[1]
Ayers, David, English literature of the 1920s. Edinburgh: Edinburgh University Press, 1999.
[2]
Ayers, David, Modernism: a short introduction, vol. Blackwell introductions to literature. Oxford: Blackwell Pub, 2004. Available: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=351292
[3]
Benstock, Shari, Women of the Left Bank: Paris, 1900-1940. London: Virago, 1987.
[4]
Berman, Marshall, All that is solid melts into air: the experience of modernity. London: Verso, 1983.
[5]
Bourne-Taylor, Carole and Mildenberg, Ariane, Phenomenology, modernism and beyond, vol. Cultural interactions: studies in the relationship between the arts. New York: Peter Lang, 2010.
[6]
Bradbury, Malcolm and McFarlane, James Walter, Modernism, 1890-1930. London: Penguin Books, 1991.
[7]
Butler, Christopher S., Early modernism: literature music and painting in Europe, 1900-1916. Oxford: Clarendon Press, 1994.
[8]
Carey, John, The intellectuals and the masses: pride and prejudice among the literary intelligentsia, 1880-1939. London: Faber, 1992.
[9]
Kenner, Hugh, The Pound era. Berkeley: University of California Press, 1971.
[10]
Levenson, Michael H., A genealogy of modernism: a study of English literary doctrine, 1908-1922. Cambridge: Cambridge University Press, 1984.
[11]
Nicholls, Peter, Modernisms: a literary guide. Basingstoke: Macmillan, 1995.
[12]
Nicola Pitchford, ‘Unlikely Modernism, Unlikely Postmodernism: Stein’s Tender Buttons’, American Literary History, vol. Vol. 11, no. No. 4, pp. 642–667.
[13]
Stevenson, Randall, Modernist fiction, Rev. ed. London: Prentice Hall, 1998.
[14]
Tratner, Michael, Modernism and mass politics: Joyce, Woolf, Eliot, Yeats. Stanford, Calif: Stanford University Press, 1995.
[15]
Stein, Gertrude, The autobiography of Alice B. Toklas, vol. Penguin modern classics. Harmondsworth: Penguin, 1966.
[16]
Stein, G., Look at me now and here I am: writings and lectures 1909-45; edited by P Meyerowitz. [Place of publication not identified]: Penguin.
[17]
Stein, Gertrude, The making of Americans: being a history of a family’s progress, 1906-1908. London: Owen, 1968.
[18]
Stein, G., Three lives. [Place of publication not identified]: Penguin, 1979.
[19]
Bell, I F A., Critic as scientist: the modernist poetics of Ezra Pound. [Place of publication not identified]: Methuen, 1981.
[20]
Brooker, Peter and Pound, Ezra, A student’s guide to the Selected poems of Ezra Pound. Boston: Faber & Faber, 1979.
[21]
Carpenter, Humphrey, A serious character: the life of Ezra Pound. London: Faber, 1988.
[22]
Davie, Donald, Ezra Pound: poet as sculptor. London: Routledge & Kegan Paul, 1965.
[23]
Ellmann, M., The poetics of impersonality: T S Eliot and Ezra Pound. Brighton: Harvester Press, 1987.
[24]
Doolittle, H., Bid me to live. [Place of publication not identified]: Virago, 1984.
[25]
Doolittle, Hilda and Martz, Louis Lohr, Collected poems 1912-1944. Manchester: Carcanet Press, 1984.
[26]
Doolittle, Hilda, Trilogy: The walls do not fall: Tribute to the angels, The flowering of the rod, vol. A New Directions book. New York: New Directions, 1973.
[27]
Jones, Peter Austin, Imagist poetry, vol. Penguin twentieth-century classics. Harmondsworth: Penguin, 1972.
[28]
Kenner, Hugh, The Pound era. Berkeley: University of California Press, 1971.
[29]
Nicholls, P., Ezra Pound: politics, economics and writing: a study of the Cantos. [Place of publication not identified]: Macmillan, 1984.
[30]
Pound, Ezra, The cantos of Ezra Pound, 4th collected ed. London: Faber, 1987.
[31]
Pound, Ezra, Collected early poems of Ezra Pound, vol. A New Directions book. New York: New Directions Pub. Corp, 1976.
[32]
Pound, Ezra, Personae: collected shorter poems. London: Faber and Faber.
