1.
BBC - Your Paintings [Internet]. Available from: http://www.bbc.co.uk/arts/yourpaintings/
2.
Art and artists | Tate [Internet]. Available from: http://www.tate.org.uk/art
3.
Harrison, Charles, Wood, Paul. Art in theory, 1900-2000: an anthology of changing ideas. New ed. Oxford: Blackwell Publishers; 2003.
4.
Peters Corbett, David, Monks, Sarah, Association of Art Historians (Great Britain). Anglo-American: artistic exchange between Britain and the USA. Vol. Art history book series. Chichester: Wiley-Blackwell; 2012.
5.
Crow, Thomas E. The rise of the sixties: American and European art in the era of dissent 1955-69. Vol. The Everyman art library. London: Weidenfeld & Nicolson; 1996.
6.
Foster, Hal. Art since 1900: modernism, antimodernism, postmodernism. London: Thames & Hudson; 2004.
7.
Anglo–American Exchange<br> in Postwar Sculpture, 1945–1975 [Internet]. Available from: http://www.getty.edu/museum/symposia/angloamerican.html
8.
Gaiger, Jason. Frameworks for modern art [Internet]. Vol. AA318 : art of the twentieth century / Open University. London: Yale University Press, in association with Open University; 2003. Available from: http://www.loc.gov/catdir/toc/ecip045/2003014470.html
9.
Varieties of modernism. 1st ed. Vol. AA318 : art of the twentieth century / Open University. New Haven, Conn: Yale University Press, in association with The Open University; 2004.
10.
Groseclose, Barbara S., Wierich, Jochen. Internationalizing the history of American art: views. University Park, Pa: Pennsylvania State University Press; 2009.
11.
Harrison, Charles. Since 1950: art and its criticism. New Haven, Conn: Yale University Press; 2009.
12.
Lind, Maria, editor. Abstraction. Vol. Documents of contemporary art. Cambridge, Massachusetts: The MIT Press; 2013.
13.
Pells, Richard H. Modernist America: art, music, movies, and the globalization of American culture. New Haven: Yale University Press; 2011.
14.
Potts, Alex. Experiments in modern realism: world-making, politics and the everyday in postwar European and American art. New Haven, Connecticut: Yale University Press; 2013.
15.
Amsterdam (Netherlands). Stedelijk Collection reflections: reflections on the collection of the Stedelijk Museum Amsterdam. Adrichem, Jan van, Martis, A., editors. Rotterdam: nai010 publishers; 2012.
16.
Tallman, Susan. The contemporary print: from pre-pop to postmodern. London: Thames and Hudson; 1996.
17.
Lee, Pamela M. Chronophobia: on time in the art of the 1960’s. Cambridge, Mass: MIT Press; 2004.
18.
Houston, Joe, Columbus Museum of Art. Optic nerve: perceptual art of the 1960s. London: Merrell Pub. Ltd; 2007.
19.
Taylor B. Collage: the making of modern art. London: Thames & Hudson; 2004.
20.
Wood, Jon, Hulks, David, Potts, Alex, Henry Moore Institute (Leeds, England), J. Paul Getty Museum. Modern sculpture reader. Leeds: Henry Moore Institute; 2012.
21.
Joachimides, Christos M., Rosenthal, Norman, Anfam, David, Martin-Gropius-Bau (Berlin, Germany), Royal Academy of Arts (Great Britain), Saatchi Gallery. American art in the 20th century: painting and sculpture, 1913-1993. Munich: Prestel; 1993.
22.
Phillips, Lisa, Haskell, Barbara, Whitney Museum of American Art. The American century: art & culture, 1950-2000. New York: Whitney Museum of American Art, in association with W.W. Norton; 1999.
23.
Sandler I. American art of the 1960s. First edition. Vol. Icon editions. New York: Harper & Row; 1988.
24.
Siegel, Katy. Since ’45: America and the making of contemporary art. London: Reaktion; 2011.
25.
Hopper, Edward, Wagstaff, Sheena, Tate Modern (Gallery), Museum Ludwig. Edward Hopper. London: Tate Pub; 2004.
26.
Siegel, Katy. High times, hard times: New York painting 1967-1975. New York, N.Y.: iCI Independent Curators International and D.A.P./Distributed Art Publishers; 2006.
27.
Frascina, Francis. Art, politics and dissent: aspects of the art left in sixties America [Internet]. Manchester: Manchester University Press; 1999. Available from: http://www.loc.gov/catdir/bios/hol058/99044155.html
28.
Sylvester D. Interviews with American artists. London: Pimlico; 2002.
29.
Varnedoe, Kirk. Pictures of nothing: abstract art since Pollock [Internet]. Vol. A.W. Mellon lectures in the fine arts. Princeton, N.J.: Princeton University Press; 2006. Available from: http://www.loc.gov/catdir/toc/ecip069/2006006621.html
30.
Phillips, Lisa, Whitney Museum of American Art. Beat culture and the New America, 1950-1965. Paris: Flammarion; 1995.
31.
Wagner, Anne Middleton. A house divided: American art since 1955. Berkeley, Calif: University of California Press; 2012.
32.
Elderfield, John, Museum of Modern Art (New York, N.Y.). American art of the 1960s. Vol. Studies in modern art. New York: Museum of Modern Art; 1991.
33.
Bryan-Wilson, Julia. Art workers: radical practice in the Vietnam War era. Berkeley, Calif: University of California Press; 2010.
34.
Stephens, Chris, Stout, Katharine, Tate Britain (Gallery). Art & the 60s: this was tomorrow. London: Tate; 2004.
35.
Mellor, David, Barbican Art Gallery. The sixties art scene in London. London: Phaidon P.; 1993.
36.
Walker, John A. Cultural offensive: America’s impact on British art since 1945. London: Pluto; 1998.
37.
Arnold, Dana, Peters Corbett, David, editors. A companion to British art: 1600 to the present [Internet]. Vol. Wiley-Blackwell companions to art history. Chichester, West Sussex: Wiley-Blackwell; 2013. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9781118313763
38.
Palazzo reale di Milano, British Council. English art today, 1960-76; [catalogue by I Barker]. Milano: Electa; 1976.
39.
Grunenberg, Christoph, Harris, Jonathan. Summer of love: psychedelic art, social crisis and counterculture in the 1960s. Vol. Tate Liverpool critical forum. Liverpool: Liverpool University Press; 2005.
40.
Tickner, Lisa, Peters Corbett, David, Association of Art Historians (Great Britain). British art in the cultural field, 1939-69. Vol. Art history book series. Chichester: Wiley-Blackwell; 2012.
