1.
Wiles, David: Greek theatre performance: an introduction. Cambridge University Press, Cambridge (2000).
2.
Rabinowitz, Nancy Sorkin: Greek tragedy. Blackwell Pub, Malden, MA (2008).
3.
Storey, Ian Christopher, Allan, Arlene: A guide to ancient Greek drama. Blackwell Pub, Malden, MA (2005).
4.
Arnott, Peter D.: Public and performance in the Greek theatre. Routledge, London (1989).
5.
Baldock, Marion: Greek tragedy: an introduction. Bristol Classical Press, Bristol (1989).
6.
Bieber, M.: The history of the Greek and Roman theater. Princeton U.P., Princeton ; Guildford (1961).
7.
Brown, Andrew: A new companion to Greek tragedy. Croom Helm, London (1983).
8.
Csapo, Eric, Slater, William J.: The context of ancient drama. University of Michigan Press, Ann Arbor (1994).
9.
Dover, K J.: Ancient Greek literature; edited by K J Dover [et al]. O.U.P., [Place of publication not identified] (1980).
10.
Easterling, P. E.: The Cambridge companion to Greek tragedy. Cambridge University Press, Cambridge (1997).
11.
Easterling, P. E., Hall, Edith: Greek and Roman actors: aspects of an ancient profession. Cambridge University Press, Cambridge (2002).
12.
Garland, Robert: Surviving Greek tragedy. Duckworth, London (2004).
13.
Goldhill, Simon: Reading Greek tragedy. Cambridge University Press, Cambridge (1986).
14.
Green, J. R.: Theatre in ancient Greek society. Routledge, London (1994).
15.
Green, J. R., Handley, Eric Walter: Images of the Greek theatre. British Museum Press for the Trustees of the British Museum, London (1995).
16.
Gregory, Justina, Dawsonera: A companion to Greek tragedy. Blackwell, Oxford (2005).
17.
McDonald, Marianne, Walton, J. Michael: The Cambridge companion to Greek and Roman theatre. Cambridge University Press, Cambridge (2007).
18.
Pickard-Cambridge, Arthur Wallace: The theatre of Dionysus in Athens. The Clarendon press, Oxford (1946).
19.
Pickard-Cambridge, A.: The dramatic festivals of Athens: 2nd ed rev by J Gould and D M Lewis. Clarendon Press, [Place of publication not identified] (1968).
20.
Rehm, Rush: Greek tragic theatre. Routledge, London (1992).
21.
Sommerstein, Alan H., Dawsonera: Greek drama and dramatists. Routledge, London (2002).
22.
Taplin, Oliver: Greek tragedy in action. Methuen, London (1978).
23.
Taplin, Oliver: The stagecraft of Aeschylus: the dramatic use of exits and entrances in Greek tragedy. Clarendon Press, Oxford (1977).
24.
Vickers, Brian: Towards Greek tragedy: drama, myth, society. Longman, London (1973).
25.
Walcot, Peter: Greek drama in its theatrical and social context. University of Wales Press, Cardiff (1976).
26.
Walton, J.Michael: Greek Theatre Practice. Methuen Publishing Ltd, Westport, Conn (1980).
27.
Walton, J. Michael: The Greek sense of theatre: tragedy reviewed. Routledge, London (1996).
28.
Wiles, David: Greek theatre performance: an introduction. Cambridge University Press, Cambridge (2000).
29.
Wiles, David: Tragedy in Athens: performance space and theatrical meaning. Cambridge University Press, Cambridge (1997).
30.
Winkler, John J., Zeitlin, Froma I.: Nothing to do with Dionysos?: Athenian drama in its social context. Princeton University Press, Oxford (1990).
31.
Zimmermann, Bernhard: Greek tragedy: an introduction. Johns Hopkins University Press, Baltimore (1991).
32.
Conacher, D J.: Aeschylus’ Oresteia: a literary commentary. U. of Toronto P., London (1987).
33.
Gagarin, Michael: Æschylean drama. University of California Press, Berkeley, Ca (1976).