[33]
Pound, Ezra, Gaudier-Brzeska: a memoir, vol. A New Directions book. New York: New Directions Pub. Corp, 1970.
[34]
Pound, E., Guide to kulchur. [Place of publication not identified]: New Directions, 1938.
[35]
Pound, Ezra, Literary essays. London: Faber and Faber.
[36]
Pound, Ezra and Cookson, William, Selected prose: 1909-1965. New York: New Directions, 1973.
[37]
Pound, Ezra, Translations, [Enl. ed. Norfolk, Conn.]: New Directions.
[38]
Terrell, Carroll Franklin and Pound, Ezra, A companion to the Cantos of Ezra Pound. Berkeley: National Poetry Foundation, University of Maine at Orono, 1980.
[39]
Ackroyd, P., T S Eliot. [Place of publication not identified]: Hamish Hamilton, 1984.
[40]
Eliot, T. S., Four quartets: a casebook; ed by B Bergonzi. [Place of publication not identified]: Macmillan, 1969.
[41]
Burke, Carolyn, Becoming modern: the life of Mina Loy, 1st ed. New York: Farrar, Straus, and Giroux, 1996.
[42]
Bush, R., T S Eliot: a study in character and style. [Place of publication not identified]: O.U.P., 1983.
[43]
Chisholm, A., Nancy Cunard: A Biography. [Place of publication not identified]: Random House.
[44]
Davidson, Harriet, T.S. Eliot and hermeneutics: absence and interpretation in The waste land. Baton Rouge: Louisiana State U.P., 1985.
[45]
Eliot, T. S., Collected poems, 1909-1962. London: Faber and Faber, 1963.
[46]
Eliot, T. S., The sacred wood: essays on poetry and criticism, 2nd ed. London: Faber, 1997.
[47]
Eliot, T. S., Selected essays, 3rd ed. London: Faber, 1972.
[48]
Ford, Hugh D., Nancy Cunard: brave poet, indomitable rebel, 1896-1965, [1st ed.]. Philadelphia ; London: Chilton Book Co, 1968.
[49]
Gordon, Lyndall, Eliot’s early years. New York: Oxford University Press, 1977.
[50]
Kenner, Hugh, The invisible poet: T.S.Eliot, vol. University paperbacks. London: Methuen, 1965.
[51]
Moody, A. David, Thomas Stearns Eliot, poet, 2nd ed. Cambridge: Cambridge University Press, 1994.
[52]
Loy, Mina, Shreiber, Maeera, and Tuma, Keith, Mina Loy: woman and poet. Orono, Me: National Poetry Foundation, 1998.
[53]
Scofield, Martin, T. S. Eliot: the poems, vol. British and Irish authors. Cambridge: C.U.P., 1988.
[54]
Southam, B. C., A student’s guide to the Selected poems of T. S. Eliot, 6th ed. London: Faber and Faber, 1994.
[55]
Bloom, H., Wallace Stevens: the poems of our climate. London: Cornell U.P., 1977.
[56]
Kermode, Frank, Wallace Stevens. London: Faber, 1989.
[57]
Stevens, Wallace, Collected poems. London: Faber and Faber, 2006.
[58]
Stevens, W., The necessary angel: essays on reality and the imagination. [Place of publication not identified]: Vintage Books, 1965.
[59]
Stevens, Wallace and Bates, Milton J., Opus posthumous, Rev, Enlarged, and Corrected ed. London: Faber, 1990.
[60]
Vendler, Helen Hennessy, On extended wings: Wallace Stevens’ longer poems, vol. A Harvard paperback. Cambridge, Mass: Harvard University Press, 1969.
[61]
Ayers, David, Wyndham Lewis and western man. Basingstoke: Macmillan Academic and Professional, 1992.
[62]
Bridson, D. G., The filibuster: a study of the political ideas of Wyndham Lewis. London: Cassell, 1972.
[63]
Hulme, Thomas Ernest and Read, Herbert Edward, Speculations: essays on humanism and the philosophy of art, 2nd ed., vol. International library of philosophy, psychologogy and scientific method. London: Harcourt, Brace & company, inc, 1936.
[64]
Kenner, Hugh, Wyndham Lewis, vol. The Makers of modern literature. London: Methuen & Co., ltd.
[65]
Lewis, Wyndham, The apes of God. Santa Barbara: Black Sparrow Press, 1981.
[66]
Lewis, Wyndham, The art of being ruled. London: Chatto and Windus, 1926.
