Bibliography for Film and Modernity (Paris version)

1.
Greenaway, Peter. Death in the Seine. Published online 1989.

2.
Benjamin, Walter, Tiedemann, Rolf. Arcades. In: The Arcades Project. Belknap Press; 1999:871-884.

3.
Charney, Leo, Schwartz, Vanessa R. Cinematic Spectatorship before the Apparatus: The Public Taste for Reality in Fin-de-Siècle Paris. In: Cinema and the Invention of Modern Life. University of California Press; 1995:297-319.

4.
Gunning T. Modernity and Cinema. A Culture of Shocks and Flows. In: Cinema and Modernity. Rutgers University Press; 2006:297-315.

5.
Simmel G. The Metropolis and Mental Life. In: The Sociology of Georg Simmel. Free Press; :409-424.

6.
Clark, T. J. Introduction to ‘The painting of modern life: Paris in the art of Manet and his followers’. In: The Painting of Modern Life: Paris in the Art of Manet and His Followers. Rev. ed. Thames & Hudson; 1999:3-22.

7.
Giddens A. Modernity and Self-Identity: Self and Society in the Late Modern Age. In: Art in Modern Culture: An Anthology of Critical Texts. Phaidon P. in association with the Open University; 1992:17-22.

8.
Berman, Marshall. Introduction: Modernity-Yesterday, Today and Tomorrow,. In: All That Is Solid Melts into Air: The Experience of Modernity. Verso; 1983:15-36.

9.
Desnos R. Spectacles of the Street—Eugène Atget (1928). In: Photography in the Modern Era: European Documents and Critical Writings, 1913-1940. Metropolitan Museum of Art; 1989:16-17.

10.
MacOrlan P. Preface to Atget Photographe de Paris. In: Photography in the Modern Era: European Documents and Critical Writings, 1913-1940. Metropolitan Museum of Art; 1989:41-50.

11.
Méliès G. The Monster. Georges Melies: First Wizard of Cinema 1896-1913. Published online 1903.

12.
dir: Georges Melies . The Melomaniac. Published online 1997.

13.
Méliès G. The Mermaid. Georges Melies: First Wizard of Cinema 1896-1913. Published online 1904.

14.
Melies G. A Trip to the Moon. Melies The Magician - DVD [1994]. Published online 1902.

15.
Harvey, David. Introduction to Paris, capital of modernity. In: Paris, Capital of Modernity. Routledge; 2003:1-22. http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://www.kentuk.eblib.com/patron/FullRecord.aspx?p=182818

16.
Harvey, David. Consumerism, Spectacle, and Leisure. In: Paris, Capital of Modernity. Routledge; 2003. http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://www.kentuk.eblib.com/patron/FullRecord.aspx?p=182818

17.
Gorky M. A Review of the Lumière Program at Nizhni-Novgorod . In: Kino: A History of the Russian and Soviet Film. 3rd ed. Allen & Unwin; 1983.

18.
Gunning T. An Aesthetic of Astonishment. Art and Text. 1989;(Spring):31-45. http://df7sm3xp4s.search.serialssolutions.com/?C=Art and Text&s=AC_T_M&V=1.0&L=DF7SM3XP4S&submit=Find&C=&S=SC&N=10

19.
Burch N, Brewster B, American Council of Learned Societies. Life to Those Shadows. University of California Press; 1990. http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://hdl.handle.net/2027/heb.08105

20.
Foucault M. Nietzsche, Genealogy, History. In: The Foucault Reader. Vol Peregrine book. Penguin; 1986:76-100.

21.
Gaudreault A. Film, Narrative, Narration: The Cinema of the Lumière Brothers. In: Early Cinema: Space, Frame, Narrative. BFI Publishing; 1990:68-75.

22.
Schivelbusch W. The Railway Journey: The Industrialization of Time and Space in the 19th Century. University of California Press; 2014. http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780520957909

23.
Allain, Marcel, Feuillade, Louis. Fantômas. Published online 1913.

24.
dir: Louis Feuillade. Les Vampires - DVD. Published online 1915.

