1
Agamben, Giorgio, Dawsonera. State of exception. Chicago: University of Chicago Press 2005.
2
Agamben, Giorgio. ‘What is an apparatus?’ and other essays. Stanford, Calif: Stanford University Press 2009.
3
Collis, Stephen. The commons. Vancouver: Talonbooks 2008.
4
Collis, Stephen. Dispatches from the Occupation: A History of Change. Vancouver, British Columbia: Talon Books 2012.
5
Hebdige, Dick. Subculture: the meaning of style. London: Methuen 1979.
6
Muggleton, David. Inside subculture: the postmodern meaning of style. Oxford: Berg 2000.
7
El Hamamsy, Walid, Soliman, Mounira. Popular culture in the Middle East and North Africa: a postcolonial outlook. New York: Routledge 2013.
8
Mehrez, Samia. Translating Egypt’s Revolution: the language of Tahrir. Cairo: American University in Cairo Press 2012.
9
Soueif, Ahdaf. Cairo: my city, our revolution. London: Bloomsbury 2012.
10
Dabashi, Hamid. The Arab Spring: the end of postcolonialism. London: Zed Books Ltd 2012.
11
Laachir, Karima, Talajooy, Saeed. Resistance in contemporary Middle Eastern cultures: literature, cinema and music. New York: Routledge 2013.
12
Institute of Contemporary Arts (London, England). How soon is now: 60 years of the Institute of Contemporary Arts. London: [ICA 2008.
13
Notes towards a History of the ICA - 50years.pdf.
14
Massey, Anne. The Independent Group: modernism and mass culture in Britain, 1945-59. Manchester: Manchester University Press 1995.
15
Cowie, Elizabeth. Recording reality, desiring the real. Minneapolis: University of Minnesota Press 2011.
16
Rascaroli, Laura. The personal camera: subjective cinema and the essay film. London: Wallflower Press 2009.
17
Hoffmann, Jens, editor. Ten Fundamental Questions of Curating. Milan: Mousse Publishing 2013.
18
Berger, John. Ways of seeing. London: Penguin 2008.
19
Joselit, David. After art. Princeton, NJ.: Princeton University Press 2013.
20
Marincola, Paula, Philadelphia Exhibitions Initiative. What makes a great exhibition? Philadelphia, Pa: Philadelphia Exhibitions Initiative 2006.
21
Bourriaud, Nicolas. Relational aesthetics. [Dijon]: Les presses du réel 2002.
22
Scruton, Roger. Beauty: a very short introduction. Oxford: Oxford University Press 2011.
23
ICA.
24
Turning | e-flux. http://www.e-flux.com/journal/turning/
25
Art of Conversation, Part II | e-flux. http://www.e-flux.com/journal/art-of-conversation-part-ii/
26
Art of Conversation, Part I | e-flux. http://www.e-flux.com/journal/art-of-conversation-part-i/
27
Shadowboxing | Royal College of Art | Curating Contemporary Art 2011. http://shadowboxing.rca.ac.uk/#/publication
28
Trade Secrets: Education/Collection/History, Banff Centre. Raising Frankenstein: curatorial education and its discontents. Banff: The Banff Centre 2011.
29
O’Neill, Paul, Wilson, Mick, De Appel Arts Centre. Curating and the educational turn. London: Open Editions 2010.
30
Animated Minds :: Home. http://animatedminds.com/
31
Frank, Arthur W. The wounded storyteller: body, illness, and ethics. Chicago, Ill: University of Chicago Press 1995.
32
Radley, Alan. Works of illness: narrative, picturing and the social response to serious disease. Ashby-de-la-Zouch: InkerMen 2009.
33
Hornstein, Gail A. Agnes’s jacket: a psychologist’s search for the meanings of madness. UK ed. Ross-on-Wye: [PCCS] 2012.
34
Austin, Thomas, Jong, Wilma de. Rethinking documentary: new perspectives, new practices. Maidenhead: McGraw-Hill Open University Press 2008.
35
LUX/ICA Biennial of Moving Images 2012 - A four-day celebration of contemporary artists’ moving image. https://archive.ica.art/whats-on/season/lux-ica-biennial-moving-images
36
Artists’ Film Club at the ICA - Blog - RA Magazine and Blog - Royal Academy of Arts. https://www.ica.art/films/artists-film-club
37
MacDonald, Scott. A critical cinema: interviews with independent filmmakers, [1]. Berkeley: U. of California P. 1988.
38
Leighton, Tanya, Afterall (Organization), Tate Britain (Gallery). Art and the moving image: a critical reader. London: Tate Publishing, in association with Afterall 2008.
39
Jones, Amelia. Self image: technology, representation, and the contemporary subject. London: Routledge 2006.
40
Joselit, David. After art. Princeton, NJ.: Princeton University Press 2013.
41
Dick, Philip K. The man in the high castle. London: Penguin 1965.
