1.
BBC - Your Paintings. http://www.bbc.co.uk/arts/yourpaintings/
2.
Art and artists | Tate. http://www.tate.org.uk/art
3.
Harrison, Charles, Wood, Paul. Art in Theory, 1900-2000: An Anthology of Changing Ideas. New ed. Blackwell Publishers; 2003.
4.
Peters Corbett, David, Monks, Sarah, Association of Art Historians (Great Britain). Anglo-American: Artistic Exchange between Britain and the USA. Vol Art history book series. Wiley-Blackwell; 2012.
5.
Crow, Thomas E. The Rise of the Sixties: American and European Art in the Era of Dissent 1955-69. Vol The Everyman art library. Weidenfeld & Nicolson; 1996.
6.
Foster, Hal. Art since 1900: Modernism, Antimodernism, Postmodernism. Thames & Hudson; 2004.
7.
Anglo–American Exchange<br> in Postwar Sculpture, 1945–1975. http://www.getty.edu/museum/symposia/angloamerican.html
8.
Gaiger, Jason. Frameworks for Modern Art. Vol AA318 : art of the twentieth century / Open University. Yale University Press, in association with Open University; 2003. http://www.loc.gov/catdir/toc/ecip045/2003014470.html
9.
Varieties of Modernism. Vol AA318 : art of the twentieth century / Open University. 1st ed. Yale University Press, in association with The Open University; 2004.
10.
Groseclose, Barbara S., Wierich, Jochen. Internationalizing the History of American Art: Views. Pennsylvania State University Press; 2009.
11.
Harrison, Charles. Since 1950: Art and Its Criticism. Yale University Press; 2009.
12.
Lind, Maria, ed. Abstraction. Vol Documents of contemporary art. The MIT Press; 2013.
13.
Pells, Richard H. Modernist America: Art, Music, Movies, and the Globalization of American Culture. Yale University Press; 2011.
14.
Potts, Alex. Experiments in Modern Realism: World-Making, Politics and the Everyday in Postwar European and American Art. Yale University Press; 2013.
15.
Amsterdam (Netherlands). Stedelijk Collection Reflections: Reflections on the Collection of the Stedelijk Museum Amsterdam. (Adrichem, Jan van, Martis, A., eds). nai010 publishers; 2012.
16.
Tallman, Susan. The Contemporary Print: From Pre-Pop to Postmodern. Thames and Hudson; 1996.
17.
Lee, Pamela M. Chronophobia: On Time in the Art of the 1960’s. MIT Press; 2004.
18.
Houston, Joe, Columbus Museum of Art. Optic Nerve: Perceptual Art of the 1960s. Merrell Pub. Ltd; 2007.
19.
Taylor B. Collage: The Making of Modern Art. Thames & Hudson; 2004.
20.
Wood, Jon, Hulks, David, Potts, Alex, Henry Moore Institute (Leeds, England), J. Paul Getty Museum. Modern Sculpture Reader. Henry Moore Institute; 2012.
21.
Joachimides, Christos M., Rosenthal, Norman, Anfam, David, Martin-Gropius-Bau (Berlin, Germany), Royal Academy of Arts (Great Britain), Saatchi Gallery. American Art in the 20th Century: Painting and Sculpture, 1913-1993. Prestel; 1993.
22.
Phillips, Lisa, Haskell, Barbara, Whitney Museum of American Art. The American Century: Art & Culture, 1950-2000. Whitney Museum of American Art, in association with W.W. Norton; 1999.
23.
Sandler I. American Art of the 1960s. Vol Icon editions. First edition. Harper & Row; 1988.
24.
Siegel, Katy. Since ’45: America and the Making of Contemporary Art. Reaktion; 2011.
25.
Hopper, Edward, Wagstaff, Sheena, Tate Modern (Gallery), Museum Ludwig. Edward Hopper. Tate Pub; 2004.
26.
Siegel, Katy. High Times, Hard Times: New York Painting 1967-1975. iCI Independent Curators International and D.A.P./Distributed Art Publishers; 2006.
27.
Frascina, Francis. Art, Politics and Dissent: Aspects of the Art Left in Sixties America. Manchester University Press; 1999. http://www.loc.gov/catdir/bios/hol058/99044155.html
28.
Sylvester D. Interviews with American Artists. Pimlico; 2002.
29.
Varnedoe, Kirk. Pictures of Nothing: Abstract Art since Pollock. Vol A.W. Mellon lectures in the fine arts. Princeton University Press; 2006. http://www.loc.gov/catdir/toc/ecip069/2006006621.html
30.
Phillips, Lisa, Whitney Museum of American Art. Beat Culture and the New America, 1950-1965. Flammarion; 1995.
31.
Wagner, Anne Middleton. A House Divided: American Art since 1955. University of California Press; 2012.
32.
Elderfield, John, Museum of Modern Art (New York, N.Y.). American Art of the 1960s. Vol Studies in modern art. Museum of Modern Art; 1991.
33.
Bryan-Wilson, Julia. Art Workers: Radical Practice in the Vietnam War Era. University of California Press; 2010.
34.
Stephens, Chris, Stout, Katharine, Tate Britain (Gallery). Art & the 60s: This Was Tomorrow. Tate; 2004.
35.
Mellor, David, Barbican Art Gallery. The Sixties Art Scene in London. Phaidon P.; 1993.
36.
Walker, John A. Cultural Offensive: America’s Impact on British Art since 1945. Pluto; 1998.
37.
Arnold, Dana, Peters Corbett, David, eds. A Companion to British Art: 1600 to the Present. Vol Wiley-Blackwell companions to art history. Wiley-Blackwell; 2013. http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9781118313763
38.
Palazzo reale di Milano, British Council. English Art Today, 1960-76; [Catalogue by I Barker]. Electa; 1976.
39.
Grunenberg, Christoph, Harris, Jonathan. Summer of Love: Psychedelic Art, Social Crisis and Counterculture in the 1960s. Vol Tate Liverpool critical forum. Liverpool University Press; 2005.
40.