25.
Feuillade, Louis, Moget, Alain. Les vampires: accompagnement musical original au piano. Published online 1915.

26.
Callahan, Vicki. Louis Feuillade and the Cinema of Uncertainty. In: Zones of Anxiety: Movement, Musidora, and the Crime Serials of Louis Feuillade. Vol Contemporary approaches to film and television series. Wayne State University Press; 2005:12-73.

27.
Abel, Richard. The Rise of the Feature Film, 1911-1914. In: The Cine Goes to Town: French Cinema, 1896-1914. University of California Press; 1994:298-428.

28.
Abel, Richard. Booming the Film Business: The Historical Specificity of Early French Cinema. In: Silent Film. Athlone; 1996:109-124.

29.
Bordwell D. La Nouvelle Mission de Feuillade; or, What Was Mise-en-scène? Velvet Light Trap. 37. http://df7sm3xp4s.search.serialssolutions.com/?V=1.0&N=100&L=DF7SM3XP4S&S=AC_T_M&C=Velvet Light Trap

30.
Kirsanoff D. Menilmontant. Avant-garde: experimental cinema of the 1920s and 1930s : films from the Raymond Rohauer collection. Published online 1924.

31.
Buñuel, Luis, Ivens, Joris, Metzner, Erno, Vance, William, Leger, Ferdinand. Avant garde and experimental films. 1924;Les grands films classiques.

32.
Duchamp M. Anemic Cinema. Unseen Cinema: early American avant-garde film, 1894-1941. Published online 2005.

33.
Kuenzli, Rudolf E. Introduction to Dada and surrealist film. In: Dada and Surrealist Film. 1st MIT Press ed. MIT Press; 1996:1-12.

34.
Brender R. Functions of Film Léger’s Cinema on Paper and Cellulose, 1913-25. Cinema Journal. 1984;24(1):41-64. http://df7sm3xp4s.search.serialssolutions.com/?C=Cinema Journal&s=AC_T_M&V=1.0&L=DF7SM3XP4S&submit=Find&C=&S=SC&N=10

35.
Crow, Thomas E. Modernism and Mass Culture in the Visual Arts. In: Modern Art in the Common Culture. Yale University Press; 1996:3-38.

36.
Charney, Leo, Schwartz, Vanessa R. Unbinding Vision. In: Cinema and the Invention of Modern Life. University of California Press; 1995:46-71.

37.
Gunning T. Modernity and Cinema: A Culture of Shocks and Flows. In: Cinema and Modernity. Rutgers University Press; 2006:297-316. http://quod.lib.umich.edu.chain.kent.ac.uk/cgi/t/text/text-idx?c=acls;idno=heb08039.0001.001

38.
Hauptman J. Imagining Cities. In: Fernand Léger. Museum of Modern Art; 1998.

39.
Prouty R. The Well-Furnished Interior of the Masses: Kirsanoff’s Menilmontant and the Streets of Paris. Cinema Journal. 1996;36(1):3-17. http://df7sm3xp4s.search.serialssolutions.com/?C=Cinema Journal&s=AC_T_M&V=1.0&L=DF7SM3XP4S&submit=Find&C=&S=SC&N=10

40.
Singer B. Hyperstimulus, and the Rise of Popular Sensationalism. In: Cinema and the Invention of Modern Life. University of California Press; 1995:72-101.

41.
Turim M. French Melodrama: Theory of a Specific History. In: Cinema Journal. Vol 39. ; 1987:307-327. http://df7sm3xp4s.search.serialssolutions.com/?C=Cinema Journal&s=AC_T_M&V=1.0&L=DF7SM3XP4S&submit=Find&C=&S=SC&N=10

42.
Antliff, Mark, Leighten, Patricia Dee. Cubism and Culture. Vol World of art. Thames & Hudson; 2001.

43.
Judovitz D. Anemic Vision in Duchamp: Cinema as Readymade. In: Dada and Surrealist Film. 1st MIT Press ed. MIT Press; 1996:46-57.

