Bibliography for Theatres of the Past: The Classics (DR673) BETA

1.

Wiles, David. Greek Theatre Performance: An Introduction. (Cambridge University Press, Cambridge, 2000).

2.

Rabinowitz, Nancy Sorkin. Greek Tragedy. vol. Blackwell introductions to the classical world (Blackwell Pub, Malden, MA, 2008).

3.

Storey, Ian Christopher & Allan, Arlene. A Guide to Ancient Greek Drama. vol. Blackwell guides to classical literature (Blackwell Pub, Malden, MA, 2005).

4.

Arnott, Peter D. Public and Performance in the Greek Theatre. (Routledge, London, 1989).

5.

Baldock, Marion. Greek Tragedy: An Introduction. vol. Classical world series (Bristol Classical Press, Bristol, 1989).

6.

Bieber, M. The History of the Greek and Roman Theater. (Princeton U.P., Princeton ; Guildford, 1961).

7.

Brown, Andrew. A New Companion to Greek Tragedy. (Croom Helm, London, 1983).

8.

Csapo, Eric & Slater, William J. The Context of Ancient Drama. (University of Michigan Press, Ann Arbor, 1994).

9.

Dover, K J. Ancient Greek Literature; Edited by K J Dover [et Al]. (O.U.P., [Place of publication not identified], 1980).

10.

Easterling, P. E. The Cambridge Companion to Greek Tragedy. vol. Cambridge companions to literature (Cambridge University Press, Cambridge, 1997).

11.

Easterling, P. E. & Hall, Edith. Greek and Roman Actors: Aspects of an Ancient Profession. (Cambridge University Press, Cambridge, 2002).

12.

Garland, Robert. Surviving Greek Tragedy. (Duckworth, London, 2004).

13.

Goldhill, Simon. Reading Greek Tragedy. (Cambridge University Press, Cambridge, 1986).

14.

Green, J. R. Theatre in Ancient Greek Society. (Routledge, London, 1994).

15.

Green, J. R. & Handley, Eric Walter. Images of the Greek Theatre. vol. Classical bookshelf (British Museum Press for the Trustees of the British Museum, London, 1995).

16.

Gregory, Justina & Dawsonera. A Companion to Greek Tragedy. (Blackwell, Oxford, 2005).

17.

McDonald, Marianne & Walton, J. Michael. The Cambridge Companion to Greek and Roman Theatre. (Cambridge University Press, Cambridge, 2007).

18.

Pickard-Cambridge, Arthur Wallace. The Theatre of Dionysus in Athens. (The Clarendon press, Oxford, 1946).

19.

Pickard-Cambridge, A. The Dramatic Festivals of Athens: 2nd Ed Rev by J Gould and D M Lewis. (Clarendon Press, [Place of publication not identified], 1968).

20.

Rehm, Rush. Greek Tragic Theatre. vol. Theatre production studies (Routledge, London, 1992).

21.

Sommerstein, Alan H. & Dawsonera. Greek Drama and Dramatists. (Routledge, London, 2002).

22.

Taplin, Oliver. Greek Tragedy in Action. (Methuen, London, 1978).

23.

Taplin, Oliver. The Stagecraft of Aeschylus: The Dramatic Use of Exits and Entrances in Greek Tragedy. (Clarendon Press, Oxford, 1977).

24.

Vickers, Brian. Towards Greek Tragedy: Drama, Myth, Society. vol. Comparative tragedy (Longman, London, 1973).

25.

Walcot, Peter. Greek Drama in Its Theatrical and Social Context. (University of Wales Press, Cardiff, 1976).

26.

Walton, J.Michael. Greek Theatre Practice. (Methuen Publishing Ltd, Westport, Conn, 1980).

27.

Walton, J. Michael. The Greek Sense of Theatre: Tragedy Reviewed. vol. Greek and Roman theatre archive (Routledge, London, 1996).

28.

Wiles, David. Greek Theatre Performance: An Introduction. (Cambridge University Press, Cambridge, 2000).

29.

Wiles, David. Tragedy in Athens: Performance Space and Theatrical Meaning. (Cambridge University Press, Cambridge, 1997).

30.

Winkler, John J. & Zeitlin, Froma I. Nothing to Do with Dionysos?: Athenian Drama in Its Social Context. (Princeton University Press, Oxford, 1990).

31.

Zimmermann, Bernhard. Greek Tragedy: An Introduction. (Johns Hopkins University Press, Baltimore, 1991).

32.