41.
Robicsek HL. ‘You Give Us This and We Give You That’. Third Text. 2008 Mar;22(2):257–71.
42.
Tickner L. The Kasmin Gallery. Oxford Art Journal. 2007 May 23;30(2):233–68.
43.
Curtis, Penelope, Henry Moore Institute (Leeds, England). Sculpture in 20th century Britain. Leeds: Henry Moore Institute; 2003.
44.
Curtis, Penelope, Wilson, Kevin, Royal Academy of Arts (Great Britain). Modern British sculpture. London: Royal Academy of Arts; 2011.
45.
Sylvester, David. London recordings. London: Chatto & Windus; 2003.
46.
Jackson, Lesley. The sixties: decade of design revolution. London: Phaidon; 1998.
47.
Sandbrook, Dominic. White heat: a history of Britain in the swinging sixties. London: Abacus; 2007.
48.
Frith, Simon, Horne, Howard. Art into pop. London: Methuen; 1987.
49.
MacDonald I. Revolution in the head: the Beatles’ records and the sixties. London: Fourth Estate; 1994.
50.
Metzger, Rainer, Brandstätter, Christian. London in the sixties. London: Thames & Hudson; 2012.
51.
Rycroft, Simon. Swinging city: a cultural geography of London 1950-1974 [Internet]. Vol. Re-materialising cultural geography. Farnham: Ashgate; 2011. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780754689157
52.
When Britain Went Pop! | Special Event | Christie’s [Internet]. Available from: http://www.christies.com/events/when-britain-went-pop/
53.
Barbican - Pop Art Design [Internet]. Available from: http://www.barbican.org.uk/artgallery/event-detail.asp?ID=14797
54.
Horowitz, Daniel. Consuming pleasures: intellectuals and popular culture in the postwar world. Vol. The arts and intellectual life in modern America. Philadelphia, Pa: University of Pennsylvania Press; 2012.
55.
Brauer, David E., Menil Collection (Houston, Tex.). Pop art: U.S./U.K. connections, 1956-1966. Ostfildern-Ruit: Hatje Cantz Verlag; 2001.
56.
Livingstone, Marco. Pop art: a continuing history. [London]: Thames and Hudson; 1990.
57.
Madoff, Steven Henry. Pop art: a critical history. Vol. The documents of twentieth-century art. Berkeley: University of California Press; 1997.
58.
Bowlt JE, Varnedoe K, Gopnik A, Museum of Modern Art (New York, N.Y.). Modern art and popular culture: readings in high & low. New York: Harry N. Abrams in association with the Museum of Modern Art; 1990.
59.
Lippard, Lucy R., Alloway, Lawrence. Pop art. 3rd ed. Vol. World of art. London: Thames and Hudson; 1970.
60.
Bankowsky, Jack, Gingeras, Alison M., Wood, Catherine, Tate Modern (Gallery), Hamburger Kunsthalle, National Gallery of Canada (Ottawa). Pop life: art in a material world. London: Tate Publishing; 2009.
61.
South Bank Centre. Pop prints: from the Arts Council Collection. London: South Bank Centre; 1993.
62.
Moorhouse, Paul, Sandbrook, Dominic, National Portrait Gallery (Great Britain). Pop art portraits. London: National Portrait Gallery; 2007.
63.
Francis, Mark, Foster, Hal. Pop. Vol. Themes and movements. London: Phaidon; 2005.
64.
Whiting, Cécile. A taste for pop: pop art, gender, and consumer culture. Vol. Cambridge studies in American visual culture. Cambridge: Cambridge University Press; 1997.
65.
Foster, Hal. The first Pop age: painting and subjectivity in the art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha. Princeton, N.J.: Princeton University Press; 2012.
66.
Burton, Johanna, Princeton University. Pop art: contemporary perspectives. Princeton, N.J.: Princeton University Art Museum; 2007.
67.
Walker, John Albert. Cross-overs: art into pop/pop into art. London: Comedia; 1987.
68.
Doris, Sara. Pop art and the contest over American culture [Internet]. Cambridge: Cambridge University Press; 2007. Available from: http://www.loc.gov/catdir/enhancements/fy0668/2006016729-d.html
69.
Stief, Angela, Walkner, Martin, Steinegger, Christoph, Deichtorhallen Hamburg, Städtische Galerie Bietigheim-Bissingen, Kunsthalle Wien, et al. Power up: female pop art. [Wien]: Kunsthalle Wien; 2010.
70.
Perry, Gillian, Wood, Paul, Open University. Themes in contemporary art. Vol. AA318 : art of the twentieth century / Open University. New Haven, Conn: Yale University Press, in association with Open University; 2004.
71.
Wood, Paul. Conceptual art. Vol. Movements in modern art. London: Tate Publishing; 2002.
72.
Boettger, Suzaan. Earthworks: art and the landscape of the sixties [Internet]. Berkeley, Ca: University of California Press; 2002. Available from: http://www.loc.gov/catdir/toc/fy035/2002002316.html
73.
Tufnell, Ben. Land art. London: Tate; 2006.
74.
Kaiser, Philipp, Kwon, Miwon, Museum of Contemporary Art (Los Angeles, Calif.). Ends of the earth: art of the land to 1974. Munich: Prestel; 2012.
75.
Kastner, Jeffrey, Wallis, Brian. Land and environmental art. Vol. Themes and movements. London: Phaidon; 1998.
76.
Whiteley, Nigel. Art and pluralism: Lawrence Alloway’s cultural criticism. Vol. Value, art, politics. Liverpool: Liverpool University Press; 2012.
77.
Alloway, Lawrence. Network: art and the complex present. [Place of publication not identified]: UMI Research Press; 1984.
78.
Alloway, Lawrence, Kalina, Richard. Imagining the present: context, content, and the role of the critic [Internet]. Vol. Critical voices in art, theory and culture. London: Routledge; 2006. Available from: http://www.loc.gov/catdir/toc/ecip0516/2005021292.html
79.
Fried, Michael. Art and objecthood: essays and reviews. Chicago: University of Chicago Press; 1998.
80.
Sylvester, David. About modern art: critical essays, 1948-2000. Rev. ed. London: Pimlico; 2002.
81.
The War Game [1965] [Internet]. 20AD. Available from: https://www.youtube.com/watch?v=nrGg8PfkbZw
82.
Guilbaut, Serge. Reconstructing modernism: art in New York, Paris, and Montreal, 1945-1964. Cambridge, Mass: MIT Press; 1990.