Tickner, Lisa, Peters Corbett, David, Association of Art Historians (Great Britain). British Art in the Cultural Field, 1939-69. Vol Art history book series. Wiley-Blackwell; 2012.
41.
Robicsek HL. ‘You Give Us This and We Give You That’. Third Text. 2008;22(2):257-271. doi:10.1080/09528820802013131
42.
Tickner L. The Kasmin Gallery. Oxford Art Journal. 2007;30(2):233-268. doi:10.1093/oxartj/kcm007
43.
Curtis, Penelope, Henry Moore Institute (Leeds, England). Sculpture in 20th Century Britain. Henry Moore Institute; 2003.
44.
Curtis, Penelope, Wilson, Kevin, Royal Academy of Arts (Great Britain). Modern British Sculpture. Royal Academy of Arts; 2011.
45.
Sylvester, David. London Recordings. Chatto & Windus; 2003.
46.
Jackson, Lesley. The Sixties: Decade of Design Revolution. Phaidon; 1998.
47.
Sandbrook, Dominic. White Heat: A History of Britain in the Swinging Sixties. Abacus; 2007.
48.
Frith, Simon, Horne, Howard. Art into Pop. Methuen; 1987.
49.
MacDonald I. Revolution in the Head: The Beatles’ Records and the Sixties. Fourth Estate; 1994.
50.
Metzger, Rainer, Brandstätter, Christian. London in the Sixties. Thames & Hudson; 2012.
51.
Rycroft, Simon. Swinging City: A Cultural Geography of London 1950-1974. Vol Re-materialising cultural geography. Ashgate; 2011. http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780754689157
52.
When Britain Went Pop! | Special Event | Christie’s. http://www.christies.com/events/when-britain-went-pop/
53.
Barbican - Pop Art Design. http://www.barbican.org.uk/artgallery/event-detail.asp?ID=14797
54.
Horowitz, Daniel. Consuming Pleasures: Intellectuals and Popular Culture in the Postwar World. Vol The arts and intellectual life in modern America. University of Pennsylvania Press; 2012.
55.
Brauer, David E., Menil Collection (Houston, Tex.). Pop Art: U.S./U.K. Connections, 1956-1966. Hatje Cantz Verlag; 2001.
56.
Livingstone, Marco. Pop Art: A Continuing History. Thames and Hudson; 1990.
57.
Madoff, Steven Henry. Pop Art: A Critical History. Vol The documents of twentieth-century art. University of California Press; 1997.
58.
Bowlt JE, Varnedoe K, Gopnik A, Museum of Modern Art (New York, N.Y.). Modern Art and Popular Culture: Readings in High & Low. Harry N. Abrams in association with the Museum of Modern Art; 1990.
59.
Lippard, Lucy R., Alloway, Lawrence. Pop Art. Vol World of art. 3rd ed. Thames and Hudson; 1970.
60.
Bankowsky, Jack, Gingeras, Alison M., Wood, Catherine, Tate Modern (Gallery), Hamburger Kunsthalle, National Gallery of Canada (Ottawa). Pop Life: Art in a Material World. Tate Publishing; 2009.
61.
South Bank Centre. Pop Prints: From the Arts Council Collection. South Bank Centre; 1993.
62.
Moorhouse, Paul, Sandbrook, Dominic, National Portrait Gallery (Great Britain). Pop Art Portraits. National Portrait Gallery; 2007.
63.
Francis, Mark, Foster, Hal. Pop. Vol Themes and movements. Phaidon; 2005.
64.
Whiting, Cécile. A Taste for Pop: Pop Art, Gender, and Consumer Culture. Vol Cambridge studies in American visual culture. Cambridge University Press; 1997.
65.
Foster, Hal. The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha. Princeton University Press; 2012.
66.
Burton, Johanna, Princeton University. Pop Art: Contemporary Perspectives. Princeton University Art Museum; 2007.
67.
Walker, John Albert. Cross-Overs: Art into Pop/Pop into Art. Comedia; 1987.
68.
Doris, Sara. Pop Art and the Contest over American Culture. Cambridge University Press; 2007. http://www.loc.gov/catdir/enhancements/fy0668/2006016729-d.html
69.
Stief, Angela, Walkner, Martin, Steinegger, Christoph, et al. Power up: Female Pop Art. Kunsthalle Wien; 2010.
70.
Perry, Gillian, Wood, Paul, Open University. Themes in Contemporary Art. Vol AA318 : art of the twentieth century / Open University. Yale University Press, in association with Open University; 2004.
71.
Wood, Paul. Conceptual Art. Vol Movements in modern art. Tate Publishing; 2002.
72.
Boettger, Suzaan. Earthworks: Art and the Landscape of the Sixties. University of California Press; 2002. http://www.loc.gov/catdir/toc/fy035/2002002316.html
73.
Tufnell, Ben. Land Art. Tate; 2006.
74.
Kaiser, Philipp, Kwon, Miwon, Museum of Contemporary Art (Los Angeles, Calif.). Ends of the Earth: Art of the Land to 1974. Prestel; 2012.
75.
Kastner, Jeffrey, Wallis, Brian. Land and Environmental Art. Vol Themes and movements. Phaidon; 1998.
76.
Whiteley, Nigel. Art and Pluralism: Lawrence Alloway’s Cultural Criticism. Vol Value, art, politics. Liverpool University Press; 2012.
77.
Alloway, Lawrence. Network: Art and the Complex Present. UMI Research Press; 1984.
78.
Alloway, Lawrence, Kalina, Richard. Imagining the Present: Context, Content, and the Role of the Critic. Vol Critical voices in art, theory and culture. Routledge; 2006. http://www.loc.gov/catdir/toc/ecip0516/2005021292.html
79.
Fried, Michael. Art and Objecthood: Essays and Reviews. University of Chicago Press; 1998.
80.
Sylvester, David. About Modern Art: Critical Essays, 1948-2000. Rev. ed. Pimlico; 2002.
81.
The War Game [1965]. Published online 20 AD. https://www.youtube.com/watch?v=nrGg8PfkbZw
82.
Guilbaut, Serge. Reconstructing Modernism: Art in New York, Paris, and Montreal, 1945-1964. MIT Press; 1990.