44.
Freeman J. Léger’s Ballet mécanique. In: Dada and Surrealist Film. 1st MIT Press ed. MIT Press; 1996:28-45.

45.
Epstein, Jean. Coeur fid̀ele. 1923;Masters of cinema.

46.
Dulac, Germaine. La Souriante Mme Beudet. Smiling Madame Beudet, and, The seashell and the clergyman. 1922;Hollywood’s attic video.

47.
Abel, Richard. Photogénie and Company. In: French Film Theory and Criticism: A History/Anthology, 1907-1939. Princeton U.P.; 1988:95-124.

48.
Epstein J. Magnification (1921). In: French Film Theory and Criticism: A History/Anthology, 1907-1939. Princeton U.P.; 1988:235-240.

49.
Clair R. Coeur Fidèle (1924). In: French Film Theory and Criticism: A History/Anthology, 1907-1939. Princeton U.P.; 1988:303-305.

50.
Dulac G. From Visual and Anti-visual Films; The Essence of Cinema: The Visual Idea;The Avant-Garde Cinema. In: The Avant-Garde Film: A Reader of Theory and Criticism; Ed P Adams Sitney. New York U.P.; 1978:31-48.

51.
Farmer R. Jean Epstein. http://www.sensesofcinema.com/2010/great-directors/jean-epstein/ . 2010;57. http://df7sm3xp4s.search.serialssolutions.com/?V=1.0&N=100&L=DF7SM3XP4S&S=AC_T_M&C=Senses of Cinema

52.
Flitterman-Lewis S. Poetry of the unconscious: La Souriante Mme Beudet (1923) and La Coquille et le clergyman (1927). In: French Film: Texts and Contexts. 2nd ed. Routledge; 2000:7-24. https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=1679214

53.
Tsivian Y. ’What Is Cinema? An Agnostic Answer. Critical Inquiry. 2008;34(4):754-776. http://df7sm3xp4s.search.serialssolutions.com/?V=1.0&N=100&L=DF7SM3XP4S&S=AC_T_M&C=Critical Inquiry

54.
Clair, René. The crazy ray (Paris qui dort). 1923;Timeless video.

55.
Clair, René. Under the roofs of Paris. 1930;The criterion collection.

56.
Clair, René, Auric, Georges. Entr’acte. Published online 1924.

57.
Abel, R. The Alternate Cinema Network, Paris qui dort. In: French Cinema: The First Wave, 1915-1929. Princeton U.P.; 1984:241-275 and 377-380.

58.
Andrew, Dudley. Adolescents in an Adolescent Industry. In: Mists of Regret: Culture and Sensibility in Classic French Film. Princeton University Press; 1995:53-65.

59.
Michelson A. Dr. Crase and Mr. Clair. October. 1979;11:30-53.

60.
Conley, Tom. Icarian Cinema: Paris qui Dort. A Site of Immaculate Origin - a Film in Flux - Two Spatial Stories - Points of Comparison - Liberty: A Vanishing Point. In: Cartographic Cinema. University of Minnesota Press; 2007. https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=331684

61.
Rifkin, Adrian. Some Snapshots. In: Street Noises: Parisian Pleasure, 1900-40. Manchester U.P.; 1993:88-136.

62.
Potamkin H. The French Cinema. In: Close up, 1927-1933: Cinema and Modernism. Cassell; 1998:57-64.

63.
Breton, Andre. Manifesto of Surrealism (1924). In: Manifestoes of Surrealism. University of Michigan Press; 1969:1-48.

64.
Cardinal, Roger, Short, Robert Stuart. The Surrealist Proposition. In: Surrealism: Permanent Revelation. Vol Studio Vista/Dutton picturebacks. Studio Vista; :32-36.

65.
Cardinal, Roger, Short, Robert Stuart. The Surrealist Sensibility. In: Surrealism: Permanent Revelation. Vol Studio Vista/Dutton picturebacks. Studio Vista; :54-61.

66.
dir: Marcel L’Herbier. L’Argent [1928] Masters of Cinema - DVD. 1928;Masters of Cinema.

67.
Abel R. Discourse, narrative, and the subject of capital: Marcel L’Herbier’s L’Argent. In: French Film: Texts and Contexts. 2nd ed. Routledge; 2000:37-50.