83.
Genter, Robert. Late modernism: art, culture, and politics in Cold War America. Vol. The arts and intellectual life in modern America. Philadelphia: University of Pennsylvania Press; 2010.
84.
Saunders, Frances Stonor. Who paid the piper?: the CIA and the cultural Cold War. London: Granta Books; 1999.
85.
Crowley, David, Pavitt, Jane, Victoria and Albert Museum. Cold War modern: design 1945-1970. London: V&A; 2008.
86.
Anfam, David. Abstract expressionism. Vol. World of art. London: Thames and Hudson; 1990.
87.
Siegel, Katy. Abstract Expressionism. Vol. Themes and movements. London: Phaidon Press; 2011.
88.
Frascina, Francis. Pollock and after: the critical debate. 2nd ed. London: Routledge; 2000.
89.
Landau, Ellen G. Reading abstract expressionism: context and critique [Internet]. New Haven, Conn: Yale University Press; 2005. Available from: http://www.loc.gov/catdir/enhancements/fy0619/2004061583-b.html
90.
Sandler, Irving. The New York School: the painters and sculptors of the fifties. 1st ed. Vol. Icon editions. New York: Harper & Row; 1978.
91.
Sandler, Irving. Abstract expressionism and the American experience: a reevaluation. Vol. Mission critical series. Lenox, Mass: Hard Press Editions; 2009.
92.
Carosso, Andrea. Cold War Narratives: American Culture in the 1950 S. [Internet]. Pieterlen: Peter Lang AG, Internationaler Verlag der Wissenschaften; 2013. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9783035105155
93.
Kleeblatt, Norman L., Berger, Maurice, Balken, Debra Bricker, Jewish Museum (New York, N.Y.). Action/abstraction: Pollock, de Kooning, and American art, 1940-1976. New York: Jewish Museum, under the auspices of The Jewish Theological Seminary of America; 2008.
94.
Varnedoe, Kirk, Karmel, Pepe, Pollock, Jackson, Museum of Modern Art (New York, N.Y.), Tate Gallery. Jackson Pollock. New York: Museum of Modern Art; 1998.
95.
Lewison, Jeremy, Museum of Modern Art (New York, N.Y.), Tate Gallery. Interpreting Pollock. London: Tate Gallery; 1999.
96.
Elderfield, John, Frankel, David, De Kooning, Willem, Museum of Modern Art (New York, N.Y.). De Kooning: a retrospective. New York: Museum of Modern Art; 2011.
97.
Bürgi, Bernhard, Kertess, Klaus, Ubl, Ralph, Kunstmuseum Basel. De Kooning: paintings, 1960-1980. Ostfildern-Ruit: Hatje Cantz;
98.
Gaugh, Harry F., Cincinnati Art Museum. Franz Kline. New York: Abbeville Press; 1985.
99.
Anfam, David, Rothko, Mark. Mark Rothko: the works on canvas ; catalogue raisonné. New Haven: Yale U.P.; 1998.
100.
Shiff, Richard, De Kooning, Willem. Between sense and de Kooning. London: Reaktion; 2011.
101.
Eliel, Carol S., Bedford, Christopher, Potts, Alex, Wagner, Anne Middleton, Los Angeles County Museum of Art. David Smith: cubes and anarchy. 1st ed. [Los Angeles]: Los Angeles County Museum of Art; 2011.
102.
Hamill, Sarah, Smith, David. David Smith: works, writings and interview. Barcelona: Polígrafa; 2011.
103.
Smith, David. David Smith. Pachner, Joan, editor. Vol. Phaidon focus. London: Phaidon; 2013.
104.
Acker, Emma. Artistic identity in a transatlantic age Patrick Heron, Peter Lanyon, and the New American Painting. (French). British Art Journal [Internet]. 2010;10(3):158–70. Available from: http://search.ebscohost.com/login.aspx?direct=true&db=vth&AN=51011318&site=ehost-live
105.
Heron, Patrick, Gooding, Mel. Painter as critic: Patrick Heron, selected writings. London: Tate Gallery Pub; 1998.
106.
Gooding, Mel. Patrick Heron. London: Phaidon; 1994.
107.
Causey, Andrew. Peter Lanyon: Modernism and the land. Vol. Essays in art and culture. London: Reaktion; 2006.
108.
Stephens, Chris, Tate Gallery St Ives. Peter Lanyon. London: Tate; 2010.
109.
Stephens, Chris, Lanyon, Peter. Peter Lanyon: at the edge of landscape. London: 21 Publishing; 2000.
110.
De Salvo, Donna M., Schimmel, Paul, Ferguson, Russell, Deitcher, David, Museum of Contemporary Art (Los Angeles, Calif.), Museum of Contemporary Art (Chicago, Ill.), et al. Hand-painted pop: American art in transition, 1955-62. Los Angeles: Museum of Contemporary Art; 1993.
111.
Whiteley, Gillian. Junk: art and the politics of trash [Internet]. London: I. B. Tauris; 2011. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780857720214
112.
Robinson, Julia, Museu d’Art Contemporani (Barcelona, Spain), Henie-Onstad kunstsenter. The anarchy of silence: John Cage and experimental art. Barcelona: Museu d’Art Contemporani de Barcelona; 2009.
113.
Craft, Catherine. An audience of artists: Dada, Neo-Dada, and the emergence of abstract expressionism. Chicago: University of Chicago Press; 2012.
114.
Robinson, Julia E., Benjamin, Agnes Berecz, Museo Nacional Centro de Arte Reina Sofía. New realisms, 1957-1962: object strategies between readymade and spectacle. Madrid : $b Museo Nacional Centro de Arte Reina Sofía: MIT Press; 2010.
115.
Millar, Jeremy, Hayward Gallery, Baltic Centre for Contemporary Art, Kettles Yard Gallery, Huddersfield Art Gallery, Hunterian Art Gallery (University of Glasgow), et al. Every day is a good day: the visual art of John Cage. London: Hayward Publishing; 2010.
116.
Hopps, Walter, Davidson, Susan, Brown, Trisha, Solomon R. Guggenheim Museum. Robert Rauschenberg: a retrospective. New York: Guggenheim Museum Publications; 1997.
117.
Joseph, Branden Wayne. Random order: Robert Rauschenberg and the neo-avant-garde [Internet]. Cambridge, Mass: MIT Press; 2003. Available from: http://www.loc.gov/catdir/toc/fy042/2003043620.html
118.
Schimmel, Paul, Museum of Contemporary Art (Los Angeles, Calif.). Robert Rauschenberg: combines. Los Angeles, Ca: Museum of Contemporary Art; 2005.