34.
Goldhill, Simon: Aeschylus: the Oresteia. Cambridge University Press, Cambridge (1992).
35.
Hammond, N.G.L.: Personal Freedom and Its Limitations in the Oresteia. Journal of Hellenic studies. 85, (1965).
36.
McCall, Marsh H.: Aeschylus; a collection of critical essays. Prentice-Hall, Englewood Cliffs, N.J.
37.
Podlecki, Anthony J.: The political background of Aeschylean tragedy. Bristol Classical, London (1999).
38.
Winnington-Ingram, R. P.: Studies in Aeschylus. Cambridge University Press, Cambridge (1983).
39.
Dodds, E.R.: On Misunderstanding the Oedipus Rex. Greece and Rome. 13, (1966).
40.
Ehrenberg, Victor: Sophocles and Pericles. Blackwell, Oxford (1954).
41.
Feldman, Thalia Phillies [Howe]: Taboo in the Oedipus Theme. (198) AD.
42.
Gould, Thomas: The Innocence of Oedipus: The Philosophers on Oedipus the King. Arion: a quarterly journal of classical culture. 5, (1966).
43.
Greene, William C.: The Murderers of Laius. (1929).
44.
Gregory, Justina: The Encounter at the Crossroads in Sophocles’ ‘Oedipus Tyrannus’. Journal of Hellenic studies. (1995).
45.
Kirkwood, G. MacDonald: A study of Sophoclean drama. Johnson, [Place of publication not identified].
46.
Kitto, H. D. F.: Form and meaning in drama: a study of six Greek plays and of Hamlet. Methuen, London.
47.
Knox, Bernard MacGregor Walker: Oedipus at Thebes: Sophocles’ tragic hero and his time. Yale University Press, New Haven (1998).
48.
Knox, B M W.: The heroic temper, studies in Sophoclean tragedy. University of California Press, [Place of publication not identified].
49.
Segal, Charles: Tragedy and civilization: an interpretation of Sophocles. University of Oklahoma Press, Norman (1999).
50.
Segal, Charles: Sophocles’ tragic world: divinity, nature, society. Harvard University Press, Cambridge, Mass (1995).
51.
Sourvinou-Inwood, C.: Assumptions and the Creation Of Meaning: Reading Sophocles’ Antigone. Journal of Hellenic studies. 109, (1989).
52.
Vernant, Jean-Pierre: Tragedy and myth in Ancient Greece. Harvester Press, [Place of publication not identified] (1981).
53.
Whitman, Cedric Hubbell: Sophocles: a study of heroic humanism. Harvard University Press, Cambridge (1951).
54.
Woodard, T.: Sophocles: a collection of critical essays; edited by T Woodard. Prentice-Hall, [Place of publication not identified] (1966).
55.
Winnington-Ingram, R. P.: Sophocles: an interpretation. Cambridge University Press, Cambridge (1980).
56.
Gredley, Bernard: Greek tragedy and the ‘discovery’ of the actor. Themes in drama. 6, (1984).
57.
Burkert, W.: Greek tragedy and scrificial ritual. Greek, Roman and Byzantine studies. 7, (1966).
58.
Caldwell, R.: Selected bibliography on psychoanalysis and classical studies. Arethusa. 7, (1974).
59.
Raeburn, David: Greek tragedy and the actor today. Themes in drama. 6, (1984).
60.
Goldhill, S.: Violence in Greek tragedy. Themes in drama. 13, (1991).
61.
Goldhill, S.: The Great Dionysia and civic ideology. Journal of Hellenic studies. 107, (1987).
62.
McCaughey, J.: Talking about Greek tragedy. Ramus: critical studies in Greek and Roman literature. 1, (1972).
63.
Winter, F.E.: The Stage of New Comedy. Phoenix: the journal of the Classical Association of Canada. 37, (1983).
64.
Bremmer, J.: Scapegoat rituals in Ancient Greece. Harvard studies in classical philology. 87, (1983).
65.