[67]
Lewis, Wyndham, The Childermass: Section 1. London: Chatto & Windus, 1928.
[68]
Lewis, Wyndham and Lafourcade, Bernard, The complete Wild body. Santa Barbara, CA: Black Sparrow Press, 1982.
[69]
Lewis, Wyndham, Tarr, Rev. ed., vol. Penguin twentieth-century classics. Harmondsworth: Penguin, 1982.
[70]
Lewis, Wyndham and Edwards, Paul, Time and western man. Santa Rosa: Black Sparrow Press, 1993.
[71]
Jameson, F., Fables of aggression: Wyndham Lewis, the modernist as fascist. [Place of publication not identified]: California U.P., 1979.
[72]
T. Materer, Wyndham Lewis, the novelist. Detroit: Wayne State University Press, 1976.
[73]
Wagner, Geoffrey Atheling, Wyndham Lewis: a portrait of the artist as the enemy. London: Routledge & Kegan Paul.
[74]
Attridge, Derek, The Cambridge companion to James Joyce. Cambridge: Cambridge University Press, 1990.
[75]
Attridge, D., Post-structuralist Joyce: essays from the French; edited by D Attridge and D Ferrer. [Place of publication not identified]: C.U.P., 1984.
[76]
Ellmann, Richard, James Joyce, New and rev. Ed. New York: Oxford University Press, 1982.
[77]
Joyce, James and Brown, Terence, Dubliners, vol. Penguin twentieth-century classics. London: Penguin Books, 1992.
[78]
Joyce, James and Deane, Seamus, A portrait of the artist as a young man, vol. Penguin twentieth-century classics. London: Penguin, 1992.
[79]
Kenner, Hugh, Joyce’s voices, vol. A Quantum book. Berkeley: University of California Press, 1978.
[80]
Levin, H., James Joyce: a critical introduction. [Place of publication not identified]: New Directions.
[81]
MacCabe, Colin, James Joyce : new perspectives. Bloomington: Harvester Press, 1982.
[82]
Norris, M., The decentered universe of Finnegan’s wake. [Place of publication not identified]: Johns Hopkins U.P., 1976.
[83]
Adorno, Theodor W., Leppert, Richard D., and Gillespie, Susan H., Essays on music: Theodor W. Adorno ; selected, with introduction, commentary, and notes by Richard Leppert ; new translations by Susan H. Gillespie. Berkeley, Calif: University of California Press, 2002.
[84]
Arlen, M., The green hat: a romance for a few people. [Place of publication not identified]: Collins.
[85]
Bell, Michael, D.H. Lawrence: language and being. Cambridge: Cambridge University Press, 1992.
[86]
Bergson, H., L’evolution creatrice. [Place of publication not identified]: P.U.F., 1941.
[87]
Bergson, Henri, Matiere et memoire: essai sur la relation du corps a l’esprit. [Paris]: Flammarion, 2012.
[88]
Brown, Keith, Rethinking Lawrence. Milton Keynes: Open University Press, 1990.
[89]
Ellis, David, D.H. Lawrence: dying game, 1922-1930, vol. The Cambridge biography, D.H. Lawrence, 1885-1930. Cambridge: Cambridge University Press, 1997.
[90]
Fernihough, Anne, D.H. Lawrence: aesthetics and ideology. Oxford: Clarendon Press, 1993.
[91]
Holderness, G., D H Lawrence: history, ideology and fiction. [Place of publication not identified]: Gill and Macmillan, 1982.
[92]
Kinkead-Weekes, Mark, D.H. Lawrence: triumph to exile, 1912-1922, vol. The Cambridge biography. New York: Cambridge University Press, 1996.
[93]
Lawrence, D. H. and Kalnins, Mara, Aaron’s rod, vol. Cambridge edition of the letters and works of D.H. Lawrence. Cambridge: C.U.P, 1988.
[94]
Lawrence, D. H. and Steele, Bruce, England, my England and other stories, vol. The Cambridge edition of the letters and works of D.H. Lawrence. Cambridge: Cambridge University Press, 1990.
[95]
Lawrence, D. H. and Lawrence, Frieda von Richthofen, The first Lady Chatterley: the first version of Lady Chatterley’s lover. Harmondsworth: Penguin, 1973.