83.
Genter, Robert. Late Modernism: Art, Culture, and Politics in Cold War America. Vol The arts and intellectual life in modern America. University of Pennsylvania Press; 2010.
84.
Saunders, Frances Stonor. Who Paid the Piper?: The CIA and the Cultural Cold War. Granta Books; 1999.
85.
Crowley, David, Pavitt, Jane, Victoria and Albert Museum. Cold War Modern: Design 1945-1970. V&A; 2008.
86.
Anfam, David. Abstract Expressionism. Vol World of art. Thames and Hudson; 1990.
87.
Siegel, Katy. Abstract Expressionism. Vol Themes and movements. Phaidon Press; 2011.
88.
Frascina, Francis. Pollock and after: The Critical Debate. 2nd ed. Routledge; 2000.
89.
Landau, Ellen G. Reading Abstract Expressionism: Context and Critique. Yale University Press; 2005. http://www.loc.gov/catdir/enhancements/fy0619/2004061583-b.html
90.
Sandler, Irving. The New York School: The Painters and Sculptors of the Fifties. Vol Icon editions. 1st ed. Harper & Row; 1978.
91.
Sandler, Irving. Abstract Expressionism and the American Experience: A Reevaluation. Vol Mission critical series. Hard Press Editions; 2009.
92.
Carosso, Andrea. Cold War Narratives: American Culture in the 1950 S. Peter Lang AG, Internationaler Verlag der Wissenschaften; 2013. http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9783035105155
93.
Kleeblatt, Norman L., Berger, Maurice, Balken, Debra Bricker, Jewish Museum (New York, N.Y.). Action/Abstraction: Pollock, de Kooning, and American Art, 1940-1976. Jewish Museum, under the auspices of The Jewish Theological Seminary of America; 2008.
94.
Varnedoe, Kirk, Karmel, Pepe, Pollock, Jackson, Museum of Modern Art (New York, N.Y.), Tate Gallery. Jackson Pollock. Museum of Modern Art; 1998.
95.
Lewison, Jeremy, Museum of Modern Art (New York, N.Y.), Tate Gallery. Interpreting Pollock. Tate Gallery; 1999.
96.
Elderfield, John, Frankel, David, De Kooning, Willem, Museum of Modern Art (New York, N.Y.). De Kooning: A Retrospective. Museum of Modern Art; 2011.
97.
Bürgi, Bernhard, Kertess, Klaus, Ubl, Ralph, Kunstmuseum Basel. De Kooning: Paintings, 1960-1980. Hatje Cantz
98.
Gaugh, Harry F., Cincinnati Art Museum. Franz Kline. Abbeville Press; 1985.
99.
Anfam, David, Rothko, Mark. Mark Rothko: The Works on Canvas ; Catalogue Raisonné. Yale U.P.; 1998.
100.
Shiff, Richard, De Kooning, Willem. Between Sense and de Kooning. Reaktion; 2011.
101.
Eliel, Carol S., Bedford, Christopher, Potts, Alex, Wagner, Anne Middleton, Los Angeles County Museum of Art. David Smith: Cubes and Anarchy. 1st ed. Los Angeles County Museum of Art; 2011.
102.
Hamill, Sarah, Smith, David. David Smith: Works, Writings and Interview. Polígrafa; 2011.
103.
Smith, David. David Smith. Vol Phaidon focus. (Pachner, Joan, ed.). Phaidon; 2013.
104.
Acker, Emma. Artistic identity in a transatlantic age Patrick Heron, Peter Lanyon, and the New American Painting. (French). British Art Journal. 2010;10(3):158-170. http://search.ebscohost.com/login.aspx?direct=true&db=vth&AN=51011318&site=ehost-live
105.
Heron, Patrick, Gooding, Mel. Painter as Critic: Patrick Heron, Selected Writings. Tate Gallery Pub; 1998.
106.
Gooding, Mel. Patrick Heron. Phaidon; 1994.
107.
Causey, Andrew. Peter Lanyon: Modernism and the Land. Vol Essays in art and culture. Reaktion; 2006.
108.
Stephens, Chris, Tate Gallery St Ives. Peter Lanyon. Tate; 2010.
109.
Stephens, Chris, Lanyon, Peter. Peter Lanyon: At the Edge of Landscape. 21 Publishing; 2000.
110.
De Salvo, Donna M., Schimmel, Paul, Ferguson, Russell, et al. Hand-Painted Pop: American Art in Transition, 1955-62. Museum of Contemporary Art; 1993.
111.
Whiteley, Gillian. Junk: Art and the Politics of Trash. I. B. Tauris; 2011. http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780857720214
112.
Robinson, Julia, Museu d’Art Contemporani (Barcelona, Spain), Henie-Onstad kunstsenter. The Anarchy of Silence: John Cage and Experimental Art. Museu d’Art Contemporani de Barcelona; 2009.
113.
Craft, Catherine. An Audience of Artists: Dada, Neo-Dada, and the Emergence of Abstract Expressionism. University of Chicago Press; 2012.
114.
Robinson, Julia E., Benjamin, Agnes Berecz, Museo Nacional Centro de Arte Reina Sofía. New Realisms, 1957-1962: Object Strategies between Readymade and Spectacle. MIT Press; 2010.
115.
Millar, Jeremy, Hayward Gallery, Baltic Centre for Contemporary Art, et al. Every Day Is a Good Day: The Visual Art of John Cage. Hayward Publishing; 2010.
116.
Hopps, Walter, Davidson, Susan, Brown, Trisha, Solomon R. Guggenheim Museum. Robert Rauschenberg: A Retrospective. Guggenheim Museum Publications; 1997.
117.
Joseph, Branden Wayne. Random Order: Robert Rauschenberg and the Neo-Avant-Garde. MIT Press; 2003. http://www.loc.gov/catdir/toc/fy042/2003043620.html
118.
Schimmel, Paul, Museum of Contemporary Art (Los Angeles, Calif.). Robert Rauschenberg: Combines. Museum of Contemporary Art; 2005.
119.