119.
Varnedoe, Kirk, Johns, Jasper, Bernstein, Roberta, Museum of Modern Art (New York, N.Y). Jasper Johns: a retrospective. New York: Museum of Modern Art; 1996.
120.
Johns, Jasper, Bernstein, Roberta, San Francisco Museum of Modern Art. Jasper Johns: seeing with the mind’s eye. Garrels, Gary, editor. San Francisco: San Francisco Museum of Modern Art in association with Yale University Press; 2012.
121.
Philadelphia Museum of Art, Barbican Art Gallery. Dancing around the bride: Cage, Cunningham, Johns, Rauschenberg, and Duchamp. Basualdo, Carlos, Battle, Erica F., editors. Philadelphia, PA: Philadelphia Museum of Art in association with Yale University Press; 2012.
122.
Hopps, Walter, Kienholz, Edward, Reddin-Kienholz, Nancy, Whitney Museum of American Art, Museum of Contemporary Art (Los Angeles, Calif.), Berlinische Galerie. Kienholz: a retrospective : Edward and Nancy Reddin Kienholz. New York: Whitney Museum of American Art, in association with Thames and Hudson, London; 1996.
123.
Massey, Anne. The Independent Group: modernism and mass culture in Britain, 1945-59. Manchester: Manchester University Press; 1995.
124.
Hood Museum of Art. The Independent Group: postwar Britain and the aesthetics of plenty. Robbins D, editor. Cambridge: MIT Press; 1990.
125.
Jackson, Lesley, Spencer, Robin. Nigel Henderson & Eduardo Paolozzi: Hammer Prints Ltd. 1954 - 75. Cotton, Michelle, editor. Colchester: firstsite; 2012.
126.
Martin, Simon, Wilson, Colin St. John, Paolozzi, Eduardo, Harrison, Miranda. Eduardo Paolozzi: Collaging Culture. Chichester: Pallant House Gallery Trust; 2013.
127.
Hamilton, Richard. Collected words, 1953-1982. London: Thomas and Hudson;
128.
Hamilton, Richard, Tate Gallery, Irish Museum of Modern Art (Kilmainham, Dublin, Ireland). Richard Hamilton. London: Tate Gallery; 1992.
129.
Hamilton, Richard, Foster, Hal, Craig-Martin, Michael. Richard Hamilton. Vol. October files. Cambridge, Mass: MIT Press; 2010.
130.
John-Paul Stonard. Pop in the Age of Boom: Richard Hamilton’s ‘Just What Is It That Makes Today’s Homes so Different, so Appealing?’ The Burlington Magazine [Internet]. 2007;149(1254). Available from: http://www.jstor.org.chain.kent.ac.uk/stable/20074973?&Search=yes&searchText=stonard&list=hide&searchUri=%252Faction%252FdoAdvancedSearch%253Fq0%253Dstonard%2526f0%253Dall%2526c1%253DAND%2526q1%253D%2526f1%253Dall%2526acc%253Don%2526wc%253Don%2526fc%253Doff%2526Search%253DSearch%2526sd%253D%2526ed%253D%2526la%253D%2526pt%253D%2526isbn%253D&prevSearch=&item=1&ttl=184&returnArticleService=showFullText
131.
Wilson, Andrew. Richard Hamilton, Swingeing London 67 (f). Vol. One work. London: Afterall; 2011.
132.
Hamilton, Richard, Tate Gallery, Irish Museum of Modern Art (Kilmainham, Dublin, Ireland). Richard Hamilton. London: Tate Gallery; 1992.
133.
Banham, Reyner, Banham, Mary. A critic writes: essays by Reyner Banham. Berkeley: University of California Press; 1999.
134.
Brittain, David, Paolozzi, Eduardo. The jet age compendium: Paolozzi at Ambit : [1967-1980]. London: Four Corners; 2009.
135.
Wilson A. Gustav Metzger’s Auto‐Destructive/Auto‐Creative Art. Third Text. 2008 Mar;22(2):177–94.
136.
Livingstone, Marco. Peter Blake: one man show. Farnham: [publisher not identified]; 2009.
137.
Grunenberg, Christoph, Sillars, Laurence, Tate Gallery Liverpool. Peter Blake: a retrospective. Liverpool: Tate Liverpool, in association with Tate Publishing, London; 2007.
138.
Macdonald‐Munro I. John Latham. Third Text. 2008 Mar;22(2):163–75.
139.
Marquis, Alice Goldfarb. Art czar: the rise and fall of Clement Greenberg. 1st. ed. Aldershot: Lund Humphries; 2006.
140.
Greenberg, Clement, Greenberg, Clement, O’Brian, John. The collected essays and criticism: Vol.4: Modernism with a vengeance, 1957-1969 ; edited by John O’Brian. Pbk. ed. Chicago [Ill.]: University of Chicago Press; 1995.
141.
Elderfield, John. Morris Louis: The Museum of Modern Art, New York. [Place of publication not identified]: The Museum of Modern Art; 1986.
142.
Rowley, Alison. Helen Frankenthaler: painting history, writing painting. Vol. New encounters. London: I.B. Tauris; 2007.
143.
Greenberg, Clement. Art and culture: critical essays. Boston, Mass: Beacon Press; 1961.
144.
Waldman, Diane, Solomon R. Guggenheim Museum. Kenneth Noland: a retrospective. New York: Solomon R. Guggenheim Foundation; 1977.
145.
Wilkin, Karen, Noland, Kenneth. Kenneth Noland. Barcelona: Ediciones Polígrafa; 1990.
146.
Rowley, Alison. Helen Frankenthaler: painting history, writing painting. Vol. New encounters. London: I.B. Tauris; 2007.
147.
Whiteley N. ‘Cultural Imperialism’? Third Text. 2008 Mar;22(2):209–27.
148.
Riley, Bridget, Cooke, Lynne, Elderfield, John, Dia Center for the Arts (New York, N.Y.). Bridget Riley reconnaissance. New York: Dia Center for the Arts; 2001.
149.
Moorhouse, Paul, Riley, Bridget, editors. Bridget Riley. London: Tate Publishing; 2003.
150.
Riley, Bridget, Kudielka, Robert. The eye’s mind: collected writings 1965-2009. Rev. and updated ed. London: Thames & Hudson; 2009.
151.
MacRitchie, Lynn, Hartley, Craig, Schubert, Karsten. Bridget Riley: complete prints 1962-2010. 3rd rev. ed. London: Ridinghouse; 2010.
