1
BBC - Your Paintings. http://www.bbc.co.uk/arts/yourpaintings/
2
Art and artists | Tate. http://www.tate.org.uk/art
3
Harrison, Charles, Wood, Paul. Art in theory, 1900-2000: an anthology of changing ideas. New ed. Oxford: : Blackwell Publishers 2003.
4
Peters Corbett, David, Monks, Sarah, Association of Art Historians (Great Britain). Anglo-American: artistic exchange between Britain and the USA. Chichester: : Wiley-Blackwell 2012.
5
Crow, Thomas E. The rise of the sixties: American and European art in the era of dissent 1955-69. London: : Weidenfeld & Nicolson 1996.
6
Foster, Hal. Art since 1900: modernism, antimodernism, postmodernism. London: : Thames & Hudson 2004.
7
Anglo–American Exchange<br> in Postwar Sculpture, 1945–1975. http://www.getty.edu/museum/symposia/angloamerican.html
8
Gaiger, Jason. Frameworks for modern art. London: : Yale University Press, in association with Open University 2003. http://www.loc.gov/catdir/toc/ecip045/2003014470.html
9
Varieties of modernism. 1st ed. New Haven, Conn: : Yale University Press, in association with The Open University 2004.
10
Groseclose, Barbara S., Wierich, Jochen. Internationalizing the history of American art: views. University Park, Pa: : Pennsylvania State University Press 2009.
11
Harrison, Charles. Since 1950: art and its criticism. New Haven, Conn: : Yale University Press 2009.
12
Lind, Maria, editor. Abstraction. Cambridge, Massachusetts: : The MIT Press 2013.
13
Pells, Richard H. Modernist America: art, music, movies, and the globalization of American culture. New Haven: : Yale University Press 2011.
14
Potts, Alex. Experiments in modern realism: world-making, politics and the everyday in postwar European and American art. New Haven, Connecticut: : Yale University Press 2013.
15
Amsterdam (Netherlands). Stedelijk Collection reflections: reflections on the collection of the Stedelijk Museum Amsterdam. Rotterdam: : nai010 publishers 2012.
16
Tallman, Susan. The contemporary print: from pre-pop to postmodern. London: : Thames and Hudson 1996.
17
Lee, Pamela M. Chronophobia: on time in the art of the 1960’s. Cambridge, Mass: : MIT Press 2004.
18
Houston, Joe, Columbus Museum of Art. Optic nerve: perceptual art of the 1960s. London: : Merrell Pub. Ltd 2007.
19
Taylor B. Collage: the making of modern art. London: : Thames & Hudson 2004.
20
Wood, Jon, Hulks, David, Potts, Alex, et al. Modern sculpture reader. Leeds: : Henry Moore Institute 2012.
21
Joachimides, Christos M., Rosenthal, Norman, Anfam, David, et al. American art in the 20th century: painting and sculpture, 1913-1993. Munich: : Prestel 1993.
22
Phillips, Lisa, Haskell, Barbara, Whitney Museum of American Art. The American century: art & culture, 1950-2000. New York: : Whitney Museum of American Art, in association with W.W. Norton 1999.
23
Sandler I. American art of the 1960s. First edition. New York: : Harper & Row 1988.
24
Siegel, Katy. Since ’45: America and the making of contemporary art. London: : Reaktion 2011.
25
Hopper, Edward, Wagstaff, Sheena, Tate Modern (Gallery), et al. Edward Hopper. London: : Tate Pub 2004.
26
Siegel, Katy. High times, hard times: New York painting 1967-1975. New York, N.Y.: : iCI Independent Curators International and D.A.P./Distributed Art Publishers 2006.
27
Frascina, Francis. Art, politics and dissent: aspects of the art left in sixties America. Manchester: : Manchester University Press 1999. http://www.loc.gov/catdir/bios/hol058/99044155.html
28
Sylvester D. Interviews with American artists. London: : Pimlico 2002.
29
Varnedoe, Kirk. Pictures of nothing: abstract art since Pollock. Princeton, N.J.: : Princeton University Press 2006. http://www.loc.gov/catdir/toc/ecip069/2006006621.html
30
Phillips, Lisa, Whitney Museum of American Art. Beat culture and the New America, 1950-1965. Paris: : Flammarion 1995.
31
Wagner, Anne Middleton. A house divided: American art since 1955. Berkeley, Calif: : University of California Press 2012.
32
Elderfield, John, Museum of Modern Art (New York, N.Y.). American art of the 1960s. New York: : Museum of Modern Art 1991.
33
Bryan-Wilson, Julia. Art workers: radical practice in the Vietnam War era. Berkeley, Calif: : University of California Press 2010.
34
Stephens, Chris, Stout, Katharine, Tate Britain (Gallery). Art & the 60s: this was tomorrow. London: : Tate 2004.
35
Mellor, David, Barbican Art Gallery. The sixties art scene in London. London: : Phaidon P. 1993.
36
Walker, John A. Cultural offensive: America’s impact on British art since 1945. London: : Pluto 1998.
37
Arnold, Dana, Peters Corbett, David, editors. A companion to British art: 1600 to the present. Chichester, West Sussex: : Wiley-Blackwell 2013. http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9781118313763
38
Palazzo reale di Milano, British Council. English art today, 1960-76; [catalogue by I Barker]. Milano: : Electa 1976.
39
Grunenberg, Christoph, Harris, Jonathan. Summer of love: psychedelic art, social crisis and counterculture in the 1960s. Liverpool: : Liverpool University Press 2005.
40
Tickner, Lisa, Peters Corbett, David, Association of Art Historians (Great Britain). British art in the cultural field, 1939-69. Chichester: : Wiley-Blackwell 2012.
