Aguado VL, ‘Film Genre and Its Vicissitudes: The Case of the Psychothriller’ 24 Atlantis <http://www.atlantisjournal.org/HTML%2520Files/Tables%2520of%2520contents/24.1%2520(2002).htm>
Botting F, ‘Monsters of the Imagination - Dark Science’, Gothic romanced: consumption, gender and technology in contemporary fictions (Routledge 2008)
Bronfen, Elisabeth, Home in Hollywood: The Imaginary Geography of Cinema, vol Film and culture (Columbia University Press 2004) <http://www.loc.gov/catdir/toc/fy051/2004045530.html>
Copjec, Joan, Shades of Noir: A Reader (Verso 1993)
Creed B, ‘Horror and the Archaic Mother: Alien’, The monstrous-feminine: film, feminism, psychoanalysis, vol Popular fictions series (Routledge 1993)
Delgado, Maria, ‘The Young and the Damned.’ (2008) 18 Sight & Sound <http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=31907020&site=ehost-live>
Diane Waldman, ‘“At Last I Can Tell It to Someone!”: Feminine Point of View and Subjectivity in the Gothic Romance Film of the 1940s’ (1984) 23 Cinema Journal 29 <http://www.jstor.org.chain.kent.ac.uk/stable/1225123>
Doane MA, ‘Female Spectatorship and Machines of Projection: Caught and Rebecca’, The desire to desire: the woman`s film of the 1940s, vol Language, discourse, society (Macmillan 1988)
Dresner, Lisa M., The Female Investigator in Literature, Film, and Popular Culture (McFarland & Co 2007)
Du Maurier, Daphne, Dame, Rebecca, vol Virago modern classics (Virago 2003)
Elsaesser T, ‘Tales of Sound and Fury: Observations on the Family Melodrama’, Home is where the heart is: studies in melodrama and the woman’s film (BFI Pub 1987) <http://www.loc.gov/catdir/bios/ucal052/88158900.html>
Fletcher J, ‘Primal Scenes and the Female Gothic: Rebecca and Gaslight’ (1995) 36 Screen 341
Freud, Sigmund, McLintock, David, and Haughton, Hugh, The Uncanny, vol Penguin classics (Penguin Books 2003)
Gaines J, ‘Costume and Narrative: How Dress Tells the Woman’s Story’, Fabrications: costume and the female body, vol AFI film readers (Routledge 1990)
Gallardo C., Ximena and Smith, C. Jason, Alien Woman: The Making of Lt. Ellen Ripley (Continuum 2004) <http://www.loc.gov/catdir/toc/ecip0414/2004001216.html>
Garcia, Maria, ‘Coraline’s Journey.’ (2009) 112 Film Journal International 8 <http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=36492901&site=ehost-live>
Gibbs, John, Mise-En-Scène: Film Style and Interpretation, vol Short Cuts (Wallflower 2002)
Gilbert, Sandra M. and Gubar, Susan, The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination (2nd ed, Yale University Press 2000)
Gilman, Charlotte Perkins and Bauer, Dale M., The Yellow Wallpaper, vol Bedford cultural editions (Bedford Books 1998)
Gooding, Richard., ‘“Something Very Old and Very Slow”: Coraline, Uncanniness, and Narrative Form.’ (2008) 33 Children’s Literature Association Quarterly <http://lion.chadwyck.co.uk.chain.kent.ac.uk/searchFullrec.do?id=R04117312&area=abell&forward=critref_fr>
Greenberg, Harvey R, ‘FEMBO: “Aliens’” Intentions’ 15 Journal of Popular Film and TelevisionJournal of Popular Film (1972-1978);Journal of Popular Film and Television 164 <http://search.proquest.com.chain.kent.ac.uk/pao/docview/1295933706/140AB37DA3066EDBC2B/5?accountid=7408>
Gunning T, ‘Heard over the Phone: The Lonely Villa and the de Lorde Tradition of the Terrors of Technology’ (1991) 32 Screen 184
Hall, Sheldon, ‘Dial M for Murder.’ (2004) 16 Film History 243 <http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=14787315&site=ehost-live>
Hanson, Helen, Hollywood Heroines: Women in Film Noir and the Female Gothic Film (IB Tauris 2007)
Helford ER, ‘The Stepford Wives and the Gaze’ (2006) 6 Feminist Media Studies 145
Hollinger K, ‘Film Noir, Voice Over, and the Femme Fatale’, Film noir reader (4th Limelight ed, Limelight Editions 1998)
Janice Radway, ‘The Utopian Impulse in Popular Literature: Gothic Romances and “Feminist” Protest’ (1981) 33 American Quarterly 140 <http://www.jstor.org.chain.kent.ac.uk/stable/2712313>
