@article{Aguado, title={Film Genre and its vicissitudes: The case of the Psychothriller}, volume={24}, url={http://www.atlantisjournal.org/HTML%2520Files/Tables%2520of%2520contents/24.1%2520(2002).htm}, number={1}, journal={Atlantis}, author={Aguado, Virginia Luzon} }
@inbook{Botting_2008, address={London}, title={Monsters of the Imagination - Dark Science}, booktitle={Gothic romanced: consumption, gender and technology in contemporary fictions}, publisher={Routledge}, author={Botting, Fred}, year={2008}, pages={139–146} }
@book{Bronfen, Elisabeth_2004, address={New York}, title={Home in Hollywood: the imaginary geography of cinema}, volume={Film and culture}, url={http://www.loc.gov/catdir/toc/fy051/2004045530.html}, publisher={Columbia University Press}, author={Bronfen, Elisabeth}, year={2004} }
@book{Copjec, Joan_1993, address={London}, title={Shades of noir: a reader}, journal={Film Noir and Women}, publisher={Verso}, author={Copjec, Joan}, year={1993} }
@inbook{Creed_1993, address={London}, title={Horror and the Archaic Mother: Alien}, volume={Popular fictions series}, booktitle={The monstrous-feminine: film, feminism, psychoanalysis}, publisher={Routledge}, author={Creed, Barbara}, year={1993}, pages={16–30} }
@article{Delgado, Maria_2008, title={The young and the damned.}, volume={18}, url={http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=31907020&site=ehost-live}, number={4}, journal={Sight & Sound}, author={Delgado, Maria}, year={2008} }
@article{Diane Waldman_1984, title={‘At Last I Can Tell It to Someone!’: Feminine Point of View and Subjectivity in the Gothic Romance Film of the 1940s}, volume={23}, url={http://www.jstor.org.chain.kent.ac.uk/stable/1225123}, number={2}, journal={Cinema Journal}, publisher={University of Texas Press}, author={Diane Waldman}, year={1984}, pages={29–40} }
@inbook{Doane_1988, address={Basingstoke}, title={Female spectatorship and machines of projection: Caught and Rebecca}, volume={Language, discourse, society}, booktitle={The desire to desire: the woman`s film of the 1940s}, publisher={Macmillan}, author={Doane, Mary Ann}, year={1988}, pages={155–175} }
@book{Dresner, Lisa M._2007, address={Jefferson, N.C.}, title={The female investigator in literature, film, and popular culture}, publisher={McFarland & Co}, author={Dresner, Lisa M.}, year={2007} }
@book{Du Maurier, Daphne, Dame_2003, address={London}, title={Rebecca}, volume={Virago modern classics}, publisher={Virago}, author={Du Maurier, Daphne, Dame}, year={2003} }
@inbook{Elsaesser_1987, address={London}, title={Tales of Sound and Fury: Observations on the Family Melodrama,}, url={http://www.loc.gov/catdir/bios/ucal052/88158900.html}, booktitle={Home is where the heart is: studies in melodrama and the woman’s film}, publisher={BFI Pub}, author={Elsaesser, Thomas}, year={1987}, pages={43–69} }
@article{Fletcher_1995, title={Primal scenes and the female gothic: Rebecca and Gaslight}, volume={36}, DOI={10.1093/screen/36.4.341}, number={4}, journal={Screen}, author={Fletcher, John}, year={1995}, month={Dec}, pages={341–370} }
@book{Freud, Sigmund_McLintock, David_Haughton, Hugh_2003, address={London}, title={The uncanny}, volume={Penguin classics}, publisher={Penguin Books}, author={Freud, Sigmund and McLintock, David and Haughton, Hugh}, year={2003} }
@inbook{Gaines_1990, address={New York}, title={Costume and narrative: How dress tells the woman’s story}, volume={AFI film readers}, booktitle={Fabrications: costume and the female body}, publisher={Routledge}, author={Gaines, Jane}, year={1990}, pages={180–211} }
@book{Gallardo C., Ximena_Smith, C. Jason_2004, address={New York}, title={Alien woman: the making of Lt. Ellen Ripley}, url={http://www.loc.gov/catdir/toc/ecip0414/2004001216.html}, publisher={Continuum}, author={Gallardo C., Ximena and Smith, C. Jason}, year={2004} }
@article{Garcia, Maria_2009, title={Coraline’s Journey.}, volume={112}, url={http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=36492901&site=ehost-live}, number={2}, journal={Film Journal International}, author={Garcia, Maria}, year={2009}, pages={8–51} }
@book{Gibbs, John_2002, address={London}, title={Mise-en-scène: film style and interpretation}, volume={Short Cuts}, publisher={Wallflower}, author={Gibbs, John}, year={2002} }