41
Robicsek HL. ‘You Give Us This and We Give You That’. Third Text 2008;22:257–71. doi:10.1080/09528820802013131
42
Tickner L. The Kasmin Gallery. Oxford Art Journal 2007;30:233–68. doi:10.1093/oxartj/kcm007
43
Curtis, Penelope, Henry Moore Institute (Leeds, England). Sculpture in 20th century Britain. Leeds: : Henry Moore Institute 2003.
44
Curtis, Penelope, Wilson, Kevin, Royal Academy of Arts (Great Britain). Modern British sculpture. London: : Royal Academy of Arts 2011.
45
Sylvester, David. London recordings. London: : Chatto & Windus 2003.
46
Jackson, Lesley. The sixties: decade of design revolution. London: : Phaidon 1998.
47
Sandbrook, Dominic. White heat: a history of Britain in the swinging sixties. London: : Abacus 2007.
48
Frith, Simon, Horne, Howard. Art into pop. London: : Methuen 1987.
49
MacDonald I. Revolution in the head: the Beatles’ records and the sixties. London: : Fourth Estate 1994.
50
Metzger, Rainer, Brandstätter, Christian. London in the sixties. London: : Thames & Hudson 2012.
51
Rycroft, Simon. Swinging city: a cultural geography of London 1950-1974. Farnham: : Ashgate 2011. http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780754689157
52
When Britain Went Pop! | Special Event | Christie’s. http://www.christies.com/events/when-britain-went-pop/
53
Barbican - Pop Art Design. http://www.barbican.org.uk/artgallery/event-detail.asp?ID=14797
54
Horowitz, Daniel. Consuming pleasures: intellectuals and popular culture in the postwar world. Philadelphia, Pa: : University of Pennsylvania Press 2012.
55
Brauer, David E., Menil Collection (Houston, Tex.). Pop art: U.S./U.K. connections, 1956-1966. Ostfildern-Ruit: : Hatje Cantz Verlag 2001.
56
Livingstone, Marco. Pop art: a continuing history. [London]: : Thames and Hudson 1990.
57
Madoff, Steven Henry. Pop art: a critical history. Berkeley: : University of California Press 1997.
58
Bowlt JE, Varnedoe K, Gopnik A, et al. Modern art and popular culture: readings in high & low. New York: : Harry N. Abrams in association with the Museum of Modern Art 1990.
59
Lippard, Lucy R., Alloway, Lawrence. Pop art. 3rd ed. London: : Thames and Hudson 1970.
60
Bankowsky, Jack, Gingeras, Alison M., Wood, Catherine, et al. Pop life: art in a material world. London: : Tate Publishing 2009.
61
South Bank Centre. Pop prints: from the Arts Council Collection. London: : South Bank Centre 1993.
62
Moorhouse, Paul, Sandbrook, Dominic, National Portrait Gallery (Great Britain). Pop art portraits. London: : National Portrait Gallery 2007.
63
Francis, Mark, Foster, Hal. Pop. London: : Phaidon 2005.
64
Whiting, Cécile. A taste for pop: pop art, gender, and consumer culture. Cambridge: : Cambridge University Press 1997.
65
Foster, Hal. The first Pop age: painting and subjectivity in the art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha. Princeton, N.J.: : Princeton University Press 2012.
66
Burton, Johanna, Princeton University. Pop art: contemporary perspectives. Princeton, N.J.: : Princeton University Art Museum 2007.
67
Walker, John Albert. Cross-overs: art into pop/pop into art. London: : Comedia 1987.
68
Doris, Sara. Pop art and the contest over American culture. Cambridge: : Cambridge University Press 2007. http://www.loc.gov/catdir/enhancements/fy0668/2006016729-d.html
69
Stief, Angela, Walkner, Martin, Steinegger, Christoph, et al. Power up: female pop art. [Wien]: : Kunsthalle Wien 2010.
70
Perry, Gillian, Wood, Paul, Open University. Themes in contemporary art. New Haven, Conn: : Yale University Press, in association with Open University 2004.
71
Wood, Paul. Conceptual art. London: : Tate Publishing 2002.
72
Boettger, Suzaan. Earthworks: art and the landscape of the sixties. Berkeley, Ca: : University of California Press 2002. http://www.loc.gov/catdir/toc/fy035/2002002316.html
73
Tufnell, Ben. Land art. London: : Tate 2006.
74
Kaiser, Philipp, Kwon, Miwon, Museum of Contemporary Art (Los Angeles, Calif.). Ends of the earth: art of the land to 1974. Munich: : Prestel 2012.
75
Kastner, Jeffrey, Wallis, Brian. Land and environmental art. London: : Phaidon 1998.
76
Whiteley, Nigel. Art and pluralism: Lawrence Alloway’s cultural criticism. Liverpool: : Liverpool University Press 2012.
77
Alloway, Lawrence. Network: art and the complex present. [Place of publication not identified]: : UMI Research Press 1984.
78
Alloway, Lawrence, Kalina, Richard. Imagining the present: context, content, and the role of the critic. London: : Routledge 2006. http://www.loc.gov/catdir/toc/ecip0516/2005021292.html
79
Fried, Michael. Art and objecthood: essays and reviews. Chicago: : University of Chicago Press 1998.
80
Sylvester, David. About modern art: critical essays, 1948-2000. Rev. ed. London: : Pimlico 2002.
81
The War Game [1965]. 20AD.https://www.youtube.com/watch?v=nrGg8PfkbZw
82
Guilbaut, Serge. Reconstructing modernism: art in New York, Paris, and Montreal, 1945-1964. Cambridge, Mass: : MIT Press 1990.
83
Genter, Robert. Late modernism: art, culture, and politics in Cold War America. Philadelphia: : University of Pennsylvania Press 2010.
