Abigail Solomon-Godeau. (n.d.). ‘Living with Contadictions: Critical Practices in the Age of Supply-Side Aesthetics Date’. ‘Living with Contadictions: Critical Practices in the Age of Supply-Side Aesthetics Date’.
Avi Pitchon. (n.d.). Op-Hop Detonation: Introducing the Hyper-modern in Contemporary music.
Bishop & Claire. (2006). Participation.
Bourriaud, Nicolas. (2002). Relational aesthetics: Vol. Collection Documents sur l’art. Les presses du réel.
Caws & Mary-Anne. (2000). Manifesto: A Century of Isms.
F. T. Marinetti. (n.d.). The Futurist Manifesto.
Foster, Hal. (1996). The return of the real: the avant-garde at the end of the century. MIT Press.
Fraser & Andrea. (2005). ‘From the critique of institutions to an institution of critique (institutional critique  as artistic phenomena)’. Artforum International.
Harrison, Charles & Wood, Paul. (2003). Art in theory, 1900-2000: an anthology of changing ideas (New ed). Blackwell Publishers.
Hickey, Dave. (1997). Air guitar: essays on art & democracy (1st ed). Art issues. Press.
Institute for Architecture and Urban Studies. (2002). ‘The Present Conditions of Art Criticism’. October.
Kwon, Miwon. (2002). One place after another: site-specific art and locational identity. MIT Press.
Malevich & Kasimir. (n.d.). Suprematist manifesto.
O’Doherty, Brian. (1999). Inside the white cube: the ideology of the gallery space (Expanded ed). University of California Press.
Rancière, Jacques. (2004). The politics of aesthetics: the distribution of the sensible. Continuum.
Tzara & Tristan. (n.d.). Dada Manifesto.
Velthuis & Olav. (2005). Talking Prices: Symbolic Meanings of Prices on the Market for Contemporary Art.