[96]
Lawrence, D. H., Mehl, Dieter.((jjjjj)), Lawrence, D. H., and Lawrence, D. H., The fox: The captain’s doll. The ladybird, vol. Penguin twentieth-century classics. London: Penguin Books, 1994.
[97]
Lawrence, D. H. and Squires, Michael, Lady Chatterley’s lover: a propos of ‘Lady Chatterly’s lover’, vol. Penguin classics. London: Penguin, 1994.
[98]
Lawrence, D. H. and Boulton, James Thompson, The letters of D. H. Lawrence, vol. The Cambridge edition of the letters and works of D.H. Lawrence. Cambridge: Cambridge University Press, 1979.
[99]
Lawrence, D. H., Roberts, Francis Warren, and Moore, Harry Thornton, Phoenix II: uncollected, unpublished and other prose works by D. H. Lawrence, vol. The Phoenix edition of D. H. Lawrence. London: Heinemann, 1968.
[100]
Lawrence, D. H. and McDonald, Edward David, Phoenix: the posthumous papers of D. H. Lawrence. London: Heinemann, 1936.
[101]
Lawrence, D. H. and Kinkead-Weekes, Mark, The rainbow, vol. The Cambridge edition of the letters and works of D.H. Lawrence. Cambridge: Cambridge University Press, 1989.
[102]
Lawrence, D. H., Baron, Helen, and Baron, Carl, Sons and lovers, vol. The Cambridge edition of the letters and works of D.H. Lawrence. Cambridge: C.U.P., 1992.
[103]
Lawrence, D. H and Steele, Bruce, Study of Thomas Hardy and other essays, vol. The Cambridge edition of the letters and works of D.H. Lawrence. Cambridge: Cambridge University Press, 1985.
[104]
Lawrence, D. H., Farmer, David, Vasey, Lindeth, Worthen, John, and Kinkead-Weekes, Mark, Women in love. London: Penguin, 2000.
[105]
Leavis, F. R, D. H. Lawrence, novelist, vol. Pelican books. Harmondsworth: Penguin, 1973.
[106]
Lewis, David L., The portable Harlem Renaissance reader. London: Viking, 1994.
[107]
Lewis, W., Paleface: The philosophy of the " melting-pot. ". New York: Gordon Press, 1972.
[108]
MacLeod, Sheila, Lawrence’s men and women. London: Heinemann, 1985.
[109]
Nietzsche, Friedrich Wilhelm, Beyond good and evil: prelude to a philosophy of the future. Harmondsworth: Penguin Books, 1973.
[110]
Nietzsche, Friedrich Wilhelm and Hollingdale, R. J., Thus spake Zarathustra: a book for everyone and no one, vol. Penguin classics. Harmondsworth: Penguin, 1961.
[111]
Nixon, C., Lawrence’s leadership politics and the turn against women. [Place of publication not identified]: U. of California P., 1986.
[112]
Preston, Peter and Hoare, Peter, D. H. Lawrence in the modern world. Basingstoke: Macmillan, 1989.
[113]
Ruderman, Judith, D.H. Lawrence and the devouring mother: the search for a patriarchal ideal of leadership. Durham, N.C.: Duke University Press, 1984.
[114]
Simpson, H., D H Lawrence and feminism. [Place of publication not identified]: Croom Helm, 1982.
[115]
Smith, Anne, Lawrence and women, vol. Vision critical studies. London: Vision, 1978.
[116]
Worthen, T J., D H Lawrence and the idea of the novel; [by] J Worthen. [Place of publication not identified]: Macmillan, 1979.
[117]
Abel, Elizabeth, Virginia Woolf and the fictions of psychoanalysis, vol. Women in culture and society. Chicago: University of Chicago Press, 1989.
[118]
Bazin, N T., Virginia Woolf and the androgynous vision. Rutgers U.P., 1973.
[119]
Beer, Gillian, Virginia Woolf: the common ground: essays. Edinburgh: Edinburgh University Press, 1996.
[120]
Bowlby, Rachel, Feminist destinations and further essays on Virginia Woolf. Edinburgh: Edinburgh University Press, 1997.
[121]
Bowlby, Rachel, Virginia Woolf, vol. Longman critical readers. London: Longman, 1992.
[122]
DeSalvo, Louise A., Virginia Woolf: the impact of childhood sexual abuse on her life and work. London: Women’s Press, 1991.
[123]
DiBattista, Maria, Virginia Woolf’s major novels: the fables of Anon. New Haven, London: Yale University Press, 1980.