84
Saunders, Frances Stonor. Who paid the piper?: the CIA and the cultural Cold War. London: : Granta Books 1999.
85
Crowley, David, Pavitt, Jane, Victoria and Albert Museum. Cold War modern: design 1945-1970. London: : V&A 2008.
86
Anfam, David. Abstract expressionism. London: : Thames and Hudson 1990.
87
Siegel, Katy. Abstract Expressionism. London: : Phaidon Press 2011.
88
Frascina, Francis. Pollock and after: the critical debate. 2nd ed. London: : Routledge 2000.
89
Landau, Ellen G. Reading abstract expressionism: context and critique. New Haven, Conn: : Yale University Press 2005. http://www.loc.gov/catdir/enhancements/fy0619/2004061583-b.html
90
Sandler, Irving. The New York School: the painters and sculptors of the fifties. 1st ed. New York: : Harper & Row 1978.
91
Sandler, Irving. Abstract expressionism and the American experience: a reevaluation. Lenox, Mass: : Hard Press Editions 2009.
92
Carosso, Andrea. Cold War Narratives: American Culture in the 1950 S. Pieterlen: : Peter Lang AG, Internationaler Verlag der Wissenschaften 2013. http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9783035105155
93
Kleeblatt, Norman L., Berger, Maurice, Balken, Debra Bricker, et al. Action/abstraction: Pollock, de Kooning, and American art, 1940-1976. New York: : Jewish Museum, under the auspices of The Jewish Theological Seminary of America 2008.
94
Varnedoe, Kirk, Karmel, Pepe, Pollock, Jackson, et al. Jackson Pollock. New York: : Museum of Modern Art 1998.
95
Lewison, Jeremy, Museum of Modern Art (New York, N.Y.), Tate Gallery. Interpreting Pollock. London: : Tate Gallery 1999.
96
Elderfield, John, Frankel, David, De Kooning, Willem, et al. De Kooning: a retrospective. New York: : Museum of Modern Art 2011.
97
Bürgi, Bernhard, Kertess, Klaus, Ubl, Ralph, et al. De Kooning: paintings, 1960-1980. Ostfildern-Ruit: : Hatje Cantz
98
Gaugh, Harry F., Cincinnati Art Museum. Franz Kline. New York: : Abbeville Press 1985.
99
Anfam, David, Rothko, Mark. Mark Rothko: the works on canvas ; catalogue raisonné. New Haven: : Yale U.P. 1998.
100
Shiff, Richard, De Kooning, Willem. Between sense and de Kooning. London: : Reaktion 2011.
101
Eliel, Carol S., Bedford, Christopher, Potts, Alex, et al. David Smith: cubes and anarchy. 1st ed. [Los Angeles]: : Los Angeles County Museum of Art 2011.
102
Hamill, Sarah, Smith, David. David Smith: works, writings and interview. Barcelona: : Polígrafa 2011.
103
Smith, David. David Smith. London: : Phaidon 2013.
104
Acker, Emma. Artistic identity in a transatlantic age Patrick Heron, Peter Lanyon, and the New American Painting. (French). British Art Journal 2010;10:158–70.http://search.ebscohost.com/login.aspx?direct=true&db=vth&AN=51011318&site=ehost-live
105
Heron, Patrick, Gooding, Mel. Painter as critic: Patrick Heron, selected writings. London: : Tate Gallery Pub 1998.
106
Gooding, Mel. Patrick Heron. London: : Phaidon 1994.
107
Causey, Andrew. Peter Lanyon: Modernism and the land. London: : Reaktion 2006.
108
Stephens, Chris, Tate Gallery St Ives. Peter Lanyon. London: : Tate 2010.
109
Stephens, Chris, Lanyon, Peter. Peter Lanyon: at the edge of landscape. London: : 21 Publishing 2000.
110
De Salvo, Donna M., Schimmel, Paul, Ferguson, Russell, et al. Hand-painted pop: American art in transition, 1955-62. Los Angeles: : Museum of Contemporary Art 1993.
111
Whiteley, Gillian. Junk: art and the politics of trash. London: : I. B. Tauris 2011. http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780857720214
112
Robinson, Julia, Museu d’Art Contemporani (Barcelona, Spain), Henie-Onstad kunstsenter. The anarchy of silence: John Cage and experimental art. Barcelona: : Museu d’Art Contemporani de Barcelona 2009.
113
Craft, Catherine. An audience of artists: Dada, Neo-Dada, and the emergence of abstract expressionism. Chicago: : University of Chicago Press 2012.
114
Robinson, Julia E., Benjamin, Agnes Berecz, Museo Nacional Centro de Arte Reina Sofía. New realisms, 1957-1962: object strategies between readymade and spectacle. Madrid : $b Museo Nacional Centro de Arte Reina Sofía: : MIT Press 2010.
115
Millar, Jeremy, Hayward Gallery, Baltic Centre for Contemporary Art, et al. Every day is a good day: the visual art of John Cage. London: : Hayward Publishing 2010.
116
Hopps, Walter, Davidson, Susan, Brown, Trisha, et al. Robert Rauschenberg: a retrospective. New York: : Guggenheim Museum Publications 1997.
117
Joseph, Branden Wayne. Random order: Robert Rauschenberg and the neo-avant-garde. Cambridge, Mass: : MIT Press 2003. http://www.loc.gov/catdir/toc/fy042/2003043620.html
118
Schimmel, Paul, Museum of Contemporary Art (Los Angeles, Calif.). Robert Rauschenberg: combines. Los Angeles, Ca: : Museum of Contemporary Art 2005.
119
Varnedoe, Kirk, Johns, Jasper, Bernstein, Roberta, et al. Jasper Johns: a retrospective. New York: : Museum of Modern Art 1996.
