Yale University Press, 1995. Print.

Kiefer, Frederick. Shakespeare’s Visual Theatre: Staging the Personified Characters. Cambridge: Cambridge University Press, 2003. Print.

Kiernan, V. G. Shakespeare, Poet and Citizen. London: Verso, 1993. Print.

King and T. ‘Casting Shakespeare’s Plays: London Actors and Their Roles 1590-1642’. : n. pag. Print.

Kinney, Arthur F. Shakespeare by Stages: An Historical Introduction. Oxford: Blackwell, 2003. Print.

Knutson and R. ‘The Repertory of Shakespeare’s Company 1594-1613’. : n. pag. Print.

Knutson, Roslyn Lander. Playing Companies and Commerce in Shakespeare’s Time. Cambridge: Cambridge University Press, 2001. Print.

Laroque, François. Shakespeare’s Festive World: Elizabethan Seasonal Entertainment and the Professional Stage. European studies in English literature. Cambridge: Cambridge University Press, 1991. Print.

Lawrence, W J. Pre-Restoration Stage Studies. [Place of publication not identified]: Blom. Print.

Lawrence, W.J. The Elizabethan Playhouse and Other Studies. Stratford-upon-Avon: Shakespeare Head Press, 1912. Print.

Leggatt, Alexander. Jacobean Public Theatre. Theatre production studies. London: Routledge, 1992. Print.

Leinwand, Theodore B. Theatre, Finance, and Society in Early Modern England. Cambridge studies in Renaissance literature and culture. Cambridge: Cambridge University Press, 1999. Print.

Levin, R. The Multiple Plot in English Renaissance Drama. [Place of publication not identified]: Chicago U.P. Print.

Levine, Laura. Men in Women’s Clothing: Anti-Theatricality and Effeminization, 1579-1642. Cambridge studies in Renaissance literature and culture. Cambridge: Cambridge University Press, 1994. Print.

Linnell, R. The Curtain Playhouse. [Place of publication not identified]: Curtain Theatre, 1977. Print.

Linthicum, M C. Costume in the Drama of Shakespeare and His Contemporaries. [Place of publication not identified]: Russell & Russell, 1963. Print.

Lodge and Thomas. ‘A Reply to Stephen Gosson’s School of Abuse’. N.p., n.d. Web. <web.grcc.cc.mi.us/english/shakespeare/notes/Defenses.doc>.

Loengard and J. ‘An Elizabethan Lawsuit: John Brayne, His Carpenter, and the Building of the Red Lion Theatre’. Shakespeare quarterly 34 (1983): n. pag. Print.

Macintyre and J. ‘Production Resources at the Whitefriars Playhouse’. (1996): n. pag. Print.

Mann, David. The Elizabethan Player: Contemporary Stage Representation. London: Routledge, 1991. Print.

Marker and L. ‘Nature and Decorum in the Theory of Elizabethan Acting’. The Elizabethan Theatre: Papers given at the International Conference on Elizabethan Theatre Held at the University of Waterloo, Ontario, in July 1968; Ed D Galloway. [Place of publication not identified]: Macmillan. Print.

Marlowe, C. The Jew of Malta. [Place of publication not identified]: Methuen, 1987. Print.

‘Marlowe’s Works’. N.p., n.d. Print.

Masten, Jeffrey. Textual Intercourse: Collaboration, Authorship, and Sexualities in Renaissance Drama. Cambridge studies in Renaissance literature and culture. Cambridge: Cambridge University Press, 1997. Print.

McGee, C. Edward and International Conference on Elizabethan Theatre. The Elizabethan Theatre X: Papers given at the Tenth International Conference on Elizabethan Theatre Held at the University of Waterloo, Ontario, in July 1983. Port Credit, Ont: P.D. Meany, 1988. Print.

McJannet, Linda. The Voice of Elizabethan Stage Directions: The Evolution of a Theatrical Code. London: Associated University Presses, 1999. Print.

McLuskie, Kathleen. Dekker and Heywood: Professional Dramatists. English dramatists. Basingstoke: St. Martin’s Press, 1994. Print.

---. Renaissance Dramatists. Feminist readings. London: Harvester Wheatsheaf, 1989. Print.

McManus, Clare. Women on the Renaissance Stage: Anna of Denmark and Female Masquing in the Stuart Court (1590-1619). Manchester: Manchester University Press, 2002. Print.

McMillin, Scott and MacLean, Sally-Beth. The Queen’s Men and Their Plays. Cambridge: Cambridge University Press, 1998. Print.

Mehl, D. The Elizabethan Dumb Show: The History of a Dramatic Convention [Translated from the German]. [Place of publication not identified]: Methuen. Print.

Middleton. ‘Thomas Middleton (1580-1627)’. N.p., n.d. Print.

Miles, Rosalind. Ben Jonson: His Craft and Art. London: Routledge, 1990. Print.

---. Ben Jonson: His Life and Work. London: Routledge & Kegan Paul, 1986. Print.

