Bibliography for Film and Modernity (Paris version)

Abel, R. ‘ The Alternate Cinema Network, Paris Qui Dort’. French Cinema: The First Wave, 1915-1929. [Place of publication not identified]: Princeton U.P., 1984. 241–275 and 377–80. Print.

Abel, Richard. ‘ Booming the Film Business: The Historical Specificity of Early French Cinema’. Silent Film. London: Athlone, 1996. 109–124. Print.

Abel, Richard. ‘ Discourse, Narrative, and the Subject of Capital: Marcel L’Herbier’s L’Argent’. French Film: Texts and Contexts. 2nd ed. London: Routledge, 2000. 37–50. Print.

Abel, Richard. ‘ Photogénie and Company’. French Film Theory and Criticism: A History/Anthology, 1907-1939. Princeton, N.J.: Princeton U.P., 1988. 95–124. Print.

---. ‘ The Rise of the Feature Film, 1911-1914’. The Cine Goes to Town: French Cinema, 1896-1914. Berkeley: University of California Press, 1994. 298–428. Print.

Allain, Marcel and Feuillade, Louis. ‘Fantômas’. 1913 : n. pag. Print.

Andrew, Dudley. ‘ Adolescents in an Adolescent Industry’. Mists of Regret: Culture and Sensibility in Classic French Film. Princeton, N.J.: Princeton University Press, 1995. 53–65. Print.

---. ‘ Jules, Jim, and Walter Benjamin’. The Image in Dispute: Art and Cinema in the Age of Photography. 1st ed. Austin: University of Texas Press, 1997. 33–53. Print.

Antliff, Mark and Leighten, Patricia Dee. Cubism and Culture. World of art. London: Thames & Hudson, 2001. Print.

Benjamin, Walter and Tiedemann, Rolf. ‘ Paris, the Capital of the Nineteenth Century (Exposé of 1935)’. The Arcades Project. Cambridge, Mass: Belknap Press, 1999. 3–13. Print.

---. ‘Arcades’. The Arcades Project. Cambridge, Mass: Belknap Press, 1999. 871–884. Print.

Berman, Marshall. ‘ Introduction: Modernity-Yesterday, Today and Tomorrow’,. All That Is Solid Melts into Air: The Experience of Modernity. London: Verso, 1983. 15–36. Print.

Bordwell, David. ‘ La Nouvelle Mission de Feuillade; or, What Was Mise-En-Scène?’ Velvet Light Trap 37 n. pag. Web. <http://df7sm3xp4s.search.serialssolutions.com/?V=1.0&N=100&L=DF7SM3XP4S&S=AC_T_M&C=Velvet Light Trap>.

Bratu Hansen, Miriam. ‘Room-for-Play: Benjamin’s Gamble with Cinema’. October 109 (2004): 3–45. Print.

Brender, Richard. ‘ Functions of Film Léger’s Cinema on Paper and Cellulose, 1913-25’. Cinema Journal 24.1 (1984): 41–64. Web. <http://df7sm3xp4s.search.serialssolutions.com/?C=Cinema Journal&s=AC_T_M&V=1.0&L=DF7SM3XP4S&submit=Find&C=&S=SC&N=10>.

Breton, Andre. ‘ Manifesto of Surrealism (1924)’. Manifestoes of Surrealism. Ann Arbor: University of Michigan Press, 1969. 1–48. Print.

Buñuel, Luis et al. ‘Avant Garde and Experimental Films’. 1924 : n. pag. Print.

Burch, Noël, Ben Brewster, and American Council of Learned Societies. Life to Those Shadows. Berkeley: University of California Press, 1990. Web. <http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://hdl.handle.net/2027/heb.08105>.

Callahan, Vicki. ‘ Louis Feuillade and the Cinema of Uncertainty’. Zones of Anxiety: Movement, Musidora, and the Crime Serials of Louis Feuillade. Contemporary approaches to film and television series. Detroit: Wayne State University Press, 2005. 12–73. Print.

Cardinal, Roger and Short, Robert Stuart. ‘ The Surrealist Proposition’. Surrealism: Permanent Revelation. Studio Vista/Dutton picturebacks. London]: Studio Vista. 32–36. Print.

---. ‘ The Surrealist Sensibility’. Surrealism: Permanent Revelation. Studio Vista/Dutton picturebacks. London]: Studio Vista. 54–61. Print.

Carné, Marcel. ‘Hôtel Du Nord’. 1938 : n. pag. Print.