120
Johns, Jasper, Bernstein, Roberta, San Francisco Museum of Modern Art. Jasper Johns: seeing with the mind’s eye. San Francisco: : San Francisco Museum of Modern Art in association with Yale University Press 2012.
121
Philadelphia Museum of Art, Barbican Art Gallery. Dancing around the bride: Cage, Cunningham, Johns, Rauschenberg, and Duchamp. Philadelphia, PA: : Philadelphia Museum of Art in association with Yale University Press 2012.
122
Hopps, Walter, Kienholz, Edward, Reddin-Kienholz, Nancy, et al. Kienholz: a retrospective : Edward and Nancy Reddin Kienholz. New York: : Whitney Museum of American Art, in association with Thames and Hudson, London 1996.
123
Massey, Anne. The Independent Group: modernism and mass culture in Britain, 1945-59. Manchester: : Manchester University Press 1995.
124
Hood Museum of Art. The Independent Group: postwar Britain and the aesthetics of plenty. Cambridge: : MIT Press 1990.
125
Jackson, Lesley, Spencer, Robin. Nigel Henderson & Eduardo Paolozzi: Hammer Prints Ltd. 1954 - 75. Colchester: : firstsite 2012.
126
Martin, Simon, Wilson, Colin St. John, Paolozzi, Eduardo, et al. Eduardo Paolozzi: Collaging Culture. Chichester: : Pallant House Gallery Trust 2013.
127
Hamilton, Richard. Collected words, 1953-1982. London: : Thomas and Hudson
128
Hamilton, Richard, Tate Gallery, Irish Museum of Modern Art (Kilmainham, Dublin, Ireland). Richard Hamilton. London: : Tate Gallery 1992.
129
Hamilton, Richard, Foster, Hal, Craig-Martin, Michael. Richard Hamilton. Cambridge, Mass: : MIT Press 2010.
130
John-Paul Stonard. Pop in the Age of Boom: Richard Hamilton’s ‘Just What Is It That Makes Today’s Homes so Different, so Appealing?’ The Burlington Magazine 2007;149.http://www.jstor.org.chain.kent.ac.uk/stable/20074973?&Search=yes&searchText=stonard&list=hide&searchUri=%252Faction%252FdoAdvancedSearch%253Fq0%253Dstonard%2526f0%253Dall%2526c1%253DAND%2526q1%253D%2526f1%253Dall%2526acc%253Don%2526wc%253Don%2526fc%253Doff%2526Search%253DSearch%2526sd%253D%2526ed%253D%2526la%253D%2526pt%253D%2526isbn%253D&prevSearch=&item=1&ttl=184&returnArticleService=showFullText
131
Wilson, Andrew. Richard Hamilton, Swingeing London 67 (f). London: : Afterall 2011.
132
Hamilton, Richard, Tate Gallery, Irish Museum of Modern Art (Kilmainham, Dublin, Ireland). Richard Hamilton. London: : Tate Gallery 1992.
133
Banham, Reyner, Banham, Mary. A critic writes: essays by Reyner Banham. Berkeley: : University of California Press 1999.
134
Brittain, David, Paolozzi, Eduardo. The jet age compendium: Paolozzi at Ambit : [1967-1980]. London: : Four Corners 2009.
135
Wilson A. Gustav Metzger’s Auto‐Destructive/Auto‐Creative Art. Third Text 2008;22:177–94. doi:10.1080/09528820802012844
136
Livingstone, Marco. Peter Blake: one man show. Farnham: : [publisher not identified] 2009.
137
Grunenberg, Christoph, Sillars, Laurence, Tate Gallery Liverpool. Peter Blake: a retrospective. Liverpool: : Tate Liverpool, in association with Tate Publishing, London 2007.
138
Macdonald‐Munro I. John Latham. Third Text 2008;22:163–75. doi:10.1080/09528820802012794
139
Marquis, Alice Goldfarb. Art czar: the rise and fall of Clement Greenberg. 1st. ed. Aldershot: : Lund Humphries 2006.
140
Greenberg, Clement, Greenberg, Clement, O’Brian, John. The collected essays and criticism: Vol.4: Modernism with a vengeance, 1957-1969 ; edited by John O’Brian. Pbk. ed. Chicago [Ill.]: : University of Chicago Press 1995.
141
Elderfield, John. Morris Louis: The Museum of Modern Art, New York. [Place of publication not identified]: : The Museum of Modern Art 1986.
142
Rowley, Alison. Helen Frankenthaler: painting history, writing painting. London: : I.B. Tauris 2007.
143
Greenberg, Clement. Art and culture: critical essays. Boston, Mass: : Beacon Press 1961.
144
Waldman, Diane, Solomon R. Guggenheim Museum. Kenneth Noland: a retrospective. New York: : Solomon R. Guggenheim Foundation 1977.
145
Wilkin, Karen, Noland, Kenneth. Kenneth Noland. Barcelona: : Ediciones Polígrafa 1990.
146
Rowley, Alison. Helen Frankenthaler: painting history, writing painting. London: : I.B. Tauris 2007.
147
Whiteley N. ‘Cultural Imperialism’? Third Text 2008;22:209–27. doi:10.1080/09528820802013016
148
Riley, Bridget, Cooke, Lynne, Elderfield, John, et al. Bridget Riley reconnaissance. New York: : Dia Center for the Arts 2001.
149
Moorhouse, Paul, Riley, Bridget, editors. Bridget Riley. London: : Tate Publishing 2003.
150
Riley, Bridget, Kudielka, Robert. The eye’s mind: collected writings 1965-2009. Rev. and updated ed. London: : Thames & Hudson 2009.