Varnedoe, Kirk, Johns, Jasper, Bernstein, Roberta, Museum of Modern Art (New York, N.Y). Jasper Johns: A Retrospective. Museum of Modern Art; 1996.
120.
Johns, Jasper, Bernstein, Roberta, San Francisco Museum of Modern Art. Jasper Johns: Seeing with the Mind’s Eye. (Garrels, Gary, ed.). San Francisco Museum of Modern Art in association with Yale University Press; 2012.
121.
Philadelphia Museum of Art, Barbican Art Gallery. Dancing around the Bride: Cage, Cunningham, Johns, Rauschenberg, and Duchamp. (Basualdo, Carlos, Battle, Erica F., eds). Philadelphia Museum of Art in association with Yale University Press; 2012.
122.
Hopps, Walter, Kienholz, Edward, Reddin-Kienholz, Nancy, Whitney Museum of American Art, Museum of Contemporary Art (Los Angeles, Calif.), Berlinische Galerie. Kienholz: A Retrospective : Edward and Nancy Reddin Kienholz. Whitney Museum of American Art, in association with Thames and Hudson, London; 1996.
123.
Massey, Anne. The Independent Group: Modernism and Mass Culture in Britain, 1945-59. Manchester University Press; 1995.
124.
Hood Museum of Art. The Independent Group: Postwar Britain and the Aesthetics of Plenty. (Robbins D, ed.). MIT Press; 1990.
125.
Jackson, Lesley, Spencer, Robin. Nigel Henderson & Eduardo Paolozzi: Hammer Prints Ltd. 1954 - 75. (Cotton, Michelle, ed.). firstsite; 2012.
126.
Martin, Simon, Wilson, Colin St. John, Paolozzi, Eduardo, Harrison, Miranda. Eduardo Paolozzi: Collaging Culture. Pallant House Gallery Trust; 2013.
127.
Hamilton, Richard. Collected Words, 1953-1982. Thomas and Hudson
128.
Hamilton, Richard, Tate Gallery, Irish Museum of Modern Art (Kilmainham, Dublin, Ireland). Richard Hamilton. Tate Gallery; 1992.
129.
Hamilton, Richard, Foster, Hal, Craig-Martin, Michael. Richard Hamilton. Vol October files. MIT Press; 2010.
130.
John-Paul Stonard. Pop in the Age of Boom: Richard Hamilton’s ‘Just What Is It That Makes Today’s Homes so Different, so Appealing?’ The Burlington Magazine. 2007;149(1254). http://www.jstor.org.chain.kent.ac.uk/stable/20074973?&Search=yes&searchText=stonard&list=hide&searchUri=%252Faction%252FdoAdvancedSearch%253Fq0%253Dstonard%2526f0%253Dall%2526c1%253DAND%2526q1%253D%2526f1%253Dall%2526acc%253Don%2526wc%253Don%2526fc%253Doff%2526Search%253DSearch%2526sd%253D%2526ed%253D%2526la%253D%2526pt%253D%2526isbn%253D&prevSearch=&item=1&ttl=184&returnArticleService=showFullText
131.
Wilson, Andrew. Richard Hamilton, Swingeing London 67 (f). Vol One work. Afterall; 2011.
132.
Hamilton, Richard, Tate Gallery, Irish Museum of Modern Art (Kilmainham, Dublin, Ireland). Richard Hamilton. Tate Gallery; 1992.
133.
Banham, Reyner, Banham, Mary. A Critic Writes: Essays by Reyner Banham. University of California Press; 1999.
134.
Brittain, David, Paolozzi, Eduardo. The Jet Age Compendium: Paolozzi at Ambit : [1967-1980]. Four Corners; 2009.
135.
Wilson A. Gustav Metzger’s Auto‐Destructive/Auto‐Creative Art. Third Text. 2008;22(2):177-194. doi:10.1080/09528820802012844
136.
Livingstone, Marco. Peter Blake: One Man Show. [publisher not identified]; 2009.
137.
Grunenberg, Christoph, Sillars, Laurence, Tate Gallery Liverpool. Peter Blake: A Retrospective. Tate Liverpool, in association with Tate Publishing, London; 2007.
138.
Macdonald‐Munro I. John Latham. Third Text. 2008;22(2):163-175. doi:10.1080/09528820802012794
139.
Marquis, Alice Goldfarb. Art Czar: The Rise and Fall of Clement Greenberg. 1st. ed. Lund Humphries; 2006.
140.
Greenberg, Clement, Greenberg, Clement, O’Brian, John. The Collected Essays and Criticism: Vol.4: Modernism with a Vengeance, 1957-1969 ; Edited by John O’Brian. Pbk. ed. University of Chicago Press; 1995.
141.
Elderfield, John. Morris Louis: The Museum of Modern Art, New York. The Museum of Modern Art; 1986.
142.
Rowley, Alison. Helen Frankenthaler: Painting History, Writing Painting. Vol New encounters. I.B. Tauris; 2007.
143.
Greenberg, Clement. Art and Culture: Critical Essays. Beacon Press; 1961.
144.
Waldman, Diane, Solomon R. Guggenheim Museum. Kenneth Noland: A Retrospective. Solomon R. Guggenheim Foundation; 1977.
145.
Wilkin, Karen, Noland, Kenneth. Kenneth Noland. Ediciones Polígrafa; 1990.
146.
Rowley, Alison. Helen Frankenthaler: Painting History, Writing Painting. Vol New encounters. I.B. Tauris; 2007.
147.
Whiteley N. ‘Cultural Imperialism’? Third Text. 2008;22(2):209-227. doi:10.1080/09528820802013016
148.
Riley, Bridget, Cooke, Lynne, Elderfield, John, Dia Center for the Arts (New York, N.Y.). Bridget Riley Reconnaissance. Dia Center for the Arts; 2001.
149.
Moorhouse, Paul, Riley, Bridget, eds. Bridget Riley. Tate Publishing; 2003.
150.
Riley, Bridget, Kudielka, Robert. The Eye’s Mind: Collected Writings 1965-2009. Rev. and updated ed. Thames & Hudson; 2009.
151.