Miriam Joseph, Sister. Rhetoric in Shakespeare’s Time: Literary Theory of Renaissance Europe. [Place of publication not identified]: Harcourt, Brace. Print.

Montrose, Louis Adrian. The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre. Chicago: University of Chicago Press, 1996. Print.

Mullaney, Steven. The Place of the Stage: License, Play, and Power in Renaissance England. Chicago: University of Chicago Press, 1988. Print.

Mulryne, J. R. and Shewring, Margaret. Theatre and Government under the Early Stuarts. Cambridge: Cambridge University Press, 1993. Print.

Murray, J T. English Dramatic Companies, 1558-1642: 1 - London Companies 2- Provincial Companies, Appendices. [Place of publication not identified]: Constable, 1910. Print.

Nashe, Thomas and Harrison, G. B. Pierce Penilesse: His Svpplication to the Divell (1592). The Bodley Head quartos. London: E.P. Dutton & Company, 1924. Print.

Nelson, R J. Play within a Play: The Dramatist’s Conception of His Art, Shakespeare to Anouilh. [Place of publication not identified]: Da Capo Press, 1971. Print.

Nungezer, E. A Dictionary of Actors: And of Other Persons Associated with the Public Representation of Plays in England before 1642. [Place of publication not identified]: Greenwood Press, 1968. Print.

Ordish, Thomas Fairman. Early London Theatres -In the Fields. London: White Lion Publishers, 1971. Print.

Orgel, S. The Jonsonian Masque. Harvard U.P. Print.

Orgel, Stephen. Impersonations: The Performance of Gender in Shakespeare’s England. Cambridge: Cambridge University Press, 1996. Print.

Orrell, J. The Quest for Shakespeare’s Globe. [Place of publication not identified]: C.U.P., 1983. Print.

Orrell, John. The Human Stage: English Theatre Design, 1567-1640. Cambridge [England]: Cambridge University Press, 1988. Print.

Prynne, W. Histriomastix. [Place of publication not identified]: Garland, 1974. Print.

‘Records of Early English Drama’. : n. pag. Print.

Reynolds, G F. On Shakespeare’s Stage; Ed R K Knaub. [Place of publication not identified]: Colorado U.P. Print.

---. The Staging of Elizabethan Plays at the Red Bull Theater 1605-1625. [Place of publication not identified]: Kraus, 1940. Print.

Rhodes, E L. Henslowe’s Rose: The Stage & Staging. [Place of publication not identified]: U.P. of Kentucky, 1976. Print.

Riggs, David. Ben Jonson: A Life. Cambridge, Mass: Harvard U.P., 1989. Print.

Ringler, W A. Stephen Gosson: A Biographical and Critical Study. [Place of publication not identified]: O.U.P., 1942. Print.

Robert Greene. ‘Extract from A Groatsworth of Wit’. : n. pag. Print.

‘Rose Theatre’. N.p., n.d. Print.

Rosenberg and M. ‘Elizabethan Actors: Men or Marionettes?’ PMLA: Publications of the Modern Language Association of America (1954): n. pag. Print.

Rutter, Carol Chillington. Documents of the Rose Playhouse. Revels plays companion library. Dover, N.H., USA: Manchester University Press, 1984. Print.

Schoenbaum, S. Shakespeare, the Globe & the World. [Place of publication not identified]: O.U.P. [for the] Folger Shakespeare Library, 1979. Print.

---. William Shakespeare: A Documentary Life. [Place of publication not identified]: Clarendon Press in association with the Scolar Press, 1975. Print.

Schoenbaum, S., Parker, R. B., and Zitner, Sheldon P. Elizabethan Theater: Essays in Honor of S. Schoenbaum. Cranbury, NJ: Associated University Presses, 1996. Print.

Scott, Michael. Renaissance Drama and a Modern Audience. London: Macmillan, 1982. Print.

Shakespeare et al. ‘The RSC Shakespeare: The Complete Works’. 2008 : n. pag. Print.

‘Shakespeare Resource Center’. N.p., n.d. Print.

Shakespeare, William. Hamlet, 1703. [Place of publication not identified]: Cornmarket Press, 1969. Print.

Shakespeare, William and Bawcutt, N. W. Measure for Measure. The Oxford Shakespeare. New York: Clarendon Press, 1991. Print.

Shakespeare, William and Berger, Thomas L. A Midsummer Night’s Dream, 1600. Malone Society reprints. Oxford: O.U.P., for the Malone Society, 1995. Print.

Shakespeare, William and Braunmuller, A. R. Macbeth. The New Cambridge Shakespeare. Cambridge: Cambridge University Press, 1997. Print.

Shakespeare, William and Woudhuysen, H. R. Love’s Labour’s Lost. The Arden Shakespeare. Walton-on-Thames: Nelson, 1998. Print.

‘Shakespeare’s Globe’. N.p., n.d. Print.

‘Shakespeare’s Works’. N.p., n.d. Web. <www.opensourceshakespeare.org>.

Shaughnessy, Robert. Representing Shakespeare: England, History and the RSC. Hemel Hempstead: Harvester Wheatsheaf, 1994. Print.