151
MacRitchie, Lynn, Hartley, Craig, Schubert, Karsten. Bridget Riley: complete prints 1962-2010. 3rd rev. ed. London: : Ridinghouse 2010.
152
Gooding, Mel, Hoyland, John. John Hoyland. London: : Thames & Hudson 2006.
153
Gooding, Mel, Ayres, Gillian. Gillian Ayres. Aldershot: : Lund Humphries 2001.
154
Mellor, David. The art of Robyn Denny: architecture, art, design, fashion, history, photography, theory and things. London: : Black Dog 2002.
155
Gooding, Mel, Bowling, Frank, Royal Academy of Arts (Great Britain). Frank Bowling. London: : Royal Academy of Arts 2011.
156
Alloway, Lawrence. American pop art: An exhibition organised for and shown at the Whitney Museum of American Art, Apl.6-June 16,1974. New York: : Macmillan
157
Stief, Angela, Walkner, Martin, Steinegger, Christoph, et al. Power up: female pop art. [Wien]: : Kunsthalle Wien 2010.
158
Donovan, Molly, Warhol, Andy, Curley, John J., et al. Warhol: headlines. Munich: : Prestel 2011.
159
Pratt, Alan R. The critical response to Andy Warhol. Westport, Conn: : Greenwood Press 1997.
160
McShine, Kynaston, Museum of Modern Art (New York, N.Y.), Hayward Gallery. Andy Warhol: a retrospective. New York: : Museum of Modern Art 1989.
161
Madoff, Steven Henry. Pop art: a critical history. Berkeley: : University of California Press 1997.
162
Doris, Sara. Pop art and the contest over American culture. Cambridge: : Cambridge University Press 2007. http://www.loc.gov/catdir/enhancements/fy0668/2006016729-d.html
163
Moorhouse, Paul, Sandbrook, Dominic, National Portrait Gallery (Great Britain). Pop art portraits. London: : National Portrait Gallery 2007.
164
Smith, P S. Andy Warhol’s art and films. [Place of publication not identified]: : UMI Research Press 1986.
165
Danto, Arthur C. Andy Warhol. New Haven, Conn: : Yale University Press 2009.
166
Elger, Dietmar. Andy Warhol: selbstportraits = self-portraits. Ostfildern-Ruit: : Hatje Cantz 2004.
167
Bastian, Heiner, Warhol, Andy, Neue Nationalgalerie, Berlin, et al. Andy Warhol: retrospective. London: : Tate Pub
168
Donovan, Molly, Warhol, Andy, Curley, John J., et al. Warhol: headlines. Munich: : Prestel 2011.
169
MacCabe, Colin, Francis, Mark, Wollen, Peter, et al. Who is Andy Warhol? London: : British Film Institute 1997.
170
Feldman, Frayda, Schellmann, Jörg, Defendi, Claudia, et al. Andy Warhol prints: a catalogue raisonné : 1962-1987. 4th ed., rev.expanded. [New York]: : D.A.P./Distributed Art Publishers in association with Ronald Feldman Fine Arts 2003.
171
Frei, Georg, Printz, Neil, Warhol, Andy. The Andy Warhol catalogue raisonne: Paintings and sculptures, 1964-1965. London: : Phaidon 2002.
172
Doyle, Jennifer, Flatley, Jonathan, Munoz, José Esteban. Pop out: Queer Warhol. Durham: : Duke University Press 1996.
173
Rondeau J, Wagstaff S, Bell C, et al. Roy Lichtenstein: a retrospective. London: : by order of the Tate Trustees by Tate Publishing 2012.
174
Oldenburg, Claes, Rottner, Nadja, Shannon, Joshua. Claes Oldenburg. Cambridge, Mass: : MIT Press 2012.
175
Celant, Germano, Bell, Clare, Blaut, Julia, et al. Jim Dine: walking memory, 1959-1969. New York: : Guggenheim Museum 1999.
176
Lobel, Michael. Image duplicator: Roy Lichtenstein and the emergence of pop art. New Haven, Conn: : Yale University Press 2002.
177
Bader, Graham. Hall of mirrors: Roy Lichtenstein and the face of painting in the 1960s. Cambridge, Mass: : MIT Press 2010.
178
Lobel, Michael, Rosenquist, James. James Rosenquist: pop art, politics, and history in the 1960s. Berkeley, Ca: : University of California Press 2009.
179
Oldenburg, Claes, Hochdörfer, Achim, Schröder, Barbara, et al. Claes Oldenburg: the sixties. Munich: : Delmonico 2012.
180
Tuchman, Phyllis, Segal, George. George Segal. 1st ed. New York: : Abbeville Press 1983.
181
Livingstone, Marco, Guadagnini, Walter, Modena (Italy). Pop art UK: British pop art, 1956-1972. Cinisello Balsamo, Milano: : Silvana 2004.
182
Moorhouse, Paul, Sandbrook, Dominic, National Portrait Gallery (Great Britain). Pop art portraits. London: : National Portrait Gallery 2007.
183
Morphet, Richard. R.B. Kitaj: a retrospective. London: : Tate Gallery 1994.
184
Aulich, James, Lynch, John, Barber Institute of Fine Arts. Critical Kitaj: essays on the work of R.B. Kitaj. Manchester: : Manchester University Press 2000.
185
Morphet, Richard. R.B. Kitaj: a retrospective. London: : Tate Gallery 1994.
186
Kugelmann, Cilly, Jüdisches Museum Berlin (1999- ). Obsessions: R.B. Kitaj, 1932-2007. Bielefeld: : Kerber 2012.
187
Wallis, Clarrie, Caulfield, Patrick. Patrick Caulfield. London: : Tate Publishing 2013.
188
Livingstone, Marco. Patrick Caulfield: paintings. Aldershot: : Lund Humphries 2005.