Kaplan, E. Ann, Women in Film Noir (Rev ed, BFI Publishing 1980)
Kaveney, Roz, From Alien to The Matrix: Reading Science Fiction Film (I B Tauris 2005)
Kendrick J, ‘Return to the Graveyard: Notes on the Spiritual Horror Film’, American Horror Film: The Genre at the Turn of the Millennium [Paperback] (University Press of Mississippi (7 Mar 2013)) <http://www.amazon.co.uk/American-Horror-Film-Genre-Millennium/dp/161703830X/ref=tmm_pap_title_0?ie=UTF8&qid=1379855033&sr=8-1>
Kozloff, Sarah, Invisible Storytellers: Voice-over Narration in American Fiction Film (University of California Press 1988)
Labanyi J, ‘Coming to Terms with the Ghosts of the Past: History and Spectrality in Contemporary Spanish Culture’ [2001] Arachne, A Journal of Iberian and Latin American Literary and Cultural Studies <https://www.libraries.rutgers.edu/rul/projects/arachne/vol1_1labanyi.html>
Laing, Heather, The Gendered Score: Music in 1940s Melodrama and the Woman’s Film, vol Ashgate popular and folk music series (Ashgate 2007) <http://www.loc.gov/catdir/toc/ecip073/2006032406.html>
Lane A, ‘Gone Missing’ [2008] The New Yorker <http://www.newyorker.com/arts/critics/cinema/2008/01/14/080114crci_cinema_lane?printable=true¤tPage=all#ixzz0zQPvokfO>
Levin, Ira, The Stepford Wives (Bloomsbury, for Sight & Sound Magazine 2000)
Mays, Sas and Matheson, Neil (eds), The Machine and the Ghost: Technology and Spiritualism in Nineteenth- to Twenty-First-Century Art and Culture (Manchester University Press 2013)
McDonald P, ‘Why Study Film Acting?’, More than a method: trends and traditions in contemporary film performance, vol Contemporary approaches to film and television series (Wayne State University Press 2004) <http://www.loc.gov/catdir/toc/ecip0413/2004000534.html>
Modleski, Tania, Loving with a Vengeance: Mass-Produced Fantasies for Women (2nd ed, Routledge 2008) <http://www.loc.gov/catdir/toc/ecip0716/2007017254.html>
Mussell, Kay J, ‘Beautiful and Damned: The Sexual Woman in Gothic Fiction’ 9 Journal of Popular CultureJournal of Popular Culture 84 <http://search.proquest.com.chain.kent.ac.uk/pao/docview/1297346693/140AB9E25CE64CFCC3/15?accountid=7408>
Place J and Peterson L, ‘Some Visual Motifs of Film Noir’, Film noir reader (4th Limelight ed, Limelight Editions 1998)
Rhodes, John David, ‘“Concentrated Ground”: “Grey Gardens” and the Cinema of the Domestic’ 47 Framework 83 <http://search.proquest.com.chain.kent.ac.uk/docview/2143332/140ABBCACCC3EC6A154/5?accountid=7408>
Russ J, ‘“Someone’s Trying to Kill Me and I Think It’s My Husband”: The Modern Gothic’, To write like a woman: essays in feminism and science fiction (Indiana University Press 1995)
Smith A and Wallace D, ‘The Female Gothic. Then and Now’ 6 Gothic Studies 1 <http://lion.chadwyck.co.uk.chain.kent.ac.uk/searchFulltext.do?id=R03554229&divLevel=0&area=abell&forward=critref_ft>
Snelson T, ‘“From Grade B Thrillers to Deluxe Chillers”: Prestige Horror, Female Audiences, and Allegories of Spectatorship in (1946)’ (2009) 7 New Review of Film and Television Studies 173
Tatar, Maria, Secrets beyond the Door: The Story of Bluebeard and His Wives (Princeton University Press 2004) <http://www.loc.gov/catdir/enhancements/fy0654/2004040045-t.html>
‘The Cyborg Mystique: The Stepford Wives and Second Wave Feminism’ 30 Women’s Studies Quarterly 60 <http://lion.chadwyck.co.uk.chain.kent.ac.uk/searchFulltext.do?id=R04239649&divLevel=0&area=abell&forward=critref_ft>
Turim M, ‘Designing Women: The Emergence of The New Sweetheart Line’, Fabrications: costume and the female body, vol AFI film readers (Routledge 1990)
Wheatley, Kim, ‘Gender Politics and the Gothic in Alfred Hitchcock’s Rebecca.’ (2002) 4 Gender Politics and the Gothic in Alfred Hitchcock’s Rebecca. <http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=8930844&site=ehost-live>
