Bibliography for Reading the Contemporary

[1]
Agamben, Giorgio and Dawsonera, State of exception. Chicago: University of Chicago Press, 2005. Available: http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780226009261

[2]
Agamben, Giorgio, ‘What is an apparatus?’ and other essays, vol. Meridian, crossing aesthetics. Stanford, Calif: Stanford University Press, 2009.

[3]
Collis, Stephen, The commons. Vancouver: Talonbooks, 2008.

[4]
Collis, Stephen, Dispatches from the Occupation: A History of Change. Vancouver, British Columbia: Talon Books, 2012.

[5]
Hebdige, Dick, Subculture: the meaning of style, vol. New accents. London: Methuen, 1979.

[6]
Muggleton, David, Inside subculture: the postmodern meaning of style, vol. Dress, body, culture. Oxford: Berg, 2000.

[7]
El Hamamsy, Walid and Soliman, Mounira, Popular culture in the Middle East and North Africa: a postcolonial outlook, vol. Routledge research in postcolonial literatures. New York: Routledge, 2013.

[8]
Mehrez, Samia, Translating Egypt’s Revolution: the language of Tahrir. Cairo: American University in Cairo Press, 2012.

[9]
Soueif, Ahdaf, Cairo: my city, our revolution. London: Bloomsbury, 2012.

[10]
Dabashi, Hamid, The Arab Spring: the end of postcolonialism. London: Zed Books Ltd, 2012.

[11]
Laachir, Karima and Talajooy, Saeed, Resistance in contemporary Middle Eastern cultures: literature, cinema and music, vol. Routledge research in postcolonial literatures. New York: Routledge, 2013.

[12]
Institute of Contemporary Arts (London, England), How soon is now: 60 years of the Institute of Contemporary Arts. London: [ICA, 2008.

[13]
‘Notes towards a History of the ICA - 50years.pdf’. Available: http://www.helpmego.to/ica/OldWEBSITE/history/50years.pdf

[14]
Massey, Anne, The Independent Group: modernism and mass culture in Britain, 1945-59. Manchester: Manchester University Press, 1995.

[15]
Cowie, Elizabeth, Recording reality, desiring the real, vol. Visible evidence. Minneapolis: University of Minnesota Press, 2011. Available: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=678655

[16]
Rascaroli, Laura, The personal camera: subjective cinema and the essay film. London: Wallflower Press, 2009.

[17]
Hoffmann, Jens, Ed., Ten Fundamental Questions of Curating. Milan: Mousse Publishing, 2013.

[18]
Berger, John, Ways of seeing, vol. Penguin classics. London: Penguin, 2008.

[19]
Joselit, David, After art, vol. Point: Essays on Architecture. Princeton, NJ.: Princeton University Press, 2013. Available: http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9781400845149

[20]
Marincola, Paula and Philadelphia Exhibitions Initiative, What makes a great exhibition? Philadelphia, Pa: Philadelphia Exhibitions Initiative, 2006.

[21]
Bourriaud, Nicolas, Relational aesthetics, vol. Collection Documents sur l’art. [Dijon]: Les presses du réel, 2002.

[22]
Scruton, Roger, Beauty: a very short introduction, vol. A very short introduction. Oxford: Oxford University Press, 2011.

[23]
‘ICA’. Available: http://www.youtube.com/user/ICALondon

[24]
‘Turning | e-flux’. Available: http://www.e-flux.com/journal/turning/

[25]
‘Art of Conversation, Part II | e-flux’. Available: http://www.e-flux.com/journal/art-of-conversation-part-ii/

[26]
‘Art of Conversation, Part I | e-flux’. Available: http://www.e-flux.com/journal/art-of-conversation-part-i/

[27]
‘Shadowboxing | Royal College of Art | Curating Contemporary Art 2011’. Available: http://shadowboxing.rca.ac.uk/#/publication

[28]
Trade Secrets: Education/Collection/History and Banff Centre, Raising Frankenstein: curatorial education and its discontents. Banff: The Banff Centre, 2011.