MacRitchie, Lynn, Hartley, Craig, Schubert, Karsten. Bridget Riley: Complete Prints 1962-2010. 3rd rev. ed. Ridinghouse; 2010.
152.
Gooding, Mel, Hoyland, John. John Hoyland. Thames & Hudson; 2006.
153.
Gooding, Mel, Ayres, Gillian. Gillian Ayres. Lund Humphries; 2001.
154.
Mellor, David. The Art of Robyn Denny: Architecture, Art, Design, Fashion, History, Photography, Theory and Things. Black Dog; 2002.
155.
Gooding, Mel, Bowling, Frank, Royal Academy of Arts (Great Britain). Frank Bowling. Royal Academy of Arts; 2011.
156.
Alloway, Lawrence. American Pop Art: An Exhibition Organised for and Shown at the Whitney Museum of American Art, Apl.6-June 16,1974. Macmillan
157.
Stief, Angela, Walkner, Martin, Steinegger, Christoph, et al. Power up: Female Pop Art. Kunsthalle Wien; 2010.
158.
Donovan, Molly, Warhol, Andy, Curley, John J., National Gallery of Art (U.S.). Warhol: Headlines. Prestel; 2011.
159.
Pratt, Alan R. The Critical Response to Andy Warhol. Vol Critical responses in arts and letters. Greenwood Press; 1997.
160.
McShine, Kynaston, Museum of Modern Art (New York, N.Y.), Hayward Gallery. Andy Warhol: A Retrospective. Museum of Modern Art; 1989.
161.
Madoff, Steven Henry. Pop Art: A Critical History. Vol The documents of twentieth-century art. University of California Press; 1997.
162.
Doris, Sara. Pop Art and the Contest over American Culture. Cambridge University Press; 2007. http://www.loc.gov/catdir/enhancements/fy0668/2006016729-d.html
163.
Moorhouse, Paul, Sandbrook, Dominic, National Portrait Gallery (Great Britain). Pop Art Portraits. National Portrait Gallery; 2007.
164.
Smith, P S. Andy Warhol’s Art and Films. UMI Research Press; 1986.
165.
Danto, Arthur C. Andy Warhol. Vol Icons of America. Yale University Press; 2009.
166.
Elger, Dietmar. Andy Warhol: Selbstportraits = Self-Portraits. Hatje Cantz; 2004.
167.
Bastian, Heiner, Warhol, Andy, Neue Nationalgalerie, Berlin, Tate Modern (Gallery). Andy Warhol: Retrospective. Tate Pub
168.
Donovan, Molly, Warhol, Andy, Curley, John J., National Gallery of Art (U.S.). Warhol: Headlines. Prestel; 2011.
169.
MacCabe, Colin, Francis, Mark, Wollen, Peter, British Film Institute, Andy Warhol Museum. Who Is Andy Warhol? British Film Institute; 1997.
170.
Feldman, Frayda, Schellmann, Jörg, Defendi, Claudia, Warhol, Andy, Andy Warhol Foundation for the Visual Arts. Andy Warhol Prints: A Catalogue Raisonné : 1962-1987. 4th ed., rev.expanded. D.A.P./Distributed Art Publishers in association with Ronald Feldman Fine Arts; 2003.
171.
Frei, Georg, Printz, Neil, Warhol, Andy. The Andy Warhol Catalogue Raisonne: Paintings and Sculptures, 1964-1965. Phaidon; 2002.
172.
Doyle, Jennifer, Flatley, Jonathan, Munoz, José Esteban. Pop out: Queer Warhol. Vol Series Q. Duke University Press; 1996.
173.
Rondeau J, Wagstaff S, Bell C, et al. Roy Lichtenstein: A Retrospective. by order of the Tate Trustees by Tate Publishing; 2012.
174.
Oldenburg, Claes, Rottner, Nadja, Shannon, Joshua. Claes Oldenburg. Vol October files. MIT Press; 2012.
175.
Celant, Germano, Bell, Clare, Blaut, Julia, Solomon R. Guggenheim Museum. Jim Dine: Walking Memory, 1959-1969. Guggenheim Museum; 1999.
176.
Lobel, Michael. Image Duplicator: Roy Lichtenstein and the Emergence of Pop Art. Vol Yale publications in the history of art. Yale University Press; 2002.
177.
Bader, Graham. Hall of Mirrors: Roy Lichtenstein and the Face of Painting in the 1960s. Vol October books. MIT Press; 2010.
178.
Lobel, Michael, Rosenquist, James. James Rosenquist: Pop Art, Politics, and History in the 1960s. University of California Press; 2009.
179.
Oldenburg, Claes, Hochdörfer, Achim, Schröder, Barbara, Museum Moderner Kunst (Austria). Claes Oldenburg: The Sixties. Delmonico; 2012.
180.
Tuchman, Phyllis, Segal, George. George Segal. Vol Modern masters series. 1st ed. Abbeville Press; 1983.
181.
Livingstone, Marco, Guadagnini, Walter, Modena (Italy). Pop Art UK: British Pop Art, 1956-1972. Silvana; 2004.
182.
Moorhouse, Paul, Sandbrook, Dominic, National Portrait Gallery (Great Britain). Pop Art Portraits. National Portrait Gallery; 2007.
183.
Morphet, Richard. R.B. Kitaj: A Retrospective. Tate Gallery; 1994.
184.
Aulich, James, Lynch, John, Barber Institute of Fine Arts. Critical Kitaj: Essays on the Work of R.B. Kitaj. Vol The Barber Institute’s critical perspectives in art history series. Manchester University Press; 2000.
185.
Morphet, Richard. R.B. Kitaj: A Retrospective. Tate Gallery; 1994.
186.
Kugelmann, Cilly, Jüdisches Museum Berlin (1999- ). Obsessions: R.B. Kitaj, 1932-2007. Kerber; 2012.
187.
Wallis, Clarrie, Caulfield, Patrick. Patrick Caulfield. Vol British artists. Tate Publishing; 2013.
188.
Livingstone, Marco. Patrick Caulfield: Paintings. Lund Humphries; 2005.
189.
