Abigail Solomon-Godeau. ‘“Living with Contadictions: Critical Practices in the Age of Supply-Side Aesthetics Date”’. ‘Living with Contadictions: Critical Practices in the Age of Supply-Side Aesthetics Date’.
Avi Pitchon. Op-Hop Detonation: Introducing the Hyper-Modern in Contemporary Music.
Bishop and Claire. Participation. 2006.
Bourriaud, Nicolas. Relational Aesthetics. Les presses du réel, 2002.
Caws and Mary-Anne. Manifesto: A Century of Isms. 2000.
F. T. Marinetti. The Futurist Manifesto.
Foster, Hal. The Return of the Real: The Avant-Garde at the End of the Century. MIT Press, 1996.
Fraser and Andrea. ‘“From the Critique of Institutions to an Institution of Critique (Institutional Critique  as Artistic Phenomena)”’. Artforum International [New York], 2005.
Harrison, Charles and Wood, Paul. Art in Theory, 1900-2000: An Anthology of Changing Ideas. New ed, Blackwell Publishers, 2003.
Hickey, Dave. Air Guitar: Essays on Art & Democracy. 1st ed, Art issues. Press, 1997.
Institute for Architecture and Urban Studies. ‘“The Present Conditions of Art Criticism”’. October [New York], 2002.
Kwon, Miwon. One Place after Another: Site-Specific Art and Locational Identity. MIT Press, 2002.
Malevich and Kasimir. Suprematist Manifesto.
O’Doherty, Brian. Inside the White Cube: The Ideology of the Gallery Space. Expanded ed, University of California Press, 1999.
Rancière, Jacques. The Politics of Aesthetics: The Distribution of the Sensible. Continuum, 2004.
Tzara and Tristan. Dada Manifesto.
Velthuis and Olav. Talking Prices: Symbolic Meanings of Prices on the Market for Contemporary Art. 2005.