189
Walker Art Gallery (Liverpool). Retrovision - Peter Phillips: paintings 1960-1982. [Place of publication not identified]: : Walker Art Gallery 1982.
190
Hodgkin, Howard, Museum of Modern Art (Oxford, England). Forty-five paintings, 1949-1975: [catalog of an exhibition held at the] Museum of Modern Art, Pembroke Street, Oxford, 14 March-18 April 1976 ... [et al.]. London]: : Arts Council of Great Britain
191
Serota, Nicholas, Tate Britain (Gallery). Howard Hodgkin. London: : Tate Publishing 2006.
192
Price, Marla, Hodgkin, Howard. Howard Hodgkin: the complete paintings : catalogue raisonné. London: : Thames & Hudson, in association with Modern Museum of Art of Fort Worth, Texas 2006.
193
Lambirth, Andrew, Royal Academy of Arts (Great Britain). Allen Jones: works. London: : Royal Academy of Arts 2005.
194
Wainwright L. Frank Bowling and the Appetite for British Pop. Third Text 2008;22:195–208. doi:10.1080/09528820802012877
195
Colin Self: Art in the Nuclear Age. http://www.ww.pallantbookshop.com/books/details/colin_self_art_in_the_nuclear_age
196
McClung, William Alexander. Landscapes of desire: Anglo mythologies of Los Angeles. Berkeley, Ca: : University of California Press 2000. http://www.loc.gov/catdir/bios/ucal052/99023426.html
197
Armstrong, Elizabeth, Boyd, Michael, Brouwer, Anna, et al. Birth of the cool: California art, design, and culture at midcentury. Newport Beach: : Orange County Museum of Art 2007.
198
Whiting, Ćécile. Pop L.A.: art and the city in the 1960s. Berkeley, Ca: : University of California Press 2006. http://www.loc.gov/catdir/enhancements/fy0641/2005055910-d.html
199
Peabody, Rebecca, Bradnock, Lucy, J. Paul Getty Museum, et al. Pacific standard time: Los Angeles art, 1945-1980. Los Angeles: : Getty Research Institute and the J. Paul Getty Museum 2011.
200
Ruscha E, Schwartz A. Leave any information at the signal: writings, interviews, bits, pages. Cambridge, Mass: : MIT 2002.
201
Heckert, Virginia, Ruscha, Edward, J. Paul Getty Museum. Ed Ruscha and some Los Angeles apartments. Los Angeles: : The J. Paul Getty Museum 2013.
202
Taylor, Phil, Rawlinson, Mark, Ruscha, Edward. Various small books: referencing various small books by Ed Ruscha. Cambridge, Massachusetts: : The MIT Press 2013.
203
Richards, Mary. E R: Ed Ruscha. London: : Tate Publishing 2008.
204
Poncy, Pat, Dean, Robert. Edward Ruscha: catalogue raisonné of the paintings. New York, N.Y.: : Gagosian Gallery 2003.
205
Schwartz, Alexandra. Ed Ruscha’s Los Angeles. Cambridge, Mass: : MIT Press 2010.
206
Hockney, David, Royal Academy of Arts (Great Britain), Museo Guggenheim Bilbao, et al. David Hockney - a bigger picture. London: : Thames & Hudson 2012.
207
Hockney, David, Stangos, Nikos. David Hockney. London: : Thames & Hudson 1976.
208
Livingstone, Marco. David Hockney. London: : Thames and Hudson 1981.
209
Farquharson, Alex, Brighton, Andrew, Nottingham Contemporary (Nottingham). David Hockney, 1960-68: a marriage of styles. Nottingham: : Nottingham Contemporary 2009.
210
Banham, Reyner. Los Angeles: the architecture of four ecologies. Berkeley: : University of California Press 2001. http://www.loc.gov/catdir/description/ucal042/00064850.html
211
Katz, Alex, Timothy Taylor Gallery (London), National Portrait Gallery (Great Britain). Alex Katz portraits. London: : National Portrait Gallery, in association with Timothy Taylor Gallery 2010.
212
Storr, Robert, Alloway, Lawrence, Schuyler, James, et al. Alex Katz paints Ada. New York: : Jewish Museum, under the auspices of the Jewish Theological Seminary of America 2006. http://www.loc.gov/catdir/toc/ecip0613/2006013967.html
213
Bailey, David, Higgins, Jackie. David Bailey. London: : Phaidon 2010.
214
Avedon, Richard, Baldwin, James. Nothing personal. New York: : Atheneum 1964.
215
Avedon, Richard, Arbus, Doon. The sixties. London: : Jonathan Cape
216
Haworth-Booth, Mark, Mellor, David, Philadelphia Museum of Art. Bill Brandt, behind the camera: photographs, 1928-1983. New York, N.Y.: : Aperture 1985.
217
Arbus, Diane. Diane Arbus: a chronology. 1st ed. New York, NY: : Aperture Foundation 2011.
218
Arbus, Diane, San Francisco Museum of Modern Art. Diane Arbus: revelations. London: : Jonathan Cape 2003.
219
Lee, Anthony W., Pultz, John. Diane Arbus: family albums. New Haven, Conn: : Yale University Press 2003.
220
Arbus, Diane, Arbus, Doon, Israel, Marvin. Diane Arbus. New York: : Aperture 1972.
221
Holm, Michael Juul, Avedon, Richard, Louisiana Museum of Modern Art (Humlebæk, Denmark). Richard Avedon photographs, 1946-2004. Humlebæk, Denmark: : Louisiana Museum of Modern Art 2007.
222
Gross, Frederick. Diane Arbus’s 1960s: auguries of experience. Minneapolis: : University of Minnesota Press 2012.
223
NY JS DB 62. [Place of publication not identified]: : STEIDL : Steidl 2008.