[29]
O’Neill, Paul, Wilson, Mick, and De Appel Arts Centre, Curating and the educational turn. London: Open Editions, 2010.

[30]
‘Animated Minds :: Home’. Available: http://animatedminds.com/

[31]
Frank, Arthur W., The wounded storyteller: body, illness, and ethics. Chicago, Ill: University of Chicago Press, 1995.

[32]
Radley, Alan, Works of illness: narrative, picturing and the social response to serious disease, vol. Axis series. Ashby-de-la-Zouch: InkerMen, 2009.

[33]
Hornstein, Gail A., Agnes’s jacket: a psychologist’s search for the meanings of madness, UK ed. Ross-on-Wye: [PCCS], 2012.

[34]
Austin, Thomas and Jong, Wilma de, Rethinking documentary: new perspectives, new practices. Maidenhead: McGraw-Hill Open University Press, 2008. Available: http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780335236275

[35]
‘LUX/ICA Biennial of Moving Images 2012 - A four-day celebration of contemporary artists’ moving image’. Available: https://archive.ica.art/whats-on/season/lux-ica-biennial-moving-images

[36]
‘Artists’ Film Club at the ICA - Blog - RA Magazine and Blog - Royal Academy of Arts’. Available: https://www.ica.art/films/artists-film-club

[37]
MacDonald, Scott, A critical cinema: interviews with independent filmmakers, [1]. Berkeley: U. of California P., 1988.

[38]
Leighton, Tanya, Afterall (Organization), and Tate Britain (Gallery), Art and the moving image: a critical reader. London: Tate Publishing, in association with Afterall, 2008. Available: http://www.loc.gov/catdir/enhancements/fy0801/2007934791-d.html

[39]
Jones, Amelia, Self image: technology, representation, and the contemporary subject. London: Routledge, 2006. Available: http://www.loc.gov/catdir/toc/ecip0611/2006009663.html

[40]
Joselit, David, After art, vol. Point: Essays on Architecture. Princeton, NJ.: Princeton University Press, 2013. Available: http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9781400845149

[41]
Dick, Philip K., The man in the high castle, vol. Penguin classics. London: Penguin, 1965.

[42]
Federici, Silvia, Caliban and the witch. New York: Autonomedia, 2004.

[43]
Greene, B., The hidden reality: parallel universes and the deep laws of the cosmos. London: Penguin, 2012.

[44]
Mishra, Pankaj, From the ruins of empire: the revolt against the West and the remaking of Asia. London: Penguin Books, 2013.

[45]
Crary, Jonathan, 24/7: terminal capitalism and the ends of sleep. London: Verso, 2013.

[46]
T. J. Demos, Return to the postcolony: specters of colonialism in contemporary art. Berlin: Sternberg Press, 2013.

[47]
Shepheard, Paul, How to like everything: a utopia. Winchester: Zero Books, 2013.

[48]
Emmott, Stephen, Ten billion. London: Penguin Books, 2013.

[49]
Kinzey, Jake, The sacred and the profane: an investigation of hipsters. Ropley: Zero, 2012.

[50]
Mayer-Schönberger, Viktor, Delete: the virtue of forgetting in the digital age, [New ed.]. Princeton, N.J.: Princeton University Press, 2011.

[51]
Karamuftuoglu, Murat, Rowdy entrepreneurs and insecure dinosaurs: popular strategies for innovation after the end of endings. Winchester: Zero Books, 2013.

[52]
Smith, Joan, The public woman. London: The Westbourne Press, 2013.

[53]
U. A. Mejias, Off the network: disrupting the digital world, vol. volume 41. Minneapolis: University of Minnesota Press, 2013.

[54]
Hooks, Bell, Outlaw culture: resisting representations, vol. Routledge classics. New York: Routledge, 2006.