Walker Art Gallery (Liverpool). Retrovision - Peter Phillips: Paintings 1960-1982. Walker Art Gallery; 1982.
190.
Hodgkin, Howard, Museum of Modern Art (Oxford, England). Forty-Five Paintings, 1949-1975: [Catalog of an Exhibition Held at the] Museum of Modern Art, Pembroke Street, Oxford, 14 March-18 April 1976 ... [et Al.]. Arts Council of Great Britain
191.
Serota, Nicholas, Tate Britain (Gallery). Howard Hodgkin. Tate Publishing; 2006.
192.
Price, Marla, Hodgkin, Howard. Howard Hodgkin: The Complete Paintings : Catalogue Raisonné. Thames & Hudson, in association with Modern Museum of Art of Fort Worth, Texas; 2006.
193.
Lambirth, Andrew, Royal Academy of Arts (Great Britain). Allen Jones: Works. Royal Academy of Arts; 2005.
194.
Wainwright L. Frank Bowling and the Appetite for British Pop. Third Text. 2008;22(2):195-208. doi:10.1080/09528820802012877
195.
Colin Self: Art in the Nuclear Age. http://www.ww.pallantbookshop.com/books/details/colin_self_art_in_the_nuclear_age
196.
McClung, William Alexander. Landscapes of Desire: Anglo Mythologies of Los Angeles. University of California Press; 2000. http://www.loc.gov/catdir/bios/ucal052/99023426.html
197.
Armstrong, Elizabeth, Boyd, Michael, Brouwer, Anna, et al. Birth of the Cool: California Art, Design, and Culture at Midcentury. Orange County Museum of Art; 2007.
198.
Whiting, Ćécile. Pop L.A.: Art and the City in the 1960s. University of California Press; 2006. http://www.loc.gov/catdir/enhancements/fy0641/2005055910-d.html
199.
Peabody, Rebecca, Bradnock, Lucy, J. Paul Getty Museum, Martin-Gropius-Bau (Berlin, Germany), Pacific Standard Time (Exhibition). Pacific Standard Time: Los Angeles Art, 1945-1980. Getty Research Institute and the J. Paul Getty Museum; 2011.
200.
Ruscha E, Schwartz A. Leave Any Information at the Signal: Writings, Interviews, Bits, Pages. MIT; 2002.
201.
Heckert, Virginia, Ruscha, Edward, J. Paul Getty Museum. Ed Ruscha and Some Los Angeles Apartments. The J. Paul Getty Museum; 2013.
202.
Taylor, Phil, Rawlinson, Mark, Ruscha, Edward. Various Small Books: Referencing Various Small Books by Ed Ruscha. (Brouws, Jeffrey T., Burton, Wendy, Zschiegner, Hermann, eds). The MIT Press; 2013.
203.
Richards, Mary. E R: Ed Ruscha. Tate Publishing; 2008.
204.
Poncy, Pat, Dean, Robert. Edward Ruscha: Catalogue Raisonné of the Paintings. Gagosian Gallery; 2003.
205.
Schwartz, Alexandra. Ed Ruscha’s Los Angeles. MIT Press; 2010.
206.
Hockney, David, Royal Academy of Arts (Great Britain), Museo Guggenheim Bilbao, Museum Ludwig. David Hockney - a Bigger Picture. Thames & Hudson; 2012.
207.
Hockney, David, Stangos, Nikos. David Hockney. Thames & Hudson; 1976.
208.
Livingstone, Marco. David Hockney. Vol The world of art library. Thames and Hudson; 1981.
209.
Farquharson, Alex, Brighton, Andrew, Nottingham Contemporary (Nottingham). David Hockney, 1960-68: A Marriage of Styles. Nottingham Contemporary; 2009.
210.
Banham, Reyner. Los Angeles: The Architecture of Four Ecologies. University of California Press; 2001. http://www.loc.gov/catdir/description/ucal042/00064850.html
211.
Katz, Alex, Timothy Taylor Gallery (London), National Portrait Gallery (Great Britain). Alex Katz Portraits. National Portrait Gallery, in association with Timothy Taylor Gallery; 2010.
212.
Storr, Robert, Alloway, Lawrence, Schuyler, James, Katz, Alex, Jewish Theological Seminary of America, Jewish Museum (New York, N.Y.). Alex Katz Paints Ada. Jewish Museum, under the auspices of the Jewish Theological Seminary of America; 2006. http://www.loc.gov/catdir/toc/ecip0613/2006013967.html
213.
Bailey, David, Higgins, Jackie. David Bailey. Phaidon; 2010.
214.
Avedon, Richard, Baldwin, James. Nothing Personal. Atheneum; 1964.
215.
Avedon, Richard, Arbus, Doon. The Sixties. Jonathan Cape
216.
Haworth-Booth, Mark, Mellor, David, Philadelphia Museum of Art. Bill Brandt, behind the Camera: Photographs, 1928-1983. Aperture; 1985.
217.
Arbus, Diane. Diane Arbus: A Chronology. 1st ed. Aperture Foundation; 2011.
218.
Arbus, Diane, San Francisco Museum of Modern Art. Diane Arbus: Revelations. Jonathan Cape; 2003.
219.
Lee, Anthony W., Pultz, John. Diane Arbus: Family Albums. Yale University Press; 2003.
220.
Arbus, Diane, Arbus, Doon, Israel, Marvin. Diane Arbus. Aperture; 1972.
221.
Holm, Michael Juul, Avedon, Richard, Louisiana Museum of Modern Art (Humlebæk, Denmark). Richard Avedon Photographs, 1946-2004. Louisiana Museum of Modern Art; 2007.
222.
Gross, Frederick. Diane Arbus’s 1960s: Auguries of Experience. University of Minnesota Press; 2012.
223.
NY JS DB 62. STEIDL : Steidl; 2008.
224.
Winogrand, Garry, San Francisco Museum of Modern Art. Garry Winogrand. (Rubinfien, Leo, ed.). San Francisco Museum of Modern Art in association with Yale University Press; 2013.
225.
Galassi, Peter. Friedlander. Museum of Modern Art; 2005.
226.
