Abigail Solomon-Godeau (no date) ‘“Living with Contadictions: Critical Practices in the Age of Supply-Side Aesthetics Date”’, ‘Living with Contadictions: Critical Practices in the Age of Supply-Side Aesthetics Date’.
Avi Pitchon (no date) ‘Op-Hop Detonation: Introducing the Hyper-modern in Contemporary music.’
Bishop and Claire (2006) ‘Participation.’
Bourriaud, Nicolas (2002) Relational aesthetics. [Dijon]: Les presses du réel.
Caws and Mary-Anne (2000) ‘Manifesto: A Century of Isms.’
Foster, Hal (1996) The return of the real: the avant-garde at the end of the century. Cambridge, MA: MIT Press.
Fraser and Andrea (2005) ‘“From the critique of institutions to an institution of critique (institutional critique  as artistic phenomena)”’, Artforum international. New York.
F. T. Marinetti (no date) ‘The Futurist Manifesto.’
Harrison, Charles and Wood, Paul (2003) Art in theory, 1900-2000: an anthology of changing ideas. New ed. Oxford: Blackwell Publishers.
Hickey, Dave (1997) Air guitar: essays on art & democracy. 1st ed. Los Angeles: Art issues. Press.
Institute for Architecture and Urban Studies (2002) ‘“The Present Conditions of Art Criticism”’, October. New York: Institute for Architecture and Urban Studies.
Kwon, Miwon (2002) One place after another: site-specific art and locational identity. Cambridge, Mass: MIT Press.
Malevich and Kasimir (no date) ‘Suprematist manifesto.’
O’Doherty, Brian (1999) Inside the white cube: the ideology of the gallery space. Expanded ed. Berkeley, Ca: University of California Press.
Rancière, Jacques (2004) The politics of aesthetics: the distribution of the sensible. London: Continuum.
Tzara and Tristan (no date) ‘Dada Manifesto.’
Velthuis and Olav (2005) ‘Talking Prices: Symbolic Meanings of Prices on the Market for Contemporary Art.’