[55]
Farr, Ian and Whitechapel Art Gallery, Memory, vol. Documents of contemporary art. London: Whitechapel Art Gallery, 2012.

[56]
Foucault, Michel, Archaeology of knowledge, vol. Routledge classics. London: Routledge, 2002. Available: http://www.loc.gov/catdir/toc/fy0614/2002067999.html

[57]
Derrida, Jacques, Archive fever: a Freudian impression, vol. Religion and postmodernism. Chicago: University of Chicago Press, 1996.

[58]
Marx, Ursula and Walter Benjamin Archiv, Walter Benjamin’s archive: images, texts, signs. London: Verso, 2007.

[59]
Merewether, Charles, The archive. London: Whitechapel, 2006.

[60]
Krauss, Rosalind E., Perpetual inventory. Cambridge, MA: MIT Press, 2010.

[61]
G. Raunig and A. Derieg, Factories of knowledge, industries of creativity, vol. 15. Los Angeles, CA: Semiotext(e), 2013.

[62]
Osborne, Peter, Anywhere or not at all: philosophy of contemporary art. London: Verso Books, 2013.

[63]
Goldsmith, Kenneth, Uncreative writing: managing language in the digital age. New York: Columbia University Press, 2011.

[64]
H. Steyerl, The wretched of the screen. Berlin: Sternberg Press, 2012.

[65]
Rancière, Jacques, The emancipated spectator. London: Verso, 2011.

[66]
Agamben, Giorgio, The man without content, vol. Meridian, crossing aesthetics. Stanford, Calif: Stanford University Press, 1999.

[67]
Deleuze, Gilles, Difference and repetition. London: Continuum, 2004.

[68]
Thornton, Sarah, Seven days in the art world, [New ed.]. New York: W.W. Norton, 2009.

[69]
Alberro, Alexander and Stimson, Blake, Eds, Institutional critique: an anthology of artists’ writings. Cambridge, Mass: MIT Press, 2011.

[70]
Fraser, Andrea and Alberro, Alexander, Museum highlights: the writings of Andrea Fraser. Cambridge, Mass: MIT.

[71]
Buck, Louisa, McClean, Daniel, and Lovell, Vivien, Commissioning contemporary art: a handbook for curators, collectors and artists. London: Thames & Hudson, 2012.

[72]
Obrist, Hans-Ulrich, A brief history of curating. Zurich: JRP/Ringier, 2008.

[73]
Smith, Terry and Independent Curators Incorporated, Thinking contemporary curating, vol. ICI perspectives in curating. New York: Independent Curators, 2012.

[74]
Smith, Terry and Independent Curators Incorporated, Thinking contemporary curating, vol. ICI perspectives in curating. New York: Independent Curators, 2012.

[75]
DeLillo, Don, Point Omega: a novel. London: Picador, 2011.

[76]
Bellour, Raymond, Viola, Bill, and Bovier, Lionel, Raymond Bellour: between-the-images, vol. Documents. Zurich: JRP/Ringier, 2012.

[77]
Dumbadze, Alexander Blair and Hudson, Suzanne Perling, Eds, Contemporary art: 1989 to the present. Oxford: Wiley-Blackwell, 2013.

[78]
R. Meyer, What was contemporary art? Cambridge, Massachusetts: The MIT Press, 2013.

[79]
Aranda, Julieta, Wood, Brian Kuan, and Vidokle, Anton, Eds, What is contemporary art? Berlin: Sternberg, 2010.

[80]
Baudrillard, Jean and Lotringer, Sylvère, The conspiracy of art: manifestos, interviews, essays. New York): Semiotext (e, 2005.

[81]
T. J. Demos, The migrant image: the art and politics of documentary during global crisis. Durham, [North Carolina]: Duke University Press, 2013.

[82]
Hantelmann, Dorothea von, How to do things with art: the meaning of art’s performativity, vol. Documents series. Zurich: JRP/Ringier, 2010.

Bibliography for Reading the Contemporary BETA