152.
Gooding, Mel, Hoyland, John. John Hoyland. London: Thames & Hudson; 2006.
153.
Gooding, Mel, Ayres, Gillian. Gillian Ayres. Aldershot: Lund Humphries; 2001.
154.
Mellor, David. The art of Robyn Denny: architecture, art, design, fashion, history, photography, theory and things. London: Black Dog; 2002.
155.
Gooding, Mel, Bowling, Frank, Royal Academy of Arts (Great Britain). Frank Bowling. London: Royal Academy of Arts; 2011.
156.
Alloway, Lawrence. American pop art: An exhibition organised for and shown at the Whitney Museum of American Art, Apl.6-June 16,1974. New York: Macmillan;
157.
Stief, Angela, Walkner, Martin, Steinegger, Christoph, Deichtorhallen Hamburg, Städtische Galerie Bietigheim-Bissingen, Kunsthalle Wien, et al. Power up: female pop art. [Wien]: Kunsthalle Wien; 2010.
158.
Donovan, Molly, Warhol, Andy, Curley, John J., National Gallery of Art (U.S.). Warhol: headlines. Munich: Prestel; 2011.
159.
Pratt, Alan R. The critical response to Andy Warhol. Vol. Critical responses in arts and letters. Westport, Conn: Greenwood Press; 1997.
160.
McShine, Kynaston, Museum of Modern Art (New York, N.Y.), Hayward Gallery. Andy Warhol: a retrospective. New York: Museum of Modern Art; 1989.
161.
Madoff, Steven Henry. Pop art: a critical history. Vol. The documents of twentieth-century art. Berkeley: University of California Press; 1997.
162.
Doris, Sara. Pop art and the contest over American culture [Internet]. Cambridge: Cambridge University Press; 2007. Available from: http://www.loc.gov/catdir/enhancements/fy0668/2006016729-d.html
163.
Moorhouse, Paul, Sandbrook, Dominic, National Portrait Gallery (Great Britain). Pop art portraits. London: National Portrait Gallery; 2007.
164.
Smith, P S. Andy Warhol’s art and films. [Place of publication not identified]: UMI Research Press; 1986.
165.
Danto, Arthur C. Andy Warhol. Vol. Icons of America. New Haven, Conn: Yale University Press; 2009.
166.
Elger, Dietmar. Andy Warhol: selbstportraits = self-portraits. Ostfildern-Ruit: Hatje Cantz; 2004.
167.
Bastian, Heiner, Warhol, Andy, Neue Nationalgalerie, Berlin, Tate Modern (Gallery). Andy Warhol: retrospective. London: Tate Pub;
168.
Donovan, Molly, Warhol, Andy, Curley, John J., National Gallery of Art (U.S.). Warhol: headlines. Munich: Prestel; 2011.
169.
MacCabe, Colin, Francis, Mark, Wollen, Peter, British Film Institute, Andy Warhol Museum. Who is Andy Warhol? London: British Film Institute; 1997.
170.
Feldman, Frayda, Schellmann, Jörg, Defendi, Claudia, Warhol, Andy, Andy Warhol Foundation for the Visual Arts. Andy Warhol prints: a catalogue raisonné : 1962-1987. 4th ed., rev.expanded. [New York]: D.A.P./Distributed Art Publishers in association with Ronald Feldman Fine Arts; 2003.
171.
Frei, Georg, Printz, Neil, Warhol, Andy. The Andy Warhol catalogue raisonne: Paintings and sculptures, 1964-1965. London: Phaidon; 2002.
172.
Doyle, Jennifer, Flatley, Jonathan, Munoz, José Esteban. Pop out: Queer Warhol. Vol. Series Q. Durham: Duke University Press; 1996.
173.
Rondeau J, Wagstaff S, Bell C, Bois YA, Candela I, Cooper H, et al. Roy Lichtenstein: a retrospective. London: by order of the Tate Trustees by Tate Publishing; 2012.
174.
Oldenburg, Claes, Rottner, Nadja, Shannon, Joshua. Claes Oldenburg. Vol. October files. Cambridge, Mass: MIT Press; 2012.
175.
Celant, Germano, Bell, Clare, Blaut, Julia, Solomon R. Guggenheim Museum. Jim Dine: walking memory, 1959-1969. New York: Guggenheim Museum; 1999.
176.
Lobel, Michael. Image duplicator: Roy Lichtenstein and the emergence of pop art. Vol. Yale publications in the history of art. New Haven, Conn: Yale University Press; 2002.
177.
Bader, Graham. Hall of mirrors: Roy Lichtenstein and the face of painting in the 1960s. Vol. October books. Cambridge, Mass: MIT Press; 2010.
178.
Lobel, Michael, Rosenquist, James. James Rosenquist: pop art, politics, and history in the 1960s. Berkeley, Ca: University of California Press; 2009.
179.
Oldenburg, Claes, Hochdörfer, Achim, Schröder, Barbara, Museum Moderner Kunst (Austria). Claes Oldenburg: the sixties. Munich: Delmonico; 2012.
180.
Tuchman, Phyllis, Segal, George. George Segal. 1st ed. Vol. Modern masters series. New York: Abbeville Press; 1983.
181.
Livingstone, Marco, Guadagnini, Walter, Modena (Italy). Pop art UK: British pop art, 1956-1972. Cinisello Balsamo, Milano: Silvana; 2004.
182.
Moorhouse, Paul, Sandbrook, Dominic, National Portrait Gallery (Great Britain). Pop art portraits. London: National Portrait Gallery; 2007.
183.
Morphet, Richard. R.B. Kitaj: a retrospective. London: Tate Gallery; 1994.
184.
Aulich, James, Lynch, John, Barber Institute of Fine Arts. Critical Kitaj: essays on the work of R.B. Kitaj. Vol. The Barber Institute’s critical perspectives in art history series. Manchester: Manchester University Press; 2000.
185.
Morphet, Richard. R.B. Kitaj: a retrospective. London: Tate Gallery; 1994.
186.
Kugelmann, Cilly, Jüdisches Museum Berlin (1999- ). Obsessions: R.B. Kitaj, 1932-2007. Bielefeld: Kerber; 2012.
187.
Wallis, Clarrie, Caulfield, Patrick. Patrick Caulfield. Vol. British artists. London: Tate Publishing; 2013.
188.
Livingstone, Marco. Patrick Caulfield: paintings. Aldershot: Lund Humphries; 2005.
189.
Walker Art Gallery (Liverpool). Retrovision - Peter Phillips: paintings 1960-1982. [Place of publication not identified]: Walker Art Gallery; 1982.