Conacher, D J. Aeschylus’ Oresteia: A Literary Commentary. (U. of Toronto P., London, 1987).

33.

Gagarin, Michael. Æschylean Drama. (University of California Press, Berkeley, Ca, 1976).

34.

Goldhill, Simon. Aeschylus: The Oresteia. vol. Landmarks of world literature (Cambridge University Press, Cambridge, 1992).

35.

Hammond & N.G.L. Personal Freedom and Its Limitations in the Oresteia. Journal of Hellenic studies 85, (1965).

36.

McCall, Marsh H. Aeschylus; a Collection of Critical Essays. vol. A Spectrum book (Prentice-Hall, Englewood Cliffs, N.J.).

37.

Podlecki, Anthony J. The Political Background of Aeschylean Tragedy. (Bristol Classical, London, 1999).

38.

Winnington-Ingram, R. P. Studies in Aeschylus. (Cambridge University Press, Cambridge, 1983).

39.

Dodds & E.R. On Misunderstanding the Oedipus Rex. Greece and Rome 13, (1966).

40.

Ehrenberg, Victor. Sophocles and Pericles. (Blackwell, Oxford, 1954).

41.

Feldman & Thalia Phillies [Howe]. Taboo in the Oedipus Theme. (198 AD).

42.

Gould & Thomas. The Innocence of Oedipus: The Philosophers on Oedipus the King. Arion: a quarterly journal of classical culture 5, (1966).

43.

Greene & William C. The Murderers of Laius. (1929).

44.

Gregory & Justina. The Encounter at the Crossroads in Sophocles’ ‘Oedipus Tyrannus’. Journal of Hellenic studies (1995).

45.

Kirkwood, G. MacDonald. A Study of Sophoclean Drama. (Johnson, [Place of publication not identified]).

46.

Kitto, H. D. F. Form and Meaning in Drama: A Study of Six Greek Plays and of Hamlet. (Methuen, London).

47.

Knox, Bernard MacGregor Walker. Oedipus at Thebes: Sophocles’ Tragic Hero and His Time. (Yale University Press, New Haven, 1998).

48.

Knox, B M W. The Heroic Temper, Studies in Sophoclean Tragedy. (University of California Press, [Place of publication not identified]).

49.

Segal, Charles. Tragedy and Civilization: An Interpretation of Sophocles. (University of Oklahoma Press, Norman, 1999).

50.

Segal, Charles. Sophocles’ Tragic World: Divinity, Nature, Society. (Harvard University Press, Cambridge, Mass, 1995).

51.

Sourvinou-Inwood & C. Assumptions and the Creation Of Meaning: Reading Sophocles’ Antigone. Journal of Hellenic studies 109, (1989).

52.

Vernant, Jean-Pierre. Tragedy and Myth in Ancient Greece. (Harvester Press, [Place of publication not identified], 1981).

53.

Whitman, Cedric Hubbell. Sophocles: A Study of Heroic Humanism. (Harvard University Press, Cambridge, 1951).

54.

Woodard, T. Sophocles: A Collection of Critical Essays; Edited by T Woodard. (Prentice-Hall, [Place of publication not identified], 1966).

55.

Winnington-Ingram, R. P. Sophocles: An Interpretation. (Cambridge University Press, Cambridge, 1980).

56.

Gredley & Bernard. Greek tragedy and the ‘discovery’ of the actor. Themes in drama 6, (1984).

57.

Burkert & W. Greek tragedy and scrificial ritual. Greek, Roman and Byzantine studies 7, (1966).

58.

Caldwell & R. Selected bibliography on psychoanalysis and classical studies. Arethusa 7, (1974).

59.

Raeburn & David. Greek tragedy and the actor today. Themes in drama 6, (1984).

60.

Goldhill & S. Violence in Greek tragedy. Themes in drama 13, (1991).

61.

Goldhill & S. The Great Dionysia and civic ideology. Journal of Hellenic studies 107, (1987).

62.

McCaughey & J. Talking about Greek tragedy. Ramus: critical studies in Greek and Roman literature 1, (1972).

63.

Winter & F.E. The Stage of New Comedy. Phoenix: the journal of the Classical Association of Canada 37, (1983).

64.

Bremmer & J. Scapegoat rituals in Ancient Greece. Harvard studies in classical philology 87, (1983).

65.

Bremmer, Jan N. Interpretations of Greek Mythology. (Routledge, London, 1990).

66.

