[1]
Culler, Jonathan D., Literary theory: a very short introduction. Oxford: Oxford University Press, 1997.
[2]
Miller, J. Hillis, On literature, vol. Thinking in action. London: Routledge, 2002.
[3]
J. Rivkin and M. Ryan, Literary theory: an anthology, Second edition. Malden, MA: Blackwell Pub, 2004.
[4]
Wellek, René and Warren, Austin, Theory of literature, 3rd rev. ed. London: Cape, 1966.
[5]
P. Waugh, Literary theory and criticism: an Oxford guide. Oxford: Oxford University Press, 2006 [Online]. Available: http://www.loc.gov/catdir/toc/ecip061/2005029754.html
[6]
P. Barry, Beginning theory: an introduction to literary and cultural theory, Third edition. Manchester: Manchester University Press, 2009.
[7]
R. Pope, The English studies book: an introduction to language, literature and culture, Second edition. London: Routledge, 2002.
[8]
A. Bennett and N. Royle, An introduction to literature, criticism and theory, Third edition. Harlow: Pearson Longman, 2004.
[9]
Auerbach, Erich and Trask, Willard R., Mimesis: the representation of reality in Western literature, 1st Princeton paperback ed., vol. Princeton paperbacks. Princeton: Princeton University Press, 1968.
[10]
Bassnett, Susan, Comparative literature: a critical introduction. Cambridge, Mass: Blackwell, 1993.
[11]
Prawer, Siegbert Salomon, Comparative literary studies: an introduction. [Place of publication not identified]: Duckworth, 1973.
[12]
Steiner, George, What is comparative literature?: an inaugural lecture delivered before the University of Oxford on 11 October, 1994. New York: O.U.P., 1995.
[13]
Bassnett, Susan, Translation studies, vol. New accents. London: Methuen, 1980.
[14]
Schulte, Rainer and Biguenet, John, Theories of translation: an anthology of essays from Dryden to Derrida. Chicago: University of Chicago Press, 1992.
[15]
Venuti, Lawrence, The Translation studies reader. London: Routledge, 2000.
[16]
Duff, David, Modern genre theory, vol. Longman critical readers. Harlow: Longman, 2000.
[17]
Fowler, A., Kinds of literature: an introduction to the theory of genres and modes. [Place of publication not identified]: Clarendon Press, 1982.
[18]
Fussell, P., Poetic meter and poetic form. [Place of publication not identified]: Random House, 1979.
[19]
Hobsbaum, Philip, Metre, rhythm, and verse form, vol. The new critical idiom. London: Routledge, 1996.
[20]
J. Wainwright, Poetry: the basics, Second edition. London: Routledge, 2011.
[21]
J. Lennard, The poetry handbook: a guide to reading poetry for pleasure and practical criticism. Oxford: Oxford University Press, 1996.
[22]
P. H. Fry, A defense of poetry: reflections on the occasion of writing. Stanford, Calif: Stanford University Press, 1995.
[23]
Booth, Wayne C., The rhetoric of fiction, 2nd ed. Harmondsworth: Penguin, 1987.
[24]
Onega, Susana and Landa, José Ángel García, Narratology: an introduction, vol. Longman critical readers. London: Longman, 1996.
[25]
Rimmon-Kenan, Shlomith, Narrative fiction: contemporary poetics, vol. New accents. London: Methuen, 1983.
[26]
H. P. Abbott, The Cambridge introduction to narrative, Second edition., vol. Cambridge introductions to literature. Cambridge: Cambridge University Press, 2008 [Online]. Available: http://www.loc.gov/catdir/enhancements/fy0806/2007050512-b.html
[27]
G. Genette, Narrative discourse: an essay in method. Ithaca, N.Y.: Cornell University Press, 1980.
[28]
P. Cobley, Narrative. London: Routledge, 2001.
[29]
B. Fuchs, Romance, vol. New critical idiom. New York ; London: Routledge, 2004 [Online]. Available: http://www.loc.gov/catdir/toc/ecip0415/2004003902.html
[30]
Beer, Gillian, The romance, vol. The Critical idiom. London]: Methuen.
[31]
L. R. Furst, European romanticism: self-definition: an anthology; compiled by L R Furst. [Place of publication not identified]: Methuen, 1980.
[32]
D. Morse, Romanticism: a structural analysis. [Place of publication not identified]: Macmillan, 1982.
[33]
L. Abercrombie, Romanticism. [Place of publication not identified]: High Hill Books, 1962.
[34]
Walder, Dennis, The realist novel, vol. Approaching literature. London: Routledge, 1995.
[35]
Watt, Ian, The rise of the novel: studies in Defoe, Richardson, and Fielding. London: Chatto & Windus, 1957.
[36]
Levenson, Michael H., A genealogy of modernism: a study of English literary doctrine, 1908-1922. Cambridge: Cambridge University Press, 1984.