[124]
Ferrer, Daniel, Virginia Woolf and the madness of language. London: Routledge, 1990.
[125]
Hussey, M., The singing of the real world: the philosophy of Virginia Woolf’s fiction. [Place of publication not identified]: Ohio State U.P., 1986.
[126]
Hussey, Mark, Virginia Woolf and war: fiction, reality, and myth, vol. Syracuse studies on peace and conflict resolution. Syracuse, N.Y.: Syracuse U.P., 1991.
[127]
Lee, H., The novels of Virginia Woolf. [Place of publication not identified]: Methuen, 1977.
[128]
Lee, Hermione, Virginia Woolf. London: Chatto & Windus, 1996.
[129]
Marcus, Jane, Virginia Woolf and the languages of patriarchy. Bloomington: Indiana University Press, 1987.
[130]
Minow-Pinkney, M., Virginia Woolf & the problem of the subject. [Place of publication not identified]: Harvester Press, 1987.
[131]
Newbery, Maggie and Ogden, James, Picking up threads: the complete reminiscences of a Bradford mill girl. Bradford: Bradford Libraries and Information Service, 1993.
[132]
Phillips and K.J., ‘Virginia Woolf against Empire’. Univ. of Tennessee Press, 1994.
[133]
Poole, Roger, The unknown Virginia Woolf. Cambridge: Cambridge University Press, 1995.
[134]
Roe, Susan Mary, Virginia Woolf, writing and gender. 1988: [publisher not identified], 1988.
[135]
Spivak, Gayatri Chakravorty, In other worlds: essays in cultural politics. London: Routledge, 1988.
[136]
Woolf, Virginia, Bell, Quentin, Bell, Anne Olivier, and McNeillie, Andrew, The diary of Virginia Woolf. London: Penguin, 1977.
[137]
Woolf, Virginia, McNeillie, Andrew, and Clarke, Stuart Nelson, The essays of Virginia Woolf. London: Hogarth Press, 1986.
[138]
Woolf, Virginia and Roe, Sue, Jacob’s room, vol. Penguin twentieth century classics. London: Penguin Books, 1992.
[139]
Woolf, Virginia, Nicolson, Nigel, and Trautmann, Joanne, The letters of Virginia Woolf. London: Hogarth Press, 1975.
[140]
Woolf, Virginia, Showalter, Elaine, and McNichol, Stella, Mrs Dalloway, vol. Penguin classics. London: Penguin, 2000.
[141]
Woolf, Virginia, Orlando: a biography, vol. Penguin classics. London: Penguin, 2000.
[142]
Woolf, Virginia, A room of one’s own, vol. Great ideas. London: Penguin, 2004.
[143]
Woolf, Virginia and McNichol, Stella, To the lighthouse, vol. Penguin twentieth-century classics. London: Penguin, 1992.
[144]
Woolf, Virginia and Flint, Kate, The waves. London: Penguin, 1992.
[145]
Zwerdling, A., Virginia Woolf and the real world. [Place of publication not identified]: U. of California P., 1986.
[146]
Adorno, Theodor W. and Bernstein, J. M., The culture industry: selected essays on mass culture, vol. Routledge classics. London: Routledge, 2001.
[147]
Adorno, Theodor W and Horkheimer, Max, Dialectic of enlightenment, 2nd ed., vol. Verso classics. London: Verso, 1986.
[148]
Arato, A., The essential Frankfurt School reader. [Place of publication not identified]: Blackwell.
[149]
Benjamin, Walter, Charles Baudelaire: a lyric poet in the era of high capitalism. London: Verso, 1983.
[150]
Benjamin, Walter, Jephcott, Edmund, and Shorter, Kingsley, One-way street, and other writings. London: Verso, 1979.
[151]
Benjamin, Walter, The origin of German tragic drama. London: NLB, 1977.
[152]
Benjamin, Walter and Bostock, Anna, Understanding Brecht. London: NLB, 1973.
[153]
Bloch, Ernst, Aesthetics and politics. London: NLB, 1977.
[154]
Bottomore, Tom, The Frankfurt School and its critics, Rev. ed., vol. Key sociologists. London: Routledge, 2002.
[155]
Buck-Morss, Susan, The dialectics of seeing: Walter Benjamin and the Arcades project, vol. Studies in contemporary German social thought. Cambridge, Mass: MIT Press, 1989.