Charney, Leo and Schwartz, Vanessa R. ‘ Cinematic Spectatorship before the Apparatus: The Public Taste for Reality in Fin-de-Siècle Paris’. Cinema and the Invention of Modern Life. Berkeley: University of California Press, 1995. 297–319. Print.

---. ‘ Unbinding Vision’. Cinema and the Invention of Modern Life. Berkeley: University of California Press, 1995. 46–71. Print.

Clair, Rene. ‘ Coeur Fidèle (1924)’. French Film Theory and Criticism: A History/Anthology, 1907-1939. Princeton, N.J.: Princeton U.P., 1988. 303–305. Print.

Clair, René. ‘The Crazy Ray (Paris Qui Dort)’. 1923 : n. pag. Print.

---. ‘Under the Roofs of Paris’. 1930 : n. pag. Print.

Clair, René and Auric, Georges. ‘ Entr’acte’. 1924 : n. pag. Print.

Clark, T. J. ‘Introduction to “The Painting of Modern Life: Paris in the Art of Manet and His Followers”’. The Painting of Modern Life: Paris in the Art of Manet and His Followers. Rev. ed. London: Thames & Hudson, 1999. 3–22. Print.

Conley, Tom. ‘Icarian Cinema: Paris Qui Dort. A Site of Immaculate Origin - a Film in Flux - Two Spatial Stories - Points of Comparison - Liberty: A Vanishing Point’. Cartographic Cinema. Minneapolis: University of Minnesota Press, 2007. Web. <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=331684>.

Crow, Thomas E. ‘ Modernism and Mass Culture in the Visual Arts’. Modern Art in the Common Culture. London: Yale University Press, 1996. 3–38. Print.

Desnos, Robert. ‘ Spectacles of the Street—Eugène Atget (1928)’. Photography in the Modern Era: European Documents and Critical Writings, 1913-1940. New York: Metropolitan Museum of Art, 1989. 16–17. Print.

dir: Georges Melies . ‘The Melomaniac’. 1997 : n. pag. Print.

dir: Jean Vigo. ‘L’Atalante - DVD [1934]’. 1934 : n. pag. Print.

dir: Jean-Luc Godard. ‘Bande A Part - DVD [1964]’. : n. pag. Print.

dir: Louis Feuillade. ‘Les Vampires - DVD’. 1915 : n. pag. Print.

dir: Marcel L’Herbier. ‘L’Argent [1928] Masters of Cinema - DVD’. 1928 : n. pag. Print.

Duchamp, Marcel . ‘Anemic Cinema’. Unseen Cinema: early American avant-garde film, 1894-1941 2005 : n. pag. Print.

Dulac, Germaine. ‘ From Visual and Anti-Visual Films; The Essence of Cinema: The Visual Idea;The Avant-Garde Cinema’. The Avant-Garde Film: A Reader of Theory and Criticism; Ed P Adams Sitney. [Place of publication not identified]: New York U.P., 1978. 31–48. Print.

Dulac, Germaine. ‘La Souriante Mme Beudet’. Smiling Madame Beudet, and, The seashell and the clergyman 1922 : n. pag. Print.

Duvivier, Julien. ‘Pépé Le Moko’. 1936 : n. pag. Print.

Duvivier, Julien and Gabin, Jean. ‘Pépé Le Moko’. 1937 : n. pag. Print.

Epstein, Jean. ‘ Magnification (1921)’. French Film Theory and Criticism: A History/Anthology, 1907-1939. Princeton, N.J.: Princeton U.P., 1988. 235–240. Print.

Epstein, Jean. ‘Coeur Fid̀ele’. 1923 : n. pag. Print.

Farmer, Robert. ‘ Jean Epstein’. http://www.sensesofcinema.com/2010/great-directors/jean-epstein/ 57 (2010): n. pag. Web. <http://df7sm3xp4s.search.serialssolutions.com/?V=1.0&N=100&L=DF7SM3XP4S&S=AC_T_M&C=Senses of Cinema>.

Feuillade, Louis and Moget, Alain. ‘Les Vampires: Accompagnement Musical Original Au Piano’. 1915 : n. pag. Print.

Fieschi, Jean-Andre. ‘The Difficulty of Being Jean-Luc Godard’. Jean-Luc Godard, a Critical Anthology. First Edition. New York: E. P. Dutton, 1968. Print.

Fischer, Lucy. ‘The Shock of the New’: Electrification, Illumination, Urbanization, and the Cinema’. Cinema and Modernity. London: Rutgers University Press, 2006. 19–37. Print.