[37]
Levenson, Michael H., The Cambridge companion to modernism, vol. Cambridge companions to literature. Cambridge: Cambridge University Press, 1999 [Online]. Available: http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://cco.cambridge.org/login2%3Fdest%3D%252Fbook%253Fid%253Dccol0521495164_CCOL0521495164
[38]
Lukács, György, The meaning of contemporary realism. London: Merlin Press, 1963.
[39]
M. Carter and A. W. Friedman, Modernism and literature: an introduction and reader. London: Routledge, 2013.
[40]
Butler, Christopher, Postmodernism: a very short introduction, vol. Very short introductions. New York: Oxford University Press, 2002.
[41]
Connor, Steven, Postmodernist culture: an introduction to theories of the contemporary. Oxford: Blackwell, 1989.
[42]
Docherty, Thomas, Postmodernism: a reader. Hemel Hempstead: Harvester Wheatsheaf, 1993.
[43]
S. Sim, The Routledge companion to postmodernism, 3rd ed. London: Routledge, 2011.
[44]
Barthes and R, ‘The Death of the Author’, in Image, music, text, vol. Fontana communications series, Glasgow: Collins, 1977.
[45]
Barthes, Roland, Miller, Richard, and Howard, Richard, The pleasure of the text. New York: Hill and Wang, 1975.
[46]
Bloom, Harold, How to read and why. London: Fourth Estate, 2000.
[47]
Eco, U., The role of the reader: explorations in the semiotics of texts. [Place of publication not identified]: Hutchinson, 1981.
[48]
Iser, W., The act of reading: a theory of aesthetic response. [Place of publication not identified]: Routledge & Kegan Paul, 1978.
[49]
Manguel, Alberto, A history of reading. London: Flamingo, 1997.
[50]
Scholes, Robert, Protocols of reading. London: Yale University Press, 1989.
[51]
S. Towheed, R. Crone, and K. Halsey, The history of reading: a reader, vol. Routledge literature readers. London: Routledge, 2011.
[52]
Barthes, Roland, Elements of semiology, [1st American ed.]. New York: Hill and Wang.
[53]
Jameson, F., The prison-house of language: a critical account of structuralism and Russian formalism. [Place of publication not identified]: Princeton U.P.
[54]
Russian formalist criticism: four essays; translated by L T Lemon and M J Reis. [Place of publication not identified]: Nebraska U.P., 1965.
[55]
Culler, Jonathan D., Structuralist poetics: structuralism, linguistics and the study of literature. London: Routledge and Kegan Paul, 1975.
[56]
Hawkes, Terence, Structuralism & semiotics. London: Methuen, 1977.
[57]
Freud, Sigmund and Freud, Sigmund, Writings on art and literature, vol. Meridian, crossing aesthetics. Stanford, Ca: Stanford University Press, 1997.
[58]
Wright, Elizabeth, Psychoanalytic criticism: a reappraisal, 2nd ed. Oxford: Polity, 1998.
[59]
J. Rivkin and M. Ryan, ‘“Political Criticism: From Marxism to Cultural Materialism - Introduction: Starting with Zero”’, in Literary theory: an anthology, Second edition., Malden, MA: Blackwell Pub, 2004, pp. 643–646.
[60]
T. Eagleton and D. Milne, Marxist literary theory: a reader. Oxford: Blackwell, 1996.
[61]
L. Jackson, The dematerialisation of Karl Marx: literature and Marxist theory, vol. Foundations of modern literary theory. Hoboken, United States: Taylor and Francis, 2014 [Online]. Available: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=1747306
[62]
C. Slaughter, Marxism, ideology and literature. [Place of publication not identified]: Macmillan, 1981.
[63]
J. Markels, The Marxian imagination: representing class in literature. New York: Monthly Review Press, 2003 [Online]. Available: http://www.loc.gov/catdir/toc/ecip045/2003013488.html
[64]
D. Craig, Marxists on literature: an anthology, vol. Pelican books. Harmondsworth: Penguin Books, 1975.
[65]
F. Mulhern, Contemporary Marxist literary criticism, vol. Longman critical readers. London: Longman, 1992.
[66]
R. Williams, Marxism and literature, vol. Marxist introductions. Oxford: Oxford University Press, 1977.
[67]
Allen, Graham, Intertextuality. London: Routledge, 2000.
[68]
Barthes, Roland and Heath, Stephen, Image, music, text, vol. Fontana communications series. Glasgow: Collins, 1977.
[69]
Bloom, Harold, The anxiety of influence: a theory of poetry, 2nd ed. New York, Oxford: Oxford University Press, 1997.
[70]
G. Allen, Intertextuality. London: Routledge, 2000.
[71]
Belsey, Catherine, Poststructuralism: a very short introduction, vol. Very short introductions. Oxford: Oxford University Press, 2002.
[72]
Derrida, Jacques and Attridge, Derek, Acts of literature. London: Routledge, 1992.
[73]
J. Wainwright, Poetry: the basics, Second edition. London: Routledge, 2011.
[74]
L. R. Furst, European romanticism: self-definition: an anthology; compiled by L R Furst. [Place of publication not identified]: Methuen, 1980.