@book{Gilbert, Sandra M._Gubar, Susan_2000, address={New Haven}, edition={2nd ed}, title={The madwoman in the attic: the woman writer and the nineteenth-century literary imagination}, publisher={Yale University Press}, author={Gilbert, Sandra M. and Gubar, Susan}, year={2000} }
@book{Gilman, Charlotte Perkins_Bauer, Dale M._1998, address={Boston}, title={The yellow wallpaper}, volume={Bedford cultural editions}, publisher={Bedford Books}, author={Gilman, Charlotte Perkins and Bauer, Dale M.}, year={1998} }
@article{Gooding, Richard._2008, title={‘Something very old and very slow’: Coraline, uncanniness, and narrative form.}, volume={33}, url={http://lion.chadwyck.co.uk.chain.kent.ac.uk/searchFullrec.do?id=R04117312&area=abell&forward=critref_fr}, number={4}, journal={Children’s Literature Association Quarterly}, author={Gooding, Richard.}, year={2008} }
@article{Greenberg, Harvey R, title={FEMBO: ‘Aliens’’ Intentions}, volume={15}, url={http://search.proquest.com.chain.kent.ac.uk/pao/docview/1295933706/140AB37DA3066EDBC2B/5?accountid=7408}, number={4}, journal={Journal of Popular Film and TelevisionJournal of Popular Film (1972-1978);Journal of Popular Film and Television}, publisher={HELDREF Publications}, author={Greenberg, Harvey R}, pages={164–171} }
@article{Gunning_1991, title={Heard over the phone: The Lonely Villa and the de Lorde tradition of the terrors of technology}, volume={32}, DOI={10.1093/screen/32.2.184}, number={2}, journal={Screen}, author={Gunning, Tom}, year={1991}, month={Jun}, pages={184–196} }
@article{Hall, Sheldon_2004, title={Dial M for Murder.}, volume={16}, url={http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=14787315&site=ehost-live}, number={3}, journal={Film History}, author={Hall, Sheldon}, year={2004}, pages={243–255} }
@book{Hanson, Helen_2007, address={London}, title={Hollywood heroines: women in film noir and the female gothic film}, publisher={I.B. Tauris}, author={Hanson, Helen}, year={2007} }
@article{Helford_2006, title={The Stepford Wives and the Gaze}, volume={6}, DOI={10.1080/14680770600645119}, number={2}, journal={Feminist Media Studies}, author={Helford, Elyce Rae}, year={2006}, month={Jun}, pages={145–156} }
@inbook{Hollinger_1998, address={New York}, edition={4th Limelight ed}, title={Film Noir, Voice Over, and the Femme Fatale}, booktitle={Film noir reader}, publisher={Limelight Editions}, author={Hollinger, Karen}, year={1998} }
@article{Janice Radway_1981, title={The Utopian Impulse in Popular Literature: Gothic Romances and ‘Feminist’ Protest}, volume={33}, url={http://www.jstor.org.chain.kent.ac.uk/stable/2712313}, number={2}, journal={American Quarterly}, publisher={The Johns Hopkins University Press}, author={Janice Radway}, year={1981}, pages={140–162} }
@book{Kaplan, E. Ann_1980, address={London}, edition={Rev. ed}, title={Women in film noir}, publisher={BFI Publishing}, author={Kaplan, E. Ann}, year={1980} }
@book{Kaveney, Roz_2005, address={London}, title={From Alien to The matrix: reading science fiction film}, publisher={I. B. Tauris}, author={Kaveney, Roz}, year={2005} }
@inbook{Kendrick, title={Return to the graveyard: Notes on the spiritual horror film}, url={http://www.amazon.co.uk/American-Horror-Film-Genre-Millennium/dp/161703830X/ref=tmm_pap_title_0?ie=UTF8&qid=1379855033&sr=8-1}, booktitle={American Horror Film: The Genre at the Turn of the Millennium [Paperback]}, publisher={University Press of Mississippi (7 Mar 2013)}, author={Kendrick, James}, pages={142–158} }
@book{Kozloff, Sarah_1988, address={Berkeley, Calif}, title={Invisible storytellers: voice-over narration in American fiction film}, publisher={University of California Press}, author={Kozloff, Sarah}, year={1988} }
@article{Labanyi_2001, title={Coming to Terms with the Ghosts of the Past: History and Spectrality in Contemporary Spanish Culture}, url={https://www.libraries.rutgers.edu/rul/projects/arachne/vol1_1labanyi.html}, number={1}, journal={Arachne, A Journal of Iberian and Latin American Literary and Cultural Studies}, author={Labanyi, Jo}, year={2001} }
@book{Laing, Heather_2007, address={Aldershot}, title={The gendered score: music in 1940s melodrama and the woman’s film}, volume={Ashgate popular and folk music series}, url={http://www.loc.gov/catdir/toc/ecip073/2006032406.html}, publisher={Ashgate}, author={Laing, Heather}, year={2007} }