Flitterman-Lewis, Sandy. ‘Poetry of the Unconscious: La Souriante Mme Beudet (1923) and La Coquille et Le Clergyman (1927)’. French Film: Texts and Contexts. 2nd ed. London: Routledge, 2000. 7–24. Web. <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=1679214>.

Foucault, Michel. ‘ Nietzsche, Genealogy, History’. The Foucault Reader. Peregrine book. Harmondsworth: Penguin, 1986. 76–100. Print.

Freeman, Judi. ‘ Léger’s Ballet Mécanique’. Dada and Surrealist Film. 1st MIT Press ed. Cambridge, Mass: MIT Press, 1996. 28–45. Print.

Garrity, Henry A. ‘ Narrative Space in Julien Duvivier’s Pépé-Le-Moko’. The French Review 65.4 (1992): 623–628. Web. <http://df7sm3xp4s.search.serialssolutions.com/?V=1.0&N=100&L=DF7SM3XP4S&S=AC_T_M&C=The French Review>.

Gaudreault, Andre. ‘ Film, Narrative, Narration: The Cinema of the Lumière Brothers’. Early Cinema: Space, Frame, Narrative. London: BFI Publishing, 1990. 68–75. Print.

Giddens, Anthony. ‘ Modernity and Self-Identity: Self and Society in the Late Modern Age’. Art in Modern Culture: An Anthology of Critical Texts. London: Phaidon P. in association with the Open University, 1992. 17–22. Print.

Godard, Jean Luc and British Film Institute. ‘Bande À Part’. 1964 : n. pag. Print.

Gorky, Maxim. ‘A Review of the Lumière Program at Nizhni-Novgorod ’. Kino: A History of the Russian and Soviet Film. 3rd ed. London: Allen & Unwin, 1983. Print.

Greenaway, Peter. ‘Death in the Seine’. 1989 : n. pag. Print.

Gunning, Tom. ‘ An Aesthetic of Astonishment’. Art and Text Spring (1989): 31–45. Web. <http://df7sm3xp4s.search.serialssolutions.com/?C=Art and Text&s=AC_T_M&V=1.0&L=DF7SM3XP4S&submit=Find&C=&S=SC&N=10>.

---. ‘ Modernity and Cinema. A Culture of Shocks and Flows’. Cinema and Modernity. London: Rutgers University Press, 2006. 297–315. Print.

---. ‘ Modernity and Cinema: A Culture of Shocks and Flows’. Cinema and Modernity. London: Rutgers University Press, 2006. 297–316. Web. <http://quod.lib.umich.edu.chain.kent.ac.uk/cgi/t/text/text-idx?c=acls;idno=heb08039.0001.001>.

Harvey, David. ‘ Consumerism, Spectacle, and Leisure’. Paris, Capital of Modernity. London: Routledge, 2003. Web. <http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://www.kentuk.eblib.com/patron/FullRecord.aspx?p=182818>.

---. ‘Introduction to Paris, Capital of Modernity’. Paris, Capital of Modernity. London: Routledge, 2003. 1–22. Web. <http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://www.kentuk.eblib.com/patron/FullRecord.aspx?p=182818>.

Hauptman, Jodi. ‘ Imagining Cities’. Fernand Léger. New York: Museum of Modern Art, 1998. Print.

Judovitz, Dalia. ‘ Anemic Vision in Duchamp: Cinema as Readymade’. Dada and Surrealist Film. 1st MIT Press ed. Cambridge, Mass: MIT Press, 1996. 46–57. Print.

Kirsanoff, Dimitri. ‘Menilmontant’. Avant-garde: experimental cinema of the 1920s and 1930s : films from the Raymond Rohauer collection 1924 : n. pag. Print.

Kuenzli, Rudolf E. ‘Introduction to Dada and Surrealist Film’. Dada and Surrealist Film. 1st MIT Press ed. Cambridge, Mass: MIT Press, 1996. 1–12. Print.

MacOrlan, Pierre. ‘Preface to Atget Photographe de Paris’. Photography in the Modern Era: European Documents and Critical Writings, 1913-1940. New York: Metropolitan Museum of Art, 1989. 41–50. Print.

McCabe, Colin. ‘A Certain Tendency of French Film Production: The New Wave of Karina and Coutard’. Godard: A Portrait of the Artist at 70. London: Bloomsbury, 2004. Print.

Melies, Georges. ‘ A Trip to the Moon’. Melies The Magician - DVD [1994] 1902 : n. pag. Print.

Méliès, Georges. ‘The Mermaid’. Georges Melies: First Wizard of Cinema 1896-1913 1904 : n. pag. Print.