[156]
Buck-Morss, Susan and Benjamin, Walter, The origin of negative dialectics: Theodor W. Adorno, Walter Benjamin, and the Frankfurt Institute. Hassocks, Sx: Harvester Press, 1977.
[157]
Cohen, Margaret, Profane illumination: Walter Benjamin and the Paris of surrealist revolution, vol. Weimar and now. Berkeley: University of California Press, 1993.
[158]
Jarvis, Simon, Adorno: a critical introduction, vol. Key contemporary thinkers. Oxford: Polity, 1998.
[159]
Jay, Martin, Adorno, vol. Fontana modern masters. [London]: Fontana, 1984.
[160]
Kadarkay, Arpad, The Lukács reader. Cambridge, Mass: Blackwell Publishers, 1995.
[161]
Lunn, Eugene, Marxism and modernism: an historical study of Lukács, Brecht, Benjamin, and Adorno. Berkeley: University of California Press, 1984.
[162]
Marcus, Laura and Nead, Lynda, The actuality of Walter Benjamin. London: Lawrence & Wishart, 1998.
[163]
Pensky, Max, Melancholy dialectics: Walter Benjamin and the play of mourning, vol. Critical perspectives on modern culture. Amherst: University of Massachusetts Press, 1993.
[164]
Roberts, Julian, Walter Benjamin, vol. Contemporary social theory. London: Macmillan, 1982.
[165]
Rose, Gillian, The melancholy science: an introduction to the thought of Theodor W. Adorno. London: Macmillan, 1978.
[166]
Smith, Gary, Benjamin: philosophy, aesthetics, history. Chicago: University of Chicago Press, 1989.
[167]
Tar, Zoltán, The Frankfurt school: the critical theories of Max Horkheimer and Theodor W. Adorno. London: Wiley, 1977.
[168]
Wiggershaus, Rolf, The Frankfurt School: its history, theories, and political significance. Cambridge: Polity Press, 1994.
[169]
Wolin, Richard, Walter Benjamin, an aesthetic of redemption, vol. Weimar and now. Berkeley: University of California Press, 1994.
[170]
Cohen, Tom, Jacques Derrida and the humanities: a critical reader. Cambridge: Cambridge University Press, 2001.
[171]
Culler, J., The pursuit of signs: semiotics, literature, deconstruction. [Place of publication not identified]: Routledge & Kegan Paul, 1981.
[172]
Derrida, Jacques and Kamuf, Peggy, A Derrida reader: between the blinds. Chichester: Columbia University Press, 1991.
[173]
Derrida, Jacques and Johnson, Barbara, Dissemination, vol. Continuum impacts : changing minds. London: Continuum, 2004.
[174]
Derrida, Jacques, Margins of philosophy. Chicago: University of Chicago Press, 1982.
[175]
Derrida, Jacques, Of grammatology. Delhi: Motilal Banarsidass Pub, 1994.
[176]
Derrida, Jacques and Bass, Alan, Positions, 2nd English ed., rev. Ed., vol. Athlone contemporary European thinkers. London: Continuum, 2004.
[177]
Derrida, Jacques, Speech and phenomena, and other essays on Husserl’s theory of signs, vol. Northwestern University studies in phenomenology&existential philosophy. Evanston: Northwestern University Press, 1973.
[178]
Derrida, Jacques and Bass, Alan, Writing and difference, vol. Routledge classics. London: Routledge, 2001.
[179]
Lentricchia, Frank, After the new criticism. [Place of publication not identified]: Athlone Press, 1980.
[180]
Norris, C., Deconstruction: theory and practice. [Place of publication not identified]: Methuen, 1982.
[181]
Norris, Christopher, Derrida, vol. Fontana modern masters. London: Fontana, 1987.
[182]
Ryan, M., Marxism and deconstruction: a critical articulation. [Place of publication not identified]: Johns Hopkins U.P., 1982.
[183]
Wood, David, Derrida: a critical reader. Oxford: Blackwell, 1992.
[184]
Bradshaw, David and Dettmar, Kevin J. H., A companion to modernist literature and culture, vol. Blackwell companions to literature and culture. Malden, Mass: Blackwell Pub, 2006. Available: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=255294
[185]
Eeckhout, Bart and Ragg, Edward, Wallace Stevens across the Atlantic. Houndmills, Basingstoke: Palgrave Macmillan, 2008.