@article{Lane_2008, title={Gone Missing}, url={http://www.newyorker.com/arts/critics/cinema/2008/01/14/080114crci_cinema_lane?printable=true&currentPage=all#ixzz0zQPvokfO}, journal={The New Yorker}, author={Lane, Anthony}, year={2008} }
@book{Levin, Ira_2000, address={London}, title={The Stepford wives}, publisher={Bloomsbury, for Sight & Sound Magazine}, author={Levin, Ira}, year={2000} }
@inbook{McDonald_2004, address={Detroit}, title={Why Study Film Acting?}, volume={Contemporary approaches to film and television series}, url={http://www.loc.gov/catdir/toc/ecip0413/2004000534.html}, booktitle={More than a method: trends and traditions in contemporary film performance}, publisher={Wayne State University Press}, author={McDonald, Paul}, year={2004}, pages={23–41} }
@book{Modleski, Tania_2008, address={New York}, edition={2nd ed}, title={Loving with a vengeance: mass-produced fantasies for women}, url={http://www.loc.gov/catdir/toc/ecip0716/2007017254.html}, publisher={Routledge}, author={Modleski, Tania}, year={2008} }
@article{Mussell, Kay J, title={Beautiful and Damned: The Sexual Woman in Gothic Fiction}, volume={9}, url={http://search.proquest.com.chain.kent.ac.uk/pao/docview/1297346693/140AB9E25CE64CFCC3/15?accountid=7408}, number={1}, journal={Journal of Popular CultureJournal of Popular Culture}, publisher={Bowling Green State University.}, author={Mussell, Kay J}, pages={84–89} }
@inbook{Place_Peterson_1998, address={New York}, edition={4th Limelight ed}, title={Some Visual Motifs of Film Noir}, booktitle={Film noir reader}, publisher={Limelight Editions}, author={Place, Janey and Peterson, Lowell}, year={1998}, pages={65–75} }
@article{Rhodes, John David, title={‘Concentrated Ground’: ‘Grey Gardens’ and the Cinema of the Domestic}, volume={47}, url={http://search.proquest.com.chain.kent.ac.uk/docview/2143332/140ABBCACCC3EC6A154/5?accountid=7408}, number={1}, journal={Framework}, publisher={Wayne State University Press}, author={Rhodes, John David}, pages={83–105} }
@inbook{Russ_1995, address={Bloomington}, title={‘Someone’s trying to kill me and I think it’s my husband’: The Modern Gothic}, booktitle={To write like a woman: essays in feminism and science fiction}, publisher={Indiana University Press}, author={Russ, Joanna}, year={1995}, pages={94–119} }
@article{Smith_Wallace, address={Manchester}, title={The Female gothic. Then and now}, volume={6}, url={http://lion.chadwyck.co.uk.chain.kent.ac.uk/searchFulltext.do?id=R03554229&divLevel=0&area=abell&forward=critref_ft}, number={1}, journal={Gothic Studies}, author={Smith, Andrew and Wallace, Diana}, pages={1–8} }
@article{Snelson_2009, title={‘From grade B thrillers to deluxe chillers’: prestige horror, female audiences, and allegories of spectatorship in                              (1946)}, volume={7}, DOI={10.1080/17400300902816952}, number={2}, journal={New Review of Film and Television Studies}, author={Snelson, Tim}, year={2009}, month={Jun}, pages={173–188} }
@book{Tatar, Maria_2004, address={Princeton, N.J.}, title={Secrets beyond the door: the story of Bluebeard and his wives}, url={http://www.loc.gov/catdir/enhancements/fy0654/2004040045-t.html}, publisher={Princeton University Press}, author={Tatar, Maria}, year={2004} }
@inbook{Turim_1990, address={New York}, title={Designing Women: The Emergence of The New Sweetheart Line}, volume={AFI film readers}, booktitle={Fabrications: costume and the female body}, publisher={Routledge}, author={Turim, Maureen}, year={1990}, pages={212–228} }
@article{Wheatley, Kim_2002, title={Gender Politics and the Gothic in Alfred Hitchcock’s Rebecca.}, volume={4}, url={http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=8930844&site=ehost-live}, number={2}, journal={Gender Politics and the Gothic in Alfred Hitchcock’s Rebecca.}, author={Wheatley, Kim}, year={2002} }
@book{Mays, Sas_Matheson, Neil_2013, address={Manchester}, title={The Machine and the Ghost: Technology and Spiritualism in Nineteenth- to Twenty-first-century Art and Culture}, publisher={Manchester University Press}, year={2013} }
@article{The cyborg mystique: The Stepford Wives and second wave feminism, address={New York}, volume={30}, url={http://lion.chadwyck.co.uk.chain.kent.ac.uk/searchFulltext.do?id=R04239649&divLevel=0&area=abell&forward=critref_ft}, number={1/2}, journal={Women’s Studies Quarterly}, pages={60–77} }