Agamben, Giorgio (1999) The man without content. Stanford, Calif: Stanford University Press.
Agamben, Giorgio (2009) ‘What is an apparatus?’ and other essays. Stanford, Calif: Stanford University Press.
Agamben, Giorgio and Dawsonera (2005) State of exception. Chicago: University of Chicago Press. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780226009261.
Alberro, Alexander and Stimson, Blake (eds) (2011) Institutional critique: an anthology of artists’ writings. Cambridge, Mass: MIT Press.
Animated Minds :: Home (no date). Available at: http://animatedminds.com/.
Aranda, Julieta, Wood, Brian Kuan, and Vidokle, Anton (eds) (2010) What is contemporary art? Berlin: Sternberg.
Art of Conversation, Part I | e-flux (no date). Available at: http://www.e-flux.com/journal/art-of-conversation-part-i/.
Art of Conversation, Part II | e-flux (no date). Available at: http://www.e-flux.com/journal/art-of-conversation-part-ii/.
Artists’ Film Club at the ICA - Blog - RA Magazine and Blog - Royal Academy of Arts (no date). Available at: https://www.ica.art/films/artists-film-club.
Austin, Thomas and Jong, Wilma de (2008) Rethinking documentary: new perspectives, new practices [electronic resource]. Maidenhead: McGraw-Hill Open University Press. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780335236275.
Baudrillard, Jean and Lotringer, Sylvère (2005) The conspiracy of art: manifestos, interviews, essays. New York): Semiotext (e.
Bellour, Raymond, Viola, Bill, and Bovier, Lionel (2012) Raymond Bellour: between-the-images. Edited by Hardyck, Allyn. Zurich: JRP/Ringier.
Berger, John (2008) Ways of seeing. London: Penguin.
Bourriaud, Nicolas (2002) Relational aesthetics. [Dijon]: Les presses du réel.
Buck, Louisa, McClean, Daniel, and Lovell, Vivien (2012) Commissioning contemporary art: a handbook for curators, collectors and artists. London: Thames & Hudson.
Collis, Stephen (2008) The commons. Vancouver: Talonbooks.
Collis, Stephen (2012) Dispatches from the Occupation: A History of Change. Vancouver, British Columbia: Talon Books.
Cowie, Elizabeth (2011) Recording reality, desiring the real. Minneapolis: University of Minnesota Press. Available at: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=678655.
Crary, Jonathan (2013) 24/7: terminal capitalism and the ends of sleep. London: Verso.
Dabashi, Hamid (2012) The Arab Spring: the end of postcolonialism. London: Zed Books Ltd.
Deleuze, Gilles (2004) Difference and repetition. London: Continuum.
DeLillo, Don (2011) Point Omega: a novel. London: Picador.
Demos, T.J. (2013a) Return to the postcolony: specters of colonialism in contemporary art. Berlin: Sternberg Press.
Demos, T.J. (2013b) The migrant image: the art and politics of documentary during global crisis. Durham, [North Carolina]: Duke University Press.
Derrida, Jacques (1996) Archive fever: a Freudian impression. Chicago: University of Chicago Press.
Dick, Philip K. (1965) The man in the high castle. London: Penguin.
Dumbadze, Alexander Blair and Hudson, Suzanne Perling (eds) (2013) Contemporary art: 1989 to the present. Oxford: Wiley-Blackwell.
El Hamamsy, Walid and Soliman, Mounira (2013) Popular culture in the Middle East and North Africa: a postcolonial outlook. New York: Routledge.
Emmott, Stephen (2013) Ten billion. London: Penguin Books.
Farr, Ian and Whitechapel Art Gallery (2012) Memory. London: Whitechapel Art Gallery.
Federici, Silvia (2004) Caliban and the witch. New York: Autonomedia.
Foucault, Michel (2002) Archaeology of knowledge. London: Routledge. Available at: http://www.loc.gov/catdir/toc/fy0614/2002067999.html.
Frank, Arthur W. (1995) The wounded storyteller: body, illness, and ethics. Chicago, Ill: University of Chicago Press.
Fraser, Andrea and Alberro, Alexander (no date) Museum highlights: the writings of Andrea Fraser. Cambridge, Mass: MIT.
Goldsmith, Kenneth (2011) Uncreative writing: managing language in the digital age. New York: Columbia University Press.
Greene, B. (2012) The hidden reality: parallel universes and the deep laws of the cosmos. London: Penguin.
Hantelmann, Dorothea von (2010) How to do things with art: the meaning of art’s performativity. Zurich: JRP/Ringier.
Hebdige, Dick (1979) Subculture: the meaning of style. London: Methuen.
Hoffmann, Jens (ed.) (2013) Ten Fundamental Questions of Curating. Milan: Mousse Publishing.
Hooks, Bell (2006) Outlaw culture: resisting representations. New York: Routledge.
Hornstein, Gail A. (2012) Agnes’s jacket: a psychologist’s search for the meanings of madness. UK ed. Ross-on-Wye: [PCCS].
‘ICA’ (no date). Available at: http://www.youtube.com/user/ICALondon.