68.
Benjamin, Walter, Tiedemann, Rolf. Paris, the Capital of the Nineteenth Century (Exposé of 1935). In: The Arcades Project. Belknap Press; 1999:3-13.

69.
Wiser, William. Last Rights, First Folly,Parade’s End, The Mood of 27, The Time of Transition,. In: The Crazy Years: Paris in the Twenties. Thames and Hudson; 1990:7-22 and 182-200.

70.
dir: Jean Vigo. L’Atalante - DVD [1934]. Published online 1934.

71.
Vigo, Jean. L’Atalante. Published online 1934.

72.
Carné, Marcel. Hôtel du Nord. Published online 1938.

73.
Pomerance M, American Council of Learned Societies. Cinema and Modernity. Rutgers University Press; 2006. http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://hdl.handle.net/2027/heb.08039

74.
Wiser, William. The Twilight Years: Paris in the 1930s. 1st Carroll & Graf trade paperback ed. Carroll & Graf; 2000.

75.
Fischer L. The Shock of the New’: Electrification, Illumination, Urbanization, and the Cinema. In: Cinema and Modernity. Rutgers University Press; 2006:19-37.

76.
Bratu Hansen M. Room-for-Play: Benjamin’s Gamble with Cinema. October. 2004;109:3-45.

77.
Pagnol M. Cinematurgy of Paris. In: French Film Theory and Criticism: A History/Anthology, 1907-1939 Vol II. Princeton U.P.; 1988:129-136.

78.
Temple, Michael. Jean Vigo. Vol French film directors. Manchester University Press; 2005.

79.
Duvivier, Julien, Gabin, Jean. Pépé le Moko. Published online 1937.

80.
Duvivier, Julien. Pépé le moko. 1936;Lazzaretti.

81.
Vincendeau, Ginette, British Film Institute. A Classic French Film. In: Pépé Le Moko. Vol BFI film classics. BFI Publishing; 1998:9-30.

82.
Slavin DH. French Colonial Film before and after Itto: From Berber Myth to Race War. French Historical Studies. 1998;21(1):125-155. http://df7sm3xp4s.search.serialssolutions.com/?V=1.0&N=100&L=DF7SM3XP4S&S=AC_T_M&C=French Historical Studies

83.
Garrity HA. Narrative Space in Julien Duvivier’s Pépé-le-Moko. The French Review. 1992;65(4):623-628. http://df7sm3xp4s.search.serialssolutions.com/?V=1.0&N=100&L=DF7SM3XP4S&S=AC_T_M&C=The French Review

84.
Weber, Eugen. The Hollow Years: France in the 1930s. Sinclair-Stevenson; 1995.

85.
dir: Jean-Luc Godard. Bande A Part - DVD [1964].

86.
Godard, Jean Luc, British Film Institute. Bande à part. 1964;British Film Institute.

87.
Andrew, Dudley. Jules, Jim, and Walter Benjamin. In: The Image in Dispute: Art and Cinema in the Age of Photography. 1st ed. University of Texas Press; 1997:33-53.

88.
Fieschi JA. The Difficulty of Being Jean-Luc Godard. In: Jean-Luc Godard, a Critical Anthology. First Edition. E. P. Dutton; 1968.

89.
Neupert RJ. A History of the French New Wave Cinema. Vol Wisconsin studies in film. 2nd ed. University of Wisconsin Press; 2007. http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://lib.myilibrary.com?id=259471

90.
Truffaut F. A Certain Tendency of the French Cinema. In: Movies and Methods: An Anthology. University of California Press; 1976:224-236.

91.
McCabe C. A Certain Tendency of French Film Production: The New Wave of Karina and Coutard. In: Godard: A Portrait of the Artist at 70. Bloomsbury; 2004.

92.
Ross, Kristin. La Belle Américaine. In: Fast Cars, Clean Bodies: Decolonization and the Reordering of French Culture. MIT Press; 1995:15-70.

Bibliography for Film and Modernity (Paris version) BETA