224
Winogrand, Garry, San Francisco Museum of Modern Art. Garry Winogrand. New Haven: : San Francisco Museum of Modern Art in association with Yale University Press 2013.
225
Galassi, Peter. Friedlander. New York: : Museum of Modern Art 2005.
226
Storr, Robert, Close, Chuck, Varnedoe, Kirk, et al. Chuck Close. New York: : Museum of Modern Art 1998.
227
Finch, Christopher, Close, Chuck. Chuck Close: work. Munich: : Prestel 2010.
228
Battcock, Gregory. Minimal art: a critical anthology. Berkeley: : University of California Press 1995.
229
Colpitt, Frances. Minimal art: the critical perspective. Seattle: : University of Washington Press 1993.
230
Strickland, Edward. Minimalism: origins. Bloomington, Ind: : Indiana University Press 1993.
231
Batchelor, David, Tate Gallery. Minimalism. London: : Tate Gallery 1997.
232
Meyer, James Sampson. Minimalism. London: : Phaidon 2005.
233
Meyer, James Sampson. Minimalism: art and polemics in the sixties. New Haven: : Yale University Press 2001.
234
Pearson, James. Frank Stella: from minimalism to maximalism. 2nd ed. Kidderminster: : Crescent Moon 1998.
235
Kennedy, Brian P., Stella, Frank, Hood Museum of Art. Frank Stella: Irregular polygons, 1965-66. 1st ed. Lebanon, N.H.: : University Press of New England 2011.
236
Museum of Modern Art (New York, N.Y.), Hayward Gallery, Hayward Gallery, et al. Frank Stella: a retrospective exhibition: Hayward Gallery, London, 25 July to 31 August 1970. London]: : Arts Council of Great Britain
237
Rosenthal, Stephanie, Rauschenberg, Robert, Reinhardt, Ad, et al. Black paintings: Robert Rauschenberg, Ad Reinhardt, Mark Rothko, Frank Stella. Ostfildern]: : Hatje Cantz
238
Weiss, MR Jeffrey. Robert Morris: Object Sculpture, 1960-1965. New Haven: : Yale University Press 2014.
239
Bryan-Wilson, Julia, editor. Robert Morris. Cambridge, Mass: : MIT Press Ltd 2013.
240
Govan, Michael, Bell, Tiffany, Smith, Brydon E., et al. Dan Flavin: a retrospective. New York: : Dia Art Foundation 2004.
241
Serota, Nicholas. Donald judd. 1st ed. London: : Tate publishing 2004.
242
Weiss, Jeffrey S., Fer, Briony. Dan Flavin: new light. New Haven, Conn: : Yale University Press 2006.
243
Weiss, MR Jeffrey. Robert Morris: Object Sculpture, 1960-1965. New Haven: : Yale University Press 2014.
244
Feldman, Paula, Rider, Alistair, Schubert, Karsten. About Carl Andre: critical texts since 1965. London: : Ridinghouse
245
Rider, Alistair, Andre, Carl. Carl Andre: things in their elements. London: : Phaidon 2011.
246
Foster, Hal, Hughes, Gordon, Buchloh, Benjamin H. D. Richard Serra. Cambridge, Mass: : MIT Press 2000.
247
McShine, Kynaston, Cooke, Lynne, Museum of Modern Art (New York, N.Y.). Richard Serra sculpture: forty years. New York, NY: : Museum of Modern Art 2007.
248
Cooke, Lynne, Kelly, Karen, Martin, Agnes, et al. Agnes Martin. New Haven, Conn: : Yale University Press 2011.
249
Corris, Michael. Ad Reinhardt. London: : Reaktion 2008.
250
Reinhardt, Adolph Frederick. Art-as-art: the selected writings of Ad Reinhardt. New York: : Viking Press 1975.
251
Shiff, Richard, Mangold, Robert. Robert Mangold. London: : Phaidon 2000.
252
Garrels G, Marden B. Plane image: a Brice Marden retrospective. New York: : Museum of Modern Art 2006.
253
Colaizzi, Vittorio, Schubert, Karsten. Robert Ryman: critical texts since 1967. London: : Ridinghouse 2009.
254
Wylie, Charles, Ryman, Robert, Rifelj, Claire de Dobay, et al. Robert Ryman. Dallas]: : Dallas Museum of Art http://www.loc.gov/catdir/toc/ecip061/2005028800.html
255
Moorhouse, Paul. Anthony Caro: presence. Farnham: : Lund Humphries 2010.
256
Rubin, William Stanley, Caro, Anthony, Museum of Modern Art (New York, N.Y.), et al. Anthony Caro. London: : Thames and Hudson 1975.
257
Moorhouse, Paul, Fried, Michael, Hickey, Dave. Anthony Caro. London: : Tate Publishing 2005.
258
Barker, Ian. Anthony Caro: quest for the new sculpture. 1st ed. Aldershot: : Lund Humphries 2004.
259
Potts, Alex. Caro in the 1960s and the persistent object of sculpture. Sculpture Journal 2012;21:51–62.http://search.ebscohost.com/login.aspx?direct=true&db=vth&AN=83730180&site=ehost-live
260
Rubin, William Stanley, Caro, Anthony, Museum of Modern Art (New York, N.Y.), et al. Anthony Caro. London: : Thames and Hudson 1975.
261
Bryant, Julius. Anthony Caro: a life in sculpture. London: : Merrell 2004.
262
Bryant, Julius, Droth, Martina, Storr, Robert, et al. Caro: close up. New Haven: : Yale University Press 2012.
263
Hilton, Timothy, Henry Moore Foundation. The sculpture of Phillip King. London: : Henry Moore Foundation in association with Lund Humphries 1992.