Institute of Contemporary Arts (London, England) (2008) How soon is now: 60 years of the Institute of Contemporary Arts. Edited by Eshun, Ekow, Jahn, Pamela, and Pym, Martha. London: [ICA.
Jones, Amelia (2006) Self image: technology, representation, and the contemporary subject. London: Routledge. Available at: http://www.loc.gov/catdir/toc/ecip0611/2006009663.html.
Joselit, David (2013a) After art [electronic resource]. Princeton, NJ.: Princeton University Press. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9781400845149.
Joselit, David (2013b) After art [electronic resource]. Princeton, NJ.: Princeton University Press. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9781400845149.
Karamuftuoglu, Murat (2013) Rowdy entrepreneurs and insecure dinosaurs: popular strategies for innovation after the end of endings. Winchester: Zero Books.
Kinzey, Jake (2012) The sacred and the profane: an investigation of hipsters. Ropley: Zero.
Krauss, Rosalind E. (2010) Perpetual inventory. Cambridge, MA: MIT Press.
Laachir, Karima and Talajooy, Saeed (2013) Resistance in contemporary Middle Eastern cultures: literature, cinema and music. New York: Routledge.
Leighton, Tanya, Afterall (Organization), and Tate Britain (Gallery) (2008) Art and the moving image: a critical reader. London: Tate Publishing, in association with Afterall. Available at: http://www.loc.gov/catdir/enhancements/fy0801/2007934791-d.html.
LUX/ICA Biennial of Moving Images 2012 - A four-day celebration of contemporary artists’ moving image (no date). Available at: https://archive.ica.art/whats-on/season/lux-ica-biennial-moving-images.
MacDonald, Scott (1988) A critical cinema: interviews with independent filmmakers, [1]. Berkeley: U. of California P.
Marincola, Paula and Philadelphia Exhibitions Initiative (2006) What makes a great exhibition? Philadelphia, Pa: Philadelphia Exhibitions Initiative.
Marx, Ursula and Walter Benjamin Archiv (2007) Walter Benjamin’s archive: images, texts, signs. London: Verso.
Massey, Anne (1995) The Independent Group: modernism and mass culture in Britain, 1945-59. Manchester: Manchester University Press.
Mayer-Schönberger, Viktor (2011) Delete: the virtue of forgetting in the digital age. [New ed.]. Princeton, N.J.: Princeton University Press.
Mehrez, Samia (2012) Translating Egypt’s Revolution: the language of Tahrir. Cairo: American University in Cairo Press.
Mejias, U.A. (2013) Off the network: disrupting the digital world. Minneapolis: University of Minnesota Press.
Merewether, Charles (2006) The archive. London: Whitechapel.
Meyer, R. (2013) What was contemporary art? Cambridge, Massachusetts: The MIT Press.
Mishra, Pankaj (2013) From the ruins of empire: the revolt against the West and the remaking of Asia. London: Penguin Books.
Muggleton, David (2000) Inside subculture: the postmodern meaning of style. Oxford: Berg.
‘Notes towards a History of the ICA - 50years.pdf’ (no date). Available at: http://www.helpmego.to/ica/OldWEBSITE/history/50years.pdf.
Obrist, Hans-Ulrich (2008) A brief history of curating. Zurich: JRP/Ringier.
O’Neill, Paul, Wilson, Mick, and De Appel Arts Centre (2010) Curating and the educational turn. London: Open Editions.
Osborne, Peter (2013) Anywhere or not at all: philosophy of contemporary art. London: Verso Books.
Radley, Alan (2009) Works of illness: narrative, picturing and the social response to serious disease. Ashby-de-la-Zouch: InkerMen.
Rancière, Jacques (2011) The emancipated spectator. London: Verso.
Rascaroli, Laura (2009) The personal camera: subjective cinema and the essay film. London: Wallflower Press.
Raunig, G. and Derieg, A. (2013) Factories of knowledge, industries of creativity. Los Angeles, CA: Semiotext(e).
Scruton, Roger (2011) Beauty: a very short introduction. Oxford: Oxford University Press.
Shadowboxing | Royal College of Art | Curating Contemporary Art 2011 (no date). Available at: http://shadowboxing.rca.ac.uk/#/publication.
Shepheard, Paul (2013) How to like everything: a utopia. Winchester: Zero Books.
Smith, Joan (2013) The public woman. London: The Westbourne Press.
Smith, Terry and Independent Curators Incorporated (2012a) Thinking contemporary curating. New York: Independent Curators.
Smith, Terry and Independent Curators Incorporated (2012b) Thinking contemporary curating. New York: Independent Curators.
Soueif, Ahdaf (2012) Cairo: my city, our revolution. London: Bloomsbury.
Steyerl, H. (2012) The wretched of the screen. Berlin: Sternberg Press.
Thornton, Sarah (2009) Seven days in the art world. [New ed.]. New York: W.W. Norton.
Trade Secrets: Education/Collection/History and Banff Centre (2011) Raising Frankenstein: curatorial education and its discontents. Edited by Scott, Kitty. Banff: The Banff Centre.
Turning | e-flux (no date). Available at: http://www.e-flux.com/journal/turning/.