Sidney, Philip and Shepherd, Geoffrey. An Apology for Poetry: Or, The Defence of Poesy. Nelson’s medieval and Renaissance library. Edinburgh: Nelson, 1965. Print.

Simkin, Stevie. A Preface to Marlowe. Preface books. Harlow: Longman, 2000. Print.

Sisson, C J. The Boar’s Head Theatre: An Inn-Yard Theatre of the Elizabethan Age; Ed S Wells. [Place of publication not identified]: Routledge & Kegan Paul. Print.

Smith, I. Shakespeare’s Blackfriars Playhouse: Its History and Design. [Place of publication not identified]: New York U.P. Print.

Stallybrass and P. ‘Worn Worlds: Clothes and Identity on the Renaissance Stage’. Subject and Object in Renaissance Culture. Cambridge studies in Renaissance literature and culture. Cambridge: Cambridge University Press, 1996. Print.

Stephen Gosson. ‘Extract from The School of Abuse’. : n. pag. Print.

Stern, Tiffany. Rehearsal from Shakespeare to Sheridan. Oxford: Clarendon Press, 2000. Print.

Stopes, Charlotte Carmichael. ‘Burbage and Shakespeare’s Stage’. 1913 : n. pag. Print.

Stubbes, Phillip and Kidnie, Margaret Jane. Philip Stubbes, The Anatomie of Abuses. Medieval&Renaissance texts&studies. Tempe, Ariz: Arizona Center for Medieval and Renaissance Studies in conjunction with Renaissance English Text Society, 2002. Print.

Sturgess, K. Jacobean Private Theatre. [Place of publication not identified]: Routledge & Kegan Paul, 1987. Print.

Styan, John Louis. Shakespeare’s Stagecraft. Cambridge: Cambridge U. P., 1967. Print.

Taylor, Gary. Reinventing Shakespeare: A Cultural History from the Restoration to the Present. London: Hogarth, 1990. Print.

Thomas Dekker. ‘Extract from The Gull’s Horn Book’. : n. pag. Print.

---. ‘Prologue to If This Be Not a Good Play, the Devil Is In It’. : n. pag. Print.

Thomas Goffe. ‘Praeludium to The Careless Shepherdess’. : n. pag. Print.

Thomas Heywood. ‘Extract from An Apology for Actors’. : n. pag. Print.

Thomson, Peter. Shakespeare’s Professional Career. Cambridge: Cambridge University Press, 1992. Print.

---. Shakespeare’s Theatre. 2nd ed. Theatre production studies. London: Routledge, 1992. Print.

Various. ‘Documents of Regulation and Control’. : n. pag. Print.

Videbaek, Bente A. The Stage Clown in Shakespeare’s Theatre. Contributions in drama and theatre studies. London: Greenwood Press, 1996. Print.

Weimann, Robert and Schwartz, Robert. Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and Function. Baltimore: Johns Hopkins U.P., 1978. Print.

White, Martin. Middleton and Tourneur. English dramatists. Basingstoke: Macmillan, 1992. Print.

---. Renaissance Drama in Action: An Introduction to Aspects of Theatre Practice and Performance. London: Routledge, 1998. Print.

White, Paul Whitfield. Theatre and Reformation: Protestantism, Patronage , and Playing in Tudor England. Cambridge: C.U.P., 1993. Print.

White, Paul Whitfield and Westfall, Suzanne R. Shakespeare and Theatrical Patronage in Early Modern England. Cambridge: Cambridge University Press, 2002. Print.

White, R. S., Edelman, Charles, and Wortham, Christopher. Shakespeare: Readers, Audiences, Players. Nedlands, W.A.: University of Western Australia Press, 1998. Print.

Wickham, Glynne William Gladstone. Early English Stages, 1300 to 1660. London: Routledge and Paul, 1959. Print.

Wickham, Glynne William Gladstone, Berry, Herbert, and Ingram, William. English Professional Theatre, 1530-1660. Theatre in Europe. Cambridge: Cambridge University Press, 2000. Print.

Wiggins, Martin. Shakespeare and the Drama of His Time. Oxford Shakespeare topics. New York: Oxford University Press, 2000. Print.

Wiles, D. Shakespeare’s Clown: Actor and Text in the Elizabethan Playhouse. [Place of publication not identified]: C.U.P., 1987. Print.

William Davenant. ‘Salmacida Spolia’. Court Masques: Jacobean and Caroline Entertainments, 1605-1640. World’s classics. New York: Oxford University Press, 1995. Print.

William Shakespeare. ‘Prologue to Henry V’. : n. pag. Print.

Wilson, Jean. The Archaeology of Shakespeare: The Material Legacy of Shakespeare’s Theatre. Stroud, Glocestershire: Sutton, 1995. Print.

Wilson, Richard. Christopher Marlowe. Longman critical readers. London: Longman, 1999. Print.

Zunder, William. Elizabethan Marlowe: Writing and Culture in the English Renaissance. Hull: Unity P., 1994. Print.