264
Applin, Jo. Eccentric objects: rethinking sculpture in 1960s America. New Haven, [Conn.]: : Yale University Press 2012.
265
Hesse, Eva, Alden, Todd, Applin, Jo, et al. Eva Hesse 1965. New Haven, CT: : Yale University Press 2013.
266
Nixon, Mignon. Fantastic reality: Louise Bourgeois and a story of modern art. Cambridge, Mass.; London: : MIT Press 2005.
267
Storr, Robert, Bourgeois, Louise, Herkenhoff, Paulo, et al. Louise Bourgeois. London: : Phaidon Press 2003.
268
Pollock, Griselda, Corby, Vanessa. Encountering Eva Hesse. Munich: : Prestel 2006.
269
Hesse, Eva, Nixon, Mignon, Nemser, Cindy. Eva Hesse. Cambridge, Mass: : MIT Press 2002. http://www.loc.gov/catdir/toc/fy036/2002071845.html
270
Sussman, Elisabeth, Hesse, Eva, Wasserman, Fred, et al. Eva Hesse: sculpture. New York: : Jewish Museum 2006. http://www.loc.gov/catdir/toc/ecip066/2006001262.html
271
Lewallen, Constance M., Riley, Robert R., Storr, Robert, et al. A rose has no teeth: Bruce Nauman in the 1960s. Berkeley, Ca: : University of California Press 2007. http://www.loc.gov/catdir/toc/ecip071/2006030512.html
272
Bernadac, Marie-Laure, Obrist, Hans-Ulrich. Louise Bourgeois, destruction of the father, reconstruction of the father: writings and interviews 1923-1997. London: : Violette Editions 1998.
273
Buchsteiner, Thomas, Letze, Otto, Hanson, Duane, et al. Duane Hanson: sculptures of the American dream. New, expanded ed. Ostfildern: : Hatje Cantz 2007.
274
Hammer, Martin, National Galleries of Scotland. The naked portrait, 1900 to 2007. Edinburgh: : National Galleries of Scotland
275
Freud, Lucian, Howgate, Sarah, Auping, Michael, et al. Lucian Freud: portraits. London: : National Portrait Gallery 2012.
276
Freud, Lucian, Howgate, Sarah, Auping, Michael, et al. Lucian Freud: portraits. London: : National Portrait Gallery 2012.
277
Lewison, Jeremy, Neel, Alice, Museum of Fine Arts, Houston, et al. Alice Neel: painted truths. Houston, Tex: : Museum of Fine Arts 2010.
278
Feaver, William. Lucian Freud. New York City, NY: : Rizzoli Publishers 2007.
279
Gale, Matthew, Stephens, Chris, Harrison, Martin, et al. Francis Bacon. London: : Tate Pub 2008.
280
Nancy Holt and Robert Smithson in England, 1969 | Tate. http://www.tate.org.uk/context-comment/articles/nancy-holt-and-robert-smithson-england-1969
281
Tsai, Eugenie, Butler, Cornelia H., Crow, Thomas E., et al. Robert Smithson. Berkeley: : University of California Press 2004.
282
Smithson, Robert, Flam, Jack D., Smithson, Robert. Robert Smithson, the collected writings. Berkeley: : University of California Press 1996.
283
Reynolds, Ann Morris, Smithson, Robert. Robert Smithson: learning from New Jersey and elsewhere. Cambridge, Mass: : MIT Press 2003.
284
Smithson, Robert, Baker, George, Cooke, Lynne, et al. Robert Smithson: Spiral Jetty : true fictions, false realities. Berkeley, Ca: : University of California Press 2005.
285
Alberro, Alexander. Lawrence Weiner. London: : Phaidon 1998.
286
Weiner, Lawrence, De Salvo, Donna M., Goldstein, Ann, et al. As far as the eye can see: Lawrence Weiner. Los Angeles: : Museum of Contemporary Art 2007. http://www.loc.gov/catdir/toc/ecip0727/2007038646.html
287
Phillpot, Clive, Tarsia, Andrea, Archer, Michael, et al. Live in your head: concept and experiment in Britain 1965-75. London: : Whitechapel Art Gallery 2000.
288
Long, Richard, Tufnell, Ben. Richard Long: selected statements & interviews. London: : Haunch of Venison 2007.
289
Alfrey, Nicholas, Sleeman, John, Tufnell, Ben. Uncommon ground: land art in Britain 1966-1979. London: : Hayward Publishing 2013.
290
Sleeman, Joy. The New Art, Hayward Gallery, London, 1972: new as compromise, or when what happens around the exhibition is as interesting as what happens in the exhibition. Sculpture Journal 2012;21:63–74.http://search.ebscohost.com/login.aspx?direct=true&db=vth&AN=83730184&site=ehost-live
291
Roelstraete, Dieter. Richard Long: A line made by walking. London: : Afterall 2010.
292
Fulton, Hamish, Tufnell, Ben, Wilson, Andrew, et al. Hamish Fulton: walking journey. London: : Tate Publ 2002.
293
Abrioux, Y. Ian Hamilton Finlay: a visual primer. [Place of publication not identified]: : Reaktion Books 1985.
294
Institute of Contemporary Arts : Roland Magazine : Roland Issue 2: Poor. Old. Tired. Horse. http://www.ica.org.uk/20334.twl
295
Arnatt, Keith, Hurn, David, Grafik, Clare, et al. I’m a real photographer: Keith Arnatt, photographs 1974-2002. London: : Chris Boot 2007.
296
Whiteley, Gillian. Junk: art and the politics of trash. London: : I. B. Tauris 2011. http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780857720214
297
Siegel, Katy. High times, hard times: New York painting 1967-1975. New York, N.Y.: : iCI Independent Curators International and D.A.P./Distributed Art Publishers 2006.