190.
Hodgkin, Howard, Museum of Modern Art (Oxford, England). Forty-five paintings, 1949-1975: [catalog of an exhibition held at the] Museum of Modern Art, Pembroke Street, Oxford, 14 March-18 April 1976 ... [et al.]. London]: Arts Council of Great Britain;
191.
Serota, Nicholas, Tate Britain (Gallery). Howard Hodgkin. London: Tate Publishing; 2006.
192.
Price, Marla, Hodgkin, Howard. Howard Hodgkin: the complete paintings : catalogue raisonné. London: Thames & Hudson, in association with Modern Museum of Art of Fort Worth, Texas; 2006.
193.
Lambirth, Andrew, Royal Academy of Arts (Great Britain). Allen Jones: works. London: Royal Academy of Arts; 2005.
194.
Wainwright L. Frank Bowling and the Appetite for British Pop. Third Text. 2008 Mar;22(2):195–208.
195.
Colin Self: Art in the Nuclear Age [Internet]. Available from: http://www.ww.pallantbookshop.com/books/details/colin_self_art_in_the_nuclear_age
196.
McClung, William Alexander. Landscapes of desire: Anglo mythologies of Los Angeles [Internet]. Berkeley, Ca: University of California Press; 2000. Available from: http://www.loc.gov/catdir/bios/ucal052/99023426.html
197.
Armstrong, Elizabeth, Boyd, Michael, Brouwer, Anna, Trent, Mary, Orange County Museum of Art (Calif.), Addison Gallery of American Art, et al. Birth of the cool: California art, design, and culture at midcentury. Newport Beach: Orange County Museum of Art; 2007.
198.
Whiting, Ćécile. Pop L.A.: art and the city in the 1960s [Internet]. Berkeley, Ca: University of California Press; 2006. Available from: http://www.loc.gov/catdir/enhancements/fy0641/2005055910-d.html
199.
Peabody, Rebecca, Bradnock, Lucy, J. Paul Getty Museum, Martin-Gropius-Bau (Berlin, Germany), Pacific Standard Time (Exhibition). Pacific standard time: Los Angeles art, 1945-1980. Los Angeles: Getty Research Institute and the J. Paul Getty Museum; 2011.
200.
Ruscha E, Schwartz A. Leave any information at the signal: writings, interviews, bits, pages. Cambridge, Mass: MIT; 2002.
201.
Heckert, Virginia, Ruscha, Edward, J. Paul Getty Museum. Ed Ruscha and some Los Angeles apartments. Los Angeles: The J. Paul Getty Museum; 2013.
202.
Taylor, Phil, Rawlinson, Mark, Ruscha, Edward. Various small books: referencing various small books by Ed Ruscha. Brouws, Jeffrey T., Burton, Wendy, Zschiegner, Hermann, editors. Cambridge, Massachusetts: The MIT Press; 2013.
203.
Richards, Mary. E R: Ed Ruscha. London: Tate Publishing; 2008.
204.
Poncy, Pat, Dean, Robert. Edward Ruscha: catalogue raisonné of the paintings. New York, N.Y.: Gagosian Gallery; 2003.
205.
Schwartz, Alexandra. Ed Ruscha’s Los Angeles. Cambridge, Mass: MIT Press; 2010.
206.
Hockney, David, Royal Academy of Arts (Great Britain), Museo Guggenheim Bilbao, Museum Ludwig. David Hockney - a bigger picture. London: Thames & Hudson; 2012.
207.
Hockney, David, Stangos, Nikos. David Hockney. London: Thames & Hudson; 1976.
208.
Livingstone, Marco. David Hockney. Vol. The world of art library. London: Thames and Hudson; 1981.
209.
Farquharson, Alex, Brighton, Andrew, Nottingham Contemporary (Nottingham). David Hockney, 1960-68: a marriage of styles. Nottingham: Nottingham Contemporary; 2009.
210.
Banham, Reyner. Los Angeles: the architecture of four ecologies [Internet]. Berkeley: University of California Press; 2001. Available from: http://www.loc.gov/catdir/description/ucal042/00064850.html
211.
Katz, Alex, Timothy Taylor Gallery (London), National Portrait Gallery (Great Britain). Alex Katz portraits. London: National Portrait Gallery, in association with Timothy Taylor Gallery; 2010.
212.
Storr, Robert, Alloway, Lawrence, Schuyler, James, Katz, Alex, Jewish Theological Seminary of America, Jewish Museum (New York, N.Y.). Alex Katz paints Ada [Internet]. New York: Jewish Museum, under the auspices of the Jewish Theological Seminary of America; 2006. Available from: http://www.loc.gov/catdir/toc/ecip0613/2006013967.html
213.
Bailey, David, Higgins, Jackie. David Bailey. London: Phaidon; 2010.
214.
Avedon, Richard, Baldwin, James. Nothing personal. New York: Atheneum; 1964.
215.
Avedon, Richard, Arbus, Doon. The sixties. London: Jonathan Cape;
216.
Haworth-Booth, Mark, Mellor, David, Philadelphia Museum of Art. Bill Brandt, behind the camera: photographs, 1928-1983. New York, N.Y.: Aperture; 1985.
217.
Arbus, Diane. Diane Arbus: a chronology. 1st ed. New York, NY: Aperture Foundation; 2011.
218.
Arbus, Diane, San Francisco Museum of Modern Art. Diane Arbus: revelations. London: Jonathan Cape; 2003.
219.
Lee, Anthony W., Pultz, John. Diane Arbus: family albums. New Haven, Conn: Yale University Press; 2003.
220.
Arbus, Diane, Arbus, Doon, Israel, Marvin. Diane Arbus. New York: Aperture; 1972.
221.
Holm, Michael Juul, Avedon, Richard, Louisiana Museum of Modern Art (Humlebæk, Denmark). Richard Avedon photographs, 1946-2004. Humlebæk, Denmark: Louisiana Museum of Modern Art; 2007.
222.
Gross, Frederick. Diane Arbus’s 1960s: auguries of experience. Minneapolis: University of Minnesota Press; 2012.
223.
NY JS DB 62. [Place of publication not identified]: STEIDL : Steidl; 2008.
224.
Winogrand, Garry, San Francisco Museum of Modern Art. Garry Winogrand. Rubinfien, Leo, editor. New Haven: San Francisco Museum of Modern Art in association with Yale University Press; 2013.
225.
Galassi, Peter. Friedlander. New York: Museum of Modern Art; 2005.
226.