Bremmer, Jan N.: Interpretations of Greek mythology. Routledge, London (1990).
66.
Zaidman, Louise Bruit, Pantel, Pauline Schmitt: Religion in the ancient Greek city. Cambridge University Press, Cambridge (1992).
67.
Burkert, Walter: Greek religion: archaic and classical. Blackwell, Oxford (1987).
68.
Burkert, Walter: Structure and history in Greek mythology and ritual. California U.P., Berkeley (1979).
69.
Buxton, Richard G. A.: Imaginary Greece: the contents of mythology. Cambridge University Press, Cambridge (1994).
70.
Carpenter, Thomas H.: Art and myth in ancient Greece: a handbook. Thames and Hudson, London (1991).
71.
Dowden, Ken: The uses of Greek mythology. Routledge, London (1992).
72.
Easterling, P E., Muir, J. V., Finley, M. I.: Greek religion and society. Cambridge University Press, Cambridge (1985).
73.
Garland, Robert: The Greek way of life: from conception to old age. Duckworth, London (1990).
74.
Guthrie, W. K. C: The Greeks and their gods. Methuen, London.
75.
Kirk, G. S.: The nature of Greek myths. Penguin, Harmondsworth (1974).
76.
Lévi-Strauss, Claude: Structural anthropology. Basic Books, [New York] (1963).
77.
Mikalson, Jon D.: Ancient Greek religion. Wiley-Blackwell, Malden, MA (2010).
78.
Segal, C.: Greek Myth as a Semiotic and Structural System and the Problem of Tragedy. Arethusa. 16, (1983).
79.
Sourvinou-Inwood, Christiane: ‘Reading’ Greek death: to the end of the classical period. Clarendon Press, Oxford (1996).
80.
Sourvinou-Inwood, C.: What is polis religion? In: The Greek city: from Homer to Alexander. Oxford University Press, New York (1990).
81.
Sourvinou-Inwood, Christiane: Tragedy and Athenian religion. Lexington Books, Lanham, Md (2003).
82.
Turner, Victor Witter: The ritual process: structure and anti-structure. Aldine de Gruyter, New York (1969).
83.
Gennep, Arnold van: The rites of passage. University of Chicago Press, Chicago].
84.
Vernant, Jean - Pierre: Myth and society in ancient Greece. Distributed by the MIT Press, Cambridge, Mass (1990).
85.
Case, Sue-Ellen: Feminism and theatre. Macmillan, Basingstoke (1988).
86.
Fantham, Elaine: Women in the classical world: image and text. Oxford University Press, New York (1994).
87.
Foley, Helene P., Dawsonera: Female acts in Greek tragedy. Princeton University Press, Princeton, N.J. (2001).
88.
Foley, Helene P.: Reflections of women in antiquity. Routledge, London (1981).
89.
Just, Roger, Dawsonera: Women in Athenian law and life. Routledge, London (1989).
90.
Lefkowitz, Mary R.: Women in Greek myth. Duckworth, London (1986).
91.
McClure, Laura: Spoken like a woman: speech and gender in Athenian drama. Princeton University Press, Princeton, N.J. (1999).
92.
Goldhill, Simon: How to stage Greek tragedy today. University of Chicago Press, Chicago, Ill (2007).
93.
Hall, Edith, Macintosh, Fiona, Wrigley, Amanda: Dionysus since 69: Greek tragedy at the dawn of the third millennium. Oxford University Press, Oxford (2004).
94.
Macintosh, Fiona: Agamemnon in performance, 458 BC to AD 2004. Oxford University Press, Oxford (2005).
95.
McDonald, Marianne: Ancient sun, modern light: Greek drama on the modern stage. Columbia University Press, New York (1992).
96.
Rehm, Rush: Radical theatre: Greek tragedy and the modern world. Duckworth, London (2003).
97.
Schechner, R.: Environmental theater. Applause, New York, London (1994).
98.
Chioles, J.: The Oresteia and the Avant-Garde: Three Decades of Discourse. Performing arts journal. 15, (1993).