42
Federici, Silvia. Caliban and the witch. New York: Autonomedia 2004.
43
Greene, B. The hidden reality: parallel universes and the deep laws of the cosmos. London: Penguin 2012.
44
Mishra, Pankaj. From the ruins of empire: the revolt against the West and the remaking of Asia. London: Penguin Books 2013.
45
Crary, Jonathan. 24/7: terminal capitalism and the ends of sleep. London: Verso 2013.
46
Demos TJ. Return to the postcolony: specters of colonialism in contemporary art. Berlin: Sternberg Press 2013.
47
Shepheard, Paul. How to like everything: a utopia. Winchester: Zero Books 2013.
48
Emmott, Stephen. Ten billion. London: Penguin Books 2013.
49
Kinzey, Jake. The sacred and the profane: an investigation of hipsters. Ropley: Zero 2012.
50
Mayer-Schönberger, Viktor. Delete: the virtue of forgetting in the digital age. [New ed.]. Princeton, N.J.: Princeton University Press 2011.
51
Karamuftuoglu, Murat. Rowdy entrepreneurs and insecure dinosaurs: popular strategies for innovation after the end of endings. Winchester: Zero Books 2013.
52
Smith, Joan. The public woman. London: The Westbourne Press 2013.
53
Mejias UA. Off the network: disrupting the digital world. Minneapolis: University of Minnesota Press 2013.
54
Hooks, Bell. Outlaw culture: resisting representations. New York: Routledge 2006.
55
Farr, Ian, Whitechapel Art Gallery. Memory. London: Whitechapel Art Gallery 2012.
56
Foucault, Michel. Archaeology of knowledge. London: Routledge 2002.
57
Derrida, Jacques. Archive fever: a Freudian impression. Chicago: University of Chicago Press 1996.
58
Marx, Ursula, Walter Benjamin Archiv. Walter Benjamin’s archive: images, texts, signs. London: Verso 2007.
59
Merewether, Charles. The archive. London: Whitechapel 2006.
60
Krauss, Rosalind E. Perpetual inventory. Cambridge, MA: MIT Press 2010.
61
Raunig G, Derieg A. Factories of knowledge, industries of creativity. Los Angeles, CA: Semiotext(e) 2013.
62
Osborne, Peter. Anywhere or not at all: philosophy of contemporary art. London: Verso Books 2013.
63
Goldsmith, Kenneth. Uncreative writing: managing language in the digital age. New York: Columbia University Press 2011.
64
Steyerl H. The wretched of the screen. Berlin: Sternberg Press 2012.
65
Rancière, Jacques. The emancipated spectator. London: Verso 2011.
66
Agamben, Giorgio. The man without content. Stanford, Calif: Stanford University Press 1999.
67
Deleuze, Gilles. Difference and repetition. London: Continuum 2004.
68
Thornton, Sarah. Seven days in the art world. [New ed.]. New York: W.W. Norton 2009.
69
Alberro, Alexander, Stimson, Blake, editors. Institutional critique: an anthology of artists’ writings. Cambridge, Mass: MIT Press 2011.
70
Fraser, Andrea, Alberro, Alexander. Museum highlights: the writings of Andrea Fraser. Cambridge, Mass: MIT .
71
Buck, Louisa, McClean, Daniel, Lovell, Vivien. Commissioning contemporary art: a handbook for curators, collectors and artists. London: Thames & Hudson 2012.
72
Obrist, Hans-Ulrich. A brief history of curating. Zurich: JRP/Ringier 2008.
73
Smith, Terry, Independent Curators Incorporated. Thinking contemporary curating. New York: Independent Curators 2012.
74
Smith, Terry, Independent Curators Incorporated. Thinking contemporary curating. New York: Independent Curators 2012.
75
DeLillo, Don. Point Omega: a novel. London: Picador 2011.
76
Bellour, Raymond, Viola, Bill, Bovier, Lionel. Raymond Bellour: between-the-images. Zurich: JRP/Ringier 2012.
77
Dumbadze, Alexander Blair, Hudson, Suzanne Perling, editors. Contemporary art: 1989 to the present. Oxford: Wiley-Blackwell 2013.
78
Meyer R. What was contemporary art? Cambridge, Massachusetts: The MIT Press 2013.
79
Aranda, Julieta, Wood, Brian Kuan, Vidokle, Anton, editors. What is contemporary art? Berlin: Sternberg 2010.
80
Baudrillard, Jean, Lotringer, Sylvère. The conspiracy of art: manifestos, interviews, essays. New York): Semiotext (e 2005.
81
Demos TJ. The migrant image: the art and politics of documentary during global crisis. Durham, [North Carolina]: Duke University Press 2013.
82
Hantelmann, Dorothea von. How to do things with art: the meaning of art’s performativity. Zurich: JRP/Ringier 2010.