Storr, Robert, Close, Chuck, Varnedoe, Kirk, Wye, Deborah, Hayward Gallery, Museum of Modern Art (New York, N.Y). Chuck Close. Museum of Modern Art; 1998.
227.
Finch, Christopher, Close, Chuck. Chuck Close: Work. Prestel; 2010.
228.
Battcock, Gregory. Minimal Art: A Critical Anthology. University of California Press; 1995.
229.
Colpitt, Frances. Minimal Art: The Critical Perspective. University of Washington Press; 1993.
230.
Strickland, Edward. Minimalism: Origins. Indiana University Press; 1993.
231.
Batchelor, David, Tate Gallery. Minimalism. Vol Movements in modern art. Tate Gallery; 1997.
232.
Meyer, James Sampson. Minimalism. Vol Themes and movements. Phaidon; 2005.
233.
Meyer, James Sampson. Minimalism: Art and Polemics in the Sixties. Yale University Press; 2001.
234.
Pearson, James. Frank Stella: From Minimalism to Maximalism. 2nd ed. Crescent Moon; 1998.
235.
Kennedy, Brian P., Stella, Frank, Hood Museum of Art. Frank Stella: Irregular Polygons, 1965-66. 1st ed. University Press of New England; 2011.
236.
Museum of Modern Art (New York, N.Y.), Hayward Gallery, Hayward Gallery, International Council of the Museum of Modern Art (New York, N.Y.). Frank Stella: A Retrospective Exhibition: Hayward Gallery, London, 25 July to 31 August 1970. Arts Council of Great Britain
237.
Rosenthal, Stephanie, Rauschenberg, Robert, Reinhardt, Ad, Rothko, Mark, Stella, Frank, Haus der Kunst München. Black Paintings: Robert Rauschenberg, Ad Reinhardt, Mark Rothko, Frank Stella. Hatje Cantz
238.
Weiss, MR Jeffrey. Robert Morris: Object Sculpture, 1960-1965. Yale University Press; 2014.
239.
Bryan-Wilson, Julia, ed. Robert Morris. Vol October Files. MIT Press Ltd; 2013.
240.
Govan, Michael, Bell, Tiffany, Smith, Brydon E., National Gallery of Art (U.S.). Dan Flavin: A Retrospective. Dia Art Foundation; 2004.
241.
Serota, Nicholas. Donald Judd. 1st ed. Tate publishing; 2004.
242.
Weiss, Jeffrey S., Fer, Briony. Dan Flavin: New Light. Yale University Press; 2006.
243.
Weiss, MR Jeffrey. Robert Morris: Object Sculpture, 1960-1965. Yale University Press; 2014.
244.
Feldman, Paula, Rider, Alistair, Schubert, Karsten. About Carl Andre: Critical Texts since 1965. Ridinghouse
245.
Rider, Alistair, Andre, Carl. Carl Andre: Things in Their Elements. Phaidon; 2011.
246.
Foster, Hal, Hughes, Gordon, Buchloh, Benjamin H. D. Richard Serra. Vol October files. MIT Press; 2000.
247.
McShine, Kynaston, Cooke, Lynne, Museum of Modern Art (New York, N.Y.). Richard Serra Sculpture: Forty Years. Museum of Modern Art; 2007.
248.
Cooke, Lynne, Kelly, Karen, Martin, Agnes, Dia Art Foundation. Agnes Martin. Yale University Press; 2011.
249.
Corris, Michael. Ad Reinhardt. Reaktion; 2008.
250.
Reinhardt, Adolph Frederick. Art-as-Art: The Selected Writings of Ad Reinhardt. Vol The Documents of 20th-century art. Viking Press; 1975.
251.
Shiff, Richard, Mangold, Robert. Robert Mangold. Phaidon; 2000.
252.
Garrels G, Marden B. Plane Image: A Brice Marden Retrospective. Museum of Modern Art; 2006.
253.
Colaizzi, Vittorio, Schubert, Karsten. Robert Ryman: Critical Texts since 1967. Ridinghouse; 2009.
254.
Wylie, Charles, Ryman, Robert, Rifelj, Claire de Dobay, Dallas Museum of Art. Robert Ryman. Dallas Museum of Art http://www.loc.gov/catdir/toc/ecip061/2005028800.html
255.
Moorhouse, Paul. Anthony Caro: Presence. Lund Humphries; 2010.
256.
Rubin, William Stanley, Caro, Anthony, Museum of Modern Art (New York, N.Y.), Museum of Fine Arts, Boston. Anthony Caro. Thames and Hudson; 1975.
257.
Moorhouse, Paul, Fried, Michael, Hickey, Dave. Anthony Caro. Tate Publishing; 2005.
258.
Barker, Ian. Anthony Caro: Quest for the New Sculpture. 1st ed. Lund Humphries; 2004.
259.
Potts, Alex. Caro in the 1960s and the persistent object of sculpture. Sculpture Journal. 2012;21(2):51-62. http://search.ebscohost.com/login.aspx?direct=true&db=vth&AN=83730180&site=ehost-live
260.
Rubin, William Stanley, Caro, Anthony, Museum of Modern Art (New York, N.Y.), Museum of Fine Arts, Boston. Anthony Caro. Thames and Hudson; 1975.
261.
Bryant, Julius. Anthony Caro: A Life in Sculpture. Merrell; 2004.
262.
Bryant, Julius, Droth, Martina, Storr, Robert, Caro, Anthony, Yale Center for British Art. Caro: Close Up. Yale University Press; 2012.
263.
Hilton, Timothy, Henry Moore Foundation. The Sculpture of Phillip King. Vol British sculptors and sculpture series. Henry Moore Foundation in association with Lund Humphries; 1992.
264.
Applin, Jo. Eccentric Objects: Rethinking Sculpture in 1960s America. Yale University Press; 2012.
265.
Hesse, Eva, Alden, Todd, Applin, Jo, Swenson, Kirsten, Hauser & Wirth London. Eva Hesse 1965. (Rosen, Barry, ed.). Yale University Press; 2013.
266.