[186]
Ford, Sara J., Gertrude Stein and Wallace Stevens: the performance of modern consciousness, vol. Studies in major literary authors. London: Routledge, 2002.
[187]
Stein, G., A primer for the gradual understanding of Gertrude Stein; edited by R B Haas. [Place of publication not identified]: Black Sparrow Press, 1971.
[188]
Heidegger, Martin and Hofstadter, Albert, Poetry, language, thought, vol. His Works. New York: Harper & Row, 1971.
[189]
Merleau-Ponty, Maurice, Johnson, Galen A., and Smith, Michael B., The Merleau-Ponty aesthetics reader: philosophy and painting, vol. Northwestern University studies in phenomenology and existential philosophy. Evanston, Ill: Northwestern University Press, 1993.
[190]
Kern, Stephen, The culture of time and space, 1880-1918. Cambridge, Mass: Harvard U.P., 1983.
[191]
Merleau-Ponty, Maurice, Sense and non-sense. [Evanston, Ill.]: Northwestern University Press, 1964.
[192]
Merleau-Ponty, M., The primacy of perception. [Place of publication not identified]: Northwestern U.P., 1964.
[193]
Perloff, Marjorie, The poetics of indeterminacy: Rimbaud to Cage, vol. Avant-garde&modernism studies. Evanston, Ill: Northwestern University Press, 1999.
[194]
Murphy, Margueritte S., A tradition of subversion: the prose poem in English from Wilde to Ashbery. Amherst: University of Massachusetts Press, 1992.
[195]
Stein, Gertrude, Picasso. New York: Dover Publications, 1984.
[196]
Snaith, Anna, Virginia Woolf: public and private negotiations. Basingstoke: Palgrave Macmillan, 2003. Available: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=736786
[197]
Taylor, Mark C., Nots, vol. Religion and postmodernism. Chicago: University of Chicago Press, 1993.
[198]
Will, B., Gertrude Stein, Modernism and the Problem of Genius. Edinburgh: Edinburgh University Press, 2000.
[199]
Young, Julian, Heidegger’s philosophy of art. 2011.
[200]
Zimmerman, Michael E., Heidegger’s confrontation with modernity: technology, politics, and art, vol. The Indiana series in the philosophy of technology. Bloomington: Indiana University Press, 1990.
[201]
M Ller-Funk, Wolfgang, The Architecture of Modern Culture: Towards a Narrative Cultural Theory, vol. Culture&Conflict. [Place of publication not identified]: Walter de Gruyter, 2012.
[202]
V. Woolf and G. Beer, The waves, vol. Oxford world’s classics. Oxford: Oxford University Press, 2008.
[203]
J. Rhys, Good morning, midnight. London: Penguin, 2000.
[204]
E. Savory, The Cambridge Introduction to Jean Rhys. Cambridge, United Kingdom: Cambridge University Press, 2009. Available: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=432062
[205]
E. Savory, Jean Rhys, vol. Cambridge studies in African and Caribbean literature. Cambridge: Cambridge University Press, 1998. Available: http://www.loc.gov/catdir/samples/cam032/99211215.html
[206]
C. A. Howells, Jean Rhys, vol. Key women writers. New York: Harvester Wheatsheaf, 1991.
[207]
C. Angier, Jean Rhys: life and work. London: Deutsch, 1990.
[208]
H. Carr and British Council, Jean Rhys, Second edition., vol. Writers and their work. Tavistock: Northcote House, 2012.
[209]
M. L. Emery, Jean Rhys at ‘World’s End’: novels of colonial and sexual exile. Austin, Tex: University of Texas Press, 1990.
[210]
V. M. Gregg, Jean Rhys’s historical imagination: reading and writing the Creole. Chapel Hill: University of North Carolina Press, 1995.
[211]
N. R. Harrison, Jean Rhys and the novel as women’s text. Chapel Hill: University of North Carolina Press, 1988.
[212]
N. Haliloğlu, Narrating from the margins: self-representation of female and colonial subjectivities in Jean Rhys’s novels, vol. Cross/Cultures. Amsterdam: Rodopi, 2011.
[213]
H. Blamires, The new Bloomsday book: a guide through Ulysses, Third edition. London: Routledge, 1996.
[214]
D. Ryan, Virginia Woolf and the materiality of theory: sex, animal, life. Edinburgh: Edinburgh University Press, 2013.