Storr, Robert, Close, Chuck, Varnedoe, Kirk, Wye, Deborah, Hayward Gallery, Museum of Modern Art (New York, N.Y). Chuck Close. New York: Museum of Modern Art; 1998.
227.
Finch, Christopher, Close, Chuck. Chuck Close: work. Munich: Prestel; 2010.
228.
Battcock, Gregory. Minimal art: a critical anthology. Berkeley: University of California Press; 1995.
229.
Colpitt, Frances. Minimal art: the critical perspective. Seattle: University of Washington Press; 1993.
230.
Strickland, Edward. Minimalism: origins. Bloomington, Ind: Indiana University Press; 1993.
231.
Batchelor, David, Tate Gallery. Minimalism. Vol. Movements in modern art. London: Tate Gallery; 1997.
232.
Meyer, James Sampson. Minimalism. Vol. Themes and movements. London: Phaidon; 2005.
233.
Meyer, James Sampson. Minimalism: art and polemics in the sixties. New Haven: Yale University Press; 2001.
234.
Pearson, James. Frank Stella: from minimalism to maximalism. 2nd ed. Kidderminster: Crescent Moon; 1998.
235.
Kennedy, Brian P., Stella, Frank, Hood Museum of Art. Frank Stella: Irregular polygons, 1965-66. 1st ed. Lebanon, N.H.: University Press of New England; 2011.
236.
Museum of Modern Art (New York, N.Y.), Hayward Gallery, Hayward Gallery, International Council of the Museum of Modern Art (New York, N.Y.). Frank Stella: a retrospective exhibition: Hayward Gallery, London, 25 July to 31 August 1970. London]: Arts Council of Great Britain;
237.
Rosenthal, Stephanie, Rauschenberg, Robert, Reinhardt, Ad, Rothko, Mark, Stella, Frank, Haus der Kunst München. Black paintings: Robert Rauschenberg, Ad Reinhardt, Mark Rothko, Frank Stella. Ostfildern]: Hatje Cantz;
238.
Weiss, MR Jeffrey. Robert Morris: Object Sculpture, 1960-1965. New Haven: Yale University Press; 2014.
239.
Bryan-Wilson, Julia, editor. Robert Morris. Vol. October Files. Cambridge, Mass: MIT Press Ltd; 2013.
240.
Govan, Michael, Bell, Tiffany, Smith, Brydon E., National Gallery of Art (U.S.). Dan Flavin: a retrospective. New York: Dia Art Foundation; 2004.
241.
Serota, Nicholas. Donald judd. 1st ed. London: Tate publishing; 2004.
242.
Weiss, Jeffrey S., Fer, Briony. Dan Flavin: new light. New Haven, Conn: Yale University Press; 2006.
243.
Weiss, MR Jeffrey. Robert Morris: Object Sculpture, 1960-1965. New Haven: Yale University Press; 2014.
244.
Feldman, Paula, Rider, Alistair, Schubert, Karsten. About Carl Andre: critical texts since 1965. London: Ridinghouse;
245.
Rider, Alistair, Andre, Carl. Carl Andre: things in their elements. London: Phaidon; 2011.
246.
Foster, Hal, Hughes, Gordon, Buchloh, Benjamin H. D. Richard Serra. Vol. October files. Cambridge, Mass: MIT Press; 2000.
247.
McShine, Kynaston, Cooke, Lynne, Museum of Modern Art (New York, N.Y.). Richard Serra sculpture: forty years. New York, NY: Museum of Modern Art; 2007.
248.
Cooke, Lynne, Kelly, Karen, Martin, Agnes, Dia Art Foundation. Agnes Martin. New Haven, Conn: Yale University Press; 2011.
249.
Corris, Michael. Ad Reinhardt. London: Reaktion; 2008.
250.
Reinhardt, Adolph Frederick. Art-as-art: the selected writings of Ad Reinhardt. Vol. The Documents of 20th-century art. New York: Viking Press; 1975.
251.
Shiff, Richard, Mangold, Robert. Robert Mangold. London: Phaidon; 2000.
252.
Garrels G, Marden B. Plane image: a Brice Marden retrospective. New York: Museum of Modern Art; 2006.
253.
Colaizzi, Vittorio, Schubert, Karsten. Robert Ryman: critical texts since 1967. London: Ridinghouse; 2009.
254.
Wylie, Charles, Ryman, Robert, Rifelj, Claire de Dobay, Dallas Museum of Art. Robert Ryman [Internet]. Dallas]: Dallas Museum of Art; Available from: http://www.loc.gov/catdir/toc/ecip061/2005028800.html
255.
Moorhouse, Paul. Anthony Caro: presence. Farnham: Lund Humphries; 2010.
256.
Rubin, William Stanley, Caro, Anthony, Museum of Modern Art (New York, N.Y.), Museum of Fine Arts, Boston. Anthony Caro. London: Thames and Hudson; 1975.
257.
Moorhouse, Paul, Fried, Michael, Hickey, Dave. Anthony Caro. London: Tate Publishing; 2005.
258.
Barker, Ian. Anthony Caro: quest for the new sculpture. 1st ed. Aldershot: Lund Humphries; 2004.
259.
Potts, Alex. Caro in the 1960s and the persistent object of sculpture. Sculpture Journal [Internet]. 2012;21(2):51–62. Available from: http://search.ebscohost.com/login.aspx?direct=true&db=vth&AN=83730180&site=ehost-live
260.
Rubin, William Stanley, Caro, Anthony, Museum of Modern Art (New York, N.Y.), Museum of Fine Arts, Boston. Anthony Caro. London: Thames and Hudson; 1975.
261.
Bryant, Julius. Anthony Caro: a life in sculpture. London: Merrell; 2004.
262.
Bryant, Julius, Droth, Martina, Storr, Robert, Caro, Anthony, Yale Center for British Art. Caro: close up. New Haven: Yale University Press; 2012.
263.
Hilton, Timothy, Henry Moore Foundation. The sculpture of Phillip King. Vol. British sculptors and sculpture series. London: Henry Moore Foundation in association with Lund Humphries; 1992.
264.
Applin, Jo. Eccentric objects: rethinking sculpture in 1960s America. New Haven, [Conn.]: Yale University Press; 2012.
265.
Hesse, Eva, Alden, Todd, Applin, Jo, Swenson, Kirsten, Hauser & Wirth London. Eva Hesse 1965. Rosen, Barry, editor. New Haven, CT: Yale University Press; 2013.
266.
Nixon, Mignon. Fantastic reality: Louise Bourgeois and a story of modern art. Cambridge, Mass.; London: MIT Press; 2005.