Zaidman, Louise Bruit & Pantel, Pauline Schmitt. Religion in the Ancient Greek City. (Cambridge University Press, Cambridge, 1992).

67.

Burkert, Walter. Greek Religion: Archaic and Classical. (Blackwell, Oxford, 1987).

68.

Burkert, Walter. Structure and History in Greek Mythology and Ritual. (California U.P., Berkeley, 1979).

69.

Buxton, Richard G. A. Imaginary Greece: The Contents of Mythology. (Cambridge University Press, Cambridge, 1994).

70.

Carpenter, Thomas H. Art and Myth in Ancient Greece: A Handbook. (Thames and Hudson, London, 1991).

71.

Dowden, Ken. The Uses of Greek Mythology. vol. Approaching the ancient world (Routledge, London, 1992).

72.

Easterling, P E., Muir, J. V., & Finley, M. I. Greek Religion and Society. (Cambridge University Press, Cambridge, 1985).

73.

Garland, Robert. The Greek Way of Life: From Conception to Old Age. (Duckworth, London, 1990).

74.

Guthrie, W. K. C. The Greeks and Their Gods. (Methuen, London).

75.

Kirk, G. S. The Nature of Greek Myths. vol. A Pelican book (Penguin, Harmondsworth, 1974).

76.

Lévi-Strauss, Claude. Structural Anthropology. (Basic Books, [New York], 1963).

77.

Mikalson, Jon D. Ancient Greek Religion. vol. Blackwell ancient religions (Wiley-Blackwell, Malden, MA, 2010).

78.

Segal & C. Greek Myth as a Semiotic and Structural System and the Problem of Tragedy. Arethusa 16, (1983).

79.

Sourvinou-Inwood, Christiane. ‘Reading’ Greek Death: To the End of the Classical Period. (Clarendon Press, Oxford, 1996).

80.

Sourvinou-Inwood & C. What is polis religion? in The Greek city: from Homer to Alexander (Oxford University Press, New York, 1990).

81.

Sourvinou-Inwood, Christiane. Tragedy and Athenian Religion. vol. Greek studies : interdisciplinary approaches (Lexington Books, Lanham, Md, 2003).

82.

Turner, Victor Witter. The Ritual Process: Structure and Anti-Structure. vol. Lewis Henry Morgan lectures (Aldine de Gruyter, New York, 1969).

83.

Gennep, Arnold van. The Rites of Passage. (University of Chicago Press, Chicago]).

84.

Vernant, Jean - Pierre. Myth and Society in Ancient Greece. (Distributed by the MIT Press, Cambridge, Mass, 1990).

85.

Case, Sue-Ellen. Feminism and Theatre. vol. New directions in theatre (Macmillan, Basingstoke, 1988).

86.

Fantham, Elaine. Women in the Classical World: Image and Text. (Oxford University Press, New York, 1994).

87.

Foley, Helene P. & Dawsonera. Female Acts in Greek Tragedy. vol. Martin classical lectures (Princeton University Press, Princeton, N.J., 2001).

88.

Foley, Helene P. Reflections of Women in Antiquity. (Routledge, London, 1981).

89.

Just, Roger & Dawsonera. Women in Athenian Law and Life. (Routledge, London, 1989).

90.

Lefkowitz, Mary R. Women in Greek Myth. (Duckworth, London, 1986).

91.

McClure, Laura. Spoken like a Woman: Speech and Gender in Athenian Drama. (Princeton University Press, Princeton, N.J., 1999).

92.

Goldhill, Simon. How to Stage Greek Tragedy Today. (University of Chicago Press, Chicago, Ill, 2007).

93.

Hall, Edith, Macintosh, Fiona, & Wrigley, Amanda. Dionysus since 69: Greek Tragedy at the Dawn of the Third Millennium. (Oxford University Press, Oxford, 2004).

94.

Macintosh, Fiona. Agamemnon in Performance, 458 BC to AD 2004. (Oxford University Press, Oxford, 2005).

95.

McDonald, Marianne. Ancient Sun, Modern Light: Greek Drama on the Modern Stage. (Columbia University Press, New York, 1992).

96.

Rehm, Rush. Radical Theatre: Greek Tragedy and the Modern World. vol. Classical inter/faces (Duckworth, London, 2003).

97.

Schechner, R. Environmental Theater. vol. The Applause acting series (Applause, New York, London, 1994).

98.

Chioles & J. The Oresteia and the Avant-Garde: Three Decades of Discourse. Performing arts journal 15, (1993).