---. ‘The Monster’. Georges Melies: First Wizard of Cinema 1896-1913 1903 : n. pag. Print.

Michelson, Annette. ‘ Dr. Crase and Mr. Clair’. October 11 (1979): 30–53. Print.

Neupert, Richard John. A History of the French New Wave Cinema. 2nd ed. Wisconsin studies in film. Madison: University of Wisconsin Press, 2007. Web. <http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://lib.myilibrary.com?id=259471>.

Pagnol, Marcel. ‘ Cinematurgy of Paris’. French Film Theory and Criticism: A History/Anthology, 1907-1939 Vol II. Princeton, N.J.: Princeton U.P., 1988. 129–136. Print.

Pomerance, Murray and American Council of Learned Societies. Cinema and Modernity. New Brunswick, N.J.: Rutgers University Press, 2006. Web. <http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://hdl.handle.net/2027/heb.08039>.

Potamkin, Harry. ‘ The French Cinema’. Close up, 1927-1933: Cinema and Modernism. London: Cassell, 1998. 57–64. Print.

Prouty, Richard. ‘ The Well-Furnished Interior of the Masses: Kirsanoff’s Menilmontant and the Streets of Paris’. Cinema Journal 36.1 (1996): 3–17. Web. <http://df7sm3xp4s.search.serialssolutions.com/?C=Cinema Journal&s=AC_T_M&V=1.0&L=DF7SM3XP4S&submit=Find&C=&S=SC&N=10>.

Rifkin, Adrian. ‘ Some Snapshots’. Street Noises: Parisian Pleasure, 1900-40. Manchester: Manchester U.P., 1993. 88–136. Print.

Ross, Kristin. ‘La Belle Américaine’. Fast Cars, Clean Bodies: Decolonization and the Reordering of French Culture. Cambridge, Mass. ; London: MIT Press, 1995. 15–70. Print.

Schivelbusch, Wolfgang. The Railway Journey: The Industrialization of Time and Space in the 19th Century. Oakland, CA: University of California Press, 2014. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780520957909>.

Simmel, George. ‘ The Metropolis and Mental Life’. The Sociology of Georg Simmel. Glencoe, Ill: Free Press. 409–424. Print.

Singer, B. ‘ Hyperstimulus, and the Rise of Popular Sensationalism’. Cinema and the Invention of Modern Life. Berkeley: University of California Press, 1995. 72–101. Print.

Slavin , David H. ‘ French Colonial Film before and after Itto: From Berber Myth to Race War’. French Historical Studies 21.1 (1998): 125–155. Web. <http://df7sm3xp4s.search.serialssolutions.com/?V=1.0&N=100&L=DF7SM3XP4S&S=AC_T_M&C=French Historical Studies>.

Temple, Michael. Jean Vigo. French film directors. Manchester: Manchester University Press, 2005. Print.

Truffaut, Francois . ‘ A Certain Tendency of the French Cinema’. Movies and Methods: An Anthology. Berkeley: University of California Press, 1976. 224–236. Print.

Tsivian, Yuri. ‘’What Is Cinema? An Agnostic Answer’. Critical Inquiry 34.4 (2008): 754–776. Web. <http://df7sm3xp4s.search.serialssolutions.com/?V=1.0&N=100&L=DF7SM3XP4S&S=AC_T_M&C=Critical Inquiry>.

Turim, Maureen. ‘ French Melodrama: Theory of a Specific History’. Cinema Journal. Vol. 39. N.p., 1987. 307–327. Web. <http://df7sm3xp4s.search.serialssolutions.com/?C=Cinema Journal&s=AC_T_M&V=1.0&L=DF7SM3XP4S&submit=Find&C=&S=SC&N=10>.

Vigo, Jean. ‘L’Atalante’. 1934 : n. pag. Print.

Vincendeau, Ginette and British Film Institute. ‘ A Classic French Film’. Pépé Le Moko. BFI film classics. London: BFI Publishing, 1998. 9–30. Print.

Weber, Eugen. The Hollow Years: France in the 1930s. London: Sinclair-Stevenson, 1995. Print.

Wiser, William. ‘ Last Rights, First Folly,Parade’s End, The Mood of 27, The Time of Transition,’. The Crazy Years: Paris in the Twenties. New York: Thames and Hudson, 1990. 7–22 and 182–200. Print.

---. The Twilight Years: Paris in the 1930s. 1st Carroll & Graf trade paperback ed. New York: Carroll & Graf, 2000. Print.

Bibliography for Film and Modernity (Paris version) BETA