267.
Storr, Robert, Bourgeois, Louise, Herkenhoff, Paulo, Schwartzman, Allan. Louise Bourgeois. Vol. Contemporary artists. London: Phaidon Press; 2003.
268.
Pollock, Griselda, Corby, Vanessa. Encountering Eva Hesse. Munich: Prestel; 2006.
269.
Hesse, Eva, Nixon, Mignon, Nemser, Cindy. Eva Hesse [Internet]. Vol. October files. Cambridge, Mass: MIT Press; 2002. Available from: http://www.loc.gov/catdir/toc/fy036/2002071845.html
270.
Sussman, Elisabeth, Hesse, Eva, Wasserman, Fred, Bois, Yve Alain, Godfrey, Mark, Jewish Museum (New York, N.Y.). Eva Hesse: sculpture [Internet]. New York: Jewish Museum; 2006. Available from: http://www.loc.gov/catdir/toc/ecip066/2006001262.html
271.
Lewallen, Constance M., Riley, Robert R., Storr, Robert, Wagner, Anne Middleton, Nauman, Bruce. A rose has no teeth: Bruce Nauman in the 1960s [Internet]. Berkeley, Ca: University of California Press; 2007. Available from: http://www.loc.gov/catdir/toc/ecip071/2006030512.html
272.
Bernadac, Marie-Laure, Obrist, Hans-Ulrich. Louise Bourgeois, destruction of the father, reconstruction of the father: writings and interviews 1923-1997. London: Violette Editions; 1998.
273.
Buchsteiner, Thomas, Letze, Otto, Hanson, Duane, Helsingin kaupungin taidemuseo, Arken museum for moderne kunst (Ishøj, Denmark), UNESCO Kulturerbe Völklinger Hütte. Duane Hanson: sculptures of the American dream. New, expanded ed. Ostfildern: Hatje Cantz; 2007.
274.
Hammer, Martin, National Galleries of Scotland. The naked portrait, 1900 to 2007. Edinburgh: National Galleries of Scotland;
275.
Freud, Lucian, Howgate, Sarah, Auping, Michael, Richardson, John. Lucian Freud: portraits. London: National Portrait Gallery; 2012.
276.
Freud, Lucian, Howgate, Sarah, Auping, Michael, Richardson, John. Lucian Freud: portraits. London: National Portrait Gallery; 2012.
277.
Lewison, Jeremy, Neel, Alice, Museum of Fine Arts, Houston, Whitechapel Art Gallery, Moderna Museet Malmö (Sweden). Alice Neel: painted truths. Houston, Tex: Museum of Fine Arts; 2010.
278.
Feaver, William. Lucian Freud. New York City, NY: Rizzoli Publishers; 2007.
279.
Gale, Matthew, Stephens, Chris, Harrison, Martin, Tate Britain (Gallery). Francis Bacon. London: Tate Pub; 2008.
280.
Nancy Holt and Robert Smithson in England, 1969 | Tate [Internet]. Available from: http://www.tate.org.uk/context-comment/articles/nancy-holt-and-robert-smithson-england-1969
281.
Tsai, Eugenie, Butler, Cornelia H., Crow, Thomas E., Alberro, Alexander, Roth, Moira, Smithson, Robert, et al. Robert Smithson. Berkeley: University of California Press; 2004.
282.
Smithson, Robert, Flam, Jack D., Smithson, Robert. Robert Smithson, the collected writings. Vol. The documents of twentieth century art. Berkeley: University of California Press; 1996.
283.
Reynolds, Ann Morris, Smithson, Robert. Robert Smithson: learning from New Jersey and elsewhere. Cambridge, Mass: MIT Press; 2003.
284.
Smithson, Robert, Baker, George, Cooke, Lynne, Kelly, Karen. Robert Smithson: Spiral Jetty : true fictions, false realities. Berkeley, Ca: University of California Press; 2005.
285.
Alberro, Alexander. Lawrence Weiner. Vol. Contemporary artists. London: Phaidon; 1998.
286.
Weiner, Lawrence, De Salvo, Donna M., Goldstein, Ann, Museum of Contemporary Art (Los Angeles, Calif), Whitney Museum of American Art, Kunstsammlung Nordrhein-Westfalen (Germany). As far as the eye can see: Lawrence Weiner [Internet]. Los Angeles: Museum of Contemporary Art; 2007. Available from: http://www.loc.gov/catdir/toc/ecip0727/2007038646.html
287.
Phillpot, Clive, Tarsia, Andrea, Archer, Michael, Brooks, Rosetta, Whitechapel Art Gallery. Live in your head: concept and experiment in Britain 1965-75. London: Whitechapel Art Gallery; 2000.
288.
Long, Richard, Tufnell, Ben. Richard Long: selected statements & interviews. London: Haunch of Venison; 2007.
289.
Alfrey, Nicholas, Sleeman, John, Tufnell, Ben. Uncommon ground: land art in Britain 1966-1979. London: Hayward Publishing; 2013.
290.
Sleeman, Joy. The New Art, Hayward Gallery, London, 1972: new as compromise, or when what happens around the exhibition is as interesting as what happens in the exhibition. Sculpture Journal [Internet]. 2012;21(2):63–74. Available from: http://search.ebscohost.com/login.aspx?direct=true&db=vth&AN=83730184&site=ehost-live
291.
Roelstraete, Dieter. Richard Long: A line made by walking. Vol. One work. London: Afterall; 2010.
292.
Fulton, Hamish, Tufnell, Ben, Wilson, Andrew, McKibben, Bill, Scott, Doug, Tate Britain (Gallery). Hamish Fulton: walking journey. London: Tate Publ; 2002.
293.
Abrioux, Y. Ian Hamilton Finlay: a visual primer. [Place of publication not identified]: Reaktion Books; 1985.
294.
Institute of Contemporary Arts : Roland Magazine : Roland Issue 2: Poor. Old. Tired. Horse. [Internet]. Available from: http://www.ica.org.uk/20334.twl
295.
Arnatt, Keith, Hurn, David, Grafik, Clare, Photographers’ Gallery. I’m a real photographer: Keith Arnatt, photographs 1974-2002. London: Chris Boot; 2007.
296.
Whiteley, Gillian. Junk: art and the politics of trash [Internet]. London: I. B. Tauris; 2011. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780857720214
297.
Siegel, Katy. High times, hard times: New York painting 1967-1975. New York, N.Y.: iCI Independent Curators International and D.A.P./Distributed Art Publishers; 2006.