Bibliography for Advanced Film Theory

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Andersson, Roy. 2011. ‘Songs from the Second Floor’.

Andrew, Dudley. 1976. The Major Film Theories: An Introduction. London: O.U.P.

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Balázs, Béla, Erica Carter, and Béla Balázs. 2010. Béla Balázs: Early Film Theory : Visible Man and The Spirit of Film. Vol. Film Europa : German cinema in an international context. New York: Berghahn Books.

Bazin, André, and Sabine d’Estrée. 2013. The Cinema of Cruelty: From Buñuel to Hitchcock. edited by F. Truffaut. New York: Arcade publishing.

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Campion, Jane. 1992. ‘The Piano’.

Carroll, Noël. 1988a. Mystifying Movies: Fads & Fallacies in Contemporary Film Theory. New York: Columbia University Press.

Carroll, Noël. 1988b. Philosophical Problems of Classical Film Theory. Princeton, N.J.: Princeton University Press.

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Carter, E., and R. Livingstone. 2007a. ‘Bela Balazs, Visible Man, or the Culture of Film (1924)’. Screen 48(1):91–108. doi: 10.1093/screen/hjm005.

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Chaplin, Charlie. 1916. ‘Charlie Chaplin: The Mutual Films, Vol. 1: Behind the Screen ; The Rink ; Easy Street ; The Cure ; The Immigrant ; The Adventurer’.

Corrigan, Timothy. 2001. A Short Guide to Writing about Film. Vol. The short guide series. 4th ed. New York ; London: Longman.

D. N. Rodowick. 2007. ‘An Elegy for Theory’. October 122:91–109.

De Sica, Vittorio. 1948. ‘The Bicycle Thieves’.

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Eisenstein, Sergei, 1898-1948. 2000. ‘October 1917: Ten Days That Shook the World’.

Eisenstein, Sergei and Leyda, Jay. 1949. Film Form: Essays in Film Theory. London: Harcourt Brace Jovanovich.

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Epstein, Jean, Luis Buñuel, Edgar Allan Poe, and Edgar Allan Poe. 1928. ‘The Fall of the House of Usher’.

Etherington-Wright, Christine. & Doughty, Ruth. n.d. Understanding Film Theory: Theoretical and Critical Perspectives. [Place of publication not identified]: Palgrave Macmillan.

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Ford, John. 1939. ‘Young Mr. Lincoln’.

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Frey, Mattias. n.d. ‘“Cultural Problems of Classical Film Theory”’. Screen.

Godard, Jean Luc. 1963. ‘Contempt’. The criterion collection.

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Hansen, Marian Bratu. 2012. Cinema and Experience: Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno. Vol. Weimar and now. Berkeley, Calif: University of California Press.

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Miriam Bratu Hansen. 2008. ‘Benjamin’s Aura’. Critical Inquiry 34(2):336–75.

Modleski, Tania. 1988. The Women Who Knew Too Much: Hitchcock and Feminist Theory. New York: Methuen.

Mulvey, Laura. 2006. Death 24x a Second: Stillness and the Moving Image. London: Reaktion Books.

Mulvey, Laura. 2009. Visual and Other Pleasures. Vol. Language, discourse, society. 2nd ed. Houndmills, Basingstoke, Hampshire [England]: Palgrave Macmillan.

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Noël Carroll. 1993. ‘Toward a Theory of Point-of-View Editing: Communication, Emotion, and the Movies’. Poetics Today 14(1):123–41.

Perkins, V. F. 1993. Film as Film: Understanding and Judging Movies. 1st Da Capo Press ed. New York: Da Capo Press.

Pisters, Patricia. 2012. The Neuro-Image: A Deleuzian Film-Philosophy of Digital Screen Culture. Vol. Cultural memory in the present. Stanford, California: Stanford University Press.

Plantinga, C. 2009. ‘Affective Trajectories and Synaesthesia’. in Moving viewers: American film and the spectator’s experience. Berkeley, Ca: University of California Press.

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Rushton, Richard and Bettinson, Gary. 2010. What Is Film Theory?: An Introduction to Contemporary Debates. Maidenhead, Berkshire: Open University Press.

Ruttmann, Walter. 1927. Berlin, Symphony of a Great City, [and], Opus 1. Vol. DVD videos. Germany: Fox-Europa Film.

SMITH, GREG. 2004. ‘Moving Explosions: Metaphors of Emotion in Sergei Eisenstein’s Writings’. Quarterly Review of Film and Video 21(4):303–15. doi: 10.1080/10509200490446196.

Smith, M. 1997. ‘Introduction’. in Film theory and philosophy: aesthetics and the analytical tradition. Oxford: Clarendon.

Smith, Murray. 1995. Engaging Characters: Fiction, Emotion, and the Cinema. Oxford: Clarendon Press.

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Sobchack, Vivian. 1992. The Address of the Eye: A Phenomenology of Film Experience. Princeton, N.J.: Princeton University Press.

Stam, Robert. 2000. Film Theory: An Introduction. Malden, Mass: Blackwell.

Turvey, Malcolm. 2008. Doubting Vision: Film and the Revelationist Tradition. Oxford: Oxford University Press.

Vertov, D. 1984. Kino-Eye: The Writings of Dziga Vertov; Ed A Michelson. [Place of publication not identified]: Pluto Press.

Vertov, Dziga. 1928. ‘The Man with a Movie Camera’.

Vertov, Dziga. 1928. ‘The Man with a Movie Camera’.

Von Sternberg, Josef. 1928. ‘The Docks of New York’.

Von Sternberg, Josef. 2008a. ‘Dishonored’. Universal Cinema classics.

Von Sternberg, Josef. 2008b. ‘Morocco’. Universal Cinema classics.

Welles, Orson. 1941. ‘Citizen Kane’.

Wilson, George M. 2011. Seeing Fictions in Film: The Epistemology of Movies. Oxford: Oxford University Press.

Bibliography for Advanced Film Theory BETA