Nixon, Mignon. Fantastic Reality: Louise Bourgeois and a Story of Modern Art. MIT Press; 2005.
267.
Storr, Robert, Bourgeois, Louise, Herkenhoff, Paulo, Schwartzman, Allan. Louise Bourgeois. Vol Contemporary artists. Phaidon Press; 2003.
268.
Pollock, Griselda, Corby, Vanessa. Encountering Eva Hesse. Prestel; 2006.
269.
Hesse, Eva, Nixon, Mignon, Nemser, Cindy. Eva Hesse. Vol October files. MIT Press; 2002. http://www.loc.gov/catdir/toc/fy036/2002071845.html
270.
Sussman, Elisabeth, Hesse, Eva, Wasserman, Fred, Bois, Yve Alain, Godfrey, Mark, Jewish Museum (New York, N.Y.). Eva Hesse: Sculpture. Jewish Museum; 2006. http://www.loc.gov/catdir/toc/ecip066/2006001262.html
271.
Lewallen, Constance M., Riley, Robert R., Storr, Robert, Wagner, Anne Middleton, Nauman, Bruce. A Rose Has No Teeth: Bruce Nauman in the 1960s. University of California Press; 2007. http://www.loc.gov/catdir/toc/ecip071/2006030512.html
272.
Bernadac, Marie-Laure, Obrist, Hans-Ulrich. Louise Bourgeois, Destruction of the Father, Reconstruction of the Father: Writings and Interviews 1923-1997. Violette Editions; 1998.
273.
Buchsteiner, Thomas, Letze, Otto, Hanson, Duane, Helsingin kaupungin taidemuseo, Arken museum for moderne kunst (Ishøj, Denmark), UNESCO Kulturerbe Völklinger Hütte. Duane Hanson: Sculptures of the American Dream. New, expanded ed. Hatje Cantz; 2007.
274.
Hammer, Martin, National Galleries of Scotland. The Naked Portrait, 1900 to 2007. National Galleries of Scotland
275.
Freud, Lucian, Howgate, Sarah, Auping, Michael, Richardson, John. Lucian Freud: Portraits. National Portrait Gallery; 2012.
276.
Freud, Lucian, Howgate, Sarah, Auping, Michael, Richardson, John. Lucian Freud: Portraits. National Portrait Gallery; 2012.
277.
Lewison, Jeremy, Neel, Alice, Museum of Fine Arts, Houston, Whitechapel Art Gallery, Moderna Museet Malmö (Sweden). Alice Neel: Painted Truths. Museum of Fine Arts; 2010.
278.
Feaver, William. Lucian Freud. Rizzoli Publishers; 2007.
279.
Gale, Matthew, Stephens, Chris, Harrison, Martin, Tate Britain (Gallery). Francis Bacon. Tate Pub; 2008.
280.
Nancy Holt and Robert Smithson in England, 1969 | Tate. http://www.tate.org.uk/context-comment/articles/nancy-holt-and-robert-smithson-england-1969
281.
Tsai, Eugenie, Butler, Cornelia H., Crow, Thomas E., et al. Robert Smithson. University of California Press; 2004.
282.
Smithson, Robert, Flam, Jack D., Smithson, Robert. Robert Smithson, the Collected Writings. Vol The documents of twentieth century art. University of California Press; 1996.
283.
Reynolds, Ann Morris, Smithson, Robert. Robert Smithson: Learning from New Jersey and Elsewhere. MIT Press; 2003.
284.
Smithson, Robert, Baker, George, Cooke, Lynne, Kelly, Karen. Robert Smithson: Spiral Jetty : True Fictions, False Realities. University of California Press; 2005.
285.
Alberro, Alexander. Lawrence Weiner. Vol Contemporary artists. Phaidon; 1998.
286.
Weiner, Lawrence, De Salvo, Donna M., Goldstein, Ann, Museum of Contemporary Art (Los Angeles, Calif), Whitney Museum of American Art, Kunstsammlung Nordrhein-Westfalen (Germany). As Far as the Eye Can See: Lawrence Weiner. Museum of Contemporary Art; 2007. http://www.loc.gov/catdir/toc/ecip0727/2007038646.html
287.
Phillpot, Clive, Tarsia, Andrea, Archer, Michael, Brooks, Rosetta, Whitechapel Art Gallery. Live in Your Head: Concept and Experiment in Britain 1965-75. Whitechapel Art Gallery; 2000.
288.
Long, Richard, Tufnell, Ben. Richard Long: Selected Statements & Interviews. Haunch of Venison; 2007.
289.
Alfrey, Nicholas, Sleeman, John, Tufnell, Ben. Uncommon Ground: Land Art in Britain 1966-1979. Hayward Publishing; 2013.
290.
Sleeman, Joy. The New Art, Hayward Gallery, London, 1972: new as compromise, or when what happens around the exhibition is as interesting as what happens in the exhibition. Sculpture Journal. 2012;21(2):63-74. http://search.ebscohost.com/login.aspx?direct=true&db=vth&AN=83730184&site=ehost-live
291.
Roelstraete, Dieter. Richard Long: A Line Made by Walking. Vol One work. Afterall; 2010.
292.
Fulton, Hamish, Tufnell, Ben, Wilson, Andrew, McKibben, Bill, Scott, Doug, Tate Britain (Gallery). Hamish Fulton: Walking Journey. Tate Publ; 2002.
293.
Abrioux, Y. Ian Hamilton Finlay: A Visual Primer. Reaktion Books; 1985.
294.
Institute of Contemporary Arts : Roland Magazine : Roland Issue 2: Poor. Old. Tired. Horse. http://www.ica.org.uk/20334.twl
295.
Arnatt, Keith, Hurn, David, Grafik, Clare, Photographers’ Gallery. I’m a Real Photographer: Keith Arnatt, Photographs 1974-2002. Chris Boot; 2007.
296.
Whiteley, Gillian. Junk: Art and the Politics of Trash. I. B. Tauris; 2011. http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780857720214
297.
Siegel, Katy. High Times, Hard Times: New York Painting 1967-1975. iCI Independent Curators International and D.A.P./Distributed Art Publishers; 2006.